Foros Yacht House by Robin Monotti Architects

This yacht house on the southernmost tip of the Crimean coastline by Robin Monotti Architects includes four holiday apartments (+ slideshow).

Foro Yacht House by Robin Monotti Architects

Located within the Foros Shore holiday resort, the Foros Yacht House was conceived as stack of box-like volumes intended to play down the scale of the fifteen-metre-deep and six-metre high room for storing the yacht at the centre of the building.

Foro Yacht House by Robin Monotti Architects

“Yacht House is an organic composition,” said Robin Monotti. “We started with the box for the boat, then added accommodation alongside, terraces, and finally the stair tower.”

Foro Yacht House by Robin Monotti Architects

The architect drew inspiration from the traditional “dacha” holiday homes of the Ukraine’s neighbouring Russia and planned the building as a contemporary reinterpretation, with off-white walls to reflect sunlight and porthole windows that reference naval architecture.

Foro Yacht House by Robin Monotti Architects

A captain’s lodge is located on the ground floor and leads through to the yacht storage, while a studio flat occupies the first floor and two-bedroom apartments span the building on the second and third floors.

Foros Yacht House by Robin Monotti Architects

Floor-to-ceiling windows open out to glass-fronted balcony terraces, offering guests a view straight out to sea.

Foros Yacht House by Robin Monotti Architects

“Ultimately the building is about the nearness of the sea and the huge skies,” said Monotti. “We wanted people to experience their surroundings – the sound of the water, the sea winds, the changing light and moods, the changing temperatures, even the salty taste in the air – as if they were already on a yacht.”

Foros Yacht House by Robin Monotti Architects

The chunky stair tower runs up the rear corner of the building and has vertical slit windows that limit daylight. The architect explains that this was intentional, so that guests are overcome with light as they enter the apartments. “Yacht House helps you experience nature in a powerful way,” he adds.

Foros Yacht House by Robin Monotti Architects

Italian architect Robin Monotti set up his London studio in 2007.

Foros Yacht House by Robin Monotti Architects

Other boathouses completed in recent years include a Victorian boathouse in England and a cylindrical boathouse in Texas.

Foros Yacht House by Robin Monotti Architects

Photography is by Ioana Marinescu, apart from where otherwise stated.

Foros Yacht House by Robin Monotti Architects

Here’s a project description from Robin Monotti Architects:


Foros Yacht House, Crimea, Ukraine
Robin Monotti Architects

London based Robin Monotti Architects completed ‘Yacht House’ in September 2012. The 875 sq m contemporary building creates an outstanding feature on the Crimean shoreline. It houses four rental apartments arranged around tall yacht storage at ground level, and connected by a staircase tower. The apartments provide spectacular views across the sea and the mountains, and a direct and immediate connection to the coastal environment that surrounds them.

Foros Yacht House by Robin Monotti Architects

In 2011 Robin Monotti’s Ukranian client acquired the site which lies within the Foros Shore resort owned by the Donetsk Steel Group. With a Mediterranean-like climate and dramatic scenery, the Crimea is known as the Russian Riviera. Foros is located at the southernmost tip of the Crimea, along the most sought after 30 km band of coastline in the Ukraine. Because of its enduring popularity, the area has a rich political and architectural heritage. Neighbours include the dachas of former USSR president Gorbachev and current Ukrainian president Yanukovich, and close by are magnificent palaces and churches from the Tsarist era.

Foros Yacht House by Robin Monotti Architects

Yacht House is a contemporary response to Russia’s dacha tradition. Robin Monotti’s design is uncompromisingly modern, but also open, playful and people focussed. This is important for a country that remembers the repressive Soviet regime and its association with brutalist architecture.

Foros Yacht House by Robin Monotti Architects

Brief

The client initially required winter storage space for his 13 metre yacht. The client then decided to add three rental apartments and captain’s accommodation to make the most of the outstanding site. A significant challenge was how to design the building so that the apartments were not overpowered by the massive door required for the yacht. Other challenges were presented by a steeply sloping site in a seismically active area, and its proximity to the sea which in bad weather could drench the house in corrosive salt water.

Foros Yacht House by Robin Monotti Architects

Solution

The design commenced with a yacht room 7 metres wide, 15 metres deep and 6 metres high on the ground floor giving access via a 25′ door to a railed slipway in front. To balance the 25′ door and enable dramatic, unrestricted views across the Black Sea, Robin Monotti proposed three distinctive volumes above and beside the tall boat house. By offsetting the volumes, the design provided a variety of terraces at different levels, extensive views and outdoor access.

Foros Yacht House by Robin Monotti Architects

The outside is brought inside by 9 metre wide floor to ceiling windows in the main apartments which provide almost seamless seascapes. When the bi-folding doors are fully open the interior living spaces feel like shaded outdoor spaces. Porthole windows continue the marine theme.

Foros Yacht House by Robin Monotti Architects

Glass railings to all balconies and terraces allow for uninterrupted views, and a shared 135 sq m solarium terrace on the fourth floor provides 360 degree views of the sea and the Crimean Mountains behind. A variety of different outdoor terraces and balconies offer contrasting views over the surrounding landscape.

Foros Yacht House by Robin Monotti Architects

A tall stair tower links the floors and, with its slit-like windows, recalls the nearby defensive Genoese fortifications of Balaklava. The narrow windows restrict light and views so that surprise and delight is enhanced when the main living areas, with their astounding light and views, are entered from the tower. The slit windows also provide privacy on the side of the building that faces the resort.

Foros Yacht House by Robin Monotti Architects

Above: ground floor plan

The captain’s accommodation and the first floor flat provide studio accommodation, with two bedroom apartments on the third and fourth floor. The flats are fully furnished with high quality white Italian furniture.

Foros Yacht House by Robin Monotti Architects

Above: first floor plan

Environmental features

The building is constructed of reinforced concrete throughout to make the structure capable of withstanding earthquakes and to provide additional protection against winter storms.

Foros Yacht House by Robin Monotti Architects

Above: second floor plan

There was a conscious effort to reduce light pollution in the outside areas. It was important that the focus for guests at night time would be on the natural landscape, in order for them to witness the reflection of the moon, stars and sea. An influx in outside lighting would restrict guests from engaging with nature and the surrounding landscape.

Foros Yacht House by Robin Monotti Architects

Above: third floor plan

Off-white paint was chosen for the exterior of the building in order to absorb the least amount of solar radiation possible, as well as to enhance the visibility of the building. Porthole windows to the sides of the building provide cross ventilation.

Foros Yacht House by Robin Monotti Architects

Above: roof plan

Architect: Robin Monotti Architects: Robin Monotti Graziadei, Fannar Haraldsson
Client: Private
Structural engineer: Gennadiy Gyrushta
Main contractor: Igor Shutkin

Foros Yacht House by Robin Monotti Architects

Above: section 

Begun: August 2011
Completed: September 2012
Internal and External Floor Area: 875m2
Internal Floor area: 575m2
Yacht store dimensions 7 metres wide, 15 metres deep and 6 metres high
Sector: Residential Holiday Flats
Total cost: £1M
Address: Foros, Crimea, Ukraine, Ukraine

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The Shard by Renzo Piano photographed by Nick Guttridge

The View from The Shard tourist attraction inside Renzo Piano’s 310-metre London skyscraper opens to the public today and these new shots by photographer Nick Guttridge show just how tall the building is compared with the rest of London’s skyline (+ slideshow).

The Shard by Renzo Piano photographed by Nick Guttridge

The Shard was officially inaugurated in July 2012, but today marks the first time that the public can enter the 72-storey building and ascend all the way to the uppermost floor.

The Shard by Renzo Piano photographed by Nick Guttridge

From this vantage point, 244 metres above ground, visitors are exposed to the elements and are faced with panoramic views stretching for over 40 miles.

The Shard by Renzo Piano photographed by Nick Guttridge

Renzo Piano designed the mixed-use skyscraper in 2000 and it became the tallest building in Europe in 2011, before being overtaken at the end of 2012 by Moscow tower Mercury City.

The Shard by Renzo Piano photographed by Nick Guttridge

Piano described the building as “a vertical city” in an interview with Dezeen editor-in-chief Marcus Fairs before construction began, but explained that he was never concerned with breaking records. “Towers usually have a very bad reputation, and normally a deserved reputation, because they are normally a symbol of arrogance and power,” he said. “All this is about doing a building that is not arrogant.”

The Shard by Renzo Piano photographed by Nick Guttridge

Since its construction, architecture critic Rowan Moore has labelled the building a “serious failure of planning”. Meanwhile, an urban explorer posted pictures online of himself climbing its walls and UNESCO were prompted to reconsider the status of the nearby Tower of London and Palace of Westminster as recognised sites of historical significance.

The Shard by Renzo Piano photographed by Nick Guttridge

Photographer Nick Guttridge shot the skyscraper from several points around London, including from the penthouse at the recently completed Neo Bankside and from Canary Wharf. For details of how to purchase limited edition prints, send an email to mail@nickguttridge.com.

The Shard by Renzo Piano photographed by Nick Guttridge

See more stories about The Shard »

The Shard by Renzo Piano photographed by Nick Guttridge

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Hotelito Desconocido Sanctuary Reserve & Spa

Each Palafito has its own name and personality, chosen from the letters of the Mexican Lottery. 27 luxury rooms, two restaurants, spa, shop, receptio..

Haus E17 in Metzingen by (se)arch

A square window protrudes from the gabled facade of this house in Germany by Stuttgart architects (se)arch (+ slideshow + photographs by Zooey Braun)

Haus E17 in Metzingen by (se)arch Architekten

The three-storey-high residence completes the edge of a medieval market square in Metzingen where all new buildings are required to have a steep pitched roof.

Haus E17 in Metzingen by (se)arch Architekten

“The ‘Kelterplatz’ is a very special part of the city,” (se)arch architect Stephan Eberding told Dezeen. “It’s a square with seven old ‘Keltern’, which are a kind of traditional wood-frame construction with a roof to make wine. We tried to play with that.”

Haus E17 in Metzingen by (se)arch Architekten

The roof of Haus E17 slopes up at a steep angle that matches its neighbours and is clad with brown tiles. “We were not allowed to use metal, even the colors of the tiles had to be dark red or brown, so we tried to create a very simple, sharply cut shape,” said Eberding.

Haus E17 in Metzingen by (se)arch Architekten

The walls are clad with beige-coloured stucco and the windows are framed with bronze-aluminium. “We tried to keep the colour palette in a small spectrum, to make the shape stronger,” added Eberding.

Haus E17 in Metzingen by (se)arch Architekten

Living rooms and kitchen areas are located on the ground and basement floors, while bedrooms occupy two split levels on the top storeys of the building.

Haus E17 in Metzingen by (se)arch Architekten

The projecting window can be found on the uppermost floor and faces out over the square. Eberding explained: “From upstairs you have a far view to the ‘Schwaebische Alb’, a mountain chain south of Stuttgart.”

Haus E17 in Metzingen by (se)arch Architekten

Other buildings by German architects (se)arch include a house clad with cedar shingles near Aalen.

Haus E17 in Metzingen by (se)arch Architekten

Some other German houses to complete recently include a residence with an inclined profile by UNStudio and a Bavarian townhouse by SoHo Architektur. See more German houses on Dezeen.

Haus E17 in Metzingen by (se)arch Architekten

See more photography by Zooey Braun on Dezeen, or on his website.

Haus E17 in Metzingen by (se)arch Architekten

Here’s some more information from (se)arch architekten:


The prominent location of the house is on the edge of the historical Kelternplatz. The Kelternplatz is a market square with seven medieval winepress buildings, which are are declared as historical monuments. The site was previously used as a parking lot. The historic square gets now with the new building the completion of its northern edge.

Haus E17 in Metzingen by (se)arch Architekten

The house, clearly outlined in its outer form, is based on a parallelogram floor plan. This is the result of the geometry of the site and other building conditions. The house is developed as a “living space sculpture”. The inside is determined by a composition of free arranged floor levels which transmit a spatial impression. Specific views through the windows of the historic environment are freezed into images. Those are placed in contrast to the flow of the internal space.

Haus E17 in Metzingen by (se)arch Architekten

The house measures 11.5 meters x 6.5 meters and arises over 4 1/2 levels. All service rooms, storage areas and the stairs are concentrated in a 2 meter wide “function zone”. This succeeds to keep the remaining volume free and to focus on the space. Vistas and exposures to light are in a balanced tension and continually provide unexpected spatial situations.

Haus E17 in Metzingen by (se)arch Architekten

Above: ground floor plan

Haus E17 in Metzingen by (se)arch Architekten

Above: first floor plan

Haus E17 in Metzingen by (se)arch Architekten

Above: second floor plan

Haus E17 in Metzingen by (se)arch Architekten

Above: third floor plan

Haus E17 in Metzingen by (se)arch Architekten

Above: cross section

Haus E17 in Metzingen by (se)arch Architekten

Above: long section

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Quote of Note | Robert A.M. Stern

“When I was a young architect, I never took a camera traveling because I thought I would look like a tourist. Then I had a realization: I was a tourist. So I began by taking slides, and for the past decade or so, digital photos. When I look at buildings, I take as many photos as possible–it actually helps me to see. Back at the office, they’re organized in a system that makes it possible to call the images up at any given moment. When we start a new project, we always begin by looking at ‘Bob’s favorites.’”

Robert A.M. Stern in Architectural Digest

New Career Opportunities Daily: The best jobs in media.

La Serenissima office refurbishment by Park Associati

Italian studio Park Associati has overhauled a 1960s office block in Milan and added new glass and burnished aluminium facades (+ slideshow).

La Serenissima by Park Associati

The six-storey Palazzo Campari block was recently purchased by financial services firm Morgan Stanley, who wanted to adapt the fifty-year-old building and bring it up to modern standards. “The client wanted to turn a very inefficient building, very expensive to maintain, into a very efficent building,” the architects told Dezeen.

La Serenissima by Park Associati

Park Associati re-planned the building with a more flexible layout by rationalising routes through the building and opening up the ground floor to accommodate additional uses.

La Serenissima by Park Associati

“The aim of the new scheme is to provide a maximum level of flexibility in terms of the division of the internal spaces, with a sense of uniformity given by the system of the internal lighting and improved access and circulation,” said the architects.

La Serenissima by Park Associati

The original facades were replaced to create a more energy-efficient envelope. Along Via Turati the new elevations feature perforated and pressed aluminium panels that are back-lit by night, while the walls along Via Cavalieri are dominated by glazing.

La Serenissima by Park Associati

A landscaped courtyard is still concealed at the heart of the building and has been reworked with strips of planting and circular paving patterns.

La Serenissima by Park Associati

Other recently compelted office renovations include a 1950s office in Hamburg adapted by J. Mayer H. and an updated Art Deco building in London by David Adjaye.

La Serenissima by Park Associati

See more office architecture »

La Serenissima by Park Associati

Photography is by Andrea Martiradonna.

La Serenissima by Park Associati

Here’s some more information from Park Associati:


Building refurbishment for “La Serenissima” offices
Via Turati, Milano

The building known as “Palazzo Campari” was designed in the 1960s by Ermenegildo and Eugenio Soncini in the heart of Milan and was one of a series of buildings that emerged during the economic boom years, representing a new aspect of corporate identity for Italian industry. It was originally characterised by the burnished colour of the metal structure of the facade, tinted glass of the curtain walling and the brown metallic paint used for the smaller block in via Cavalieri given over to residential use.

La Serenissima by Park Associati

When it was built, it was considered to be modern and technologically advanced, even experimental. Today however, many of its undeniably attractive aspects have become outdated with regards to current standards of building construction. For this reason the new owner, aware of its quality and evocative presence, decided to bring in architects to redesign the complex.

La Serenissima by Park Associati

With respect to the original layout, the aim of the new scheme was to provide a maximum level of flexibility in terms of the division of the internal spaces with sense of uniformity also given by the system of the internal lighting and improved access and circulation.

La Serenissima by Park Associati

Other elements central to the design were the use of additional space at ground floor level as well as an overall reworking of the structure of the elevations, made much more open and vibrant especially on via Turati and part of via Cavalieri.

La Serenissima by Park Associati

With the elevations pulled back with respect to the original boundary it has been possible to eliminate cold bridging – at the time not considered – the useful floor area has been shifted allowing new spaces to be built at ground level, now given over to tertiary use.

La Serenissima by Park Associati

The landscaped courtyard meanwhile, the heart of the original scheme, has been retained and reworked into a bright new design.

La Serenissima by Park Associati

The new elevations are the main feature of the design. On via Turati boxes in perforated and press-formed aluminium in a burnished colour (lit up at night) are used in a rhythm that enables the elevation to be reworked also to ensure maximum flexibility in terms of the division of the internal spaces.

La Serenissima by Park Associati

In the courtyard a close relationship has been created between the interior and exterior; on via Cavalieri the original lower elevation that is in direct relation with the nearby Cà Brutta, appears sleek and flat, with predominant use of grey for the glazed surfaces, smooth and reflecting its historic surroundings.

La Serenissima by Park Associati

Client: Morgan Stanley Sgr S.p.A.
Location: Via Turati 25-27, Via Cavalieri 4, Milano
Schedule: 2008 – concorso, 2008 – 2010 Progettazione, 2010 – 2012 Cantiere
Gross Floor Area: Slp 7988.84 mq
Construction Cost: 11.000.000 Euro
Architect: Park Associati (Filippo Pagliani, Michele Rossi)

La Serenissima by Park Associati

Project Team: Marco Panzeri, Project Manager, Alice Cuteri, Andrea Dalpasso, Marinella Ferrari, Stefano Lanotte, Marco Siciliano, Paolo Uboldi, Fabio Calciati (rendering)
Site supervision, Structural, Mechanical and Electrical Engineering: General Planning
Design Team: Giovanni Bonini, Loris Colombo, Walter Cola, Luca Dagrada, Franco Pesci, Paolo Rossanigo, Roberto Villa, Luigi Zinco

La Serenissima by Park Associati

Artistic Site Supervision: Park Associati, Arch. Marco Panzeri
Project Management: ECHarris Built Asset Consultancy
Landscape Project: Marco Bay Architetto
General Contractor: Mangiavacchi e Pedercini S.p.A.

La Serenissima by Park Associati

Above: ground floor plan – click above for larger image and key

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Konza Techno City masterplan by SHoP Architects

Manhattan-based firm SHoP Architects has sent us a movie and more images illustrating its masterplan for Konza Techno City, a new “silicon” city 40 miles from Kenya’s capital Nairobi (+ movie).

Konza Techno City masterplan by SHoP Architects

Above: entry plaza

Work is already underway on the pavilion that forms part of the first phase of SHoP Architects’ masterplan for Konza Techno City, a business and technology hub that’s been dubbed Kenya’s “silicon savannah”.

Konza Techno City masterplan by SHoP Architects

Above: university campus

The $14.5 billion project will transform an area of grassland into a city of 250,000 residents. The city is expected to generate up to 200,000 jobs by the time its final phase is completed in 2030.

Konza Techno City masterplan by SHoP Architects

Above: business district

The first phase, to be built over five years, will house 30,000 residents and be shaped like a row of “stitches” in the overall masterplan, the architects told Dezeen.

Konza Techno City masterplan by SHoP Architects

Above: technology and life sciences district

The east-west axis of the first phase includes a boulevard of green spaces with bridges over the wide motorway leading to Nairobi.

Konza Techno City masterplan by SHoP Architects

Above: Konza Techno City pavilion

The four initial north-south axes will comprise, from west to east, a university, a residential area, a technology and life sciences district and a business district.

Konza Techno City masterplan by SHoP Architects

Above: Konza Techno City pavilion entrance

The stitch pattern is designed as a framework for the later growth of the city, which will be made up of criss-crossing horizontal and vertical bands.

Above: Konza Techno City pavilion entrance

The areas between the bands are expected to grow organically without specific planning.

Konza Techno City masterplan by SHoP Architects

Above: masterplan structure

SHoP Architects took over the masterplan after the Kenyan government rejected an earlier proposal by UK-based firm Pell Frischmann, some images from which we included in the launch of Konza Techno City last week.

Konza Techno City masterplan by SHoP Architects

Above: phase one

SHoP Architects is the firm behind the Atlantic Yards development in Brooklyn, New York, which includes a 32-storey residential tower set to be the world’s tallest modular building and the Barclays Center, a 19,000-seat indoor sports arena that opened last year.

Konza Techno City masterplan by SHoP Architects

Above: green spaces in phase one – click above for larger image

Other masterplans we’ve reported on recently include the redevelopment of Darling Harbour in Sydney by architecture firms OMA, Hassell and Populous and a plan to redesign Futian District in Shenzhen, China, as a “garden city”.

Konza Techno City masterplan by SHoP Architects

Above: phase one programme – click above for larger image

See all masterplans »
See all architecture by SHoP Architects »

Konza Techno City masterplan by SHoP Architects

Above: Konza Techno City pavilion model

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Shell Architecture

Les équipes japonaises de ARTechnic Architects ont imaginé cette belle structure appelée Shell située au milieu des bois à Karuizawa au Japon. Avec 2 structures proches d’une forme ovale, ce projet se veut être en symbiose avec la nature et coexister avec celle-ci. Plus d’image dans la suite de l’article.

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Foster + Partners to 3D print buildings on the moon

News: Foster + Partners is exploring the possibilities of 3D printing buildings on the moon using lunar soil.

The London architecture firm is working with the European Space Agency to investigate methods for constructing lunar homes and has designed a four-person residence that would shelter its inhabitants from dramatically changing temperatures, meteorites and gamma radiation.

Foster + Partners to 3D print buildings on the moon

The base of the house would be unpacked from a modular tube and an inflatable dome would fold up over it. Layers of lunar soil, known as regolith, would then be built up around the frame using a robot-operated D-Shape printer, creating a lightweight foam-like formation that is derived from biological structures commonly found in nature.

“As a practice, we are used to designing for extreme climates on earth and exploiting the environmental benefits of using local, sustainable materials,” said Foster + Partners partner and specialist Xavier De Kestelier. “Our lunar habitation follows a similar logic. It has been a fascinating and unique design process, which has been driven by the possibilities inherent in the material.”

Foster + Partners to 3D print buildings on the moon

The architects have used simulated matter to build a 1.5 tonne mockup of the structure and have also tested smaller models inside a vacuum chamber. They hope to construct the first structure at the moon’s south pole, where it will be subjected to perpetual sunlight.

Led by architect Norman Foster, Foster + Partners has also recently won a competition to renovate the New York Public Library flagship and are working on a 200-metre skyscraper for Lehman Brothers Holdings.

Recent completed projects by the firm include the McLaren Production Centre in the UK and the Spaceport America space terminal in New Mexico. See more architecture by Foster + Partners.

3D printing has been in the news a lot recently, with a boom in demand for 3D-printed sex toys, the race to be first to print an entire building, 3D-printed outfits on the catwalk at Paris Fashion Week and sweet-dispensers with 3D-printed heads.

See more stories about 3D printing »

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Mies van der Rohe Award 2013 shortlist announced

House for elderly people by Aires Mateus Arquitectos

News: five buildings have been shortlisted for the European Union Prize for Contemporary Architecture, the Mies van der Rohe Award 2013, including a nursing home in Portugal (above) and the Harpa Concert and Conference Centre in Iceland.

The Mies van der Rohe Award is the most prestigious accolade in European architecture and is awarded to the best building completed in the last two years by a European architect. The five finalists competing for the €60 000 prize are:

» City Hall, Ghent, Belgium, by Robbrecht en Daem architecten and Marie-José Van Hee architecten

» Superkilen, Copenhagen, Denmark, by BIG Bjarke Ingels Group; Topotek1; Superflex

» Harpa – Reykjavik Concert Hall & Conference Centre, Reykjavik, Iceland, by Batteríid architects, Henning Larsen Architects and Studio Olafur Eliasson

» House for Elderly People, Alcácer do Sal, Portugal, by Aires Mateus Arquitectos

» Metropol Parasol, Seville, Spain, by J. Mayer H.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Above: Harpa Concert and Conference Centre Reykjavík by Batteríid architects, Henning Larsen Architects and Studio Olafur Eliasson

The winner will be announced in May, alongside an award for best emerging architect, and the prizes will be handed out at an award ceremony on 6 June at the Mies van der Rohe Pavilion in Barcelona, Spain.

Metropol Parasol by J. Mayer H.

Above: Metropol Parasol by J. Mayer H.

“We have an enormous wealth of talent in European architecture, which is a shining example of our dynamic cultural and creative sectors,” said Androulla Vassiliou, the European Commissioner for Education, Culture, Multilingualism and Youth.

She continued: “At the same time, we recognise that the architecture industry faces significant challenges resulting from the economic slowdown. The European Commission and Mies van der Rohe Foundation are committed to supporting the sector which makes a significant contribution to the economy and job creation, as well as being a creator of beauty and force for cohesion for our society. We will continue to support architecture, including through this prize, through the future Creative Europe programme.”

Superkilen by BIG, Topotek1 and Superflex

Above: Superkilen by BIG, Topotek1 and Superflex

A total of 335 works in 37 European countries were nominated for the thirteenth biennial award. Previous winners include David Chipperfield’s Neus Museum in Berlin (2011) and Snøhetta’s Opera House in Oslo (2009). See more stories about the Mies van der Rohe Award.

The award is named after pioneering twentieth-century architect Ludwig Mies van der Rohe (1886-1969), whose most celebrated works include the Seagram Building in New York and the 1929 Barcelona Pavilion, which Spanish architect Andrés Jaque recently filled with junk for a temporary exhibition.

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shortlist announced
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