Aesop Shin-Marunouchi by Torafu Architects

Chunky chipboard surfaces have been sanded and stained to look like marble at this Aesop skincare shop in Tokyo by Japanese studio Torafu Architects (+ slideshow).

Aesop Shin-Marunouchi by Torafu Architects

A muted brown stain coats the wooden walls and countertops and bottles sit within recessed shelves and openings.

Aesop Shin-Marunouchi by Torafu Architects

Two island counters accomodate hidden drawers and cupboards, sinks and a cash register.

Aesop Shin-Marunouchi by Torafu Architects

Other Aesop stores we’ve published include a shop filled with translucent boxes on stilts and a kiosk made from newspapers.

Aesop Shin-Marunouchi by Torafu Architects

See all our stories about Aesop »

Aesop Shin-Marunouchi by Torafu Architects

See all our stories about Torafu Architects »

Aesop Shin-Marunouchi by Torafu Architects

Photography is by Takumi Ota.

Aesop Shin-Marunouchi by Torafu Architects

Here’s some more information from Torafu Architects:


Aesop Shin-Marunouchi – Torafu Architects

For Aesop, an Australian skincare brand celebrating its 25th year anniversary this year, we proposed an interior fit-out located in the Shin-Marunouchi Building. Concurrent to this, we also designed Aesop Yokohama Bay Quarter, which opened at the same time.

Aesop’s skincare products emphasise on maintenance to restore the skin’s natural health, and in a similar way we had chosen a key material that reflects this idea for the two stores. OSB (Oriented Strand Board) is a wood which has characteristic textures and patterns, and of which are accentuated are accentuated once sanded and stained in different ways. While associated as a rough material typically used in construction, as it is stained the wood adopts a stone-like appearance. The result is a distinct materiality which be felt throughout the store space.

At Aesop Shin-Marunouchi, the OSB has been stained with a brown colour to distinguish the store with its neighbours within the bright surrounding environment. The central band of display seen stretched across the back wall binds the store space to a single point of focus, naturally drawing customers towards the products.

In the foreground of the shops are stand-alone functional counters that allow the corner shop space to be freely circulated. Small stores require an efficient use of space, so the activities essential to the shop’s operation have been carefully considered and housed into the ‘floating’ boxes to assist in operational processes. We thought about how the volumes of these counters can be opened at various parts when required, and eventually closed back into a simple box.

Even located within a large commercial building, we have focused on how we can clearly reflect Aesop’s brand image into these stores.

Principle use: shop
Production: Ishimaru
Credit: Graphic design: Aesop
Building site: Shin-Marunouchi Building, Marunouchi, Tokyo Total floor area: 22.53m2
Design period: 2012.02-2012.06
Construction period: 2012.06

The post Aesop Shin-Marunouchi
by Torafu Architects
appeared first on Dezeen.

Aesop at I.T Hysan One by Cheungvogl

Aesop at I.T HYSAN ONE by cheungvogl

Translucent boxes propped up on a forest of steel rods display products by skincare brand Aesop at a Hong Kong fashion store.

Aesop at I.T HYSAN ONE by cheungvogl

Designed by architects Cheungvogl, the monochrome display at I.T Hysan One was inspired by a black and white photograph of floating lanterns.

Aesop at I.T HYSAN ONE by cheungvogl

The supporting rods become taller towards the back, so the 800 resin boxes appear to be stacked into a tower.

Australian brand Aesop are renowned for creating unusual displays for their products – see more of their stores here.

Here’s some more information from Aesop:


Aesop I.T Installation, Hong Kong by cheungvogl

Aesop has created an installation in Hong Kong’s I.T HYSAN ONE flagship store that builds on our reputation for architecturally remarkable retail spaces.

Aesop at I.T HYSAN ONE by cheungvogl

The installation also operates as a counter. Aesop consultants present selections from our range of exceptional skin, hair and body care.

Aesop at I.T HYSAN ONE by cheungvogl

Cheungvogl architects, inspired by a black and white image of hundreds of floating lanterns, have imbued the I.T HYSAN ONE exhibition space with a similar delicate luminosity.

Aesop at I.T HYSAN ONE by cheungvogl

Eight hundred resin boxes are arranged atop steel rods of varying lengths, creating the sense that each box is ascending at its own pace, as if being drawn upward by an invisible thread. Some boxes hold Aesop formulations while others are designed to reward visitors’ curiosity through unexpected sound, scent and touch.

Aesop at I.T HYSAN ONE by cheungvogl

At the end of its two-week tenure the Aesop installation will be deconstructed and re-formed as a permanent counter on the first floor of I.T HYSAN ONE.

Aesop at I.T HYSAN ONE by cheungvogl

Aesop and I.T share an acute sensibility; we are focused on the highest standards of quality and creativity. We also have a common desire to explore how our respective products function within the intelligent and restrained application of design.

Aesop at I.T HYSAN ONE by cheungvogl

This installation marks the beginning of what is certain to be a long, exciting and creatively inspiring collaboration.

Aesop Ginza by Schemata Architecture Office

Aesop Ginza by Schemata Architecture Office

Japanese architect Jo Nagasaka of Schemata Architecture Office has completed another Tokyo store for skincare brand Aesop, this time in an old shoe shop.

Aesop Ginza by Schemata Architecture Office

Aesop Ginza has a red brick interior, which references the brick-tiled facade that was previously painted over by the upstairs tenants.

Aesop Ginza by Schemata Architecture Office

Brick courses infill the spaces between wooden shelves where products are displayed, while brick units with wooden surfaces house sinks.

Aesop Ginza by Schemata Architecture Office

You can see more Aesop stores here, including the other Tokyo store by Jo Nagasaka made from materials of a demolished house and a kiosk in New York made of 1000 newspapers.

Aesop Ginza by Schemata Architecture Office

Other projects by Schemata Architecture Office include an office with a slide and a house in a three metre cube – see all the projects here.

Aesop Ginza by Schemata Architecture Office

Photography is by Alessio Guarino.

Here’s a few sentences from Jo Nagasaka:


We renovated the 35 year shoe shop “Milano Shoes” into new Aesop Shop in Ginza.

Aesop Ginza by Schemata Architecture Office

The owner of MIlano Shoes put the brick tiles on the facade of the shop to create a “high-quality mood.”.

Aesop Ginza by Schemata Architecture Office

But when other tenats of upstair moved into the space they hate the bricks and painted them. Then we designed brick interior in honor of “Milano Shoes”.

Aesop Ginza by Schemata Architecture Office

Address: Ginza, Chuoku, Tokyo
Usage: Shop
Structure: Steel construction
Completion: 09/2011
Floor space: 38.04m2
Construction: Zest

Aesop Le Marais by Ciguë

Aesop Le Marais by Ciguë

Skincare products at Aesop‘s latest store in Paris are displayed on 427 steel caps that would normally be used in the city’s plumbing network.

Aesop Le Marais by Ciguë

Designed by Parisian studio Ciguë, the shop is located in the winding streets of the historically aristocratic Le Marais district.

Aesop Le Marais by Ciguë

The wall-mounted dishes are filled with clear resin to form a flat surface and finished in varying degrees of blackened, rusted and stripped steel. Larger plumbing caps create basins in the polished concrete counters.

Aesop Le Marais by Ciguë

The cast iron spotlights, steel window frames and plant pots in the courtyard beyond were all custom-designed by Ciguë.

Aesop Le Marais by Ciguë

Have a look at Aesop’s other stores here, including a kiosk in New York made of 1000 newspapers and another Paris store that’s covered in 3500 pieces of wood.

The information that follows is from Aesop:


Aesop Le Marais

Aesop is pleased to announce the opening of our third Paris store in rue Vieille du Temple in Le Marais. This historical precinct has successively been home to religious orders, nobility and artisans, and was thankfully preserved from Haussmann’s overhaul of Paris.

Today, it displays beautiful buildings in narrow streets, and hosts many excellent cafés and museums. We would not have dreamt of better neighbours.

Aesop Le Marais is a light, minimalist room of polished concrete, with windows on the back wall allowing light to fill the room, and offering a glimpse of lush greenery in the courtyard.

The key element of the design is the integration of 427 small polished steel dishes into the walls, an acknowledgement of the industrial history of this part of Paris. The dishes are, in fact, the curved ‘lids’ which close the pipes used as plumbing throughout the city.

Utilising this material – which is cold to touch yet catches warm light, aesthetically pleasing yet functional – lends the space lyricism and invites our customers to explore and interact with our products.

As always, the design serves to showcase Aesop’s full range of superb skin, hair and body products.

64, rue Vieille du Temple 75003 Paris


See also:

.

Aesop Grand Central
Kiosk by Tacklebox
Aesop at Merci
by March Studio
Aesop Aoyama by
Schemata Architecture Office

Aesop Grand Central Kiosk by Tacklebox

Aesop Grand Central Kiosk

Australian skincare brand Aesop have launched in New York with a kiosk at Grand Central that’s made from over 1000 copies of the New York Times.

Aesop Grand Central Kiosk by Tacklebox

The newspapers were stacked, torn and bound in a wooden frame then topped with sheets of powder-coated aluminium.

Aesop Grand Central Kiosk by Tacklebox

The kiosk is Aesop’s first venture into the American market and was designed by Brooklyn architect Jeremy Barbour of Tacklebox.

Aesop Grand Central Kiosk by Tacklebox

Aesop are gaining quite a reputation for unusual material choices in their stores – see their branches in Paris, Tokyo and Singapore in our earlier stories.

Aesop Grand Central Kiosk by Tacklebox

Here are some more inventive uses for old newspapers.

Aesop Grand Central Kiosk by Tacklebox

Photographs are by Juliana Sohn.

Aesop Grand Central Kiosk by Tacklebox

Here are some more details from Aesop:


Aesop has been a purveyor of exceptional skin, hair and body products since 1987. The Melbourne company recently opened their first US store inside New York’s Grand Central Terminal. The kiosk, designed by Aesop Director Dennis Paphitis and NY-based architect Jeremy Barbour of Tacklebox, is located in the Graybar passage and offers a selection of Aesop’s line of products. To celebrate this opening, Aesop has created in collaboration with Dia a Jet Set kit that is sold exclusively at the kiosk.

The kiosk was built out of 1,000+ old recycled NY Times newspapers and power coated aluminum which provides the surface on which the products sit. The kiosk is meant to serve as Aesop’s handshake to NY and NY commuters as it is the first retail endeavor on the continent. The handshake is a symbol of both the an introduction to the brand as well as the use Aesop makes of hand demonstrations which are used to introduce Aesop to new customers. The kiosk was intended as a place for information, as well as a place of familiarity, hence the use of the NY Times which is part of the commuters’ daily routine.

Aesop has attracted a loyal following from its beginning for its commitment to high-quality product ingredients, a sophisticated aesthetic, and intelligent communication with its customers. This irreverent company will also open stores in August in Nolita and University Place.

Graybar Passage
Grand Central Terminal
New York, NY 10017


See also:

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Aesop Saint-Honoré
by March Studio
Aesop store by
March Studio
Aesop at Merci by
March Studio

Aesop Saint-Honoré by March Studio

Aesop Saint-Honore by March Studio

The walls, floor and ceiling of this store in Paris by Melbourne practice March Studio are covered by 3,500 pieces of wood.

Aesop Saint-Honore by March Studio

Created for skincare brand Aesop inside an eighteenth-century building, the interior was inspired by parquet flooring.

Aesop Saint-Honore by March Studio

Products are displayed on planks jutting from the walls.

Aesop Saint-Honore by March Studio

The ash timber was sourced  from managed forests in Victoria, Australia, then cut and hand-worked on the outskirts of Melbourne before being labelled and shipped to Paris for assembly on site.

Aesop Saint-Honore by March Studio

More Aesop interiors on Dezeen »
More retail design on Dezeen »

The information below (in French) is from Aesop:


Aesop Saint-Honoré

La boutique Aesop rue Saint-Honoré se situe dans un immeuble du dix-huitième siècle au cœur du quartier historique de Paris, proche du Palais Royal.

L’architecture intérieure a été conçue par Rodney Eggleston (March Studio, Melbourne), en collaboration avec Dennis Paphitis, le fondateur d’Aesop. Eggleston a réfléchi aux matériaux qui selon lui étaient le plus emblématiques de Paris. “Nous avons d’abord en envisagé d’utiliser du plâtre, mais nous avons vite été intrigués par les sols en parquets que l’on trouve un peu partout à Paris,” dit-il. “Nous sommes partis de l’idée d’utiliser un seul et unique matériau pour tout l’espace. Nous avons donc imaginé un agencement entièrement en bois découpé et posé de manière à recouvrir intégralement le sol, les murs et le plafond et permettant de créer une atmosphère à la fois chaleureuse et homogène.”

Le bois choisi pour la boutique est le frêne de Victoria, issu de forêts renouvelables australiennes. Environ 3500 pièces de bois ont été découpées et travaillées à la main dans un atelier situé à Richmond, un quartier de la périphérie de Melbourne, avant d’être soigneusement numérotées, rangées dans un container et expédiées à Paris par bateau.

Aesop Saint-Honoré
256, rue Saint-Honoré
Paris 75001


See also:

.

Aesop at Merci by
March Studio
Aesop Aoyama by Schemata
Architecture Office
Aesop store by
March Studio

Aesop at Merci by March Studio

Aesop at Merci by March Studio

Melbourne practice March Studio have trapped 4500 cardboard boxes behind netting in this store for Australian skincare brand Aesop.

Aesop at Merci by March Studio

Located within Parisian concept store Merci, the installation uses the brand’s own packaging in an undulating installation that rises up one wall and spreads across the ceiling.

Aesop at Merci by March Studio

See also: Aesop store in Singapore by March Studio.

Aesop at Merci by March Studio

More retail design on Dezeen »

Aesop at Merci by March Studio

Photographs are by Louise Baquiast.

The following information is from Aesop:


merci is housing the Australian cosmetics brand Aesop for a spectacular installation in the Orangerie from 18th of December.

Aesop at Merci by March Studio

For merci, Aesop founder Dennis Paphitis challenged Australian architect Rodney Eggleston to imagine an original installation for the space. The project is emblematic of Eggleston’s play on repetition and the elevation of everyday objects from commonplace to statement.

Aesop at Merci by March Studio

Rodney Eggleston, founder of March Studio, is an Australian architect of 29 years who lives and works in Melbourne. He began his career with Rem Koolhas and has worked in partnership with Aesop for 7 of the brand’s signature stores, most recently Aesop Saint-Honoré, which opened in September at 256, rue Saint-Honoré, Paris.

Aesop at Merci by March Studio

The installation consists of 4500 cardboard shippers and 40m2 of netting.


See also:

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Aesop store by
March Studio
Aesop Aoyama by Schemata Architecture OfficeAesop store by
Studio Ilse

Aesop Aoyama by Schemata Architecture Office

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Japanese architect Jo Nagasaka of Schemata Architecture Office used materials reclaimed from a demolished house for the interior of this Tokyo shop for Australian skincare brand Aesop.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Located in a former vegetable shop, the project involved reusing timber, handles and furniture found in the demolished house.

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Features of the empty shop such as pipes and drain covers were highlighted by coating in resin.

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

“We find a demolished house anywhere in the world,” says Nagasaka. “We use a place in different purposes anywhere in the world. We get a space in skeleton condition anywhere in the world.”

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

More about Schemata Architecture Office on Dezeen »

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Photographs are by Alessio Guarino.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Here’s some more information from Aesop:


Aesop is proud to open in Tokyo, on the Ground Floor of the Asada building in Minami-Aoyama. Behind the humble facade sits a small store with a remarkable story.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Architect Jo Nagasaka, when considering how to create a functional yet poetic retail space for Aesop’s range of skin and hair products, came upon an abandoned house, the Murazawa residence in Nakano- ku.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Recognising the possibilities for reusing the wooden boards and beams, Nagasaka collaborated with Aesop Director Dennis Paphitis on a design that incorporates old and new materials, and pays homage to Japan’s well-established tradition of fusing modern and traditional.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

The project was challenging, but the result is a space that is simple, practical and warm.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Aesop was founded in 1987. We offer a range of exceptional skin, hair and body products through our thirty international concept stores, and department and specialty store counters.

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

The brand has attracted a loyal following from the beginning for our unwavering commitment to product ingredients, minimalist packaging, and intelligent communication with our customers.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

While our beginnings were in hair care, Aesop now boasts a line of over seventy products, more than half of which are skin care.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Aesop stands apart from other companies in our refusal to be anything other than transparent, humble and sincere.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

We make every product with the same attention to detail that we believe should be applied to life at large.

Aesop Aoyama by Jo Nagasaka and Schemata Architecture Office

Our company advocates the use of our range as part of a life that includes good food, plentiful travel and a healthy dose of books.

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Aesop Aoyama
Site: Shibuya ward Tokyo

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Principal use: Shop
Structure RC

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Total floor area 74.89m²
Office area 28.66m²
Shop area 46.23m²

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Construction: Sekiguchi Corporation
Epoxy: Syuhei Nakamura

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office

Completion: Dec.2010

Aesop Aoyama designed by Jo Nagasaka and Schemata Architecture Office


See also:

.

Aesop store by
March Studio
Aesop store by
Studio Ilse
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Aesop store by March Studio

Melbourne architects March Studio have hung 30 km of coconut-husk string from the ceiling of a new shop in Singapore for Australian skincare brand Aesop. (more…)