Aesop Midtown Installation by Hiroko Shiratori

Wooden chairs were piled on top of one another to create the shelves of this pop-up shop for skincare brand Aesop in a Tokyo shopping centre.

Aesop Midtown Installation by Hiroko Shiratori

Designed by Aesop creative manager Hiroko Shiratori, the Aesop Midtown Installation created a temporary store for the brand earlier this summer in front of a pair of elevators in the Tokyo Midtown Galleria.

Half of the chairs were turned upside down to create the stacks, which formed the display areas for rows of Aesop’s signature brown bottles.

Aesop Midtown Installation by Hiroko Shiratori

Quotes from various philosophers were inscribed onto the sides of a few selected chairs, plus some were still used as places to sit.

The space was completed by the addition of a wooden counter and a fully functioning sink.

Aesop Midtown Installation by Hiroko Shiratori

Dezeen interviewed Aesop founder Dennis Paphitis in 2012 about his brand, which regularly commissions designers to come up with unique concepts for stores. He explained: “I was horrified at the thought of a soulless chain”.

Other interesting branches include a Singapore shop with coconut-husk string hanging from the ceiling and a New York kiosk made from piles of newspapers. See more Aesop stores »

Aesop Midtown Installation by Hiroko Shiratori

Here’s some extra information from Aesop:


Aesop enjoyed a temporary residence in Tokyo Midtown Galleria from 24 April until late June, 2013.

Designed by Aesop Creative Manager Hiroko Shiratori, the interior employed utilitarian chairs in clever linear assembly to create makeshift walls, borders and shelves.

This transitory Midtown installation complemented the brand’s permanent signature stores in Aoyama, Ginza, Shin-Marunouchi, Yokohama and Shibuya. It offered a complete range of skin, hair and body care, and was fitted with a demonstration sink to facilitate the immersive sensorial experience for which Aesop is renowned.

Hiroko studied at the Royal College of Art and Chelsea College and Tokyo Zokei University. She has exhibited in London, Milan, Cologne and Tokyo and her work has been featured in Wallpaper, Casa Brutus, Domus Web, Axis and similar publications and sites.

Aesop was founded in Melbourne in 1987 and today offers its superlative skin, hair and body care products in more than sixty signature stores internationally. As the company evolves – new stores open soon in Hong Kong, London, and New York – meticulously considered and sophisticated design remain paramount to the creation of each space.

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Caja Oscura by Javier Corvalán

The roof of this house in Paraguay can be lifted open like the lid of a box (+ movie).

Caja Obscura by Javier Corvalán

Located in the countryside outside capital city Asunción, the house was designed by Paraguayan architect Javier Corvalán as the holiday home of a film-maker.

Caja Obscura by Javier Corvalán

The owners are often away for long periods of time, so Corvalán was asked to create a building that could transform between a comfortable residence and a hermetically sealed box.

Caja Obscura by Javier Corvalán

The base of the two-storey house is surrounded by walls of locally sourced sandstone, which support the concrete floor slab and galvanised-steel structure of the level above.

Caja Obscura by Javier Corvalán

To raise the roof of the house residents simple wind a manual winch, causing the rectilinear structure to tilt open and reveal the kitchen and living room housed inside.

Caja Obscura by Javier Corvalán

When closed, a pinhole allows the windowless space to function as a camera obscura, projecting an upside-down image of the surroundings onto the MDF panels that line the interior walls.

Caja Obscura by Javier Corvalán

The bottom floor houses a bedroom and bathroom. Mezzanine glazing wraps around the edges of this space, creating a visual separation between the two floors.

Caja Obscura by Javier Corvalán

Concrete tiles cover the floor, while the staircase leading upstairs is constructed from cantilevered stone blocks.

Caja Obscura by Javier Corvalán

We’ve featured a couple of houses with moving walls and floors. Others include a residence that transforms from a villa by day to a fortress by night, plus a home with mobile walls and roof that can be moved to cover and uncover parts of the interior.

Caja Obscura by Javier Corvalán

Other holiday homes completed recently include a prefabricated building in the shape of a cloud and a guest house with a patchwork timber facade.

Caja Obscura by Javier Corvalán

See more moving buildings »
See more holiday homes »

Caja Obscura by Javier Corvalán

Photography and movie are by Pedro Kok.

Caja Obscura by Javier Corvalán
Ground floor plan
Caja Obscura by Javier Corvalán
First floor plan
Caja Obscura by Javier Corvalán
Cross section – closed
Caja Obscura by Javier Corvalán
Cross section – open

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Leitão_653 by Triptyque

A chequerboard of glass blocks allows light to flood in and out of these creative studios in São Paulo by French-Brazilian architects Triptyque.

Leitão_653 by Triptyque

Slotted into a narrow gap between towers and houses in the central Pinheiros district of the city, the Leitão_653 building by Triptyque is just four metres wide but 25 metres high.

Leitão_653 by Triptyque

Three opacities of glass blocks are dispersed across a grid that covers the top four levels visible above the adjacent buildings to the north-east. “This gigantic panel allows smooth communication between the city and the interior of the building,” said the architects.

Leitão_653 by Triptyque

The other long facade is hidden against tall buildings, so is simply dotted with small windows and rendered white. Entry is under a canopy on the same side as the patterned facade, while a cafe and other communal facilities are on the other.

Leitão_653 by Triptyque

The staircase and elevator core sits in the centre of the plan, feeding open-plan studio spaces in the front and back of the concrete structure. Additional staircases link the studios so companies can be self-contained over more than one floor.

Leitão_653 by Triptyque

A veranda is set into the front of the second storey and balconies stick out from the ends of alternate levels above. The covered roof terrace provides extra outdoor space.

Leitão_653 by Triptyque
Site plan

Not long ago we published a housing development located right by São Paulo’s Octávio Frias de Oliveira Bridge. Other designs in the city include a micro apartment with a jumble of wooden boxes for storage and a bookshop with a store-front made of revolving bookcases.

Leitão_653 by Triptyque
Ground floor plan – click for larger image

See more architecture and design in São Paulo »
See more office designs »

Photography is by Pedro Kok.

Read on for more information from Triptyque:


Leitão_653 is a building located in the heart of Pinheiros, a popular neighbourhood which combines small traditional buildings and new residential towers. Inserted between two lofty towers, a long and narrow plot, the building is four meters wide and 25 metres high.

Leitão_653 by Triptyque
Cross section – click for larger image

The studios occupying the building enjoy a smooth flow between the plates through a central tower. Alternating terraces on the 2nd floor and roof offer living areas and promote exchange and community life.

“Leitão 653” was conceived as a place of inspiration in permanent connection with the city. This connection is provided by a set of transparencies affirmed by the facade. The building draws a cathedral light, completely revisited, like a latticework.

Leitão_653 by Triptyque
Long section – click for larger image

The wall, multifaceted indeed plays to absorb light during the day. As for the night, light radiates as a goldsmith working in a casket. In this urban theatre play scenes carved by a fine lace glass, cut and articulated as a Chinese shadow puppet show.

This gigantic panel allows smooth communication between the city and the interior of the building while providing a real solution to the constraints vis-à-vis. These scenes of transparency, a subtle eroticism, revealing another use of the building, visible from the street.

Leitão_653 by Triptyque
North-east elevation – click for larger image

The uniqueness of this project lies in its layout that encourages emulation, the expansion as a business incubator, an urban incubator.

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Poly Bowls by Martin Zampach

Czech designer Martin Zampach has produced a range of hexagonal bowls that are each made from three interlocking wooden leaves.

Poly bowls by Martin Zampach

Martin Zampach constructed the Poly Bowl using pieces of cork, coated with ash, maple and alder wood veneers to create different colours and textures.

Poly bowls by Martin Zampach

Curved edges allow the pieces to slot together, forming the hexagonal shape.

Poly bowls by Martin Zampach

“The flexible building materials allow for extreme shaping of the segments and when all parts are locked to form the bowl the structure gets its strength,” Zampach explained.

Poly bowls by Martin Zampach

The designer also says that the pieces fit together in different arrangements, “to form illusional 2D and 3D ornaments”.

Poly bowls by Martin Zampach

Marcus Zampach’s previous projects include a collection of handblown glassware with bottle tops that can be used as shot glasses.

Poly bowls by Martin Zampach

Other bowls we’ve featured on Dezeen include some that are so thin they quiver in the wind, a collection made from shredded money and a fruit bowl with concentric circles milled from a slice of oak.

Poly bowls by Martin Zampach

See all our stories about bowls »
See all our stories about tableware »

Poly bowls by Martin Zampach

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Job of the week: architects at FR-EE Fernando Romero Enterprise

Job of the week: architects at FR-EE Fernando Romero Enterprise

Our pick of the ads on Dezeen Jobs this week is an opportunity for architects to join FR-EE Fernando Romero Enterprise, the firm behind an anvil-shaped museum in Mexico City (pictured) with a windowless facade composed of hexagonal aluminium tiles. Visit the ad for full details or browse other architecture and design opportunities on Dezeen Jobs.

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Work starts on SOM’s Los Angeles Federal Courthouse

News: construction has begun on a new federal courthouse in downtown Los Angeles designed by US firm Skidmore Owings & Merrill (SOM).

Los Angeles Federal Courthouse by SOM

Scheduled for completion in the summer of 2016, the $319 million building is underway on a 1.5-hectare site between First Street and South Broadway and is set to replace the existing 1930s courthouse on North Spring Street.

Working alongside Clark Construction, SOM has designed the 10-storey building as a cube-shaped volume that will appear to hover over a solid stone base. It will feature a serrated facade, intended to maximise views whilst reducing solar heat gain for 24 courtrooms and 32 judicial chambers.

Los Angeles Federal Courthouse by SOM

The US General Services Administration (GSA) says the new courthouse will be a “high-performance green building” that will feature an all-in-one cooling, heating and power system, as well as roof-mounted solar panels.

“Additionally, the high efficiency building systems, water-efficient fixtures, and advanced irrigation systems will help the building meet its energy and water conservation goals,” said the agency.

Los Angeles Federal Courthouse by SOM

The Los Angeles Federal Courthouse is being constructed as part of a wider revitalisation of downtown Los Angeles, which is also home to Frank Gehry’s Disney Concert Hall and the Los Angeles Cathedral. Other projects include a new Police Department headquarters, a building for the California Department of Transportation, a renovated Hall of Justice, and a newly developed Grand Park.

Los Angeles Federal Courthouse by SOM

SOM is one of the largest architecture firms in the world. The office was behind the design of the Burj Khalifa, currently the world’s tallest building, and is currently working on plans for Singapore’s tallest tower. See more architecture by SOM »

See more architecture in Los Angeles »

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House in Kamoshima by Horibe Associates

The arced profile of this charred wooden house by architects Horibe Associates is designed to resonate with the traditional temples and shrines of Yoshinogawa, Japan (+ slideshow).

House in Kamoshima by Horibe Associates

Horibe Associates chose the bowed shape and dark external materials to help House in Kamoshima to integrate with the forms and colours of the local architecture and landscape.

House in Kamoshima by Horibe Associates

“With its simple arced shape echoing the shape of the property and its charred cedar exterior similar to that found throughout the neighbourhood, this residence blends seamlessly into its surroundings of peaceful rice fields, temples and shrines,” said the architects.

House in Kamoshima by Horibe Associates

Charred cedar cladding cloaks the curving wall at the front of the timber-framed property.

House in Kamoshima by Horibe Associates

This plain facade is only interrupted by a doorway to one side and a small rectangular window in the middle, which looks into a bright central courtyard.

House in Kamoshima by Horibe Associates

The courtyard features stepped wood decking and can be accessed via patio doors from the main bedroom, the combined kitchen and living area, and a spare room.

House in Kamoshima by Horibe Associates

“The layout allows the residents to keep an eye on their small children no matter where in the house they are,” the architects said.

House in Kamoshima by Horibe AssociatesHouse in Kamoshima by Horibe Associates

The back of the building opens up to extra garden space through more large glass doors from the kitchen and tatami room.

House in Kamoshima by Horibe Associates

Most of the accommodation is on the ground floor, though a small staircase leads up to a roof terrace concealed behind the top of the curved facade.

House in Kamoshima by Horibe Associates

The latest projects we’ve published by Horibe Associates include a house with a sweeping peristyle around its entrance and a combined home and dog-grooming salon.

House in Kamoshima by Horibe Associates

A dazzling white home with a shallow reflecting pool and a residence with a garden that snakes between its cedar-clad walls are the most recent Japanese houses on Dezeen.

House in Kamoshima by Horibe Associates

Photos are by Kaori Ichikawa.

House in Kamoshima by Horibe Associates

See more Japanese houses »
See more architecture by Horibe Associates »
See more design and architecture in Japan »


Drawings key:

1 – Entrance
2 – Living & Dining & Kitchen
3 – Tatami space
4 – Bedroom
5 – Storeroom
6 – Free space

House in Kamoshima by Horibe Associates
Floor plan – click for larger image

7 – Walk-in closet
8 – Lavatory
9 – Washroom
10 – Bathroom
11 – Courtyard
12 – Car parking space

House in Kamoshima by Horibe Associates
Section – click for larger image

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Saldus Music and Art School by Made

Separate schools for art and music are contained within the glass and timber walls of this academy in Latvia by Riga architects Made (+ slideshow).

Saldus Music and Art school by Made

Previously housed in independent buildings, Made created a single home for the music and art institutions that pupils in the west Latvian town of Saldus attend on top of their standard educational programme.

Saldus Music and Art school by Made

The facade is constructed from large timber panels fronted by glass profiles, which help to heat the air trapped in between and insulate the structure.

Saldus Music and Art school by Made

“Building structure and materials work as passive environmental control and at the same time exhibit [the building’s] functionality,” said the architects.

Saldus Music and Art school by Made

Chunks missing from the two-storey volume create sheltered patios on the ground floor and balconies on the first floor.

Saldus Music and Art school by Made

Bright colours distinguish the areas used by each faculty. Green denotes spaces for the music school and the blue zone is occupied by art students.

Saldus Music and Art school by Made

Staircases, walls and doors are coloured in these bright shades, which contrast with the exposed concrete walls and flooring.

Saldus Music and Art school by Made

Practice halls and libraries are located at the building’s centre, along with a double-height auditorium surrounded by rippled panels to improve acoustics.

Saldus Music and Art school by Made

Classrooms and studio spaces are situated around the perimeter so they benefit from the light coming through full-height windows.

Saldus Music and Art school by Made

The external walls are lined with lime plaster, absorbing humid air that could damage the musical instruments.

Saldus Music and Art school by Made

We’ve also published a primary school sports hall in Latvia inspired by chunks of amber washed up on the Baltic coast.

Saldus Music and Art school by Made

Our latest stories about schools include offset gabled volumes that form a new classroom and play area at an English infant school and angular concrete structures used to extend a Portuguese secondary school.

Saldus Music and Art school by Made

See more school design »
See more design for education »
See more architecture and design in Latvia »

More project details from Made follow:


The building of Music and Art school comprises two schools working separately until now. The classrooms are placed on perimeter, while practicing halls and libraries in the middle of the building.

Saldus Music and Art school by Made

Light courtyards are the result of the compact plan, providing a lot of daylight and reflected light in the middle of the school, and at the same time being spaces for both schools to interact.

Saldus Music and Art school by Made

The green colour in the interior marks the music school, while blue is for the art school. Large thermal inertia of the building and integrated floor heating deliver an even temperature regime.

Saldus Music and Art school by Made

The facade consists of massive timber panels covered with profile glass and is a part of an energy efficient natural ventilation system, preheating inlet air during winter.

Saldus Music and Art school by Made
Site plan – click for larger image

Massive wood walls with lime plaster accumulate humidity, providing a good climate for people as well as for musical instruments inside the classrooms.

Saldus Music and Art school by Made
Ground floor plan – click for larger image

Building structure and materials work as passive environmental control and at the same time exhibiting functionality.

Saldus Music and Art school by Made
First floor plan – click for larger image

Inner concrete walls and massive wood walls visible through the glass exhibit their natural origin, which we find an important issue especially at education institutions.

Saldus Music and Art school by Made
Long section – click for larger image

There is no single painted surface on any facade of the school building, every material shares its natural colour and texture.

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Tokyo Table by Loïc Bard

Product news: this wooden coffee table by Canadian designer Loïc Bard has a gaping mouth for swallowing narrow books and magazines.

Tokyo Table by Loic Bard

Tokyo Table features a distorted circular tabletop that houses the magazine compartment within one end. It is built from bleached maple and it stands on three rounded legs.

Tokyo Table by Loic Bard

Designer Loïc Bard said he created the table during a winter in Montreal and was inspired by childhood memories of a trip to Japan: “I designed this coffee table while remembering the sober atmosphere, the simplicity of the utensils and the rustic environment of the tea ceremony.”

“It focuses on a simple aesthetic and the discreet compartment is ideal for hiding books, laptops, magazines and newspapers entirely out of sight,” he added.

Tokyo Table by Loic Bard

Other tables featured on Dezeen include one shaped like a surfboard, a set with noughts and crosses between their legs and another designed to let you eat your dinner directly off the tabletopSee more tables »

Photography is by Andy Long Hoang.

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Jardim Edite Social Housing Complex by MMBB and H+F Arquitetos

Brazilian studios MMBB and H+F Arquitetos reference tower blocks from the 1960s with this social housing complex flanking the Octávio Frias de Oliveira Bridge in São Paulo (+ slideshow).

Jardim Edite Social Housing Complex

The Jardim Edite Social Housing Complex replaces a large favela on the junction between Avenida Berrini and Avenida Marinho, a part of the city that has seen a boom in high-end real estate in recent years.

Jardim Edite Social Housing Complex

MMBB and H+F Arquitetos teamed up to design the complex, creating 252 new residences within three 17-storey towers and a pair of adjoining two-storey blocks.

Jardim Edite Social Housing Complex

Each unit has two bedrooms and an area of 50 square metres – the maximum permitted size for social housing in the city.

Jardim Edite Social Housing Complex

Public services occupy the ground-floor spaces, offering a healthcare facility, a children’s daycare centre and a catering school. There are also communal gardens and rooftop terraces for residents.

Jardim Edite Social Housing Complex

The architects deliberately left out any parking provision, which they hoped would deter local office workers from moving in. Instead, many of the favela’s original residents returned to occupy the new homes.

Jardim Edite Social Housing Complex

“For us it is a laboratory for investigating ideas for the kind of city we want to build here in São Paulo,” H+F’s Eduardo Ferroni told Architectural Record.

Jardim Edite Social Housing Complex

Other recent architecture stories from Brazil include a new art museum and art school in Rio and a concrete photography studio, also in São Paulo. See more architecture in Brazil »

Jardim Edite Social Housing Complex

Photography is by Nelson Kon.

Jardim Edite Social Housing Complex

Here’s some more information from the architects:


Jardim Edite Social Housing Complex

The Jardim Edite Social Housing Complex was commissioned to replace a favela located on one of the most significant areas of recent growth in both the business and financial sector of the city of São Paulo.

Jardim Edite Social Housing Complex

To ensure the integration among the housing complex and its rich surroundings, the project articulated the housing program vertically and occupied the ground floor entirely by public facilities, available for the residential community as well as for the rest of the city, inserting the complex in the economy and everyday life of the region.

Jardim Edite Social Housing Complex

The rooftops of the public facilities also functions as a common area for the inhabitants, connecting housing buildings within each block, allowing for a secluded place for social interaction between the residents in the midst of the metropolitan scale of the surrounding area.

Jardim Edite Social Housing Complex

The project has a total area of 25.500 sqm, with 252 housing units of 50 sqm, a restaurant school (850 sqm), a basic health-care unit (1300 sqm) and a daycare center (1400 sqm).

Jardim Edite Social Housing Complex

Location: Av. Eng. Luís Carlos Berrini with Av. J. Roberto Marinho, São Paulo
Area: 25.714 sqm
Client: Prefeitura Municipal de São Paulo – Secretaria Municipal da Habitação (Sehab/Habi)
Architecture: MMBB and H+F

Jardim Edite Social Housing Complex

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by MMBB and H+F Arquitetos
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