OMA completes De Rotterdam “vertical city” complex

News: architect Rem Koolhaas’ studio OMA has completed its colossal “vertical city” in Rotterdam, the Netherlands (+ slideshow).

OMA completes De Rotterdam building
Photograph by Michel van de Kar

OMA designed the giant De Rotterdam complex for its home city, where the building sits on the south bank of the Maas river.

OMA completes De Rotterdam building
Photograph by Ossip van Duivenbode

The 44-storey interconnected glass towers span a width of over a hundred metres and remain roughly the same floor area for the entirety of the building’s 150-metre height.

OMA completes De Rotterdam building
Photograph by Ossip van Duivenbode

“We made a building that consists of separate volumes that were slightly shifted vis-a-vis each other so that it was very adaptable,” Rem Koolhaas told Dezeen during a tour of the building today.

“We could easily replace one part with another part and therefore accommodate different logics and arguments,” he added. “This shifting creates a large building, but a large building that is a very dynamic presence in the city.”

OMA completes De Rotterdam building
Photograph by Ossip van Duivenbode

Overlapping blocks form the three towers that all share a plinth, in which lobbies and public spaces are located.

OMA completes De Rotterdam building
Photograph by Ossip van Duivenbode

These blocks contain separate office spaces, residential apartments, hotel and conference facilities, restaurants and cafes. Workers and residents share the conference, sport and restaurant facilities.

OMA completes De Rotterdam building
Photograph by Charlie Koolhaas

The building is named after one of the ships that transported Dutch immigrants to America from 1873 to the 1970s.

OMA completes De Rotterdam building
Photograph by Philippe Ruault

Rem Koolhaas recently accepted an award for the best tall building of the year for the CCTV Headquarters in Beijing, ten years after declaring he wanted to “kill the skyscraper”.

OMA completes De Rotterdam building
Photograph by Philippe Ruault

Here’s some information from OMA:


De Rotterdam

OMA today marks the completion of De Rotterdam, a mixed-use, 160,000-metre-square slab-tower conceived as a “vertical city” on the river Maas.

OMA completes De Rotterdam building
Photograph by Philippe Ruault

Ellen van Loon: “Efficiency has been a central design parameter from day one. The extreme market forces at play throughout the course of the project, far from being a design constraint, have in fact reinforced our original concept. The result is a dense, vibrant building for the city.”

OMA completes De Rotterdam building
Photograph by Ossip van Duivenbode

With the building’s completion, a critical mass has been established on the Kop van Zuid, realising the long-established vision of a second city centre south of the Maas. The building is named after one of the original ships on the Holland America Line, which from 1873 to the late 1970s transported thousands of emigrating Europeans bound for New York from the Wilhelmina Pier, next to which De Rotterdam is situated.

OMA completes De Rotterdam building
Photograph by Ossip van Duivenbode

The three stacked and interconnecting towers of De Rotterdam rise 44 floors to a height of 150 meters and span a width of over 100 meters. Nevertheless, the building is exceptionally compact, with a mix of programs organised into distinct but overlapping blocks of commercial office space, residential apartments, hotel and conference facilities, restaurants and cafes.

OMA completes De Rotterdam building
Photograph by Ossip van Duivenbode

Office employees, residents and hotel guests are brought together in conference, sport and restaurant facilities. The building’s shared plinth is the location of the lobbies to each of the towers, creating a pedestrianised public hub by means of a common hall.

OMA completes De Rotterdam building
Photograph by Michel van de Kar

Rem Koolhaas: “Despite its scale and apparent solidity, the building’s shifted blocks create a constantly changing appearance, different from every part of the city. The fact that it stands today represents a small triumph of persistence for the city, the developer, the contractor and the architects.”

Section of OMA completes De Rotterdam building
Perspective atrium section – click for larger image

The various phases of design and construction were supervised by partners-in-charge Rem Koolhaas, Ellen van Loon and Reinier de Graaf, and associate-in-charge Kees van Casteren. De Rotterdam is developed by MAB Development and OVG Real Estate.

OMA completes De Rotterdam building
Perspective long section

Project: A mixed-use vertical city
Status: Commission 1997, groundbreaking December 2009, completion November 2013
Clients: De Rotterdam CV, The Hague (Joint venture MAB, The Hague / OVG, Rotterdam)
Location: Rotterdam, Netherlands
Site: Former harbour waterfront between KPN tower and Cruise Terminal at Kop van Zuid
Program: Total 162,000m2: offices 72,000m2; 240 apartments 34,5000m2; hotel (278 rooms) / congress / restaurant 19,000m2; retail / F&B 1,000m2; leisure 4,500m2; parking (approx. 650 vehicles) 31,000m2

The post OMA completes De Rotterdam
“vertical city” complex
appeared first on Dezeen.

Architecture for Dogs

Hara Design Institute a imaginé récemment toute une série de niches au design étonnant. Chaque niche a été réalisée et pensée par un architecte différent proposant ainsi des structures adaptées aux différents types de chiens. Une réalisation très réussie « Architecture for Dogs » à découvrir dans la suite.

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La piramide del graffitaro

Dal King al Toys.

Hong Kong museum restaurant by Joyce Wang features “spiral staircase” chandeliers

Movie: in our next exclusive video interview from Inside Festival, interior designer Joyce Wang discusses the custom-made fittings and furniture she designed for Ammo bar and restaurant in Hong Kong.

Ammo bar and restaurant in Hong Kong by Joyce Wang

Ammo, which won the Bars and Restaurants category at last month’s Inside Festival, is part of a new museum and headquarters for the Asia Society in Hong Kong.

Ammo bar and restaurant in Hong Kong by Joyce Wang

“It was previously an ammunition storage facility that the British used to store explosives about a hundred years ago,” Wang explains. “We were asked by the client to convert the space into a museum café and from that a more luxurious and high-end dining experience was born.”

Ammo bar and restaurant in Hong Kong by Joyce Wang

Despite only having three months to take the project from design conception to completion, Wang says that most of the furniture and fittings were custom-made for the project, including three sculptural chandeliers shaped like spiral staircases.

Ammo bar and restaurant in Hong Kong by Joyce Wang

“Practically everything apart from the lightbulbs [was custom designed],” Wang claims. “We didn’t want people to identify any of the furnishings, accessories or bits of furniture.”

Ammo bar and restaurant in Hong Kong by Joyce Wang

She continues: “The space has three feature staircase chandeliers. We worked closely with the fabricator and lighting consultant on how to use plumbing pipes to construct these really complicated forms and have electricity running through them.”

Ammo bar and restaurant in Hong Kong by Joyce Wang

Wang says she wanted the restaurant to be dramatic because many people would use the space to enter the museum as well as eat there.

Ammo bar and restaurant in Hong Kong by Joyce Wang

“The arrival experience was very important to us,” she says. “Instead of conceiving of it as a museum café it became this lobby of arrival for the museum. We wanted it to have different clues as to what was going to happen upstairs in the museum.”

Ammo bar and restaurant in Hong Kong by Joyce Wang

“A lot of people visit the restaurant and they don’t realise that the bunker-like ceiling pays tribute to the vaulted ceiling of the museum above.”

Ammo bar and restaurant in Hong Kong by Joyce Wang

The restaurant has been very successful since it opened, Wang claims.

“There’s a two-month-long waiting list and it’s difficult to get into, especially for dinner,” she says. “I think it’s an interesting space because from lunchtime to dinner it really feels quite different.”

Joyce Wang portrait
Joyce Wang. Copyright: Dezeen

This movie was filmed at Inside Festival 2013, which took place at Marina Bay Sands in Singapore from 2 to 4 October. The next Inside Festival will take place at the same venue from 1 to 3 October 2014. Award entries are open February to June 2014.

The post Hong Kong museum restaurant by Joyce Wang
features “spiral staircase” chandeliers
appeared first on Dezeen.

What the tech?

Combining cyber architecture with interactive technology and sensory experiences, the Tuiteratura installation reflects the collaborative spirit of social networks and proposes engagement between the public and the installation itself. Excerpts from famous literary pieces dance across the screen alongside user submitted Tweets using the hashtag #tuiteratura. In person, users can leave their own mark by using physical motions to control an interactive keyboard, further contributing to the exhibit’s content.

Designers: Estudio Guto Requena & Atelier Marko Brajovic


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(What the tech? was originally posted on Yanko Design)

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Simply Gum: The first completely natural chewing gum, avoiding the 80 synthetic ingredients found in most others

Simply Gum


Conceived by a team of entrepreneurs including Caron Proschan (a natural product devotee) Simply Gum was created after the founders discovered that regular chewing gum contained up to 80 hidden chemicals. These chemicals include some of…

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Potato type and surreal work from Blastto

Meet Blastto: a London-based illustrator, designer and DJ creating surrealist-inspired artwork and type made from potato skins…

Blastto (Carlos Llorente) hails from Guadalajara, Spain and is also a DJ. After creating flyers as a teen for his own gigs, he received commissions from other clubs and artists and decided to abandon his plans to study computer engineering in favour of graphics.

“I preferred illustration and graphic design because I enjoyed the creative process and wanted to be independent. I worked in two small agencies in my city, [then] decided to enrol in the School of Art to learn the basics,” he explains.

Since then, 32-year-old Llorente has developed a striking style. His work is influenced by his interests, he says, which include music, 3D forms, surrealism and ‘weird stuff on the internet’.

“The work I admire most that of artists such as Mat Maitland and Takeshi Murata, the colour explosion of Santtu Mustonen and the surrealism of old painters like Magritte, Dalí and Giorgio de Chirico,” he says.

Llorente regularly works with Spanish creative magazine Yorokobu, illustrating articles on privacy (above and below):

‘Hipster anarchy’:

Yawning:

 

And internet maps:

He also designed a cover for the magazine using lettering made out of potato skins, which he peeled and scanned:

Alongside his illustration work, Llorente creates experimental type designs, including  an art deco-inspired typeface he made after researching the period as a student:

Try Type, a magnetic rubber stamp kit allowing users to create their own type:

And Siamese typeface Pigopago. “I created Pigopago two years ago. I started to design with the idea that the duplicate parts of the typography should be rational and logical. I began by drawing two letters into one, and went on to design the whole alphabet based on these initial principles,” he says.

At this year’s Typo Mad festival in Madrid, Llorente held workshops allowing people to create typefaces using Google Maps. “My initial idea was to make a typography of my neighbourhood inspired by the streets and blocks using only the internet. I thought of differents ways to do this and Google maps was the best solution. In the workshop, participants had to search for their neighbourhood or preferred area, draw a few shapes and with this, design their own typography using the software Glyphs. People were very happy with the final results,” he adds.

Now based in London, Llorente is hoping to focus on art directing and has produced identities, promo videos, logos and websites for brands, websites and music acts. “Creating a whole image from scratch – using all roles such as typography, illustration or photography – allows me complete creative freedom which I really enjoy,” he says.

blastto.com

Why Do Americans Love Trucks?

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The U.S. is presently one of the world’s largest manufacturers, and consumers, of automobiles. What percentage of Detroit’s profits, would you guess, comes from trucks as opposed to passenger cars? The Big Three aren’t saying, but according to a Reuters analysis looking at the EBIT—that’s Earnings Before Interest & Taxes—an astonishing 71%* comes from trucks and SUVs.

“There is no doubt that full-size trucks are still the single largest component” of pre-tax profits at General Motors Co, Ford Motor Co and Chrysler Group LLC, a unit of Italy’s Fiat SpA, according to Sterne Agee auto analyst Michael Ward.

Even more surprising is that sales of full-size pickups grew 20% from last year.

Gas is still expensive (by American standards) and the economy is still pretty lousy, so what’s going on? Why do hybrids continue to be money-losers while low-MPG truck sales are soaring? Why has Ford’s F-150 been the best-selling automobile for three decades? The old stereotype of soccer moms with misconceptions of safety ensconcing themselves in SUVs doesn’t explain the bump in full-size pick-up sales, nor the F-150’s success.

(more…)

Massive Fabric Sculpture is Life-Size Home

L’artiste coréen Do Ho Suh a récemment présenté au National Museum of Modern and Contemporary Art de Seoul, Home Within Home. Une installation géante qui représente 2 anciennes résidences de l’artiste imbriquée l’une dans l’autre. Une création surprenante à découvrir jusqu’au 11 mai en Corée du Sud.

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Massive Fabric Sculpture is Life-Size Home2
Massive Fabric Sculpture is Life-Size Home1
Massive Fabric Sculpture is Life-Size Home8

Google’s colourful Madrid headquarters by Jump Studios

Colour-coded meeting rooms and private workspaces are tucked behind wooden arches at the Google offices in Madrid by London practice Jump Studios (+ slideshow).

Google Madrid by Jump Studios

For Google‘s headquarters in the Spanish capital, Jump Studios fitted out two floors of the Torre Picasso – a high-rise to the north of Madrid city centre.

Google Madrid by Jump Studios

“The office spaces now boast a higher degree of flexibility and functionality, which fulfil the aspirations of the client who wanted a unique and friendly workplace with local character,” said the studio.

Google Madrid by Jump Studios

The lower level houses the reception area, lecture theatre and canteen, as well as office space.

Google Madrid by Jump Studios

Graphics and patterns are printed on the walls, ceiling and around the front of the reception desk.

Google Madrid by Jump Studios

The kitchen serving the canteen is surrounded by a curved wall clad in cork, which contains storage shelves and cabinets.

Google Madrid by Jump Studios

On the floor above, timber arches designed to reflect traditional Spanish architecture separate the workspace around the outside of the floor from meeting rooms and cubicles for private work.

Google Madrid by Jump Studios

There’s also a multi-functional recreation area with a ping-pong table and self-catering equipment.

Google Madrid by Jump Studios

Google is springing up new offices across the globe. Earlier this year Allford Hall Monaghan Morris applied for planning permission to construct a 27-hectare headquarters for the company in London’s King’s Cross.

Google Madrid by Jump Studios

Here’s the information sent to us by the designers:


Google Madrid HQ

The extensive fit out and refurbishment of Google’s Madrid HQ sets new standards in office interior design on the Iberian peninsula.

Google Madrid by Jump Studios

Jump Studios, a London based architecture practice with a recently launched satellite office in Lisbon, has completed Google’s new Madrid office using advanced materials to deliver a highly sustainable and inspiring new workplace for the company’s Iberian operations.

Google Madrid by Jump Studios

Jump Studios is currently shortlisted for the BD Architect of the Year 2013 Award in the Interior Architecture category for a range of projects including Google Madrid.

Google Madrid by Jump Studios

Overview

The Google Madrid project comprises the fit out of two floors in one of Madrid’s most prestigious high-rise buildings – Torre Picasso.

Google Madrid by Jump Studios

Working with the concept of a timber arched core element – a reference to the spatial and material qualities of traditional Spanish architecture – the scheme has greatly improved the efficiency of the floorplate and created a highly characteristic ambience that is relaxed and sophisticated at the same time.

Google Madrid by Jump Studios

The office spaces now boast a higher degree of flexibility and functionality, which fulfil the aspirations of the client who wanted a unique and friendly workplace with local character.

Google Madrid by Jump Studios

Now an approachable and usable space with a strong identity, productivity has greatly increased.

Google Madrid by Jump Studios

Project Details

The lower of the two adjacent levels occupied by the client houses the main reception, lecture theatre, canteen and a multi-functional area with fully equipped kitchen catering for the entire office.

Google Madrid by Jump Studios

On the upper level can be found the bulk of the office space as well as more extensive breakout spaces with room for games, additional informal presentation areas, shower facilities, a massage room and hammock area.

Google Madrid by Jump Studios

The overall layout and arrangement of particular spaces and elements has been carefully considered and developed to suit the working style of the company in general while meeting the more exact needs and requirements of the local workforce.

Google Madrid by Jump Studios

The very specific acoustic requirements of the project for both the meeting rooms and the individual video conferencing cabins necessitated the careful selection of subcontractors and the very close co-ordination of all the teams involved to provide both robust and aesthetically pleasing solutions and details.

Google Madrid by Jump Studios

The use of sustainable materials contributed to the project’s LEED Gold rating.

Google Madrid by Jump Studios

Project Delivery and Sustainability

The project was delivered in five separate phases, which allowed the offices to remain open throughout.

Google Madrid by Jump Studios
Level 1 – click for larger image

It involved a high level of co-ordination and collaboration between the architectural, engineering and contracting teams – Jump Studios, Deerns and Construcía with strong project management from Artelia Spain.

Google Madrid by Jump Studios
Level 2 – click for larger image

The post Google’s colourful Madrid headquarters
by Jump Studios
appeared first on Dezeen.