Bernardo Bader Architekten creates cuboidal primary school in rural Austria

School in Au by Bernardo Bader Architekten

Bregenz studio Bernardo Bader Architekten has completed a cuboidal primary school in rural Austria that is designed as a “village within the village”.

Located on a mountainous site in the town of Au in Bregenzerwald, the extension expands an existing campus comprising a middle school and kindergarten.

Exterior of school in Au by Bernardo Bader Architekten
Bernardo Bader Architekten has created a primary school in rural Austria

The primary school building is accompanied by a new schoolyard and will be later joined by a gymnasium, designed by Bernardo Bader Architekten to open in 2026.

According to the studio, the yard is intended to serve as a focal point for the campus, which it is aiming to transform into a “village”.

Wood-clad school building in Austria
It is cube-shaped and raised on a concrete base

“The basic spatial idea is the creation of a school village, ‘the village within the village’,” the studio’s founder Bernardo Bader told Dezeen.

“The position of the buildings creates a rich collection of typologically different outdoor spaces, which balances itself with the existing structures to form an equal composition of body and space,” Bader added.

“The heart of the strengthened ensemble is a contained and protected schoolyard, which can be used equally for play and learning purposes, especially in the warm season.”

Larch-clad school in Au by Bernardo Bader Architekten
Larch wraps the exterior

Enclosing the southern side of the schoolyard is the new primary school building, designed as a cubic volume clad in larch planks and elevated on a concrete base. Its timber finish continues into the interiors.

The use of wood was chosen by Bernardo Bader Architekten as a homage to the history of craftsmanship in the region, which was home to the 17th-century Vorarlberg School – a guild of bricklayers, masons and carpenters.

Wood-lined classroom
Wood also lines the inside of the building

“The predominant use of wood as a building material and the masterly craftsmanship can be understood as a vote for the continuation of a local building tradition,” Bader told Dezeen.

“This resulted in an atmospherically diverse building of great sensuality, formally understated, distinguished and elegant, and, importantly, one that creates a sense of security and not distance,” he added.

A slight slope on the site means that the basement cloakroom benefits from level access to an external sports field to the east. In the future, an underground link will also connect it directly to the gymnasium.

Above, the primary school’s classrooms have been positioned at each corner of the building to provide them with plenty of natural light and views.

Interior of School in Au by Bernardo Bader Architekten
Classrooms are positioned around the edges of the school

Once completed, the gymnasium will enclose the northeastern edge of the yard, with a set of steps created between it and the primary school that leads down towards the external playing field.

Previous school projects by Bernardo Bader Architekten include the extension of a kindergarten in Lustenau, which also features timber finishes throughout, and a stone-clad ski centre with mismatched windows.

The photography is by Gustav Willeit.

The post Bernardo Bader Architekten creates cuboidal primary school in rural Austria appeared first on Dezeen.

Eight bedrooms illuminated by creative lighting solutions

A photograph of a compartment within a large room; it has an arched entrance and inside is a bed.

For our latest lookbook, we’ve selected eight windowless or low-light bedrooms illuminated with the help of strategically placed cutouts and clever layout solutions.

Bedrooms without windows are normally seen as less attractive, but these projects show how a windowless bedroom can be made cosy and light.

Whilst most of these bedrooms don’t have their own windows, they have been strategically placed in buildings with multiple windows or skylights nearby, which creates striking sculptural interiors and means they still get some light.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring blank windowless buildings and small bedrooms that utilise limited space.


A photograph of a bed within a tall, concrete room in tones of grey.
Photo by Koji Fujii Nacasa and Partners

Love2 House, Japan, by Takeshi Hosaka

Architect Takeshi Hosaka created Love2 House, a microhome in Tokyo with a floor area of just 19 square metres, featuring a compact bedroom lit by the building’s tall skylights.

The skylights project natural light into the whole of the house, which is divided by concrete walls to define the different zones of the living space, kitchen and bedroom.

Find out more about Love2 House ›


A photograph of a room that is comprised of various geometric structures, made up pf concrete and in tones of grey. There is a white chair and bed in the room.
Photo by Rory Gardiner

Casa Alférez, Mexico, by Ludwig Godefroy

Casa Alférez, a house just outside of Mexico City designed by Ludwig Godefoy, features a bedroom integrated into its wider open-plan layout. Natural light illuminates the house throughout from skylights in its ceilings.

Utilising skylights instead of multiple windows gives the house a “cathedral feeling and proportion on the inside, with light entering everywhere from the top,” Godefroy said.

Find out more about Casa Alférez ›


A photograph of a house consisting of grey concrete and square structures, illuminated by natural light from skylights.
Photo by Katsuya Taira

House with a Light Void, Japan, by FujiwaraMuro Architects

House with a Light Void in Japan also replaces windows with skylights, allowing for playful natural light throughout the home’s staggered concrete levels.

It features sunken multi-purpose rooms that can be used as bedrooms. Glazed openings in the middle of each floor allow light to travel down from the skylight overhead.

Find out more about House with a Light Void >


A photograph of a bed atop a white mezzanine, overlooking a brick wall and wooden floor.
Photo by Michael Moran

Soho loft, USA, by Julian King

In this New York apartment by designer Julian King, a windowless bedroom sits atop a mezzanine in order to maximise space, with storage and a laundry area underneath.

“A number of bespoke details transform the previously cluttered space into a clean, open loft that recalls its past and place,” King said.

Find out more about Soho loft ›


A photograph of a large room in tones of white and grey, with a bed and brown wooden chair in it. One of the walls is glass.
Photo by César Béjar

Morelia house, Mexico, by HW Studio Architects

Instead of using regular windows to illuminate the bedroom in this Morelia house, designers HW Studio Architects created folding glass walls that are arranged around courtyards within the building.

“The house reminds us of the arcades around the courtyard of San Agustin convent under which pilgrims and travellers sheltered, drank and fed from the many orange trees planted,” said lead architect Rogelio Vallejo Bores.

Find out more about Morelia house ›


A photograph of large open-plan apartment with a brown wooden bar and bed in it. The ceiling, walls and floor are all concrete, in tones of blue and grey.
Photo by IGArchitects

One-Legged House, Japan, by IGArchitects

Situated on the coast of Okinawa, Japan, IGArchitects‘ One-Legged House is an open-plan home featuring a window-less bedroom designed to integrate into the building’s unique flexible interior.

Wrapped in wood-framed sliding glass doors, the home can be opened up to its surrounding landscape. It was designed for a client who wanted “a clear view to the ocean and wind flowing through all day long,” the studio said.

Find out more about One-Legged House ›


A photograph of a room that has glass walls and grey concrete floors and ceilings. In the room is a bed beside a small desk with a lamp on it.
Photo by Nudo

Casa na Caniçada, Portugal, by Carvalho Araújo

Muted tones of grey concrete create a calm atmosphere in the bedrooms of Casa na Caniçada by Carvalho Araújo, which are located on the “bunker-like” building’s windowless upper floor and feature glass walls alongside white curtains.

On the floor below, large living spaces have floor-to-ceiling windows to illuminate the home’s minimalist design.

“Simple solutions were sought in terms of spaces and materials to achieve what is difficult to define or explain,” architect Joana Nunes said.

Find out more about Casa na Caniçada ›


A photograph of a compartment within a large room; it has an arched entrance and inside is a bed.
Photo by Andrew Snow

Broadview Loft, Canada, by StudioAC

StudioAC designed Broadview Loft in Toronto, an apartment with a cave-like bedroom that has no windows and was designed as a cosy hideaway.

Featuring a rounded archway at its entrance and a slightly elevated floor, the sleeping nook doesn’t suffer from not having a window, but serves as a snug and restful bedroom.

Find out more about Broadview Loft ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring blank windowless buildings and small bedrooms that utilise limited space.

The post Eight bedrooms illuminated by creative lighting solutions appeared first on Dezeen.

Keiji Ashizawa Design uses neutral tones for jewellery showroom in Tokyo

Mariha Salon by Keiji Ashizawa Design

Japanese studio Keiji Ashizawa Design has completed a minimalist showroom and office for jewellery and fashion brand Mariha in Tokyo.

Using neutral tones and natural materials, Keiji Ashizawa Design aimed to design a space able to serve both functions while also “evoking the warmth of a home”.

Living area within Mariha Salon in Tokyo
Keiji Ashizawa Design has completed a minimalist jewellery showroom in Tokyo

“The space was crafted to exude the inviting warmth of a private salon, creating a home-like ambience to welcome cherished guests,” studio founder Keiji Ashizawa told Dezeen.

“The intimate ambience is thoughtfully crafted through a cohesive design approach, combining meticulous finishing, furniture placement, and refined styling.”

Interior view of jewellery showroom by Keiji Ashizawa Design
The space is designed to evoke “the warmth of a home”

Entering through a slim corridor flanked by a large plaster wall, the space opens up to a living room and lounge that contains seating space for guests and showcases the brand’s products.

The studio opted for a refined approach – using neutral tones and oak furniture that it said “highlights the sparkle of the jewellery”.

Plush sofas, chairs and oak tables by furniture company Karimoku Case fill the space and are complemented by gold accents and carpeted flooring.

A large oak display case spans an entire wall, showcasing a collection of items arranged by interior stylist Yumi Nakata.

Seating space within Mariha Salon in Tokyo
Oak furniture and cabinetry was used throughout the space

“The materials were chosen to align with the aesthetic of existing showrooms and shops, while incorporating more furniture to evoke the warmth of a cosy living space,” Ashizawa said.

“Each textile was chosen through the conversations with the client, carefully considering its harmony with the curtains, carpets, and overall tone,” he added.

“The resulting design balances a nuanced play of textures with a cohesive colour palette of soft, monochromatic gradients.”

Office space within Mariha Salon by Keiji Ashizawa Design
The office is centred by a large oak table

Situated off the living area is a compact office space accessed through a set of wooden doors. Here, a large wooden table featuring gold-coloured legs centres the space and is complete with matching chairs.

Similarly minimalist interiors recently featured on Dezeen include a London restaurant that draws on wabi-sabi design principles and a “brutalist and serene” sushi restaurant in Quebec City.

The photography is by Tomooki Kengaku.


Project credits:

Architect: Keiji Ashizawa Design
Project architect: Keiji Ashizawa, Nanako Inoue
Construction: Fine Arts
Furniture: Karimoku / Karimoku Case
Lighting plan: AURORA / Yoshiki Ichikawa
Styling: Yumi Nakata

The post Keiji Ashizawa Design uses neutral tones for jewellery showroom in Tokyo appeared first on Dezeen.

Strong & Sleek: PITAKA celebrates 9th Anniversary with Space-Grade Aramid-infused Designer Cases

There was a time fairly long ago but still within memory, when phones didn’t need cases. Not only were they strong, they had visual character. The phones today, as powerful as they are, are mere monolithic slabs with low durability and even lower visual appeal. That’s where cases come in – not just to shield your phone but to give it a personality – an art PITAKA has perfected over the years. With their patented woven Aramid fibers, PITAKA’s cases give your phone aerospace-grade protection… but they bestow a unique aesthetic too, through the fibers’ criss-cross weave which PITAKA’s turned into a canvas for fashion-inspired patterns, as well as graphics like their glow-in-the-dark cases that debuted earlier in the year.

As PITAKA marks its ninth anniversary, the brand redefines the intersection of innovation, artistry, and technology with two standout offerings: the PTK Classic Monogram Tactile Woven Collection and a unique collaboration with Chinese rock band Re-TROS. Both collections showcase PITAKA’s dedication to groundbreaking material advancements and a renewed branding ethos.

Designer: PITAKA

Click Here to Buy PTK Classic Monogram Tactile Woven Case: $59.99 | Re-TROS Collaborative Tactile Woven Case: $69.99.

The PTK Classic Monogram Tactile Woven Case: Style Meets Substance

The PTK Classic Monogram Tactile Woven Case marks the debut of PITAKA’s updated logo and visual identity. Inspired by a singular line symbolizing continuous progress, the design introduces the PTK Monogram pattern which will be widely used in the future.

The new PTK Collection offers a refined approach to smartphone protection, combining practicality with an eye for contemporary design. Made with PITAKA’s proprietary high-performance aramid fibers, these cases provide exceptional durability and a lightweight profile, weighing just 21.57 grams. At only 1.08 mm thick, they maintain the phone’s sleek aesthetic while ensuring robust protection.

PITAKA’s Fusion Weaving technology brings vibrant, intricate patterns to life, weaving multiple colored fibers on a single loom. Through the intricate interweaving of lightweight yet durable aramid fibers, the text “PTK” is seamlessly embedded into the case, showcasing a unique and timeless aesthetic while unveiling refined textures that enhance the tactile experience.

The PTK Classic Monogram Tactile Woven case comes in three sophisticated colorways—Gold Green, Gold Red, and Dark Blue—underscoring PITAKA’s focus on blending luxury with versatility. With MagSafe compatibility, these cases integrate perfectly into a modern tech ecosystem, from wireless chargers to car mounts.

PITAKA x Re-TROS Collaborative Tactile Woven Case: Music Inspires Design

To celebrate nine years of creative evolution, PITAKA has partnered with Re-TROS, a Chinese rock band known for their introspective and evocative music. This limited-edition tactile woven case draws inspiration from the band’s iconic triangular motif, representing stability, resilience, and self-expression.

The Re-TROS collaboration case transforms the band’s ethos into design, featuring intricate interwoven lines and woven text that echo their disciplined yet dynamic music. It captures shared values of authenticity, introspection, and strength through PITAKA’s advanced weaving techniques.

Like the PTK Collection, the collaboration case uses aramid fiber for strength and lightweight convenience. Slightly thicker at 1.14 mm and weighing 21.72 grams, it balances durability with a slim profile that resists everyday wear. The case is offered in two styles, “Rebuilding” and “Refining,” which reflect Re-TROS’ artistic journey.

Design + Engineering = Sleekness

Across both collections, PITAKA showcases its commitment to combining innovation and design. The tactile woven cases offer full coverage, including a titanium-colored camera ring for added scratch resistance. Their granular texture provides a comfortable, non-slip grip, while PITAKA’s Amber Magnet Film™ ensures flawless MagSafe compatibility.

With aerospace-grade materials and pioneering weaving techniques, PITAKA has created cases that balance function with artistic expression. Whether drawn to the luxurious PTK Collection or the symbolic artistry of the Re-TROS collaboration, these cases reflect the brand’s ingenuity and creative depth.

The PTK Collection is available in Green/Gold and Red/Gold, priced at $59.99, while the PITAKA x Re-TROS collaboration comes in “Rebuilding” and “Refining” styles, priced at $69.99. These cases are compatible with a range of devices, including the iPhone 15/16 Pro Series and the Samsung Galaxy S25 Ultra.

Click Here to Buy PTK Classic Monogram Tactile Woven Case: $59.99 | Re-TROS Collaborative Tactile Woven Case: $69.99.

The post Strong & Sleek: PITAKA celebrates 9th Anniversary with Space-Grade Aramid-infused Designer Cases first appeared on Yanko Design.

Bendable VR controller rod offers a more believable tactile experience

It’s quite astounding how virtual and augmented reality look so believable these days thanks to progress in both technology and content creation. But while our eyes and sometimes our ears are easily fooled, our hands are more difficult to convince. That’s especially true when you’re trying to grab a non-existent virtual object with something that looks like your hand but is, in reality, just a short stick with buttons.

VR controllers are still a long way from feeling like our real hands, or at least train our brains to completely give up on the suspension of belief. That doesn’t mean we have can’t have some stopgap measures while waiting for that day, and this odd metal rod is one such solution that attempts to bring back some of that sensory experience that will make us really imagine that we’re holding the right tool for the right job.

Designer: Minkyu Oh

VR and AR systems have defaulted to using stick-like controllers not unlike the Wiimote mostly out of efficiency. They’re like the familiar gamepads but split in order to free our hands and arms for more natural movement. There’s nothing natural, however, with grabbing objects that look like they’re the real thing by pressing a button. And while some eXtended reality or spatial computing platforms are able to understand our hand gestures without the need for controllers at all, they also feel unnatural since we’re literally grasping air.

There will be times when our brains will expect us to hold something physical, especially if the virtual image involves holding a tool. Rather than just a short want, the Cogito concept proposes a shape-changing rod instead. Made of multiple segments, the rod bends and curves to take the form of the object we need to hold or at least some semblance of it.

If we simply need to swing a sword or a tennis racket, one of these Cogito rods is enough to make our hands and our brains believe we’re holding the real deal. For a gun or a steering wheel, however, you’ll need to combine two of these rods together and bend one or both to take the desired shape. This longer two-piece controller can even become a virtual guitar, though the experience is only a step better than an air guitar.

Cogito still requires the use of buttons, discreetly located in the middle, to actually take action. That could translate to a gun trigger or pressing a fret on a guitar, but it won’t translate perfectly to other real-world gestures. Unfortunately, the concept still doesn’t solve the problem of giving our fingers the correct haptic feedback, nor does it make grabbing virtual objects feel more natural. It does, however, offer enough believability to satisfy our brains, at least until the perfect VR input solution has been designed.

The post Bendable VR controller rod offers a more believable tactile experience first appeared on Yanko Design.

Cross-legged low chair concept makes sitting on the floor easier and more fun

There’s a certain expectation that chairs will always be an elevated platform to rest our bodies above the ground. While that’s generally true almost everywhere, there are some cultures that also adopt a different style of sitting. Some, for example, sit cross-legged, often on the floor, and take that position in a variety of circumstances, whether it’s when meditating, eating, or even just lounging around.

Unfortunately, the majority of chair designs don’t accommodate this sitting style, leaving people to settle for cushions and pillows. These can shield their bodies from the hardness of the floor and keep their clothes clean, but they have nothing to offer in terms of comfort, stability, and enjoyment. This concept design tries to address that glaring absence to make cross-legged seating just as good as sitting up on a chair.

Designer: Ila Rani

Admittedly, sitting cross-legged, whether on the floor or even a bed or couch, isn’t exactly an easy task for some people. But even those used to such a position often experience discomfort and inconvenience over a short period of time. It’s almost ironic that it’s one of the positions often associated with meditation and calmness despite how it makes most people uncomfortable. Part of that problem, however, is simply due to the lack of proper support for the sitting style.

The Sway chair concept aims to help promote this sitting position and lifestyle with a piece of furniture that brings the convenience and security of regular chairs to the floor. The most important detail of this design is actually the backrest that lets people lean back and relax with confidence, encouraging a lounging posture even when sitting cross-legged. The bottom of the chair is curved rather than flat, allowing the user to gently rock themselves as well.

Interestingly, Sway has two armrests with different heights. The higher one acts as your typical armrest to place your elbow when sitting back and lounging. The lower one, however, has a notch near the front for gripping when rocking the chair or shifting position. The design delivers the stability and security that simple pillows and cushions lack.

In terms of aesthetics, Sway adopts a more nature-inspired design using wood materials and earthy tones. It does use a steel rod to provide the skeleton that joins these pieces together, but it almost disappears into the background due to its plain and unassuming appearance. It’s a design that immediately evokes calmness and oneness with nature, images that are immediately associated with the cross-legged sitting position.

The post Cross-legged low chair concept makes sitting on the floor easier and more fun first appeared on Yanko Design.

Rolls-Royce brings DIY miniature version to let you imagine owning a luxury car

Owning luxury cars is a, well, luxury, that can only be afforded by those who are privileged enough to have a lot of money to get one. The closest some of us will get to actually touching one may be at car expos or if our very rich neighbor or friend has one that they will let you touch or ride on it. If your dream is getting a Rolls-Royce, then there’s another option to make your dream sort of come true.

Designer: Rolls-Royce

The British luxury car manufacturer has released a miniature sculpture that you can build yourself to better understand why the car is priced the way it is. This DIY miniature called Cameo is made from the materials used in the actual production of the car. It is meant to be a collectible for fans of the brand or those that are aspiring to be an owner and they can make it their “vision car” to motivate them.

It uses solid oak for its body and adds a polished aluminum chassis which is like the two-tone finishes in most of the larger luxury cars. It is put together through magnetic connections that is quite similar to how they are able to create a unity between the body and drivetrain. The components are 3D-printed and has the iconic Arctic White leather material and the self-leveling wheel center caps that have the RR monogram.

Because this miniature will be assembled by your hand, it’s like you’re there in the assembly line at the Goodwood facility. There’s even a miniature driver to complete the picture, especially if you’re imagining you’re the one actually driving the luxury car.

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8BitDo’s Ultimate 2C controller boasts ergonomic positioning of remappable buttons

8BitDo has been on a role this year with gaming controller and keyboard releases that appeal to geeks who like classic vibes in their gadgets. The gaming hardware maker impressed demanding gamers with the Ultimate 2C for PC and Android this summer. Now, there’s another release that’s literally half the price, comes in a durable body shell, and boasts features that much pricier competitors offer.

For gamers on a budget, the Ultimate 2C Bluetooth Controller has Hall Effect analog sticks and extra bumpers on the top that are remappable. Unlike many options on the market that have customizable input buttons on the backside, this controller has them on the top. Thus, making it a good choice for users who always crib about the controller buttons interfering with the grip. Moreover, the claw grippers have fingers positioned adjacent to the L4/R4 bumpers which impact the reaction time in-game.

Designer: 8BitDo

When compared to the Switch Pro which is almost double its price, the Ultimate 2C Bluetooth controller offers Hall Effect joysticks. At $30 the assurance of increased durability and slim chances of stick drift makes the controller worth every penny. In addition, features like an internal gyroscope for six-direction motion, overshadow the Joy-Cons. There are capable haptics with rumble for complete immersion when playing action games. The 15-hour battery life is also impressive owing to a smart optimization trick that powers down the controller when no motion is detected and instantly wakes it up when movement is detected. Even then if you deplete the battery during marathon gaming sessions, it can be connected to a power source with a USB-C cable.

Gamers will appreciate the fact that the budget gaming controller is not restricted to button remapping with the software. The users have the freedom to reconfigure the buttons as they desire. The refined D-pad design compared to previous generation gamepads is another feature any gamer will appreciate. The controller can be used with Bluetooth devices including Steam Deck or the Nintendo Switch. Available in blue and pink hues, the 8BitDo’s Bluetooth controller is expected to come in a dark blue color variant too in the future.

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Discover the Ultimate EDC Key Ring: Wave-Designed for Effortless Use

When it comes to key rings, we rarely stop to appreciate how something so small can affect our daily lives. But the truth is, finding the perfect key ring is a challenge. Flimsy ones bend under pressure, bulky ones weigh you down, and most designs are a struggle to use. Enter WAVECLIPS, a key ring that’s about to revolutionize your everyday essentials.

Drawing inspiration from cutting-edge aerospace technology, WAVECLIPS delivers the perfect combination of strength, lightness, and ease of use—all in an elegant, minimalist design. This isn’t just a tool; it’s a lifestyle upgrade for those who demand the best from the smallest details.

Designer: MAENI

Click Here to Buy Now: $25

Inspired by Engineering Excellence

At the heart of WAVECLIPS lies a bold design innovation: the wave-shaped structure, directly inspired by coiled wave springs used in aerospace equipment and high-speed rail systems. These industrial marvels are known for their ability to balance strength and flexibility, and WAVECLIPS translates this engineering brilliance into the everyday world.

Crafted from spring-grade SUS304 stainless steel, WAVECLIPS combines exceptional durability with a sleek, minimalist aesthetic. This isn’t just a key ring—it’s a testament to the power of design and engineering working together.

Featherlight Yet Incredibly Strong

Imagine a key ring so light you forget it’s there. Weighing just 3g for the larger ring and 1.5g for the smaller ones, WAVECLIPS achieves a level of portability that’s nothing short of remarkable. That’s half the weight of a standard key ring, made possible through precise material optimization and its unique wave structure.

But don’t let the weight fool you—WAVECLIPS is twice as strong as traditional key rings. With a thickness of just 0.8mm, the high-tensile stainless steel offers unparalleled resilience, springing back to its original shape even under stress. Whether it’s holding a single house key or a set of bulky car keys, this key ring handles it all without bending or warping.

Effortless Usability, Every Time

Adding or removing keys has never been easier—or kinder to your fingers. The wave-shaped segments allow you to slide keys on and off with a simple motion. No more sore fingers, chipped nails, or frustrating struggles. Whether you have manicured nails or just want a stress-free experience, WAVECLIPS makes everyday tasks effortless.

Removing keys is just as seamless: lightly lift the tip of the ring, and it opens with ease. It’s intuitive, efficient, and designed to save you time and frustration.

Minimalist Beauty in Every Detail

WAVECLIPS is more than just functional—it’s a design statement. The premium black finish, achieved through a specialized dyeing process, elevates its appearance while maintaining durability. Resistant to wear and scratches, the finish ensures your key ring stays as sleek and polished as the day you got it.

Its clean, industrial-inspired design reflects a commitment to simplicity and elegance. Paired with its compact size and featherlight feel, WAVECLIPS is an everyday essential that looks as good as it performs.

Why WAVECLIPS Is Your Next Must-Have

For those who value thoughtful design and superior functionality, WAVECLIPS is the ultimate key ring. It’s not just about holding your keys—it’s about upgrading the way you interact with your everyday essentials. From its featherlight construction to its stress-free usability, WAVECLIPS reimagines what a key ring can be.

Whether you’re organizing your home, heading out on a hike, or simplifying your daily commute, WAVECLIPS is the kind of innovation that blends into your routine seamlessly—until you realize you can’t live without it.

Ready to transform your carry game? With WAVECLIPS, you’re not just keeping your keys secure—you’re embracing the future of everyday design.

Click Here to Buy Now: $25

The post Discover the Ultimate EDC Key Ring: Wave-Designed for Effortless Use first appeared on Yanko Design.

DRM Arquitectura uses prefabricated structure for Buenos Aires ice cream shop

White metal ice cream party in Buenos Aires

Local studio DRM Arquitectura has designed a space-framed drive-through ice cream parlour lifted on inverted V-shaped columns in Buenos Aires, Argentina.

The Veneciana Canning Ice Cream Drive Thru is situated on a busy roadside plot near National Route No. 58 that challenged the DRM Arquitectura team to create a calm atmosphere without disconnecting from the fast access road.

White metal structure building with red chairs in foregrond
DRM Arquitectura created an ice cream parlour in Buenos Aires

Following the studio’s three-part design concept – product, person, place – the 300-square metre (3,230 square foot) parlour was a “quick-build roadside stop” that serves as an “announcement sign” for travellers in the bustling area.

The building is raised on two inverted V-shaped white columns and two simple columns to make it more visible, free up the ground floor, and create a semi-covered terrace with a view of the La Esperanza Golf Club.

White metal structure building in Buenos Aires
It has a drive-thru and is situated off a busy strreet

“The metal structure is undoubtedly the protagonist of the space; making architecture from the structure is what we are passionate about,” the team said.

Set back from the perimeter of the building, the prefabricated columns create a large plan and absorb all of the horizontal load from the upper level, serving as the only link to the second story.

Patio with metal screen
It has a metal structure that creates a semi-covered terrace

The furniture and staircase “hang” from the space frame while the bar and floating circular restroom “folds” up from the floor.

“The ground floor proposes the dissolution of the building’s limits both as a commercial strategy, aiming not to create barriers of entry and as a strategy to anchor to an environment with attributes valuable to the landscape, which can be incorporated as part of the building’s architecture,” the team said.

White metal ice cream parlour with playground in background
The staircase “hangs” from the steel structure

Meanwhile, the upper floor is wrapped in a perimeter terrace shaded by a series of pergolas that control light and open dining space to the sounds and sights of the city. The interior of the upper floor houses an isolated children’s play area.

A service tower – with mechanical equipment stacked on top of the staircase – adds a vertical counterpoint to the horizontal building that is nearly square in plan.

In order to expedite construction, the 15-tonne structural frame was prefabricated while the foundation was poured, and was transported to the site and hoisted into place.

Taking cues from the diagonal bracing in the trusses, the team replicated triangular patterns throughout the design including 45-degree patterns in the formwork of the precast white walls, perforated and sinusoidal white sheet metal, wood details, and welded tube ironwork.

Interior of ice cream parlour in Buenos Aires
Mechanical systems and the metal ceiling were left exposed

“Depending on the time of day, some diagonal patterns are illuminated, and others are not due to the concavities and convexities, generating permanent mutations in the facades,” the team said.

Other notable ice cream parlour designs include a compact Czech shop in Brno by Holky Rády Architeckturu, a blue-tiled “theatre of gelato” in Melbourne by Ewert Leaf, and a black and white “Instagrammable” interior for a Milk Train shop in London by FormRoom.

The photography is by Javier Agustin Rojas.


Project credits:

Architect: DRM Arquitectura
Team: Dimaio Luciano, Rocca Nicolás, Muerza Esteban, Ramiro Barraza, Augusto Latzke Blake, Lautaro Egui, Giuliana Scatuerchio, Sofía Prytoluk, Ignacio Llaneza, Fabián Bruno, Ezequiel Basso, Florencia Chumbes, Lucía Binetti
Engineering: Andres Moscatelli
Construction: Hernan Sotelo, Eduardo Tabaracci, Mauricio Chiarello

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