Bad workplace design means most employees are “struggling to work effectively”

Gensler US Workplace Survey 2013

News: new office technologies and a move towards collaborative, open-plan offices are leading to declining performance among workers, according to a new workplace design study by architects Gensler.

The 2013 US Workplace Survey found that workplace effectiveness in America has fallen by 6% since 2008, when the firm carried out its first survey.

Gensler US Workplace Survey 2013
UBM, San Francisco by Gensler. Top image: Salon Brands, Los Angeles by Gensler.

“Extended workdays, new distractions, and downward pressure on real estate costs are compromising the effectiveness of the U.S. workplace,” says the survey. “Strategies to improve collaboration proved ineffective if the ability to focus was not also considered.”

Distracting noise and visual stimulus in open-plan offices is one reason for the drop, according to Matthew Kobylar, regional workplace practice area leader at Gensler.

“As you squeeze more people in, the chances of being distracted by noise and visual distractions increases,” Kobylar told Dezeen.

Employers have moved towards open-plan offices over the last ten years to reduce real-estate costs, as they can fit more people into the same amount of space.

Firms have justified this by claiming open-plan offices increase opportunities for collaboration, Kobylar said, but he added: “Cramming people in does have an impact on effectiveness. Just because you can see your colleagues doesn’t mean you’re going to collaborate with them.”

Gensler US Workplace Survey 2013
TM Advertising, Dallas, by Gensler

To counter this, workplace designers should provide a variety of “secondary” workspaces where workers can concentrate on individual or group tasks, away from distractions – and to prevent them from creating distractions themselves.

“Open plan is quite effective as a general space but there are times when you need to focus on collaboration, and it fails to support that,” Kobylar said.

Quiet areas, spaces or booths for quick meetings and workspaces with views can all help create a balanced, and more effective, office environment, according to Kobylar.

“It allows them to get away from the distraction,” he said. “We’re telling our clients, don’t give up on open plan but acknowledge that people need balance.”

US Workplace Survey 2013 by Gensler
The cover of the US Workplace Survey 2013 by Gensler

Writing about the reports finding on the company’s blog, Gensler principal Janet Pogue said the research does not mean that open-plan offices don’t work. “Our research shows that effective work can happen in both open and enclosed environments,” she wrote. “Even private offices are not as effective as they were in 2008.”

Instead, the decline in worker effectiveness is down to changing work patterns, including an increase in multitasking and in particular the introduction of always-on technologies such as email, mobile phones and virtual conferencing.

“The world has changed in the last five years, shifting the way we work,” Pogue wrote. “We have more distractions and interruptions, including 24-hour technology demands. Most of us have more on our plates and have to multi-task to get everything done. Collaborating with virtual colleagues takes tremendous concentration and effort. And if effectiveness is declining across the board, open plan offices aren’t at fault.”

In their survey, Gensler found that companies that offered a “balanced workplace” with a variety of different workspaces for different tasks outperformed those offering just one option.

“Achieving balance in a workplace is a delicate process,” Pogue explained. “The first priority is to optimize the functionality of primary workspaces. Design elements must mitigate noise and provide access to colleagues while minimizing distractions. It’s also important to design a pleasing space where people actually want to be. A balanced workplace also provides a healthy dose of alternative workspaces where groups of one to four people can seamlessly transition from individual work to group work or a person can simply go into an enclosed room and shut the door to concentrate or take a call.”

To compile the report, Gensler surveyed 2,035 “knowledge workers” in firms across the USA. They found that only one in four operate in optimal workplace environments. “The rest are struggling to work effectively, resulting in lost productivity, innovation and worker engagement,” the report says.

“Our survey findings demonstrate that focus and collaboration are complementary work modes. One cannot be sacrificed in the workplace without directly impacting the other,” says Diane Hoskins, Gensler co-chief executive officer. “We know that both focus and collaboration are crucial to the success of any organization in today’s economy.”

“Balanced workplaces where employees have the autonomy to choose their work space based on the task or project at hand are more effective and higher performing,” she added.

Kobylar said that as well as increasing pressure on workers, technology could help increase effectiveness if used properly. Tablet computers, smartphones and wifi – technologies that didn’t exist when Gensler carried out there first workplace survey in 2008 – allow staff to move between different work environments according to the tasks they are working on.

“Technology has moved on a lot in the last five years,” he said. “You can be mobile in the office. You can pick up your kit and go.”

Pogue said that employees should create “secondary spaces” where noisy activities such as meetings and conference calls can take place, adding that spaces that allow between two and four people to hold meetings are the most in demand.

“The availability of secondary workspaces is particularly important for creating a balanced workplace,” she wrote “The proximity and availability of secondary work environments can bring balance to a workspace and help occupants work more effectively, both by providing the spaces they need to perform a variety of activities and moving noise and distraction-creating activities away from desks and into more appropriate spaces.”

She concluded: “To really drive performance, companies must create work environments where workers can shift between various work modes and feel comfortable working privately or collaborating with colleagues.”

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The Pool at Pyne in Bangkok

L’agence thaïlandaise de paysagistes Trop s’approprie la terrasse d’un immeuble de 42 étages au centre de Bangkok. Elle crée un véritable oasis de relaxation avec sa piscine entourée de petites terrasses et de végétation et est encadrée d’un structure lumineuse. Un superbe projet à découvrir en images.

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Zaha Hadid’s Serpentine Sackler Gallery to open in September

Completion date announced for Zaha Hadid's Serpentine Sackler Gallery

News: Zaha Hadid’s extension to the Serpentine Gallery in London is to open on 28 September.

The Serpentine Sackler Gallery will be housed in a 200-year-old former gunpowder store five minutes walk to the north of the main gallery in Kensington Gardens, across the Serpentine Bridge.

Completion date announced for Zaha Hadid's Serpentine Sackler Gallery
Design for Serpentine Sackler Gallery by Zaha Hadid Architects

Zaha Hadid Architects have created an undulating white canopy to the side of the Grade II listed building, which will contain gallery, restaurant and social space. This will be the firm’s first permanent structure in central London and follows its Lilas installation at the gallery in 2007.

Read more about the extension in our earlier story.

More architecture by Zaha Hadid »
More about the Serpentine Gallery »

Main photograph is by Luke Hayes.

Here’s some more information from the Serpentine Gallery:


Serpentine Sackler Gallery designed by Zaha Hadid to open in September 2013

The Serpentine Sackler Gallery, designed by Pritzker Architecture Prize laureate Zaha Hadid, will open to the public on Saturday, 28 September 2013.

The Serpentine Sackler Gallery gives new life to The Magazine, a former 1805 gunpowder store, located five minutes walk from the Serpentine Gallery on the north side of the Serpentine Bridge. With 900 square metres of new gallery, restaurant and social space, the Serpentine’s second space in Kensington Gardens will be a new cultural destination in the heart of London. From this autumn, the Serpentine will present its unrivalled programme of exhibitions and events across both Galleries and into the Park.

Completion date announced for Zaha Hadid's Serpentine Sackler Gallery
Location of the new gallery in converted Magazine building

The new Gallery is named after Dr Mortimer and Dame Theresa Sackler, whose Foundation has made the project possible through the largest single gift received by the Serpentine Gallery in its 43-year history. Major funding has also been awarded by Bloomberg, long term supporters of the Serpentine as well as sponsors of the opening exhibition.

In 2010 the Serpentine Gallery won the tender from The Royal Parks to bring the Grade II* listed building into public use for the first time in its 208-year history. The Serpentine Gallery has restored the building to an excellent standard, in partnership with The Royal Parks, renovating and extending it to designs by Zaha Hadid. A light and transparent extension compliments rather than competes with the neo-classical architecture of the original building. It is the Zaha Hadid Architects’ first permanent structure in central London and continues a relationship between the Gallery and the architect, which began with the inaugural Serpentine Gallery Pavilion Commission in 2000. The landscape around the new building will be designed and planted by the world-renowned landscape artist Arabella Lennox-Boyd.

Completion date announced for Zaha Hadid's Serpentine Sackler Gallery
The Royal Parks’ Magazine Building before conversion to the Serpentine Sackler Gallery. Photograph is by John Offenbach.

The opening exhibition in the Serpentine Sackler Gallery is the first UK exhibition by the young Argentinian artist Adrián Villar Rojas, who is gaining international renown for his dramatic, large-scale sculptural works. At the same time, in the Serpentine Gallery, there will be a major retrospective of the work by Italian sculptor Marisa Merz, who received a Lifetime Achievement Award at the 2013 Venice Biennale. A redesigned website will feature the inaugural Digital Commission, while the first annual Bridge Commission explores the route between the two galleries with a series of short stories by twelve internationally acclaimed writers. Each story is timed to last as long as it takes to walk from the Serpentine Gallery to the Serpentine Sackler Gallery. The Serpentine’s expanded presence in Kensington Gardens will be illustrated by a specially commissioned map by the artist Michael Craig-Martin.

Responding to its unique location in The Royal Park of Kensington Gardens, an expanded programme of eight exhibitions will now follow the seasons with different shows in each gallery four times a year. The seasonal theme carries through to the wider programme with the Pavilion commission signalling the start of London’s summer and the multi-disciplinary Marathon, a fixture of Frieze week in the autumn. The Serpentine’s programme of outdoor sculpture with The Royal Parks continues with Fischli/Weiss’s monumental Rock on Top of Another Rock, which remains in place until March 2014.

The opening of the Serpentine Sackler Gallery marks a new beginning for the internationally acclaimed arts organisation, which has championed new ideas in contemporary arts since it opened in 1970. The Serpentine Gallery has presented pioneering exhibitions of 1,600 artists over 43 years, from the work of emerging practitioners to the most internationally recognised artists and architects of our time such as Louise Bourgeois, Frank Gehry, Damien Hirst, Jeff Koons, Gerhard Richter, Yoko Ono, Andy Warhol and Ai Weiwei.

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Kim Jong-un selects architect for Pyongyang airport upgrade

News: North Korean leader Kim Jong-un has revealed his architectural taste by inviting a Hong Kong firm to design a new airport for Pyongyang.

PLT Planning and Architecture has been asked to submit proposals for an upgrade to the Pyongyang Sunan International Airport in the North Korean capital, according to the South China Morning Post.

North Korean leader favours Hong Kong architect for airport redesigns
Main image and above: Kim Jong-un is said to have been impressed by PTA’s proposal for Wonsan airport

“We were approached by a potential investor who is very close to the North Korean government,” Otto Cheng Ping-lun of PLT Planning and Architecture told the Chinese newspaper.

The architect, whose firm specialises in large commercial and infrastructure projects, said the Korean leader saw his firm’s drum-inspired designs for the conversion of an abandoned military airport in Wonsan, a city of North Korean’s eastern coast.

“We were told that Kim [Jong-un] was happy with our design. However, Kim said the airport in the capital should not look worse than the one in the economic zone. That’s why we were also asked to upgrade the airport in Pyongyang.”

North Korean leader favours Hong Kong architect for airport redesigns
The Wonsan designs feature glazed facades with branching columns and central courtyards

Plans for the airport conversion in Wonsan, revealed in North Korea News last month, show two 3345 square-metre donut-shaped terminals – one international and one domestic.

PLT Planning and Architecture says the shape of the buildings was based on drums used in traditional Korean dances, with glazed facades criss-crossed by branching columns and courtyard gardens at their centres.

North Korean leader favours Hong Kong architect for airport redesigns
Wonsan proposal: first floor/departures

Each will be able to accommodate six planes and the designs also propose a 3500-metre civilian runway, a kilometre longer than the existing army airforce landing strip.

The $200m international airport is designed to cater for around a million passengers every year and will serve the Kangwon Province near Mount Kamgang Tourism Zone, where South Korean tourists have been able to visit since 2002.

North Korean leader favours Hong Kong architect for airport redesigns
Wonsan proposal: ground floor/arrivals

North Korea’s notorious Ryugyong Hotel, nicknamed the Hotel of Doom, is due for completion this year – 24 years behind schedule.

See more airports on Dezeen »

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The Pingtan Art Museum

L’agence chinoise Mad Architects dévoile son projet hallucinant : le Pingtan Art Museum, une presqu’île artificielle aux formes harmonieuses composée majoritairement de béton, de coquillages et de sable issu de l’île de Pingtan. Destiné à devenir le musée privé le plus important de Chine, il ouvrira ses portes en 2016.

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Highacres by Duncan Foster Architects

Glass walls slide back to open up this house extension by British firm Duncan Foster Architects to the surrounding English woodland (+ slideshow).

Highacres Oxfordshire by Duncan Foster Architects

Duncan Foster Architects added the new living and dining room while reorganising the interior of the 1930s Arts and Crafts-style five-bed house in South Oxfordshire.

Black zinc and black timber cladding were chosen for the external finishes to reference local agricultural buildings.

Highacres Oxfordshire by Duncan Foster Architects

Large-span laminated timber beams echo the exposed timber in the original house and allow for an uninterrupted view of the woodland as they require no support at the corner.

Vertical steel elements used along one wall extend out past a sunken pool. A large window fills the gable to let in the maximum amount of light.

Highacres Oxfordshire by Duncan Foster Architects

“The client had bought the property because of its charm and character, so the brief was to maintain the spirit of the existing house yet at the same time to re-organise the interior to open the house up to the landscape beyond,” said Duncan Foster.

After considering a variety of renewable energy options for heating the home, a log-burning boiler was chosen due to the availability of wood on the client’s land.

Highacres Oxfordshire by Duncan Foster Architects

Our most recent residential extension stories include a steel-clad tower inspired by the fortress of fairytale character Rapunzel and a timber-framed guest house raised up on stilts.

See more residential extensions »
See more architecture and design in England »

Duncan Foster Architects sent us the following text:


Concept

The existing five-bed detached house was originally constructed in the 1930s as a ‘self build’ by a retired army major, in the arts and crafts style. The house occupies a 9 acre densely wooded site overlooking the Vale of Aylesbury, in Chinnor, South Oxfordshire, and is located within an Area of Outstanding Natural Beauty.

The client had bought the property because of its charm and character, so the brief was to maintain the spirit of the existing house (characterised by low ceilings, small windows and exposed timber beams) yet at the same time to re-organise the interior to open the house up to the landscape beyond.

Highacres Oxfordshire by Duncan Foster Architects

On the ground floor, the entrance hall, family living room and study retain original features. A small hall extension creates a bay window seat in the language of the existing house.

The new living/dining extension to the north contrasts the existing architecture – with a large open plan vaulted roof which sits on exposed glulam beams – chosen as a contemporary reference to the exposed beams in the main house.

The external structure enables the corner of the room to be opened up to the woodland landscape beyond. Minimal glazing strengthens the contrast with the existing glazing and links the building to the landscape beyond.

Highacres Oxfordshire by Duncan Foster Architects

Refurbishment Strategy

As well as the layout and design issues, the thermal performance of the existing fabric and the existing servicing strategy needed a complete overhaul.

The existing house was heated by an oil burning boiler. The oil bill alone was around £6000 per annum. The existing house had little or no insulation, and had single glazed Crittal windows

It was clear therefore that the first step was to improve the thermal performance of the existing fabric, and this was done by installing a new ground bearing insulated concrete slab throughout the ground floor, utilising underfloor heating. The existing external walls were cavity walls (uninsulated) so these were easily insulated with blown fibre.

Highacres Oxfordshire by Duncan Foster Architects

The existing roof and skeilings were insulated between joists and also underlined with rigid insulation with taped joints and re-plastered to proved a warm and air tight ‘hat’ for the building.

The majority of the glazing was replaced by double glazed timber windows, with a high performance aluminium glazing system specified for the extension.

All of these changes improved the efficiency, yet maintained the character of the existing house.

Several renewable technologies were considered at the outset, including ground source heat pumps via boreholes, and wind energy, but it was established early on that due to the abundance of woodland owned by the client, a log burning boiler would be utilised to provide the majority of the house’s hot water and heating demands.

Highacres Oxfordshire by Duncan Foster Architects

The Log Burning Boiler feeds a 1500L accumulator tank which acts as a thermal store to provide both the hot water and heating for the house. This is supplemented in the summer months by 2 roof mounted solar panels (when the log burning boiler is not used), and also by a small LPG condensing boiler to deal with vacations and any additional peak demands. The Orligno 200 log burning boiler was specified as it runs at an efficiency of 92%, with nominal CO2 emissions.

It is calculated that 90% of the houses heating and hot water will be met by the onsite renewables – reducing the client’s energy bill to approx £750 per year.

A purpose built plant room was built adjacent to the new front porch to accommodate the large accumulator, and the log burning boiler and LPG boiler. The layout of this underwent several permutations to ensure that the 1250mm diameter accumulator, the log burning boiler and the LPG boiler could all be accessed for both operational and maintenance purposes- as well as integrating the flue requirements. The plant room sits within the recess of the existing house’s front elevation, without dominating the existing character of the house.

In addition to the log burning boiler, a 8kwP bank of PV’s was installed within the curtledge and is expected to provide 6867kwH/Y, with an estimate annual saving/earning of £1665, with an 8 year payback period.

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Duncan Foster Architects
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Lego Architecture Studio: The latest kit leaves the instruction manual behind for you to create your own masterpiece

Lego Architecture Studio


There’s no denying that the Lego Architecture series serves as an excellent excuse for big kids to get their hands on a classic children’s toy. Just like those days of Lego Star Fighters; you diligently follow each step, patiently trying not to…

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Cat House

I-CHI Cat House est un aménagement d’intérieur pensé pour les humains y habitant mais aussi pour les chats. Un design réussi qui propose des espaces larges et variés afin que les félins puissent se sentir chez eux. Une création du studio indépendant basé à Taipei Hey!Cheese à découvrir dans la suite.

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Jade Signature by Herzog & de Meuron

New images have been released showing Herzog & de Meuron’s Jade Signature residential tower for Miami – including the first full-height rendering of the 198 metre-high building.

Jade Signature by Hezog & de Meuron

The pagoda-shaped tower will be built on a private estate in Miami’s Sunny Isles district  and will accommodate 192 residences, ranging from one-bedroom apartments to a 975-square-metre penthouse.

Jade Signature by Hezog & de Meuron

As we reported last month, the building’s parallelogram-shaped plan will help to angle the apartments towards the southern sun and floor-to-ceiling windows will provide views of the ocean. Hourglass-shaped columns will feature at the extremities of the balconies encircling the tower.

“These images also show more of the lush oceanfront landscape designed by Raymond Jungles, including ground floor amenities that send residents straight out the door to the pool, onto the lawn, and onto the beach and ocean,” says the text that came with the new images.

“You may note the parallelogram positioning of the building that is a result of an extensive sun-study to lend the best light to the residences and pool, with minimal wind and glare. Also new in these images is the reveal of the water terrace that extends from the spa area, with a unique semi-circular plunge pool.”

The tower is the first apartment building in the USA outside New York City to be designed by Swiss architects Herzog & de Meuron.

The practice has already completed an angular concrete and glass car park in Miami Beach, with a retail area at its base, while work on their Pérez Art Museum in the city is nearing completion.

Zaha Hadid Architects is also working on a residential skyscraper in Miami, while a competition to redevelop the site of the Miami Beach Convention Center has received entries from Rem Koolhaas’s OMA and Danish firm BIG – see all projects in Miami.

Zaha Hadid Architects is also working on a residential skyscraper in Miami, while a competition to redevelop the site of the Miami Beach Convention Center was recently won by Dutch architects OMA. See all our stories about Miami.

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Herzog & de Meuron
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Dog Salon by Horibe Associates

Japanese firm Horibe Associates has completed this combined home and dog-grooming salon in Japan’s Ōita prefecture (+ slideshow).

dezeen_Dogsalon by Horibe Associates_17

The house by Horibe Associates is located on a long, thin plot surrounded by rice fields and features a mono-pitched roof.

Dog Salon by Horibe Associates

One end of the building has a living space for a small family, who run their business from a salon at the other end of the building.

“Because the line of sight extends unbroken from the shop entrance back through the garden, the space feels larger than it actually is,” said the architects.

dezeen_Dogsalon by Horibe Associates_14

A living and dining room is located towards the back of the house, with views out on to a courtyard garden.

dezeen_Dogsalon by Horibe Associates_16

In the same space there is a daybed located beneath a small mezzanine room that can be accessed by a wooden staircase.

Dog Salon by Horibe Associates

Curtains are used throughout the building to separate the internal spaces.

dezeen_Dogsalon by Horibe Associates_15

Bathrooms and a kitchen are located in the centre of the house. They can be easily accessed from both the salon and the house at either end of the building.

Dog Salon by Horibe Associates

Toward the front of the salon, a small internal window on the mezzanine floor overlooks a dog-trimming room.

The architects have made concrete floors and plywood ceilings a feature to reduce costs. The building covers 66.25 square metres and sits within a larger 325.41 square metre site.

Dog Salon by Horibe Associates

Last year at Design Miami 2012 architects and designers including Kengo Kuma, Toyo Ito, Shigeru Ban, MVRDV and Konstantin Grcic designed a series of architectural structures just for dogs.

Popular Japanese houses we’ve posted recently on Dezeen include a family home that’s only 2.7 metres wide, a white shed-like abode raised up on pilotis and a family home with a sweeping canopy.

See more Japanese houses »
See more stories about animals »
See more residential architecture »

Dog Salon by Horibe Associates

Photographer: Kaori Ichikawa

Dog Salon by Horibe Associates

Key to diagrams:

1. Waiting room
2. Trimming room
3. Entrance
4. Lavatory and washroom
5. Bathroom
6. Living and dining room and kitchen
7. Day bed
8. Terrace

Dog Salon by Horibe Associates
Isometric section – click for larger image
Dog Salon by Horibe Associates
Section – click for larger image
Dog Salon by Horibe Associates
Section – click for larger image
Dog Salon by Horibe Associates
Plan – click for larger image

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