Workspace of the Week: Creative desktop storage solutions

This week’s Workspace of the Week is Ron Ron’s ingenious workspace:

When I came upon Ron Ron’s office, I knew I had to feature it the same week we had a banana-themed unitasker. If you look at his headphones, you’ll see that they’re stored on a Banana Hanger. Genius! The banana hanger does a marvelous job at keeping the headphones from cluttering up the desk. Additionally, I really like the Arc Stand doc for the laptop and how it frees up even more desk space. The shelving unit above the desk is from Ikea and can be adjusted with whatever kind of shelving you might need, which is also a convenient addition to this workspace. Thank you, Ron Ron, for your wonderful submission to our Flickr group.

Want to have your own workspace featured in Workspace of the Week? Submit a picture to the Unclutterer flickr pool. Check it out because we have a nice little community brewing there. Also, don’t forget that workspaces aren’t just desks. If you’re a cook, it’s a kitchen; if you’re a carpenter, it’s your workbench.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Whatami by stARTT

WHATAMI by stARTT

This pavilion by Italian firm stARTT has won the first international edition of the MoMA/P.S.1 Young Architects Program and will be installed outside the Zaha Hadid-designed MAXXI museum in Rome this June. See this year’s New York installation in yesterday’s story.

WHATAMI by stARTT

As inaugural winners of the YAP_MAXXI award stARTT’s installation, entitled Whatami, will feature a series of mini hills around the concrete plaza with pools of water in between.

WHATAMI by stARTT

The artificial landscape will be littered with clusters of funnel-shaped canopies representing flowers.

WHATAMI by stARTT

WHATAMI will open in June this year at the same time as Interboro Partner’s winning design for their installation in the courtyard of the P.S.1 Contemporary Art Centre in New York. (See our earlier story)

WHATAMI by stARTT

See all our stories on past winners of the Young Architect Program »

WHATAMI by stARTT

Here’s some more information from The Museum of Modern Art:


stARTT SELECTED AS WINNER OF THE INAUGURAL YOUNG ARCHITECTS PROGRAM AT THE NATIONAL MUSEUM OF XXI CENTURY ARTS (MAXXI) IN ROME

stARTT’s WHATAMI to open in the Courtyard of MAXXI in June

NEW YORK, February 16, 2011—The Museum of Modern Art, MoMA PS1, and the National Museum of XXI Century Arts of Rome announce Interboro Partners of Brooklyn, NY, as the winner of the 12th annual Young Architects Program in New York, and start, of Rome, as the winner of the first annual YAP_MAXXI Young Architects Program in Rome.

WHATAMI by stARTT

Now in its 12th edition, the Young Architects Program at MoMA and MoMA PS1 has been committed to offering emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop highly innovative designs for a temporary, outdoor installation at MoMA PS1 that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling.

WHATAMI by stARTT

For the first time, MoMA and MoMA PS1 are partnering with another institution, MAXXI in Rome, to create the first international edition of the Young Architects Program. stARTT has been chosen from among five European finalists to create an innovative event space in the MAXXI piazza opening in June.

WHATAMI by stARTT

WHATAMI by stARTT is based on the manufacturing of an artificial archipelago-hill, generating smaller green areas in the garden and potentially outside the museum. The hill works as a garden, injecting “green” into the concrete plateau of the museum’s outdoor space, allowing it to serve as a stage and/or parterre for concerts and other events, or as a space to rest and look at the museum itself.

WHATAMI by stARTT

The artificial landscape will be punctuated by large “flowers” providing light, shadow, water, and sound. The materials proposed for the installation involve a two-fold recycling process, the supplying of the materials for the construction (straw, geo-textile, plastic) and the dismantling of the “hill” (turf, lighting).

WHATAMI by stARTT

Opened in May 2010, MAXXI was designed by Zaha Hadid and awarded Royal Institute of British Architect’s (RIBA) Stirling Prize for architecture, and has already gained a place among the elite international contemporary art and architecture museums.

WHATAMI by stARTT
The other YAP_MAXXI finalists were Raffaella De Simone/Valentina Mandalari (Palermo); Ghigos Ideas (Lissone/Mi, Davide Crippa, Barbara Di Prete and Francesco Tosi); Asif Khan (London, United Kingdom); and Langarita Navarro Arquitectos (Madrid, Spain, María Langarita and Víctor Navarro).

WHATAMI by stARTT

Pippo Ciorra, Senior Curator of Architecture at MAXXI, explains, “We’re very happy with the results of this program for three main reasons. First, the collaboration with MoMA proved as effective and productive as we hoped, finally allowing us a surprising insight into the most recent research in terms of architecture, public space, and landscape.

WHATAMI by stARTT

Second, we were able to discover an unexpected positive quality of answers by the Italian and European young (under 35) architects involved in the project, all proposing fascinating, innovative and well developed proposals. Third, we’re delighted that we were able to choose a winning proposal which incorporates a MAXXI_specific approach to the issues of ecology, recycle, and public space.”

WHATAMI by stARTT


See also:

.

Holding Pattern by
Interboro Partners
Afterparty by
MOS at P.S.1
Mexican Pavilion for Shanghai Expo 2010 by Slot.

First-Stop towards a paperless studio

Frustrated by the weekly onslaught of mailers from photographers and illustrators, a group of US ad creatives have set up an online alternative

“Our creative department gets about 60 lbs (28Kg) of paper promos a month from illustrators and photographers, most of which ends up in the trash,” says Lance Vining, an associate creative director/art director at an agency in San Francisco. They made this video to illustrate the problem:

To discourage the use of paper promos, Vining and a group of friends launched First-Stop.org as a side project to showcase the work of illustrators and photographers in the hope that they would use the site instead of sending out printed materials. “The only thing we ask of the artists whose work we display is that they agree to significantly reduce the amount of paper promos they send to ad agencies,” Vining says. “If they’re already ahead of the curve and not sending out any paper promos, brilliant, we are also happy to show their work! It’s also absolutely free.”

 

And before any of you eager readers point out the fact that CR has carried a fair few printed inserts in the past, we do carry far less of that kind of thing these days, in part because of the opportunities afforded by this here website (especially Feed) and our Creative Handbook site.

 

RELATED CONTENT

Our April 2007 issue looked at a lot of the issues regarding sustainability and the creative industries.

Anna Gerber also wrote a series of features for us on Design & Sustainability, available online to subscribers here and here

 

 

CR in print

Thanks for reading the CR Blog, but if you’re not reading us in print too, you’re missing out on a richer, deeper view of your world. Our Type Annual issue has 100 pages of great content, featuring the best typefaces of the year and great writing from Rick Poynor, Jeremy Leslie, Eliza Williams and Gavin Lucas. It’s printed on four different, beautiful heavyweight paper stocks and offers a totally different experience to the Blog. You can buy it today by calling +44(0)207 292 3703 or go here to buy online. Better yet, subscribe to CR, save yourself almost a third and get Monograph for free plus a host of special deals from the CR Shop. Go on, treat yourself.

 

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Cut Copy – Need You Now

Voici la nouvelle réalisation de l’américain Keith Scofield pour le groupe de musique électronique Cut Copy sur le titre “Need You Now” extrait de leur dernier album Zonoscope (label Modular Records). Une carte blanche en vidéo, à découvrir dans la suite de l’article.



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Penguin Great Food: a sneak peek

Penguin is due to release its next big themed series in April. This time the focus is on Great Food with covers based on ceramic styles

The 20 books bring together “the sharpest, funniest, most delicious writing about food from the past 400 years,” according to Penguin. We will be publishing a more in-depth review of the series in a forthcoming edition but, for now, here are advance copies of the first three in the series.

The covers were designed by the Penguin’s senior cover designer Coralie Bickford-Smith. Each one draws on a decorative ceramic style relevant to the period of the writing concerned.

Cover for Love in a Dish and other pieces by MFK Fisher. Cover design based on a pattern from a Century side plate by Eva Zeisel for Hallcraft, 1957

The covers feature embossed lettering and spot varnishes to pick out the details of the illustrations. Note also the special version of the Penguin logo, cutlery at the ready. Bickford-Smith worked closely with picture editor Samantha Johnson and lettering artist Stephen Raw on the series.

Cover for Everlasting Syllabub and the Art of Carving by Hannah Glasse. Cover design based on a pattern from a plate by the Bow Porcelain Factory, 1770.

Cover for Exciting Food for Southern Types by Pellegrino Artusi. Cover design based on a pattern from a bowlby Ulisse Cantagalli, Florence, 1892.

The Penguin Great Food will be published in Penguin Paperback on April 7, priced £6.99 each.

 

RELATED CONTENT

Last year Penguin teamed up with RED to produce new covers for eight Penguin classics, which we reported on here.

Penguin 75: the stories behind the covers reveals some of the secrets behind Penguin’s cover designs. Read about it here.

Penguin on Design series.

Penguin by Illustrators book.

 

 

 

CR in print

Thanks for reading the CR Blog, but if you’re not reading us in print too, you’re missing out on a richer, deeper view of your world. Our Type Annual issue has 100 pages of great content, featuring the best typefaces of the year and great writing from Rick Poynor, Jeremy Leslie, Eliza Williams and Gavin Lucas. It’s printed on four different, beautiful heavyweight paper stocks and offers a totally different experience to the Blog. You can buy it today by calling +44(0)207 292 3703 or go here to buy online. Better yet, subscribe to CR, save yourself almost a third and get Monograph for free plus a host of special deals from the CR Shop. Go on, treat yourself.

 

Living Room : 3D Video Mapping

Une excellente idée pour décorer une pièce totalement vide, grâce à des projections à 360° et au mapping video 3D. Un concept développé par le collectif néerlandais Mr Beam avec des couleurs, textures et patterns entièrement customisables. Explications en vidéo dans la suite.



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Frank Gehry’s Stalled Louis Vuitton Foundation for Creation Seems Back on Track

Last week when a surprise decision was made by a Parisian judge to block the construction of Frank Gehry‘s Louis Vuitton Foundation for Creation, we suspected that the move was more posturing than permanent. Now it looks like it was as such and Gehry’s building might soon be on track. ArtInfo points our way to this reporting in La Monde, indicating that the government is pushing to have the judge’s decision overruled, with construction of the Foundation “a public good.” Legislators were able to make the move much like they are within our own government, by slipping an amendment into a completely unrelated bill. If you’re up to date on your French lessons, the whole story is here. If you’re feeling a bit rusty, here’s the news filtered through Google Translate, resulting in a semi-readable, occasionally-incoherent report. The ultimate take away is that, as most knew when the ruling came down, most expected it only to be temporary, considering the bulk of Parisian legislators who backed the building.

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Bench Chair

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