Høse Bridge by Rintala Eggertsson Architects

Mesh sections in the walls and floor of this Corten steel bridge in Norway provide views of the Suldalslågen river rushing beneath it (+ slideshow).

Høse Bridge by Rintala Eggertsson Architects

Norwegian firm Rintala Eggertsson Architects designed the bridge to connect the town of Sand with a woodland area that is a popular recreation spot with local residents.

Høse Bridge by Rintala Eggertsson Architects

Inhabitants of the town were invited to vet early proposals for the bridge during a workshop with Rintala Eggertsson Architects and Czech architect Ivan Kroupa.

Høse Bridge by Rintala Eggertsson Architects

“The idea behind the chosen proposal was to establish a horizontal reference line in the landscape, to emphasise the undulant and organic shapes in the bedrock,” say the architects.

Høse Bridge by Rintala Eggertsson Architects

Walls with diagonal bracing are clad in sheets of Corten steel and panels of stainless steel mesh, which allow users to look out at the landscape and cause the bridge to glow from within at night when the internal lighting is switched on.

Høse Bridge by Rintala Eggertsson Architects

The enclosed steel volume amplifies the sound of the cascading water, which can also be seen through a steel grate in the floor.

Høse Bridge by Rintala Eggertsson Architects

A small concrete pavilion on the south side of the river can be used as a picnic site or resting place.

Høse Bridge by Rintala Eggertsson Architects

Other bridges we’ve published recently include Thomas Heatherwick’s design for a garden spanning the River Thames in London and a twisting concrete form crossing a river in the Austrian Alps – see more stories about bridges.

Høse Bridge by Rintala Eggertsson Architects

Rintala Eggertsson Architects is constructing a giant treehouse in a Swedish forest for Treehotel and previously designed a 19 square-metre dwelling in Oslo that it describes as “a kind of urban cave”. See more architecture by Rintala Eggertsson Architects »

Photography is by Dag Jenssen.

Here’s some more information from the architects:


The bridge is located just north of the town Sand in the municipality of Suldal on the west coast of Norway. It is the result of extensive design process which started in 2008 after a design workshop together with Czech architect Ivan Kroupa where the inhabitants of Sand were given the opportunity to make a referendum over some of our initial ideas.

Høse Bridge by Rintala Eggertsson Architects

The bridge connects the town to a vast wooden landscape which is used for recreation by the inhabitants of Sand. This new connection makes the area more accessible for the general public and allows people of all generations to use the area.

Høse Bridge by Rintala Eggertsson Architects

The idea behind the chosen proposal was to establish a horizontal reference line in the landscape, to emphasize the undulant and organic shapes in the bedrock. The bridge consists of two steel lattice beams in corten steel on each side of the walkway, with a system of vertical and diagonal members.

Høse Bridge by Rintala Eggertsson Architects

The walls are clad with sheets of stainless steel stretch-metal and corten steel. On the south side of the river, after crossing the bridge from Sand, a small pavilion in concrete was made to accommodate for small picnics and pit-stops for passers-by.

Høse Bridge by Rintala Eggertsson Architects
Site plan

An important issue from the very start of the design process was to capture the power of the river running underneath the bridge. This was developed into an enclosed acoustic space above the middle of the river with a view through a steel grate directly down to the river, which gives the visitor a direct connection with this untamed natural element.

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Alvaro Siza and Kengo Kuma to feature in major exhibition at London’s RA

Architects announced for major exhibition at the RA

News: architects including Alvaro Siza, Eduardo Souto de Moura and Kengo Kuma will create installations inside London’s Royal Academy of Arts for an upcoming architecture exhibition.

Sensing Spaces: Architecture Reimagined will see seven architects create temporary structures across the 13 main galleries of the Royal Academy of Arts (RA).

The selected architects are Pritzker Prize winners Álvaro Siza and Eduardo Souto de Moura of Portugal, Kengo Kuma of Japan, Stirling Prize nominees Grafton Architects of Ireland, Li Xiaodong of China, Pezo von Ellrichshausen of Chile and Diébédo Francis Kéré of Burkina Faso and Germany.

Each architect will create a sensory and spatial intervention exploring the emotive powers of architecture inside the Grade II* listed galleries of the London institution.

Speaking at a press event earlier today, the RA’s architecture curator Kate Goodwin said she hopes the exhibition will help “visitors rediscover the quality of architecture”.

Also present at the event, Grafton Architects director Yvonne Farrell told Dezeen: “What is different about this exhibition is that it’s not about representing projects and buildings.”

“What Kate asked us to do is to focus on fundamental qualities that we’ve been searching for generally in our work and find a way of expressing that to the public,” said Farrell.

Although the designs of each structure are yet to be unveiled, Goodwin hinted that Kuma’s piece is to be based on the Japanese performing art of Kodo. Grafton Architects will manipulate “light from the skylights” in the central gallery, and Xiaodong’s contribution will be a “labyrinth”.

The RA released one teaser image showing a dark corridor with a glowing floor (top).

A special film in one gallery will play interviews with the architects speaking about their designs for the exhibition and introducing their previous work. Visitors will be encouraged to touch, interact and take photos of the installations.

Sensing Spaces will open to the public on 25 January 2014 and run until 6 April 2014.

Currently on show at the RA is a retrospective of work by Richard Rogers, with whom we filmed a series of interviews to coincide with the exhibition and his 80th birthday.

See more architecture and design exhibitions »
See more Royal Academy of Arts »

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Green light for Kengo Kuma’s redesigned V&A at Dundee

News: Kengo Kuma’s latest proposals for a new outpost of the V&A museum in Dundee, Scotland, have been granted planning permission, following a redesign to reduce costs (+ slideshow).

Green light for Kengo Kuma's V&A at Dundee

Planned for construction in Dundee’s Craig Harbour, Kengo Kuma’s competition-winning design for the V&A at Dundee first gained approval in autumn 2012, but spiralling costs forced the architect to redesign the structure so that only its prow projects over the edge of the water, rather than the whole building as originally intended.

Green light for Kengo Kuma's V&A at Dundee

The £45 million building will be constructed on the site of a former leisure centre and will feature an angular body with thick horizontal striations, creating exhibition spaces that are naturally lit and ventilated. It is set to become the leading centre for design in Scotland.

Green light for Kengo Kuma's V&A at Dundee

Philip Long, director of V&A at Dundee, commented: “Kengo Kuma’s fabulous design will give Dundee and Scotland a wonderful space to enjoy outstanding international exhibitions, and to learn about and get involved with Scotland’s remarkable history of design creativity. I believe it will attract visitors from across the world.”

Green light for Kengo Kuma's V&A at Dundee

Detailing the timeframe for construction, he said: “The projected date for the main fabric of the building to be in place is the end of 2015. Its completion, the interior fit-out and installation of the first exhibitions and displays will follow throughout 2016.”

Green light for Kengo Kuma's V&A at Dundee

Kengo Kuma and Associates is working with Edinburgh studio Cre8 Architecture to deliver the project. The two studios won the original design competition back in 2010, seeing off competition from a shortlist that included Steven Holl Architects, Snøhetta and Delugan Meissl Associated Architects.

Green light for Kengo Kuma's V&A at Dundee

Other recent projects by the Japanese studio include a timber-clad art and culture centre in France and an experimental house in Japan. See more architecture by Kengo Kuma »

Green light for Kengo Kuma's V&A at Dundee
Proposed site plan

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OMA and BIG to rebuild Sandy-affected communities

Rebuild by Design

News: architecture studios OMA and BIG are among the ten collaborative design teams selected for an initiative to revitalise parts of the USA devastated by Hurricane Sandy.

The Rebuild by Design competition was launched in June by US Housing and Urban Development (HUD) secretary Shaun Donovan and asked architects, landscape architects, engineers and urban designers to come up with proposals that would help revitalise communities affected by the hurricane that struck the east coast in October 2012.

Danish studio BIG and Dutch firm OMA were both named on the shortlist, alongside New York studio WXY Architecture, landscape architects West 8 and a design team from the University of Pennsylvania.

The ten teams will spend the next three months studying the region and building relationships with local stakeholders. Designs will be focused on four areas: coastal communities; high-density urban environments; ecological and waterbody networks; and the unknown and unexpected.

“The projects that come out of this competition will save lives and protect communities in this region and – as the Task Force will emphasise in the Rebuilding Strategy to be released in the coming weeks – serve as models as we prepare communities across the country for the impacts of a changing climate,” said Donovan, who also chairs the Hurricane Sandy Rebuilding Task Force.

Implementation of the resulting designs will begin in March 2014, funded in part by community grants.

Top image of Hurricane Sandy devastation courtesy of Shutterstock.

Read on more for information and to see the full shortlist:


Ten design teams selected to proceed to stage two of Rebuild By Design competition

The Hurricane Sandy Rebuilding Task Force has announced the selection of ten Design Teams to proceed to Stage Two of REBUILD BY DESIGN, a multi-stage regional design competition that will develop innovative projects to protect and enhance Sandy-affected communities. U.S. Housing and Urban Development (HUD) Secretary Shaun Donovan, who also chairs the Hurricane Sandy Rebuilding Task Force, launched the competition on June 20, 2013 in partnership with the Rockefeller Foundation.

Over 140 potential teams from more than 15 countries submitted proposals, representing the top engineering, architecture, design, landscape architecture and planning firms as well as research institutes and universities worldwide. Thanks to the generous support of the Rockefeller Foundation and JPB Foundation, as well as the New Jersey Recovery Fund and the Deutsche Bank Americas Foundation, ten Design Teams will participate in an intense eight-month process broken into two distinct stages: analysis and design.

“The ten teams we selected stood out because of the talent they bring to the table, their pioneering ideas and their commitment to innovating with a purpose and competing not just to design but to build something,” said Secretary Donovan.

“The projects that come out of this competition will save lives and protect communities in this region and – as the Task Force will emphasise in the Rebuilding Strategy to be released in the coming weeks – serve as models as we prepare communities across the country for the impacts of a changing climate.”

“As cities around the world face increasing shocks and stresses, it is more critical than ever that we find ways to integrate resilient design into our urban future,” said Judith Rodin, President, The Rockefeller Foundation. “The Rebuild by Design competition is an innovative model, bringing together some of the greatest minds around the world to improve how our cities manage, cope with and bounce back stronger from disasters. I am confident that the ten extraordinary teams chosen will create innovative and replicable projects that will strengthen our cities and help them thrive in the face of climate change.”

“Hurricane Sandy brought to the fore difficult and challenging questions for the metropolitan area,” said Robert D. Yaro, President, Regional Plan Association. “The Rebuild by Design competition is an important and innovative process to bring design professionals and the affected communities together to deliver the best answers.”

David van der Leer, Executive Director of Van Alen Institute, said, “By bringing together local communities with world-class, interdisciplinary design teams, we aim to produce extraordinarily innovative projects that highlight next generation perspectives and trends that will catalyse regional approaches to resilience for the United States and beyond.”

Eric Klinenberg, Research Director for Rebuild by Design’s Research Stage and Director of NYU’s Institute for Public Knowledge, said, “Rebuild By Design is an unprecedented opportunity to think deeply about the great challenges for cities as the climate changes, and to act boldly, too. We look forward to learning from communities and working collaboratively with the Design Teams as we spend the next several months bringing positive action throughout the region.”

“MAS heralds the leadership of the Hurricane Sandy Task Force, and its philanthropy partners, in challenging the world’s best planners and designers to work with communities and develop innovative approaches ” said Vin Cipolla, President, Municipal Art Society of New York. “Our priority is to strengthen the capacity of local communities across the city and region to build their environmental, economic, social and cultural resilience. RBD brings tremendous resources and expertise into the city and region.”

The selection of the teams marks the beginning of the second of four phases of the design competition, which will ultimately result in resilience projects that will be built or implemented in communities in the Sandy-impacted region:

Stage Two: Analysis

Starting today, the Design Teams will begin a three-month research and analysis process, facilitated by New York University’s Institute for Public Knowledge (IPK). IPK, known for bridging the gap between serious scholarship and practical action, will present the outcome of Stage Two in a detailed report cataloguing the Design Teams’ research reports and synthesizing their findings into one resource kit for local communities throughout the region.

Stage Three: Design

Building off the comprehensive analysis of the region’s vulnerabilities and existing initiatives developed during Stage Two, each Design Team will then work on one site-specific design proposal. Design Teams will partner with a local or state government entity to identify specific sites and projects that will improve the resilience of communities. During this stage, the Regional Plan Association, Municipal Art Society of New York and Van Alen Institute will collaboratively facilitate this design process for the teams to develop implementable solutions for the opportunities they identified in Stage Two.

Stage Four: Implementation

The projects that come out of this innovative process will be evaluated by the Rebuild by Design jury – made up of world-renowned experts in hazard mitigation, resilience, public health, landscape architecture, urbanism, real estate, design, and other fields – to ensure that winning projects are implementable and have the maximum impact on the region’s resilience.

Background on Design Teams:

  1. Interboro Partners with the New Jersey Institute of Technology Infrastructure Planning Program; TU Delft; Project Projects; RFA Investments; IMG Rebel; Center for Urban Pedagogy; David Rusk; Apex; Deltares; Bosch Slabbers; H+N+S; and Palmbout Urban Landscapes.
  2. PennDesign/OLIN with PennPraxis, Buro Happold, HR&A Advisors, and E-Design Dynamics
  3. WXY architecture + urban design / West 8 Urban Design & Landscape Architecture with ARCADIS Engineering and the Stevens Institute of Technology, Rutgers University; Maxine Griffith; Parsons the New School for Design; Duke University; BJH Advisors; and Mary Edna Fraser.
  4. Office of Metropolitan Architecture with Royal Haskoning DHV; Balmori Associaties; R/GA; and HR&A Advisors.
  5. HR&A Advisors with Cooper, Robertson, & Partners; Grimshaw; Langan Engineering; W Architecture; Hargreaves Associates; Alamo Architects; Urban Green Council; Ironstate Development; Brooklyn Navy Yard Development Corporation; New City America.
  6. SCAPE with Parsons Brinckerhoff; SeARC Ecological Consulting; Ocean and Coastal Consultants; The New York Harbor School; Phil Orton/Stevens Institute; Paul Greenberg; LOT-EK; and MTWTF.
  7. MIT Center for Advanced Urbanism and the Dutch Delta Collective by ZUS; with De Urbanisten; Deltares; 75B; and Volker Infra Design.
  8. Sasaki Associates with Rutgers University and ARUP.
  9. Bjarke Ingels Group with One Architecture; Starr Whitehouse; James Lima Planning & Development; Green Shield Ecology; Buro Happold; AEA Consulting; and Project Projects.
  10. Unabridged Architecture with Mississippi State University; Waggoner and Ball Architects; Gulf Coast Community Design; and the Center for Urban Pedagogy.

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Prästgården by Arkitema Architects

Blackened wood buildings teeter on the edge of a precipice at this housing development in Sweden by Scandinavian firm Arkitema Architects.

Prästgården by Arkitema Architects

Arkitema Architects designed 22 family homes to skirt along the edge of a steep valley close to the centre of Gustavsberg town, just east of Stockholm.

Prästgården by Arkitema Architects

“The Prästgården development is situated tranquilly at the top of a rocky area with views towards an undulating landscape and pine forest on all sides,” said the architects.

Prästgården by Arkitema Architects

Two-storey houses are arranged in four terraced blocks that fan out along the edge of the crevice, around the bend of the access road.

Prästgården by Arkitema Architects

As the land falls away at the back of the buildings, a series of stilts on the rocky outcrops are employed to hold up the structures.

Prästgården by Arkitema Architects

Thick blackened wood walls frame individual houses and contrast the natural-coloured fir cladding on the end facades.

Prästgården by Arkitema Architects

Wood is used to reference the local vernacular of buildings around the Stockholm archipelago.

Prästgården by Arkitema Architects

Each identical unit contains living areas on the lower level and three bedrooms upstairs. Outdoor space is accommodated by a terrace in front of the house.

Prästgården by Arkitema Architects

The homes sit at an angle to the road, causing each to be staggered slightly from its neighbours.

Prästgården by Arkitema Architects

Roofs tilt upward towards the canyon and rooms at the back of the properties are glazed from side to side on both floors to make the most of views over the forest.

Prästgården by Arkitema Architects

We’ve published quite a few projects clad in blackened wood, such as an extension to a historic chapel in England and a charred timber pavilion with deceptively curved walls in a Sydney garden.

Prästgården by Arkitema Architects

See more blackened wood architecture »
See more housing design »
See more architecture and design in Sweden »

The architects sent us the following project description:


The development Prästgården lies close to the centre of Gustavsberg, Sweden – an area close to Stockholm with great natural qualities – close to the archipelago and still within commuting distance of Stockholm. The dwellings are subdivided into four groups of two storey row houses.

Prästgården by Arkitema Architects

The Prästgården development is situated tranquilly at the top of a rocky area with views towards an undulating landscape and pine forest on all sides.

Prästgården by Arkitema Architects

A special spot for a series of special buildings that have been carefully placed in a dialogue with the landscape, and with steep slopes and their differences worked into the lay out of the development resulting in a dramatic variation of the individual houses.

Prästgården by Arkitema Architects

Each dwelling is framed and characterised by a characteristic black frame that varies with the terrain down each row, creating small terraces and big balconies. The houses have been placed on stilts, making them seem almost weightless as they climb the hills of Gustavsberg.

Prästgården by Arkitema Architects
Site plan – click for larger image

Apart from taking the landscape into account the dwellings also mirror the local vernacular architecture, referencing the traditional wooden houses of the archipelago.

Prästgården by Arkitema Architects
Floor plans – click for larger image and key

The black natural colour of the facades is set off by natural coloured fir on all elements inside the black frame that melt with the landscape and the rocky nature of the site.

Prästgården by Arkitema Architects
House section

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Swimming Pool in Chamusca da Beira by João Mendes Ribeiro

Portuguese architect João Mendes Ribeiro clad this swimming pool pavilion with mirrored panels so it disappears into the surrounding orchard (+ slideshow).

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

João Mendes Ribeiro added the pool and pavilion in the grounds of a countryside property in central Portugal without disturbing the garden too much.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

“The swimming pool was settled in a way that would allow to avoid changes on the terrain morphology and not to interfere with the existing vegetation, keeping the orchard’s character almost untouched and favouring the landscape scenic atmosphere,” said the architect.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

Polished stainless steel sheets cover the small building at one end of the pool, which houses a pantry, toilet, shower and small storage room arranged in a row.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

These mirrors reflect the landscape around the pool so from some angles the building is camouflaged amongst the trees.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

The small rooms within the structure are entered through panels that swing open on both sides of the building. Its thin roof overhangs to provide poolside shade.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

The pool sits to one side of a granite platform that’s level with the ground at the pavilion end but is accessed by stairs at the other to compensate for the gently sloping site.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

A single set of steps leads into the water from a corner by the pavilion.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

João Mendes Ribeiro has also converted the former house of a Portuguese poet into a writer’s retreat. Our latest story from Portugal is a collection of farm buildings revamped into a minimal family home.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

We recently featured aerial photos that reveal the angular geometries of a rooftop swimming pool in Bangkok and have previously posted a plunge pool at a Stockholm house that looks like an aquarium.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

See more swimming pool designs »
See more architecture and design in Portugal »

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro

Here’s some text from the architect:


Swimming Pool in Chamusca da Beira

The swimming pool in Chamusca da Beira is located in a rural property whose landscape is characterised by the presence of large and small scale trees, in an orchard area with ornamental and fruit trees.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro
Plan – click for larger image and key

The swimming pool was settled in a way that would allow to avoid changes on the terrain morphology and not to interfere with the existing vegetation, keeping the orchard’s character almost untouched and favouring the landscape scenic atmosphere.

Swimming Pool in Chamusca da Beira by Joao Mendes Ribeiro
Section – click for larger image

The swimming pool is surrounded by a granite stone platform where, in one of its extremities, relies the volume containing the swimming pool dependencies (one pantry, one toilet, one shower and a small storage room). This volume is coated with polished stainless steel sheets that, by being highly reflective, allow the camouflage of the volume on its surroundings, dematerialising its presence and visually extending the landscape.

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House in Serra de Janeanes by João Branco

Portuguese architect João Branco has revamped a cluster of farm buildings and animal pens to create a weekend retreat for a family in Portugal’s Sierra de Janeanes district (+ slideshow).

House in Serra de Janeanes by João Branco

The renovated house is contained within the rustic stone walls of the old agricultural structures and sheltered beneath a traditional clay-tile roof.

House in Serra de Janeanes by João Branco

The ground floor of the building steps up and down to adjust to the hilly terrain, grouping the house into four different zones. There’s also a new corridor that forms an axis across the length of the plan.

House in Serra de Janeanes by João Branco

“The usual program of a single-family house is organised so that each space can be used with a degree of intimacy and independence,” said the architect.

House in Serra de Janeanes by João Branco

The largest room of the house is a central living area with a double-height ceiling, exposed stone walls and a combined stove and seating area.

House in Serra de Janeanes by João Branco

In contrast, the mezzanine floor above is surrounded by wooden floors, surfaces and furniture, and is used by residents as a library. A long desk runs along one side, creating a balcony study space with enough room to seat several people.

House in Serra de Janeanes by João Branco

A total of five bedrooms are arranged in two groups, positioned at opposite ends of the house. Each has direct access to one of two new courtyards, plus bathrooms are located alongside.

House in Serra de Janeanes by João Branco

The main dining room and kitchen sit alongside one another in one corner of the building, but also lead out to an outdoor dining area at the highest point of the site.

House in Serra de Janeanes by João Branco

There’s also an outdoor swimming pool that offers views out towards the distant mountains.

House in Serra de Janeanes by João Branco

“Throughout the work process the idea of contrast and surprise was always present,” added Branco. “An exterior that mimics the stony and massive surroundings is very distinct from the sober and very illuminated interior that offers a delicate unexpected encounter in contrast with the rough brutality of the circumambient.”

House in Serra de Janeanes by João Branco

Other renovated Portuguese houses on Dezeen include a former poet’s house turned into a writers’ retreat and a stable building converted into a holiday home. See more houses in Portugal »

House in Serra de Janeanes by João Branco

Photography is by Do Mal o Menos.

House in Serra de Janeanes by João Branco

Here’s a project description from the architect:


House in Serra de Janeanes

The access area of this site is a welcoming space as the existing buildings and stone walls convert it in a confined and shady location. As you course along westward, the slope to reach the highest part of the garden is considerable. At this point, stripped of limits, the distant mountains are the only horizon.

House in Serra de Janeanes by João Branco

The task consisted in converting the agricultural use buildings in a weekend home for a four generation family. Thus, the usual program of a single-family house: living room, dining room, kitchen and five bedrooms, is organised so that each space can be used with a degree of intimacy and independence. To this program was also requested the addition of a library.

House in Serra de Janeanes by João Branco

The main areas of the house occupy the old corrals – four stony and dark volumes, with very occasional openings, adjacent amongst but with no communication between them, located at different levels and following the slope of the land with North orientation.

House in Serra de Janeanes by João Branco

The project proposes two fundamental operations: first a new longitudinal axis that cuts across the various existing buildings, like a corridor carved in stone that unites the various spaces. Secondly, two new patios enable natural light to reach the innermost parts of the house.

House in Serra de Janeanes by João Branco

The work is completed with an exterior dining area and a swimming pool located near the existing barn floor at the upper part of the land, taking advantage of the best views and most advantageous sun exposure. Throughout the work process the idea of contrast and surprise was always present. An exterior that mimics the stony and massive surroundings is very distinct from the sober and very illuminated interior that offers a delicate unexpected encounter in contrast with the rough brutality of the circumambient.

House in Serra de Janeanes by João Branco
Ground floor plan – click for larger image
House in Serra de Janeanes by João Branco
First floor plan – click for larger image
House in Serra de Janeanes by João Branco
Long and cross sections – click for larger image

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Man ordered to remove fake mountain villa on top of Chinese tower

dezeen_Mountain-built-on-top-of-Chinese-apartment-block_1

News: a Chinese businessman who built a house covered by an artificial mountain on top of a 26-storey apartment block in Beijing has been told to remove it or face having it demolished.

Local media sources including South China Morning Post have reported that the man spent six years creating the structure using fake rocks but real trees and grass.

The artificial landscape covers the entire 1000-square-metre roof of the tower, but local urban management officials have told the owner the structure is illegal and issued him with an ultimatum to prove it was built with proper government permission or dismantle it within 15 days.

dezeen_Mountain-built-on-top-of-Chinese-apartment-block_2

Residents of the high-end Park View apartment block in the city’s Haidan district have complained that the two-storey house could cause structural damage to the building and have been regularly disturbed by noise from heavy machinery on the roof.

The villa’s owner is reported to be a doctor of traditional Chinese medicine, who is quoted as saying: “Since I dare to live here, I am not worried about complaints.” If the structure is not removed or its legality is not proven it could be forcibly demolished.

Last year, a five-storey house in the middle of a Chinese motorway was eventually demolished, while work recently began on a hotel built into the face of a water-filled quarry near Shanghai.

See all our stories about China »

Photography is by Xinghua/ChinaDaily.

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Portal of Awarness

Nescafé fait appel à l’agence mexicaine Rojkind Arquitectos afin de réaliser une sculpture urbaine sur le paseo de la Reforma à Mexico City. La seule contraire pour les artistes : qu’elle soit constituée des quelques 1,500 mugs mis à leur disposition. Une superbe installation publique et un détournement astucieux en images.

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Cube House by Plasma Studio

Since publishing a residential extension in Italy by architects Plasma Studio earlier this month, we’ve picked another faceted house from the studio’s archives located in the same South Tyrollean village.

Cube House by Plasma Studio

Plasma Studio designed the Cube House on a steep site between two existing properties in the village of Sesto, high in the Dolomite mountains.

Cube House by Plasma Studio

Triangular sections of the facade jut out to meet the slope, fusing the building with the site.

Cube House by Plasma Studio

Main access to the house is past two parking spaces on the lower level dug into the hillside.

Cube House by Plasma Studio

The staircase dog-legs up through the centre of the house, surrounded by the living, dining and kitchen area on the first floor. Bedrooms occupy the top storey.

Cube House by Plasma Studio

Generous south and east-facing balconies and terraces double the amount of useable floor space. “We opened the facade as much as possible in order to widen up the tight interior,” said the architects.

Cube House by Plasma Studio

The house is wrapped in slanted wooden slats, which help to screen balconies and terraces from the main road while still offering views to the mountains through angled openings.

Cube House by Plasma Studio

Facing the hill behind, the back corner of the property is rendered white like the surrounding buildings and punctured with small rectangular windows.

Cube House by Plasma Studio

Plasma Studio have designed another project in the area – a hotel clad with similar angled wood panels just down the valley.

Cube House by Plasma Studio

See more Italian houses »
See more architecture by Plasma Studio »
See more design in Italy »

Photography is by Cristobal Palma.

Here’s the project description from Plasma Studio:


The major constraints of this project, its steep site, compressed between existing buildings and very limited allowance of development volume have shaped the form of this house.

Cube House by Plasma Studio
Ground floor plan

It is inserted into the earth with two covered parking spaces to the front from where a small stair case leads up to the main living zones in the first floor and further to the bedrooms in the second floor.

Cube House by Plasma Studio
First floor plan

Compact circulation

Because of the limited available floor area the staircase and circulation had to be designed in a very space-saving way – this lead to the continuous organisation in the first floor: the single functions cooking, eating and living are positioned around the circulation core in order to give connectivity and privacy at the same time to the single activities.

Cube House by Plasma Studio
Second floor plan

The staircase and built-in furniture piece, which is storage, oven and service cavity at the same time, divides and connects as a short cut at the same time. On the second floor the single sleeping rooms are connected to each other in the shortest possible way.

Cube House by Plasma Studio
Long section

View and shelter

Given prominent location of the site directed towards the south and the Dolomites we opened the facade as much as possible in order to widen up the tight interiors – on both main floors ample balconies and terraces double the available floor area and offer great places to play for the kids and rest for the parents.

Cube House by Plasma Studio
South elevation

In order to provide shelter from the views of the passing by road a layer of wooden sticks was wrapped around the big openings directed to the south – depending on the varying size of the openings they provide different degrees of shelter and intimacy.

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