As Urbanized Begins Its Long Tour, Reviews Follow

Although it premiered earlier this month at the Toronto Film Festival, Gary Hustwit‘s latest documentary, this time about city planning and entitled Urbanized, is just starting to kick off its worldwide tour, meaning it’s apt to become the subject of nearly every design-based conversation for the next few months, like with Helvetica and Objectified were before it. Starting in New York last week with a screening as part of the Urban Design Week, Hustwit is personally taking the film around to cities around the US (and one stop in London), out until early November. If you happen to live near a major metropolis, and can get tickets quickly enough (thus far every screening has sold out), you should be able to catch it. In the interim, you should start seeing a bevy of reviews from both bloggers and traditional media outlets. The LA Times‘ resident architecture critic, Christopher Hawthorne, just filed his review, saying that it’s “a sharp, good-looking documentary” and that it “ranks among the smartest recent analyses of mass global urbanization and its discontents,” though he’s a bit miffed that the film doesn’t even include a second about Los Angeles, something the critic finds a glaring omission. Though we wouldn’t be surprised at all if this happens in any number of cities, given that there are only a finite amount Hustwit could cover (“What about Cleveland?!” we’re imagining the Plain Dealer‘s critic is, albeit perhaps wrongly in comparison to LA, already thinking). Here’s the trailer:

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Kurogane by Maker

Kurogane by Maker

Japanese architects Maker have completed a Hiroshima restaurant where timber slats on the ceiling descend around the dining tables. 

Kurogane by Maker

These vertical batons create privacy screens between tables and corridors at the Kurogane restaurant.

Kurogane by Maker

Hanging fabric creates additional screens between individual tables.

Kurogane by Maker

Maker also recently completed a hair salon with untreated timber booths and gauze partitions – see our earlier story here.

Kurogane by Maker

Photography is by Shigeki Orita.

Here are a few words from Maker:


Kurogane by Maker

Noncommittally, three-dimensionally, ‘Kurogane’, the restaurant of Hiroshima-styled teppan-yaki(dishes on a hot plate), is on the second floor of the building in the city area of Hiroshima.

Kurogane by Maker

The owner had wanted to make a restaurant of teppan-yaki familiar with women. We designed the clean natural space with wood based on her wish.

The most characteristic part is wooden louvers. These are used for partitions and the ceiling, and cover the inside of the restaurant.

Their layer and shade make us feel depth and a cubic effect.

Kurogane by Maker

Passing an entrance, there is the inside space directed by warming lightings and louvers.

louvered partitions vaguely divide seats and a service lead.

Because of them, visitors can observe visitor’s appearances through them, and give fine quickly service.

Kurogane by Maker

Louvers play functional and ornamental role and give a feel of unification.

This design is simple but three-dimensionally, and this restaurant makes good mood pursuing of distance between visitors and staffs.


See also:

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Tree Restaurant by
Koichi Takada Architects
Tang Palace
by FCJZ
Rosa’s by Gundry
& Ducker

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Manager Online Business Development

Stone Designs a Madrid

Stone Designs è un piccolo studio di progettazione spagnolo che scovai a Madrid il gennaio scorso. In questi giorni ho ritrovato la foto della loro vetrina e ho deciso di dedicargli un articolo. La vetrina dello studio, già, perché il suo aspetto fantasioso ed informale non passa inosservato e lascia intendere come si tratti dell’ambiente di lavoro di qualche creativo.
Il portfolio di Stone Designs si divide nelle categorie product e interior design ed è caratterizzato da alcuni temi che ho trovato ricorrenti, seppur evoluti, in diversi progetti.
Uno di questi temi è unire le caratteristiche di due oggetti distinti per ottenere qualcosa di nuovo, come è stato fatto per i Guerilla Containers: grandi cuscini che avvolgono un contenitore in legno rendendo possibile usi diversi e la creazione di arredi insoliti e divertenti.

Sullo stesso tema mi è piaciuta questa radiosveglia, il cui piano superiore può essere usato come portaoggetti. La realizzazione avrebbe potuto essere anche più sofisticata ma l’idea di mischiare i materiali a seconda dell’uso è una bella intuizione.

Un progetto per Muji che consiglio di vedere questo tavolo “espositivo” formato da contenitori di dimensioni diverse che nascondono i prodotti al di sotto del piano.


Una delle fonti di ispirazione per Stone Designs è spesso il legame con il mondo della natura, come è evidente nel caso di questi i tavolini concentrici Drops. Sempre sullo stesso tema è stata disegnata una variegata serie di orologi da polso.

Lo studio ha lavorato spesso per RS Barcellona con buoni risultati perché c’è sintonia con lo stile dell’azienda: colorato, simpatico ed informale. Tra i tanti arredi segnalo la libreria By Yourshelf, composta da moduli inclinati che astutamente fingono l’ortogonalità. La leggera rotazione aiuta a tenere i libri in ordine e caratterizza l’oggetto, che può considerarsi un’evoluzione meglio riuscita della libreria Equilibrio, nata nel 1998.

Concludo con la panca On The Road; fissare l’imbottitura alla struttura tramite un evidente elastico rosso è una idea ben riuscita, ripetuta con successo anche in altri progetti di sedute.

The Architecture Critic Has Left, Long Live the Architecture Critic: Michael Kimmelman Files His First Review and Introduction in His New NY Times Role

For those, of which there were many, who either regularly disagreed with, or outright despised, one of the country’s most high profile architecture critics, the NY TimesNicolai Ouroussoff, their red letter day finally came at the end of June, when he left the paper to pursue writing books. Now it’s come time to judge the new guy: Michael Kimmelman. As we told you back in early July, upon his hiring, Kimmelman was an internal transfer at the paper, moving both from its “Abroad” section (he’d also previously worked reviewing music and was the Times‘ lead art critic for a stint) and from Berlin, where he’d been living since 2007, to take on the new post. Yesterday marked both his first review for the paper in the new position (a look at a new housing project being built in the South Bronx), as well as penning a short introduction for himself for the Arts Beat blog. Here’s a bit from that:

…I’m interested in urbanism, city planning, housing and social affairs, the environment and health, politics and culture — in all the ways we live, in other words, and not just in how buildings look or who designs them, although those things are inseparable from the rest. The influence on architecture of social scientists and medical experts now investigating how actually to quantify the success and failure of buildings, to establish criteria of proof, an increasingly important word, in terms of, say, the claims of green and healthy sites, seems no less urgent than Zaha Hadid’s or Norman Foster’s latest undertaking. Who uses works of architecture, and how, and who benefits from them and who doesn’t, also matters, obviously, and from Colombia to Coney Island, Dubai to Detroit, ways of rethinking these issues have already begun to reshape thinking in architecture schools and offices and beyond.

It’s early days, for sure, but we’re certain there’s already lots of speculation on how he’ll differ from his predecessor. Tangentially related, the NY Observer made note that Kimmelman’s first review made the front of the Times‘ homepage, something very rare for architecture criticism, and something they wonder might be a sign of either lending more importance to the subject or was just a on-off passing mention because they have someone new steering the ship.

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Beijing Design Week 2011: Connecting Concepts at the Dutch Design Generator

IMG_5352.JPG“Ordinary Carbon Bike” made of carbon strands dipped in epoxy, by Tjeerd Veenhoven

The fourth stop on a year-long traveling tour, Connecting Concepts is an ambitious exhibition exploring sustainable creative networks through the lens of craft, design, national identity, technology and ecological impact. After a tour through India (stopping in Ahmedabad, Mumbai and Bangalore) and picking up projects on the way, the thirty objects on display survey work from as early as the ’80s and are interdisciplinary in nature— but there is a powerful story told when shown as a collection. In it’s Beijing iteration, Connecting Concepts has added two Chinese projects—work from the graphic design studio To Meet You and an online pop-up shop hosted at Tao Bao and curated by the Guangzhou-based arts space Vitamin. We take a look at three of our favorite pieces from the show.

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To Meet You is Guang Yu and Liu Zhizhi, a Beijing-based graphic design duo known for their unexpected design solutions for clients including Adidas, Dior, Vogue, Coca Cola and the artist Ai Wei Wei. The studio is pioneering a new language for Chinese design that is not linked to a specific aesthetic, but rather draws its unique strength from the process of mixing icons of everyday life and modes of expression within the larger framework of contemporary graphic design.

TMY-vision-1-608x434.jpegTMY-vision-2-608x434.jpegLayouts for Vision Magazine

TMY-Mao-1-608x434.jpegIdentity for Mao

bjdw-cc-2.JPGIdentity for Shenzhen Biennial

TMY-boundless-1-608x434.jpegLayout and design for Boundless

TMY-CIGE-2010-81-608x434.jpegIdentity for CIGE Beijing

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TCC: Little Big Pants

It was so fun to meet Terra of Little Big Pants at The Creative Connection Marketplace. When she was unpacking her softies, I knew one of her creations would be coming home with me. Although I was torn between her elegant dolls and their stories of love won and lost, I was pursuaded by a little art thief carrying off a mini Van Gogh (my last name, Vangool, is sometimes mistaken for Van Gogh). I’ll have to take a better picture of him (he now resides at Art Central, so Finley can play with him when he has to come to work with me.)

Please visit Terra’s blog for more images of her beautiful dolls, such as this wonderfully stylish doll with chic mohair-sculpted coif!

Beijing Design Week 2011: Highlights from 751 D-Park

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Situated on the grounds of a former power plant, 751 D-Park has become a center for Beijing’s design scene housing interior designers, furniture showrooms and fashion firms. The area has recently been reclaimed after the rise of the neighboring 798 Arts Zone elevated the surrounding area as a destination for art-lovers.

During this inaugural Beijing Design Week, the dramatic industrial backdrop will host a range of exhibition work from local and international designers. With a mix of everything from student work to more established designers, 751 D-Park will be a hive of design-related activity with pop-up book stores, Pecha Kucha discussions and hosted talks scheduled throughout the week. Below are some highlights from the exhibitions.

751-D Park
Building A, No 4.
Jiuxianqiao Road, Chaoyang District
Beijing

bjdw-751D.JPG“Urban Body” – Structure built out of repurposed shipping palates from the students of Tsinghua University and Ecolre Polytechnique Federale de Lausanne.

bjdw-openstudio2.JPGbjdw-openstudio.JPGLucite Table from Zhou Qi Yue. On view at Open Studio: Beijing Design

bjdw-openstudio3.JPGExplorations in plastics from Song Tao (O Gallery). On view at open Studio: Beijing Design

bjdw-studio.JPG

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