If you’re looking for a cozy cabin to escape to and simply relax, then you’ve reached the right place. Cabins are by far the best type of vacation I’ve come across. They’re a peaceful and tranquil option to abandon your urban life and woes, and simply unwind in nature. I love cabins, they’re the perfect safe haven nestled in the midst of nature, providing you a break from your everyday hectic life. And if you’re seeking your next cabin vacation destination then you may want to have a look at the Yimura Cabins.

Designer: Compact Housing and Studio Sluijzer

Designed in collaboration between Compact Housing and Studio Sluijzer, the Yiruma cabins are designed to be a stunning tribute to sophisticated aesthetics and the beauty of natural elements. The cabins perfectly integrate classy looks with the tranquility and simplicity of nature. The cabins are named after the Korean word for peace – Yiruma. And these idyllic cabins are truly the embodiment of peace and calm. They allow visitors to completely immerse themselves in nature while feeling comfortable and cozy in a luxurious room with all the amenities one could need.

The Yiruma cabins have been designed, created, and planned with immense attention to detail. The quaint structures have been meticulously designed, allowing them to blend harmoniously with their surroundings, building an ambiance and aura that is calm and peaceful. The cabins are ideal for some relaxation and rejuvenation. They’ve been equipped with big windows that create a serene connection to nature, allowing the outdoors to come inside, but without having to compromise on comfort and luxury.

The cabins are fully prefabricated and they can be delivered without any issue or hassle. They’ve been built using natural materials, and the maximation of sunlight was one of the core focuses of the cabins. The interiors are warm and charming, with the presence of wood and other natural materials creating an environment that feels raw and rustic, yet contemporary. Shades of browns, whites, and beiges, as well as other neutral colors, are the chosen color palette of the cabins, which help in creating a gentle and peaceful atmosphere.

The post The Yiruma Cabins Combine Modern Luxury & Natural Elements To Create The Ideal Weekend Getaway first appeared on Yanko Design.

From a furniture show in a former high-end sex shop to an homage to Dutch brickwork in New York by designer Floris Wubben, we’ve rounded up key shows and installations taking place during New York design week 2024.

New York City’s annual design festival begins this week, with events and programming oriented around institutions such as NYCxDesign and the International Contemporary Furniture Fair (ICFF) at the Javits Center in the city’s Hudson Yards district.

Designers from around the country and world will converge in New York to showcase and see design, from small independent shows to releases by large-scale distributors.

Many of the events are free and open to the public, and others require appointments. Clusters of shows will be held in different neighbourhoods and areas, from the grouping of high-end furniture showrooms in NoMad to open studios at Brooklyn Navy Yards.

Keep reading for Dezeen’s picks on what to do and see during New York design week 2024.

Head Hi Lamp Show

Local design bookstore Head Hi will host the fifth edition of its Lamp Show, curated by founders Alexandra Hodkowski and Alvaro Alcocer at 102 Franklin Street in Tribeca and opening on 17 May.

The exhibit displays a unique range of lamps from craftspeople, designers, artists and collectors of all skill levels and embraces an experimental and “celebratory” approach, with the pieces up for sale during the show and online afterwards.

Dudd 2024

Thirty “outlandish” lamps, pendants, chandeliers and more will be on show at the former high-end sex shop Contact Sports for independent exhibitor Jonald Dudd’s Dudd 2024 edition, which seeks to present a picture of the contemporary design scene.

“This year’s location feels very right: we’re kind of the smut purveyors of NYC Design Week,” said co-founder Chris Held. “It’s somewhat taboo that we are one of, if not the only, shows that champion an anti-commercial ethos.”

Design Dysphoria

The inaugural exhibition of Studio S II in Brooklyn’s Bushwick neighbourhood, Design Dysphoria will feature lighting, textile artwork, furniture and more by a group of women, nonbinary and trans designers and artists in the pursuit of prioritising queer voices in contemporary design.

Studio S II founders Erica Sellers and Jeremy Silberberg curated the show alongside artists Liz Collins and Grace Whiteside, which will open 18 May and run through 25 May.

BRICK by Floris Wubben

On show at The Future Perfect West Village townhouse from 9 May to 21 June, Brick by Netherlands-based artist Floris Wubben presents tables, chairs, lighting and more made with brick and cement moulded into curvilinear peices.

The show is informed by the artist’s heritage and the historical use of Dutch brick throughout New York City, which contains many foundations built with the material after Dutch settlers arrived in the city 400 years ago.

Breathe With Me: An Immersive Experience Of Swiss Design by Annabelle Schneider

Held at WSA in downtown Manhattan, and presented by the Consulate General of Switzerland in New York, Breathe With Me by experience designer Annabelle Schneider will feature an assortment of Swiss-made furniture throughout a “bubble room” and swaying fabrics.

Opening May 17, the installation showcases Swiss culture, quality and craft while creating a relaxing, “womb-like” atmosphere, set to a soundscape by musician Luc Oggier.

City Block by Micah Rosenblatt

Designer Micah Rosenblatt is set to debut 16 pieces of furniture made of steel, illuminated glass block and upholstery at the Front Gallery in the Lower East Side on 23 May.

The collection is informed by Rosenblatt’s experience of New York City and his studies of Jewish mysticism, merging “modernity and myth” into works that explore the city’s history and future.

Boreum Hill Design Night

A host of activities and open studios will take place during Brooklyn’s Boreum Hill Design Night on 18 May, including the opening of designer Minjae Kim’s Arbiter’s Corner show at the Ace Hotel Brooklyn. 

Other programming around the area includes the opening of the exhibition Time and Materials at the design shop Assembly Line, a show featuring fabric-draped ceramic lighting by designer Ana Corrigan, and more.

Le Grand Soir by Yto Barrada

MoMA PS1 will be hosting an ongoing exhibition by Moroccan-French artist Yto Barrada in its courtyard, which features colourful, large-scale sculptures made of concrete blocks.

Forty sculptural works made by a group of New York-based designers will also debut on 16 May with Hard Ground at the outpost, which contains pieces made of a range of materials including limestone, bronze and a “smelted Citi Bike”.

A Year without a Kiln by Simone Bodmer-Turner

Artist Simone Bodmer-Turner departs from her usual ceramic work with the ongoing A Year without a Kiln exhibit at the Emma Scully Gallery.

The artist recreated her own living room, displaying a slip-covered sofa, large coffee table, lighting, fireside andirons, and decorative objects displayed on sideboard-shaped pedestals.

Under Present Conditions

Friedman Benda is showing the ongoing group exhibition Under Present Conditions, which includes works by designers Fernando Laposse and Studio Raw Material and responds to contemporary social and environmental sustainability.

“The works presented are personal expressions of and, in some cases, poetic responses to the conditions that we live under,” said Friedman Benda. “Recycling, upcycling, and reimagining the life cycle of materials are crucial themes.”

A Realm of Light by Lindsey Adelman

Sculptor Lindsey Adelman displays a collection of 32 oil lamps throughout hanging fabric panels by Brooklyn-based textile artist Sarah Nsikak in A Realm of Light exhibition at TIWA Gallery, on show through June.

The oil lamps are “quieter” than the artist’s usual large-scale work and return to her personal interest in the philosophical experiences of light.

New York’s design festival 2024 takes place throughout the city from 16 to 23 May. See our NYCxDesign 2024  guide on Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the week.

The post Eleven things to do and see during New York’s 2024 design week appeared first on Dezeen.

In the bustling streets of Bucharest, Lunet Eyewear has unveiled its latest spectacle, a whimsical wonderland that blurs the lines between reality and imagination. Romanian practice Bogdan Ciocodeica Studio has once again pushed the boundaries of interior design, this time crafting an optical oasis that celebrates the essence of blurry vision.

Designer: Bogdan Ciocodeica Studio

Drawing inspiration from the very purpose that brings customers through its doors; the quest for clarity in a world of blurriness. Lunet’s newest store is a testament to the power of narrative-driven design. The concept is bold yet intuitive, as pixelated furnishings dance against translucent latex curtains, inviting customers into a realm where perception is questioned and celebrated.

Situated in the heart of Bucharest, this marks the third collaboration between Bogdan Ciocodeica Studio and Lunet, with previous ventures in the capital and Cluj-Napoca setting the stage for innovation. Unlike its predecessors, this store avoids the classic trappings of color and metallics from their previous designs, opting instead for a playful and pixelated ambiance that invites visitors to explore its depths.

At the forefront of this visual symphony are the shelves, strategically punctuated with pixel-style cutouts that mimic the blocky form of their digital counterparts. These tall wooden structures serve as both showcases and canvases, housing Lunet’s eclectic range of eyewear while simultaneously blurring the lines between art and function.

But the pixelated magic doesn’t stop there, gridded tile flooring lays the foundation for this playful palette, while cutouts in chairs, rugs, and service desks continue the theme with finesse. Each element, meticulously crafted and thoughtfully placed, converges to create an environment that is at once nostalgic and futuristic, those columns and arches created by the shadows seem like a modern interpretation of Romania’s architectural heritage.

In between the wooden pillars, the walls are painted in a burnt sienna color with translucent latex curtains draping gracefully between shelves, these ethereal veils add depth and texture to the space, enveloping patrons in a cocoon of visual intrigue as they navigate the store’s diverse offerings. They also have a touch of industrial aesthetic, a mix of brushed metal and mirror cladding, keeping in line with the original concept of the first Lunet store.

At the heart of Lunet’s pixelated playground lies a seating area, where wooden chairs with pixelated edging offer leisure amidst the chaos. Beneath them, a burnt-orange rug adorned with pixel-shaped openings provides a whimsical peek into the store’s underlying grid, inviting guests to linger and explore.

In the eye test room, brick-red walls set the stage for surrealist graphics that challenge perception and defy convention. Here, Lunet invites patrons to see beyond the ordinary, to embrace the blurred lines between art and reality as they embark on their optical journey.

The post The Pixelated Interiors of this Bucharest eyewear store feels like Minecraft in real life! first appeared on Yanko Design.

This Pivot Arc Lighter provides the reach of a wand lighter, but comes in a more portable form factor: It can be folded in half when not in use.

It’s made of die-cast zinc and finished with a brass coating. The juice comes from lithium-ion batteries, recharged via the USB-C port at the bottom.

These are by Utah-based outdoor products company Barebones and run $50.

Dezeen School Shows: a sustainably designed running shoe with replaceable and reconfigurable modular components is included in Dezeen’s latest school show by New Designers.

Also included is a collection of garments informed by how people’s use of nature and landscapes is limited by access laws and an embroidery project focusing on craft techniques that takes cues from themes of both femininity and the grotesque.

New Designers

School: New Designers

Statement:

“New Designers is an annual London showcase of the UK’s most innovative emerging design talent.

“Since its inception 39 years ago, New Designers has provided a platform for over 3,000 graduates every year to present their visionary ideas to industry professionals and the public.

“The event takes place over two weeks, with different disciplines highlighted in week one and week two, spanning fashion, textiles, furniture, product design, illustration and more.

“The show is hosted at at the Business Design Centre in London, with week one taking place from 26 to 29 June and week two taking place from 3 to 6 July.”

Silver Linings by Romy Fraser Reid

“Within this collection, a bridge forms between the fleeting trends and enduring styles prevalent in contemporary fashion.

“An exploration into the psychology of metallics’ recurrent allure inspires the collection’s application of natural materials and metal embellishments, aiming to empower those who wear it.

“Abstract, textural prints embrace the organic textures and patterns seen throughout nature, while creating a fusion of modern and luxury textiles through print and handcrafted processes.

“A focus on controlled craftsmanship includes hand-beading as well as screen-printing with foil, aqua-suede and flock to create value and textural depth.

“Through this collection, tactility blends with modern sophistication, offering empowerment through fashion.”

Student: Romy Fraser Reid
School: Edinburgh College of Art
Course: BA (Hons) Textiles

Vessels of Resurgence by Grace Richardson

“Vessels of Resurgence is a collection of woven sculptures depicting the inevitable process of decay and rebirth in nature.

“Pulling inspiration from eco-burial and traditional shrouds, each piece symbolises the ways in which nature takes over after death.

“The selected image depicts the transition between autumn and winter.

“Grace chooses her materials intentionally, focusing on natural fibres used for burial shrouds that fully decompose – such as linen, cotton and wool.

“By using a combination of 3D embroidery techniques such as stump work and white work, the form takes on a life of it’s own.”

Student: Grace Richardson
School: Royal School of Needlework
Course: BA (Hons) Hand Embroidery

The Feminine Grotesque by Bonnie Magee

“I understand the word ‘feminine’ to be associated with the beauty of organic form, nature, strength and the exploration of emotion

“Exploring the grotesque, I observed preserved organs and taxidermy during museum visits, as well as exploring nature and capturing natural forms.

“I connect with these themes through materiality, process and communication through stitch.

“Highlighting the beauty that comes from the uncomfortable, my work is constantly combining the body with the natural world.

“Using mixed embroidery methods, I translate the textures and forms into samples, which provide both a narrative and inspire silhouettes that reference wearable art and historical costume.

“Additionally, illustrative embroidery translates forms of creatures and animals, inspired by emotive storytelling and the dark history of fairy tales.

“Within my collection, materials have been sourced ethically, using offcuts and donations, kindly supported by Ayrshire-based company MYB textiles, which produces Scottish lace.”

Student: Bonnie Magee
School: Glasgow School of Art
Course: BA (Hons) Textile Design

Ode to Kay by Emily Nell Vickers

“Ode to Kay is an exploration of colour, abstract patterns and heritage.

“An essential element of this project is defeating the stereotype that natural colour is dull, proven by developing a collection without the use of synthetic dyes that are often derived from petrochemicals.

“The project lead to research and experiments with natural extracts to create a diverse range of lightfast print pastes.

“All fabrics used are dead stock linen sourced from the interiors industry.”

Student: Emily Nell Vickers
School: University of Brighton
Course: BA (Hons) Fashion & Textile Design

Untitled by Sam Holmes

“The goal of this project was to establish a strong connection between my profound love for nature and the creation of distinctive jewellery pieces.

“To authentically express this bond, I recognised the significance of immersing myself in natural settings and crafting jewellery directly inspired by the places that resonate with me.

“In my pursuit of inspiration and a fresh approach to capturing nature in jewellery, I ventured out of the workshop.

“Armed with my homemade portable setup and a handful of basic tools, I sought out specific locations to explore how my jewellery-making and creativity would be influenced by these environments.

“I then took each piece back into the workshop to refine a small collection out of the inspiration from each location.”

Student: Sam Holmes
School: Manchester School of Art
Course: BA Product Design & Craft

Our forbidden land/Our restricted wild by Emily Brown

“The availability of natural spaces and our access to them is crucial for fostering a profound connection between humans and the wild, empowering us to care for our planet.

“However, public exclusion from common land exacerbates the detachment from nature.

“In England, extensive privatisation limits public access, evident in ubiquitous ‘private’ signs, fences, and CCTV warnings.

“Only eight per cent of land allows activities, hindering camping and other pursuits.

“Using my passion for natural materials, knitting, macrame, crochet and hand construction, this project explores themes such as trespass, land privatisation, industrialisation, and their impacts on biodiversity.”

Student: Emily Brown
School: De Montfort University
Course: BA (Hons) Fashion Textile Design

ModuRun by Lewis Broughton

“ModuRun aims to improve the sustainability of running shoes by adopting a modular design where the shoe can be taken apart, adapted for different terrains, and recycled and reused at the end of its life.

“It must still function like a normal running shoe while adopting materials that will not end up in landfill at the end of its life, helping to minimise waste created by the ever-growing footwear industry.

“ModuRun focuses on two of the UN sustainability goals: consumption and production, and climate action.

“The idea promotes responsible consumption and production and will help to bring back more meaningful, sentimental value and longevity to products in a world of ever-changing trends and innovation.”

Student: Lewis Broughton
School: Bournemouth University
Course: BA/BSc (Hons) Product Design, BSc (Hons) Design Engineering

Partnership content

This school show is a partnership between Dezeen and New Designers. Find out more about Dezeen partnership content here.

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