Word as Image

Ji Lee’s entertaining book of letters in their most graphic element

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Seeing the world through the eyes of Ji Lee means every billboard is a blank canvas, the alphabet has three-dimensional form and words are actually images. The former Creative Director at Google Creative Labs playfully communicates through visual design, depicting clever messages that are sometimes obvious and sometimes abstract, but always on point.

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Joining Talk Back and Univers Revolved in the collection of Lee’s independent projects to take book form is Word as Image, which illustrates 100 of his “head-scratching” designs, some of which we first saw in his talk at 99% in 2009. Whether it’s turning the letter “A” into Dali’s famous mustache or reducing Christianity down to a few meaningful letters, Lee’s tongue-in-cheek outlook never dulls.

The book also challenges the reader to take their turn at crafting word images, offering insightful tips on the various ways you can play with letters, eventually reducing words down to a graphic form. Playing with scale, covering letters up or seeing letters as objects are all some of the ways Lee astutely outsmarts simple words.

An entertaining and enlightening book, Word as Image sells online from Penguin and Amazon.


Saul Bass: A Life in Film & Design

The first retrospective book on the 20th century’s film title master

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Saul Bass, best known for transforming the way movies begin, was in fact a designer of incredible versatility. As design historian Pat Kirkham shows in his forthcoming book on Bass (co-authored with Bass’ daughter Jennifer), the legendary “visual communicator” also applied his graphic wizardry to album and book covers, typefaces, packaging, retail displays, a hi-fi system, toys and a postage stamp. He also illustrated a children’s book, collaborated with architects, directed films and developed identities for companies including Quaker, United Airlines, Dixie, AT&T, Kleenex, the Girl Scouts and more.

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For much of his prolific career Bass worked side by side with his wife Elaine. Together, they came up with beautifully simplified concepts—many that still serve as benchmarks for intelligent design—and led the duo to work with and be revered by masters in their fields like Martin Scorsese, Milton Glaser, Massimo Vignelli, Otto Preminger and Alfred Hitchcock.

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Defining himself simply as “a creative person in the deepest sense of the word,” Bass allowed his imagination to guide the way, toying with metaphors and abstract symbols until he reached a point where it would make sense to his audience, yet purposely leaving out one element for the viewer to fill in. “The ambiguous is intrinsically more interesting, more challenging, more involving, more mysterious and more potent,” he explains. “It forces reexamination, adds tension, gives it life.”

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Perhaps Bass’ most significant contribution was his ability to make Modern Art relatable to everyone. While his style experimented with abstraction and other contemporary tropes, his artistic interpretations were still easily digestible, having emotional impact no matter the project or medium.

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Despite being one of the most sought-after designers of the 20th century, he never denied how terrifying a blank page can be. His tenacity, trying idea after idea even when they weren’t working, was a significant part of his process. “A modest amount of imagination with a great ability to persevere can produce an important work,” Bass proposed. The approach also speaks to the advantages of working on a range of projects. “By simultaneously working on a variety of problems, I find that one creative problem helps me solve another.”

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With more than 1,400 illustrations—including many never-seen-before storyboards—”Saul Bass: A Life in Film & Design” is an incredible look at the inner workings of his genius. The monograph will be available beginning October 2011 from publisher Laurence King, where you can sign up to be notified of its availability. You can also pre-order it from Amazon.


Visual Complexity: Mapping Patterns of Information

Visually harnessing the power of digital information in Manuel Lima’s new book

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In our multimedia-saturated times, the way we experience information constantly shifts. Using Google to instantly settle a debate or Facebook-stalking exes are just a couple common examples of the type of purely contemporary phenomena resulting from the ways digital formats have replaced traditional platforms. Another natural offshoot, the wash of infographics and meme-driven charts, also reflects growing obsessions with these vast quantities of facts and figures, and the tremendous potential for shaping how we understand our world. Manuel Lima‘s new book, Visual Complexity: Mapping Patterns of Information, explores the history of visually representing information and how imagery can interpret data.

Born from his MFA thesis work at Parsons on mapping internal structures and transmission of links across the blogosphere, Lima returned to his passion for visually mapping networks and information during weekend downtime after graduating. Lima started the site Visual Complexity in the Summer of 2005, bringing his academic research back into play. What started with 80 projects, the curated collection (an attempt to increase understanding of network visualization) has grown to over 700. Some studies, from fields ranging from economics to neuroscience to political analysis, serve a dynamic purpose for portraying information, while others are passion projects for the curious seeking to explore the visual beauty of data sets.

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The book, a platform for preserving these projects, offers a historical perspective on the evolution of our natural human instinct to visually organize information. These systems, setting up hierarchies of spirit, heritage and society (like the ancient ontologies the Tree of Life or Kaballah’s HaShem) have deep roots as methods for finding meaning while also incorporating our connections to one another.

Beyond the historical context, the book’s fantastic imagery of visualized information and data sets spans a range of subjects—from the interconnectedness of one person’s email network to a map of five million links across millions of IP addresses circa 2003. Each project dissects information in unique and at times extraordinarily intricate ways. Simple line connections explain a political campaign, while projects like intricate protein maps make bridges linking a dataset clear, giving a better understanding of complex relationships. Resulting images and ideas fascinatingly condense large amounts of information into manageable formats, suggesting great potential uses in economics, science and social research.

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Lima goes into great detail to classify the different manifestations of how to map these networks. Addressing several theories on methodology and practices gives insight on how you personally can start to look at and process information with visual maps. These webs of knowledge at times enable readers to clearly understand vast quantities of information in aesthetically pleasing ways, though some simply astound, creating visual representations of unimaginably enormous amounts of data.

The author’s efforts extend beyond mere interpretations, crossing into artistic analysis. The transformation of data into graphics has a profound affect on the senses. Shapes, colors and patterns lend enchanting insight into individual curiosity and our inherent connectedness. Perusing the pages makes patterns become increasingly clear, exposing the purpose of this methodology—to find meaningful connections within complex networks of data. This goal goes back to this methodology’s origins, early in human history.

The Tree of Life appears in many forms throughout almost every culture and religion on the planet. As a metaphor, the tree, with its roots in the Earth and branches reaching to the heavens, was one of the original symbols for visually conveying interconnected information and meaning. Transforming into systems for mapping genealogy, social hierarchy and spiritual stages, at its core the discipline affirms our connected nature as humans to one another as well as to the planet. Original charts, like those in the book, combine data with intricate details to create something that engages on both intellectual and fundamentally imaginative levels.

Browsing the book, I became easily become immersed in what promises to be an integral part of our technological experience in the future. As these kind of data sets become increasingly important for tracking and understanding information—whether it’s Microsoft tracking search histories, cell phone carriers monitoring data usage or as artistic expressions of the structure of online social interaction—the ability to create and access comprehensive visualizations presents a novel method for digesting data. The historical section alone makes the book worth purchasing, while the exploration of the concepts and visually impressive layout will keep you engaged throughout. If you are the type who obsesses on Google Analytics or just feel the need to nerd out for a bit, pick up a copy on Amazon or from Princeton Architectural Press.


Doppelganger: Images of the Human Being

Bizarre, creepy and altogether stunning visions of digitally-influenced identity

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Of all the questions posed by the digital age, the weird, wonderful and otherwise convoluted relationship we have to our bodies may be one of the least explored. A new book encompassing photography, fashion and other artistic mediums, “Doppelganger: Images of the Human Being” takes a look at the visual depictions—from torsos woven from strips of flesh to head-to-toe tribal suits freely referencing multiple cultures—of the phenomenon.

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On the premise that the Internet, as the dominant medium for social interactions, has led to physical anonymity, the collection of startling and provocative images is curated on the concept of a “media identity.” This doppelganger of the actual human body is based however loosely or disproportionately on self-perceptions as well as those shaped by the bigger social context. Chapters organized by creative approaches like Dissolve, Deform, and Escape delve into how more than 80 conceptual artists envision these human simulacra.

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“Exploring what deeply concerns people emotionally and representing it pictorially is one of the most interesting things happening in art and visual culture today,” explains editor Robert Klanten in the book’s preface. From tangible, more conventional layers like costumes and masks to photo-technical renderings and artistic manipulations, this sizable coffee-table tome reveals the innumerable permutations of human form that have emerged in this very short span of time. Perhaps the result of its translation from German, Doppelganger’s preface can seem a little abstruse at times, which hardly seems to matter given that the rest of the book’s evocative and unsettling images speak for themselves.

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As disparate and unusual as these various depictions are, at the heart of the visual story is the idea of authenticity; though artificial, these deliberately-executed layers sometimes reveal more about their creators and wearers than their actual faces and bodies.

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“Doppelganger: Images of the Human Being” sells from Amazon and Gestalten.