Sculptural staircase twists through loft apartment in Melbourne by Adrian Amore Architects

A sweeping, sculptural staircase extends through the centre of this monochrome inner-city loft apartment in Melbourne, Australia, by Adrian Amore Architects.

Loft apartment in Melbourne by Adrian Amore

Adrian Amore Architects renovated the apartment interior for an investor to create a stark, modern space.

Loft apartment in Melbourne by Adrian Amore

The building was originally used as a butter factory and converted into apartments in the 1990s. The architects removed a steel truss through the centre of the space and replaced the roof to make room for additional bedrooms.

Loft apartment in Melbourne by Adrian Amore

Adrian Amore told Dezeen the twisted staircase, that is made from steel and covered with plywood and plaster, was constructed and tested on site.

Loft apartment in Melbourne by Adrian Amore

“I wanted to dramatise the form of the stair, to give it more movement than a conventional circular stair, almost as though it had been pulled or stretched at its mid point,” Amore explained.

Loft apartment in Melbourne by Adrian Amore

“This was challenging to build, to distribute the loads evenly, as the stair naturally wanted to flex at at its mid point, and so we were worried about it bouncing,” he added.

Loft apartment in Melbourne by Adrian Amore

The stair treads are covered in a dark-stained hardwood.

Loft apartment in Melbourne by Adrian Amore

The ground floor features a bathroom, laundry and pantry space are concealed behind more curving plaster walls. The kitchen, living room, dining room and studio are all open-plan.

Loft apartment in Melbourne by Adrian Amore

Grey marble covers benches and splash backs, while low-hanging lights are fixed above the kitchen table, which is also covered with marble.

Loft apartment in Melbourne by Adrian Amore

Sliding doors between the downstairs areas also mean the space can be separated or left open for entertaining.

Loft apartment in Melbourne by Adrian Amore

A pair of bedrooms upstairs sit across from a bathroom and another large studio space, while a wooden roof deck offers views over the city.

Loft apartment in Melbourne by Adrian Amore

Photography is by Fraser Marsden.

Here’s a project description from Adrian Amore:


Loft Apartment, West Melbourne, Australia

Walls tear, bend and converge in this sleek loft apartment interior housed in a former butter factory, in West Melbourne, Australia, by architect Adrian Amore.

Loft apartment in Melbourne by Adrian Amore

A sculptural stair sits at the converging point in the space, twisting dramatically, and soaring up towards a recreational roof deck which overlooks the city of Melbourne.

Ground floor plan of Loft apartment in Melbourne by Adrian Amore
Ground floor plan – click for larger image

The original apartment contained a steel truss which sliced through its centre, polarising, and its removal, together with the removal of the existing roof generated accessible space for addition bedrooms.

A monochrome palate of white on white with charcoal and black, plays with the abundant natural light which is drawn in from the large north facing windows and ceiling void.

First floor plan of Loft apartment in Melbourne by Adrian Amore
First floor plan – click for larger image

An essentially open ground floor plan is defined by bending, wrapping walls which contain a bathroom, laundry and storage spaces.

Sliding doors further create the opportunity for expanding or containing, depending on how the ground floor space is used, whether it be as a studio, bedroom or for entertaining.

Roof plan of Loft apartment in Melbourne by Adrian Amore
Roof plan – click for larger image

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Colony armchair by Skrivo mixes steam-bent wood and rattan

Milan design studio Skrivo has combined a steam-bent wooden frame with woven rattan material to create this angular chair.

Colony armchair by Skrivo mixes steam-bent wood and rattan

Designed for Italian brand Miniforms, the Colony armchair by Skrivo has a seat and backrest formed from woven strips of dried vine using the traditional process called caning.

Colony armchair by Skrivo mixes steam-bent wood and rattan

“Caning has always caught our eye,” said the designers. “It is functional, sustainable, resistant, lightweight and most importantly it reminds us of furnishings from the past.”

Colony armchair by Skrivo mixes steam-bent wood and rattan

Sections of beech wood were steam-bent to create the rounded frame. Curved elements are joined to make a hexagonal shape around the outside of the chair.

Colony armchair by Skrivo mixes steam-bent wood and rattan

More poles connected to the corners support the cane material, often referred to as rattan after the Southeast Asian plant it is sourced from.

Colony armchair by Skrivo mixes steam-bent wood and rattan

A pair of bars is bent in two places and run from the front to the back of the seat, forming four legs.

Colony armchair by Skrivo mixes steam-bent wood and rattan

The chairs are available in both natural finishes or painted bright colours. Cushions can be added to the seat for extra comfort.

Colony armchair by Skrivo mixes steam-bent wood and rattan

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Google’s Project Tango uses your phone to map your home

Google’s ‘Project Tango’ uses phones to map your home

News: Google‘s latest research project equips smartphones with the ability to map their surroundings and build navigable three-dimensional virtual environments that can be used to give directions indoors.

Google’s hope is that the phone could give precise directions to any given point, inside or outside, by learning the dimensions of spaces just through moving around them.

“What if directions to a new location didn’t stop at the street address?” said a statement on the project website. “What if you never again found yourself lost in a new building?”

The Tango device works by using a motion-tracking camera and depth sensor built into a prototype Android smartphone. As the user walks around pointing the camera at what it sees, the sensors in the phone take 250,000 measurements of its surroundings every second and fuses this information into a three-dimensional map.

The tech giant has made 200 of the devices to give to software developers so they can design and build new mapping tools, games and algorithms.

While the initial application is to help create better navigation tools, Tango could be used to create augmented reality games or assist visually impaired users when they’re attempting to navigate an unfamiliar area.

It could also be used to give precise measurements of each room in your house, so if you’re wondering whether that new sofa will fit into your living room, Tango will be able to tell you.

The project has been developed by the tech giant’s Advanced Technology and Projects group, which is one of the few remaining acquired parts of Motorola that Google decided to hang onto when it subsequently sold the company to Lenovo.

Other projects to emerge out of Motorola include Project Ara, a modular smartphone that allows users to create their dream smartphone via a series of customisable building blocks.

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Shimpei Oda reworks humble Japanese house to create light-filled spaces

Japanese architect Shimpei Oda has reworked the dark interior of a humble 1920s house in Kyoto to bring natural light into living spaces and create a small gallery that opens to the street (+ slideshow).

House in Shichiku by Shimpei Oda

With a width of just 4.1 metres, House in Shichiku is typical of the long and narrow houses built in many of Japan’s dense urban districts, nicknamed “eel beds”, and the challenge for Shimpei Oda was to work out how to bring daylight inside.

House in Shichiku by Shimpei Oda

“Because the next building was way too close, the inside of the house was so dark, even in the daytime,” said Oda.

House in Shichiku by Shimpei Oda

The two storeys of the house were re-planned to ensure each of the main rooms received natural light, whether from a window or through openings in the walls or ceilings.

House in Shichiku by Shimpei Oda

According to Oda, the house had suffered several poor quality renovations in the past, so missing walls and pillars had to be replaced.

House in Shichiku by Shimpei Oda

“The existing structure was arbitrarily shifted and newly inserted structures and reinforcements were painted with white colour,” he said.

House in Shichiku by Shimpei Oda

The small gallery is located on the ground floor and is fronted by a square grid of nine windows, some of which fold open to provide a direct access from the street.

House in Shichiku by Shimpei Oda

The main entrance sits alongside and leads through to a generous open-plan space that functions as a living room, dining space and kitchen.

House in Shichiku by Shimpei Oda

Bathroom and toilet facilities were considered least in need of natural light, so are grouped together in the space between the living room and gallery.

House in Shichiku by Shimpei Oda

A lightweight steel staircase with a zigzagging profile leads directly up to a home office with bedrooms on either side. Exposed wooden columns and joists support the roof, while large openings help to bring light through each space.

House in Shichiku by Shimpei Oda

Photography is by Shinkenchiku-sha.

Here’s the project description from Shimpei Oda:


House in Shichiku

This was the renovation of a house which was built in the 1920s and the house was surrounded by old rows of houses. The house with a frontage of 4.1 metres and depth of 12.8 metres was like so-called “sleeping places of an eel”.

House in Shichiku by Shimpei Oda

Because the next building was way too close, the inside of the house was so dark even in the daytime. The house had been illogically renovated at several times before so that important pillars and walls were missed.

House in Shichiku by Shimpei Oda

A resident hoped to live with furniture and paintings. A studio, sanitary, and home office were inserted as volumes of the structure. Those intended not only to reinforce the house but also to softly divide spaces to up and down and left and right.

House in Shichiku by Shimpei Oda

The whole image was glimpsed from openings and slits which were widely opened and the volumes itself were painted with white colour so that the texture could visually stand up to indicate the depth and extent.

House in Shichiku by Shimpei Oda

The front of the studio opened to alley was changed from a shutter to windows. To change to the well reflective material of lean-to roof, it functioned as a reflector and could get the natural lightning to the inside so it diffused to bright all. Also, it was concerned the transition of brightness by time.

House in Shichiku by Shimpei Oda

The existing structure was arbitrary shifted and newly inserted structures and reinforcements were painted with white colour. Those were created the context of time but functionally which meant to indicate those things mixed naturally without any conflicts. The softly divided space may be able to use by any discoveries for the living, studio, and home office as extension with the factor of furniture and paintings which may increase in the future.

House in Shichiku by Shimpei Oda

Project name: House in Shichiku
Location of site: Kyoto, Japan
Site area: 83.50 sqm
Building area: 53.60 sqm
Total floor area: 91.00 sqm
Type of Construction: wood
Program: house

House in Shichiku by Shimpei Oda
Site plan
House in Shichiku by Shimpei Oda
Floor plans – click for larger image
House in Shichiku by Shimpei Oda
Long section – click for larger image
House in Shichiku by Shimpei Oda
Perspective diagram – click for larger image

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Driverless cars designed for use as mobile offices

Swiss automobile company Rinspeed has unveiled a self-driving concept car that transforms into a mobile office so owners can make the most of their time on the road (+ slideshow).

Luxury self-driving XchangE Cars to become offices of tomorrow

To create the XchangE car concept, designers at Rinspeed took a standard Tesla Model S sedan and altered it to give an idea of what a driverless car in the future might look and feel like.

Luxury self-driving XchangE Cars to become offices of tomorrow

“So far hardly anyone has taken this to its logical conclusion from the perspective of the driver,” explained Rinspeed founder Frank M. Rinderknecht. “How will the interior of a vehicle have to be designed to let the now largely unburdened driver make optimal use of the gain in time?”

Luxury self-driving XchangE Cars to become offices of tomorrow

When the driver engages autonomous driving, the steering wheel would slide away and a desk could be pulled out to accommodate laptops and other office equipment.

Luxury self-driving XchangE Cars to become offices of tomorrow

Once the car is driving itself, the driver could swivel their seat to face the passenger, or explore any of the 20 possible seating positions at their disposal, including a flat bed. While relaxing, passengers would have access to an entertainment system spread across four separate screens.

Luxury self-driving XchangE Cars to become offices of tomorrow

The XChangE would also have its own wireless 4G connection, which Rinspeed believes could be used to access cloud services such as warning messages or recommendations en route and driving profiles.

Luxury self-driving XchangE Cars to become offices of tomorrow

A 1.2-metre-wide display strip on the dashboard would provide information such as distance to travel and remaining fuel. In the rear of the cabin, a 32-inch monitor could be used to access on-demand films and TV via gesture control.

Luxury self-driving XchangE Cars to become offices of tomorrow

The interior would feature 358 individually controlled LEDs, as well as an extra 98 in the instrument panel to gently light the cabin. The seating and carpeting, developed by textile specialist Strähle+Hes, would use natural materials including Merino wool and silk.

Luxury self-driving XchangE Cars to become offices of tomorrow

The XchangE is the twentieth concept vehicle produced by Rinspeed, which plans to unveil the car at the Geneva International Motor Show next month.

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Wearable technology needs to “transcend the world of gadgets”

Dezeen and MINI Frontiers: integration with the existing fashion supply chain is crucial to the development of a successful wearable technology industry, says solar-powered dress designer Pauline van Dongen.

Pauline van Dongen portrait
Pauline van Dongen. Copyright: Dezeen

“We see a lot of exciting [wearable technology] projects, a lot of design prototyping going on,” says van Dongen, who was speaking at the Wearable Futures conference held in December at Ravensbourne. “It’s really amazing how quickly things are evolving.”

Pauline van Dongen's Solar Wear dress
Pauline van Dongen’s Solar Wear dress

Despite this, van Dongen says that unless the resulting products are comfortable and visually appealing fashion pieces in their own right, they won’t take off.

“It’s very important to stress the wearability,” she says. “I think it’s the only way to connect to the market, to connect to people and to transcend the realm of gadgets.”

Pauline van Dongen's Solar Wear dress
Pauline van Dongen’s Solar Wear dress

Van Dongen launched her womenswear label, which specialises in combining fashion and technology, in 2010. Her Wearable Solar range consists of a dress that incorporates 72 flexible solar panels as well as a coat that has 48 rigid crystalline solar cells.

“Both prototypes have a modular element where you can reveal the solar panels when the sun shines but you can also hide them and wear them close to your body,”she explains. “When you wear them in full sun for one hour they can generate enough energy to charge your typical smartphone 50 percent.”

Pauline van Dongen's Solar Wear coat
Pauline van Dongen’s Solar Wear coat

Van Dongen is aware that there will be significant production challenges to overcome before products like hers become commercially viable.

“It’s important to think how all these new designs can be integrated into the production chain,” she says. “An important next step to take wearable technology to another level is to look at the commercialisation of it.”

Pauline van Dongen's Solar Wear coat
Pauline van Dongen’s Solar Wear coat

This is the fourth movie from the two-day Wearable Futures conference that explored how smart materials and new technologies are helping to make wearable technology one of the most talked-about topics in the fields of design and technology.

In the first movie, designer of Dita von Teese’s 3D-printed gown Francis Bitonti explained how advances in design software mean “materials are becoming media”. In the second, Suzanne Lee explained how she makes clothes “grown using bacteria.” In the third, Shamees Aden explained how scientists are combining non-living chemicals to create materials with the properties of living organisms.

The music featured in the movie is a track by DJ Kimon. You can listen to his music on Dezeen Music Project.

Dezeen and MINI Frontiers is a year-long collaboration with MINI exploring how design and technology are coming together to shape the future.

Dezeen and MINI Frontiers

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Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucía Benítez

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Uruguayan designers Mercedes Arocena and Lucía Benítez created this collection of garments entirely using wool sourced from their native country.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Arocena and Benítez, who studied together at the Escuela Universitaria de Diseño in Montevideo, Uruguay, made their Dominga collection solely from local wool as a nod to the material’s historical use in the country.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

“Dominga comes as a result of an experimental investigation process that begins with the wool – a natural, sustainable and warm fibre that is part of our history and our culture,” said the designers.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

“We intended to intervene as far as we could, on the transformation process of the material, starting from the raw wool to the finished garment,” they added.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Various craft techniques such as felting and embroidery were employed while making the pieces by hand. The duo reinterpreted traditional garments worn by gauchos – farmers that live and work in rural areas of South America.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

A ruana – a blanket worn over the shoulders – has been drawn in at the waist by a woven belt with a frayed skirt-like hem. A belt is also incorporated into a patterned poncho, fed through holes around the midriff to give the garment more shape.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Vertical folds of fabric are layered into a shin-length skirt as a twist on a chiripá, traditionally a cross between a skirt and trousers. Squares of material are staggered on top of each other to form the large flared bottom of a dress, which also features oversized half-length sleeves.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Details on the garments were created by platting strands of the material into lengths that were stitched onto the clothes or formed into lasso-like loops.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

The collection was awarded at the Mittelmoda fashion contest in Italy last November.

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Job of the week: senior product designer with Faye Toogood

Job of the week: senior product designer with Faye Toogood

This week’s job of the week on Dezeen Jobs is a position for a senior product designer with Faye Toogood, whose interactive installation for design brand Established & Sons is pictured. Visit the ad for full details or browse other architecture and design opportunities on Dezeen Jobs.

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Mechanical Mirrors by Daniel Rozin replicate images using everyday objects

These interactive installations by artist Daniel Rozin use sensors and motors to rearrange objects into a mirror-image of whoever stands in front of them (+ slideshow).

Mechanical Mirrors By Daniel Rozin_Weave Mirror_dezeen_2
Weave Mirror

In his Mechanical Mirrors, Rozin connects motors to items including wooden pegs, plastic spokes and pieces of rubbish, then assembles them on large picture frames.

Mechanical Mirrors By Daniel Rozin_Weave Mirror_dezeen_3
Weave Mirror

Behind each image is a hidden camera that feeds what it sees in real-time to a computer, which converts the image into an 830-byte video signal. Software designed by Rozin then instructs each motor to move the panel it controls accordingly to make up the image. The result is a mirror-image of the person or object in front of the panel.

Mechanical Mirrors By Daniel Rozin_Weave Mirror_dezeen_6
Weave Mirror

“The mechanical mirrors are made of various materials but share the same behaviour and interaction,” explained Rozin. “Any person standing in front of one of these pieces is instantly reflected on its surface.”

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Angles Mirror

His most recent installation, the Angles Mirror, used 465 plastic spokes arranged in a triangle-shaped steel frame to achieve this effect.

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Angles Mirror

With his Weave Mirror, Rozin used 768 motorised and laminated C-shaped prints to mimic the look and feel of a homespun basket.

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Angles Mirror

For his Trash Mirror meanwhile, he assembled 500 pieces of variously coloured bits of rubbish collected from the streets of New York and the artist’s pockets.

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Trash Mirror

“This piece suggests that we are reflected in what we discard,” said Rozin. “The piece celebrates the ability of computation to inflict order on even the messiest of substances – trash.”

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Peg Mirror

Rozin’s first mirror used 830 square pieces of wood. He continued to experiment with the material, most notably in 2007, where he used 650 wooden pegs, cutting each one at an angle to create the illusion of pixels.

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Peg Mirror

“The silently moving wood components in this piece flicker like jewels or coins in the spotlight, challenging our notions about what constitutes a ‘digital object’,” he said.

Mechanical Mirrors By Daniel Rozin_Wooden Mirror_dezeen_7
Wooden Mirror

Rozin has been commissioned to build an installation using this technology at the Taiwan Taoyuan international airport later this year. Rozin’s work will also be on display at the Barbican in London this summer as part of the gallery’s Digital Revolution exhibition.

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Hedi Slimane opens Saint Laurent store in London

Fashion house Saint Laurent’s creative director Hedi Slimane has designed a new store for the brand in London, with a marbled and mirrored interior similar to the label’s flagship retail outlet in Paris (+ slideshow).

Hedi Slimane opens Saint Laurent store in London

The Sloane Street branch is latest Saint Laurent store to open since Slimane took the reins of the brand in 2012 and dropped the “Yves” from the front of its name.

Hedi Slimane opens Saint Laurent store in London

Its Art Deco-inspired interior is based on the principles of the Union des Artistes Modernes, an art and architecture movement that was prevalent in France during the first half of the twentieth century and championed simplicity and quality of materials.

Hedi Slimane opens Saint Laurent store in London

The same philosophies were applied to the brand’s flagship store on Avenue Montaigne in Paris. “The Saint Laurent architectural concept is adaptable and specific to individual spaces and cities,” said a statement from the brand.

Hedi Slimane opens Saint Laurent store in London

A monochrome palette of marble and concrete runs throughout the space, which is minimally furnished with designs by Modernists including Jacques Adnet, René Herbst and Marcel Breuer.

“The concept and architecture, designed by Hedi, is based on a minimalist translation of the techniques and materials of the French Modernist movement,” the brand stated.

Hedi Slimane opens Saint Laurent store in London

Vertical slats covered in mirrors conceal the staircase, and reflective surfaces are also used on walls and shelves for displaying garments and accessories. Glass vitrines embedded into the walls are framed with nickel.

Photographs are courtesy of Saint Laurent.

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