LuvOwl by Craig Alun Smith

LuvOwl by Craig Alun Smith

The design world flocks to Milan next month and designer Craig Alun Smith plans to splatter the city with bird poo in every colour of the rainbow by planting dyed bird feeders around the Piazza del Duomo.

LuvOwl by Craig Alun Smith

The LuvOwls are made of seeds, suet and food colouring, moulded into the shape of owls because statues of the birds of prey are often used to scare off smaller foul. They come in come in red, green and blue, and the British/Canadian designer hopes birds will eat from more than one of the feeders to mix the colours in their stomachs.

LuvOwl by Craig Alun Smith

He’ll travel from his home in Montreal next week to trial the system in Milan and find suitable perches for the feeders.

LuvOwl by Craig Alun Smith

If you like this, check out a system for making packaging from coloured snail excrement here. We also featured Alun Smith’s pair of chairs called Wank back in 2008.

Here are some more details:


Craig Alun Smith’s LuvOwl project to debut this April in Milan at Piazza del Duomo during Milano Salone.

The concept of LuvOwl is simple, birds eat the Owl, and then bright colours “appear” around the city – true public art! LuvOwl is produced by moulding seed, suet and food colour into the form of an owl commonly but ineffectively used as a bird deterrent. The Owls are based on the RGB colour model so in theory seeds from different coloured owls combined in the birds’ gizzards should produce a broad array of colours. Craig will be in Milan next week (14th-16th March) testing the project and scouting appropriate perches for the LuvOwls.

Craig Alun Smith is a British/Canadian designer living and working in Montreal Canada. Known for his dialectic approach to design, his work typically plays with opposing forces or ideas, often with humour and emotion at its core.

Studio Visit: John O’Reilly

Ground up bones and porcelain dust in a series of biological sculptures

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In advance of his first solo exhibition “I stand and look at them long and long” at RH Gallery, we stopped by John O’Reilly‘s Brooklyn studio to see what the young artist had on tap. The warehouse space is shared between four sculptural artists working with communal equipment and unparalleled resourcefulness. O’Reilly, for his part, mixes porcelain with bone powder and polyrethane resin to cast realistic biological altarpieces from silicone molds.

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The artist let us in on the process behind his creations, which all start off as clay models. Silicone is applied by brush to the clay forms until the film reaches a 1/4-inch thickness. The mold is cut along a set of seams and reattached in a plaster mastermold for rigidity. The bone powder comes from his dog’s leftovers, pulverized in the studio and added to the resin and porcelain mixture to create a translucent, off-white coloration.

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To create the forms, O’Reilly pulls from his experience with silverpoint drawing. “I’ve only been doing sculpture for the last two or three years,” he explains. “I look at these things as drawings in space—just a line that connects to another line. And you keep configurating a matrix of lines to create the form.” Standing in front of a wire approximation of his subject, the artist uses dabs of clay on a stick to apply and modify the shapes. When he finds a line he likes, he builds the entire piece around it.

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The artist chose porcelain for its likeness to skin. “It’s got that ghost-like, transcendental quality,” says O’Reilly. For the works in black, he added graphite to the resin mixture and finished the surface with another graphite application. The centerpiece work “Welle” is a graphite sculpture of a dead pup. When asked about the high-contrast, emaciated quality of his subjects, the artists explains, “It feels like the more I can dig in, the more I can release energy from the piece. And that’s basically what you’re trying to do—to create a circulatory system of lines, a matrix of feelings and emotions.”

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While he enjoys sculpture, O’Reilly sees the laborious process as an ultimate hindrance to creativity. “Origins” is a wall piece that shows the cavity of a pig and is inspired by Andy Warhol’s series of Rorschach paintings. While he was working on the piece—which can take months—the artist developed a method of molding paint inside a folded, translucent sheet. O’Reilly sees potential in the series of inkblot-style X-rays, though the work won’t be featured in the upcoming exhibition.

Many of the pieces bear the mark of the artist’s Christian upbringing. The off-white color is reminiscent of the Italian marbles from renaissance masters, and the artist freely refers to his works as altarpieces. The anguished expressiveness of the occasionally mutilated forms is balanced by the calm placidity of others, both attributes recalling biblical moments and emotions.

“I stand and look at them long and long” opens 6 March, 2012 at the RH Gallery in New York. See more images of O’Reilly’s studio in our slideshow.

RH Gallery

137 Duane Street

New York, NY 10013


Corkers by Monkey Business and Reddish

Slideshow: Israeli studios Monkey Business and Reddish have designed these pins for making little animal characters from wine corks at the dinner table.

Corkers by Monkey Business and Reddish

Each kit contains the required limbs and features to make one of six characters, although all the parts can be interchanged to create whatever kind of strange menagerie you want.

Corkers by Monkey Business and Reddish

The range includes a monkey, deer, buffalo, bear, bunny and crow.

Corkers by Monkey Business and Reddish

See more stories about animals on Dezeen here.

Corkers by Monkey Business and Reddish

See more stories about cork here.

Corkers by Monkey Business and Reddish

Here’s a tiny bit of text from the designers:


An original addition to the wine bottle you bring to dinner.

Corkers by Monkey Business and Reddish

A design collaboration between Monkey Business and Reddish Studio.

Corkers by Monkey Business and Reddish

Bring your dinner party and your bottle corks to life with these cute, collectable animal parts.

Corkers by Monkey Business and Reddish

Each pack includes the body parts required for one Corker.

Corkers by Monkey Business and Reddish

Available in 6 designs: Monkey, Deer, Buffalo, Bear, Bunny & Crow.

Corkers by Monkey Business and Reddish

Cork not included.

Corkers by Monkey Business and Reddish

Dezeen Screen: golden spider-silk cape

Dezeen Screen: Golden spider-silk cape

Dezeen Screen: in this movie from the V&A museum in London, Simon Peers and Nicholas Godley talk about the golden cape they made by harvesting silk from over a million wild spiders in Madagascar. Watch the movie »

Stork Nest Farm by SGL Projekt

Stork Nest Farm by SGL Projekt

It may look like a giant bird’s nest but this stick-covered dome is actually a horse-riding arena in the Czech Republic.

Stork Nest Farm by SGL Projekt

Designed by Prague studio SGL Projekt, the Stork Nest Farm is located on the site of a former farmstead and distillery that now accommodates hotel, conference and leisure facilities.

Stork Nest Farm by SGL Projekt

The Stork Nest Farm was both inspired by and named after storks that resided in the roof of the distillery long after it fell into disuse.

Stork Nest Farm by SGL Projekt

An eight-metre-wide skylight at the roof’s peak lets natural daylight down into the centre of the timber-framed building, while concrete-framed entrances lead visitors inside.

Stork Nest Farm by SGL Projekt

Last year we also published a bird’s nest-like hotel in the trees – take a look here.

Stork Nest Farm by SGL Projekt

Photography is by Jaroslav Malý, apart from where otherwise stated.

Stork Nest Farm by SGL Projekt

Above: photograph is by Farma Čapí hnízdo a.s.

Here’s some more text from SGL Projekt:


The Stork Nest Farm, Semtín, Czech Republic

In 2006 we were asked to design the revitalization of a farmstead for congress, company presentation, holding of corporate events and leisure activities.

Stork Nest Farm by SGL Projekt

For this purpose our client bought 19th century farmstead located at a large pound. The farmstead included a distillery with it’s chimney. From 1926 there have lived storks on the chimney. It became the main reason for buying this farm.

Stork Nest Farm by SGL Projekt

The farm is located 50 kilometers to the south from Prague. The surrounding landscape reminds piedmont area with large forest complexes, vast meadows, wetlands and a great network of ponds.

Stork Nest Farm by SGL Projekt

Since the end of the 80′s from the 20th century the farm has been abandoned and the buildings quickly decayed.

Stork Nest Farm by SGL Projekt

Above: photograph is by Farma Čapí hnízdo a.s.

The only solitary residents who remained were the storks on the distillery’s chimney. The Stork’s Nest became a symbol for us, which affected the conception of the riding arena and thinking about all the objects of this project.

Stork Nest Farm by SGL Projekt

It wasn’t a formal symbol for us. We were fascinated by stork’s fidelity. Almost 90 years generations of storks are returning from Africa to the farm and we tried to design the farm in order to bring back people here again.

Stork Nest Farm by SGL Projekt

These birds also fascinated us by their endurance in building their nest. After decades They construct still the same, no doubt about the shape and material, still in the same place and with no desire for originality, which bother all architects and builders nowadays. Storks don‘t look for exceptional places. They don‘t want to distinguish themselves and compete with others. Storks became a symbol for us in the approach to construction. Our design of the farm was led in humility to these bird architects.

Stork Nest Farm by SGL Projekt

The old farmstead consisted of an enclosed yard of an almost square ground plan and addition of a piggery. The yard contained two dwelling houses, a distillery, a barn and a stable. Valuable objects were preserved and buildings of poor quality we demolished and replaced by new ones.

Stork Nest Farm by SGL Projekt

The residential yard consist of a reception, a hotel, conference hall, restaurant, pool and bowling and house with private garden for VIP guests. Beside this residental yard we have built another new yard for the animals.

Stork Nest Farm by SGL Projekt

In this section we have placed a circular riding arena in the shape of a stork nest. It has an external diameter of 34 meters and height of 12,5 meters. The building is used for riding or for a variety of presentations, cultural and social events. Riding arena is located near the stables, and is directly connected to restaurant. The supporting structure is made of glulam timber beams. The external cladding is made of translucent polycarbonate. The oak logs, give the structure an expresive appearance and also provide shading. They were fixed to the building at the total amount of 200 tons at the length of 7, 9 and 11 meters.

Stork Nest Farm by SGL Projekt

At the top of the building there is a central sky-light with a diameter of 8 meters. It serves for intensive ventilation of the internal space by natural air flow. The natural ventilation of the arena provides a good climate.

Stork Nest Farm by SGL Projekt

The arena´s riding surface is made of sand with capillary irrigation for equestrian sport. It can be covered with plywood boards during other sorts of events. The riding area is surrounded by a protective barrier and a stand for approximately 200 people. There is VIP stand upstairs.

Stork Nest Farm by SGL Projekt

The Stork nest farm was completed in 2010. The riding arena became a landmark in the area of the farm and an element which attracts attention in wide neighbourhood. Later, our firm designed the center for protection of fauna to the farm and recently a large rectangular riding arena.

Location: Dvůr Semtín, Olbramovice, Czech Republic
GPS: 49°41’04.71″N, 14°39’05.51″E
Date completed: 03/2010
Lead architect: SGL Projekt s.r.o.
Ak. arch. Jiří javůrek
Ing. arch. Jaroslav Malý
Ing. arch. Irena Kozáková
Ing. arch. Jan Bouček
Ing. arch. Jakub Žák

Client / Developer: Farma Čapí hnízdo, a.s.

Civil Engineer: Ing. Jiří Starý, Starý a partner s.r.o.
Environmental Engineer: Ing. Miroslav Kučera
Lighting Consultant: Ing. Michal Kozak, Etna Guzzini s.r.o.
Structural Engineer: Němec Polák s.r.o.
General supplier: BAK a.s.

Crochetdermy

L’artiste Shauna Richardson réalise des trophées d’animaux en crochet. En reproduisant à taille réelle ces animaux en accomplissant un travail de titan, elle parvient à les mettre ensuite en scène. Un rendu de nuit très réussi à découvrir dans la suite de l’article.



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Dezeen Screen: Stewy at Dezeen Platform

Dezeen Screen: Stewy at Dezeen Platform

Dezeen Screen: in this interview filmed at Dezeen Space, street artist Stewy talks about painting indigenous British animals in unexpected areas of the city, including one side of Dezeen Platform. Watch the movie.

Deadvlei Winter Dream

Découverte d’Ivan Vania, un réalisateur qui a pu filmer avec talent des environnements naturels en Namibie et à la fois en Afrique du Sud. Des images splendides, aidée par un sound-design de Amniótica. Cette superbe vidéo est à découvrir dans la suite de l’article.



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Moderne Wood Animals

Serie di animali in legno disegnati da Linnea Gits e Peter Dunham. Li trovate su DWR.
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Attic by Studio Chad Wright

Attic by Studio Chad Wright

American designer Chad Wright stretched the archetypal birdhouse shape to create penthouse nest boxes with varying heights.

Attic by Studio Chad Wright

A concrete base with a screw-in stake stabilises these slender wooden pillars on grass or hard-standing.

Attic by Studio Chad Wright

The birdhouses come in a selection of different colours, including tomato red, robin’s egg and cloud blue.

Attic by Studio Chad Wright

Here’s some more text from Studio Chad Wright:


Attic by Studio Chad Wright

Attic is a series of avian abodes recently designed by Studio Chad Wright. At 4’6″, 4’10″ and 6’0″, Attic provides homes of varying levels of status to a variety of birds. Shown here in colors robin’s egg, tomato and cloud, Attic features a molded concrete base with a screw-in lawn stake, thus accommodating tiled or lawn-covered landscapes.

Studio Chad Wright is the laboratory, factory and home of Chad Wright, an emerging independent American designer.

After working in several of the top design studios in San Francisco, Chad recently ventured out on his own and founded Studio Chad Wright in 2011, a studio that synthesizes ideas with objects, poeticism with relevance, product with person (or animal), and simplicity with joy.