Hasta La Ideas

Dezeen and MINI World Tour: in our final movie from New York, design journalist Monica Khemsurov takes us to exhibitions around the Noho Design District and imparts an optimistic outlook for young designers in the city.

Khemsurov, along with her online design magazine Sight Unseen co-founder Jill Singer, set up the Noho Design District in 2010, aiming to provide an alternative platform to the ICFF trade fair.

“The idea was to be an offsite show for New York design week, in which young designers could show their work,” she says. “We wanted to make a neighbourhood that felt more intimate and had more of a fun, experimental feel than what has been shown at New York design week in the past.”

Noho is named after its location north of Houston Street in Manhattan, bounded by Broadway to the west and Bowery to the east. On the first stop of our tour, Khemsurov takes us to the district’s hub exhibition Noho Next, curated by Sight Unseen and featuring new work by twelve American designers.

Next up is the Here & There of design for travel at the showroom of design studio Various Projects, which features a canoe made from Dacron, kevlar and wood by designers  Colgate Searle and Matthias Pliessnig that Khensurov assures us is “fully functional, water safe and can be floated on a lake.”

A braided textile piece woven by New York artist Dana Barnes is picked out at the preserved 19th Century Merchant’s House Museum. “Sight Unseen invited seven American designers to install their work made with modern craft techniques,” Khensurov explains.

We then go beneath the Standard East Village hotel to the Chez Andre nightclub to see the American Design Club’s exhibition titled Trophy. “This show is about everyday trophies or objects that are momentos or that commemorate moments of your life,” Khemsurov says.

Finally, she shares her thoughts on New York design scene’s current status: “In the past five years, a lot of young designers have gone out on their own and started their own studios.

“A lot of people are producing their own work, which gives them more freedom to express themselves and make interesting and exciting design, so I think there’s never been a better time for the New York design scene.”

We drove around New York in our MINI Cooper S Paceman.

The music featured in the movie is a track called You Go To My Head by Kobi Glas. You can listen to the full version on Dezeen Music Project.

In our previous reports from New York, Willy Wong introduces the NYCxDesign festival and Stephen Burks takes us on a tour of the city’s High Line park.

See all our coverage of New York 2013 »

The post “There’s never been a better
time for New York design” appeared first on Dezeen.

Dezeen and MINI World Tour: in our second movie from New York, designer Stephen Burks takes us to the High Line and explains how the elevated park is helping to transform the surrounding areas of the city.

Designed by landscape architects James Corner Field Operations along with architects Diller Scofidio + Renfro and garden designer Piet Oudolf, the High Line park runs through New York’s Chelsea neighbourhood along the lower west side of Manhattan on 1.5 miles of repurposed elevated railway.

“For decades [the High Line] was an overgrown railroad track, left over from an era when elevated trains roared through Manhattan,” says Burks. “Today it’s a multi-million dollar park that’s welcoming hundreds of thousands of visitors a day.”

The park was completed in 2009 and Burks believes the project has been the catalyst for the regeneration of the Chelsea area and the Meatpacking District next to it.

“The High Line is really connecting the dots of the city’s best upcoming architecture,” he says, pointing out Jean Nouvel‘s 2010 apartment block 100 11th Avenue and Shigeru Ban‘s Metal Shutter House, completed in 2011, both of which cluster around an earlier Frank Gehry office building.

A little further along the park is HL23, a new apartment building by Niel Denari, which Burks explains is the American architect’s “first multi-story building in America”.

Further north again is Hôtel Americano, designed by Mexican architect Enrique Norten of TEN Arquitectos, which features a new bar in the basement by German artist Tobias Rehberger.

At the southern end of the park, construction is underway on Renzo Piano‘s new building for The Whitney Museum of American Art, which is moving across town to the Meatpacking District from it’s current location on Madison Avenue on the upper east side of Manhattan.

“All of these new contemporary projects probably wouldn’t have been placed here had it not been for the High Line,” says Burks.

Burks is also a big fan of the High Line itself. “Some of the things that I love about the High Line in terms of design is the way that they’ve seamlessly integrated the design elements with nature and with elements that look like it just kind of happened,” he goes on to say.

“[It’s] almost as if this very beautiful paved surface with finger-like projections into the lawns just landed here amongst the wild grasses, amongst the trees. It’s a great work of landscape architecture.”

We drove to the High Line in our MINI Cooper S Paceman.

The music featured in the movie is a track called You Go To My Head by Kobi Glas. You can listen to the full version on Dezeen Music Project.

The post “The High Line’s responsible for New
York’s best upcoming architecture” appeared first on Dezeen.