New Vimeo

Our favorite video sharing platform reveals a complete redesign
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We have always been big supporters of Vimeo and their mission to provide a high quality, creatively focused platform for video sharing. We are super excited to announce that today Vimeo is launching it’s latest iteration with New Vimeo. The new platform entails a complete redesign from top to bottom. The new user interface was built with all new code, has brand-new features and a fantastic new look. The first redesign since 2007, this major overhaul marks Vimeo’s push to grow and reach a larger audience by making it more accessible and adding some great new features.

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The basis for New Vimeo revolves are putting the video first. In lieu of the Inbox, when you log in you are now presented with your Feed, a streaming list of videos from all your contact and subscriptions. The feed allows you to watch and interact with those videos in place, including the ability to like, share or comment without having to visit the actual clip page. The feed is super clean and open, it has a very pleasing effect on the eye and incorporates the various buttons and tools in a subtle, intuitive manner.

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The language of the site has also changed. Adopting terminology more in line with social networks the site loses subscriptions and instead let’s users “Follow” each other. Anyone you follow will appear in your feed and act in the same manner as subscriptions and contacts did in the previous version. This simplification makes it much easier to manage your network on site and is more digestible for new users coming from other social platforms. The video still remains the focus of the experience, by keeping user interaction simple you can do more without straying from the content.

Content really is king in this new layout. Gone are the tabs upon tabs and long scrolling video lists with options layered one on top of the other. Videos are now presented front and center on clip pages, a drop down bar on the top of the site lets you browse other videos from your feed, more videos from that user or a wide variety of other filtering options. We spoke with Blake Whitman, Vimeo’s VP of Creative Development, who gave a walk through of the new site. The word “granular” came up often and it rings true, Vimeo managed to simplify their layout but the attention to detail and level of consideration that went into the new UI is outstanding.

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Over a year in the making New Vimeo has some new add-ons that are sure to gratify their faithful base. One of the most exciting new features is the ability to upload multiple videos simultaneously. To make sure you don’t choke your internet with your line up you can set throttles on your data usage when uploading which, while not earth shattering, is a very useful detail. It’s hard to pinpoint new features considering the metamorphosis everything seems pretty fresh but there is a new search criteria and filter that lets you sort by the license associated with the video. In line with this there is an entire category dedicated to the Creative Commons license in a push to educate users about this form of
copyright and make it easier to track down royalty free content.

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Overall the Vimeo team did an excellent job moving the site into it’s next phase. A lot of user feedback was incorporated into the redesign making sure it will satisfy the faithful but it has a fresh enough look to draw in a new crowd. The focus on accessibility and keeping content center stage show a great deal of insight from the team and we are excited to see more new features are they role out. Head to the site to pre-register for New Vimeo, where you can migrate an existing account or sign up as a new user.


HABU

A new app curates mood-based music playlists
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A mammoth music library should inspire pride, not anxiety. The problem is, how do you begin to sort through tens of thousands of tracks? Shuffle functions are too dumbed down, and there’s no time to create a custom playlist for every occasion.

Enter HABU, the mood-based music app that auto-generates playlists from your library based on how you feel, designed by Gravity Mobile leveraging music mapping from Gracenote. The emotional interface is all about intelligent entertainment, filtering information to enhance the user experience. “HABU was created for people who’d rather spend their time discovering new music than creating custom playlists,” says Jeff Benson, director of product management for Gravity Mobile. “With the average customer listening to 17 to 19 hours of music per week, we saw the need to design and develop a music app that could surface highly targeted playlists and music recommendations.”

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HABU comes with an intuitive “mood map,” a circular visualizer that groups songs based in their position on two axes. Songs are plotted between “positive” and “dark” on the y-axis and “calm” and “energetic” on the x-axis based on their classification by Gracenote, which takes a range of variables into consideration when assigning them a specific emotional tag. The results get placed into 25 mood groups with 100 individual moods. That way, your gloomy, energized, yearning and upbeat personas are never without a constant stream of music. The intensity of a mood’s plot signifies the quantity of content for that mood, and users can share their maps with friends over Facebook.

The app uses Gracenote’s “sonic attribute technology” to create mood profiles for more than 30 million tracks. This allows HABU to generate tailored playlists at the touch of a finger, empowering the user to browse even the most prolific music collections. Reading user tastes, HABU finds similar tracks and lets you preview songs before downloading them. According to Benson, the app “is set up to interface with a customer’s own content as much as it is to discover new content via song recommendation and mood-based discovery.”

HABU is currently available in the Android Market for 99 cents; the iPad app is set to drop this Spring.


Cadillac CUE

The luxury auto maker sets a new standard for in-car technology

We took CUE, (which stands for Cadillac User Experience) for a spin today and were impressed by the in-car tech system’s ease of use and innovations. In short, it works just like your smartphone or tablet. This is underwhelming until you realize that you can now interact with your car much the same way that you already do with your other devices, and it’s about time.

Three years in the making, the Linux-based system, featured on an 8″ LCD display, brings several firsts to the in-car user experience. It’s the first to bring haptics to a car display and controls, allowing for tactile feedback when scrolling, selecting and swiping (familiar to many Android phone users); the first to use proximity sensors to change the display based on active or passive use, displaying only what you need and want when you need and want it; the first to deploy multi-touch gesturing. It also powers a 12.3″ LCD instrument cluster with four different display options based on your driving and data preferences. Its Nuance-powered voice control allows for more natural language when communicating with the system. Like the cadillac_cue1.jpg cadillac_cue2.jpg

One of the first things you notice is that there are many fewer controls in the main stack, as secondary functions appear on screen when needed. The controls also feature haptics, pulsing when pushed, and allow finger swiping to turn the volume up or down, for example. A swipe of the lower lip releases the control cluster, which raises upward to reveal a roomy hidden storage compartment, which also has USB inputs. CUE allows you to customize the display, including a top dock for your favorite apps, which are easily dragged into place.

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It can handle everything from 3D GPS navigation to Pandora music streaming and OnStar. Best of all, your preferences are synced to your smartphone, so different driver’s profiles are easily accommodated (CUE can support two Bluetooth connections simultaneously, too, and a total of 10 device profiles).

CUE will be featured in the 2013 Cadillac XTS (available Spring 2012) and ATS sedans as well as the SRX crossover.

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Curisma

A new sale site for community-curated tech products
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The excitement of curated flash sale sites combines with community sourcing on Curisma, a new site for tech junkies and online shoppers alike. With a name that’s a mash-up of the words curiosity, curated and charisma, the MIT start-up applies the same principles to its business model. Twice a week, the website features an item chosen by Curisma community members. Carefully chosen to match users’ tastes, products span virtual keyboards to fingerprint-protected wallets. Curisma members hand-select the products, which means that you can potentially choose your own sale item. Several Cool Hunting picks have gone up for sale on Curisma in recent days and weeks, including Barnacle and Rev–>Table.

With a sharp eye for new and under-the-radar products, the site helps users stay ahead of the tech game, as it tracks activity with the Curisma-meter, which traces products added to the site. While Curisma remains in beta, it definitely shows promise and is an example of clever ingenuity in a digital setting. For more proof, check out the video above.


Rotor Digital Camera

Designer Charlie Nghiem reinvents the digital camera’s user interface

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The Rotor Digital Camera, a concept developed by designer Charlie Nghiem, is in an effort to reinvent a new interface for using digital cameras. Offering an innovative way of browsing through features and options, the Rotor gets rid of buttons all together, instead using a rotational cylinder to scroll through the settings.

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The functions of a standard digital camera remain the same, but the user interaction becomes more pleasant as the menu appears on the LCD display screen while browsing through options. Even though still a prototype, it’s fair to say that Nghiem has succeeded in making an attractive and ergonomic camera. Fingers crossed that it will jump from concept to production.

via Designboom


SWYP

A look at the future of consumer printing reveals a gorgeous user-centered design
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In terms of form and function the printer has not made any great strides in the last decade. What in reality is a cumbersome necessity, most printer experiences leave much to be desired between clunky design, awkward parts and a near total lack of user interface. While most companies seem content to continue churning out semi-archaic tech, Artefact has decided to push the envelope with an innovative new printer design. See What You Print (SWYP) is a sleek concept printer that promises high design combined with performance and a fantastic user interface.

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Announced yesterday, the SWYP device sheds the traditional printer approach and draws the user right in. The touch screen is not a completely novel component to modern printer but it usually manifests as a small and barely functional element. In SWYP the entire front facade of the printer is a touchscreen with multi-touch capabilities. Wirelessly connect the printer to your camera, computer or Flickr account and your images will appear on a queue from which you can drag and drop them into the work area. Once pulled into the editable zone you can live edit the prints, including cropping, sizing and rotating. The image on the screen reflects exactly what you will see when you print, hence the name See What You Print.

The fantastic interactivity aside, the SWYP concept is beautifully designed. Compact, sleek and elegant the printer’s form strays drastically from contemporary ink-jet space hogs. The foldable, semi-fabric paper tray fits seamlessly into the body of the printer, keeping it compact while also acting as the on/off switch. To check the ink push a button and the color screen fades revealing the printer’s guts without prying open the case. This product has really taken the consumer into consideration in terms of ease of use, fun, and performance.

With no set release date the SWYP is an excellent look at the potential of printers. This new take on a stagnant device offers an exciting view of the future and promise of consumer based printing.


Boxee for iPad

New software streams all your favorite videos to your iPad
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Adding to their suite of streaming video utilities, Boxee recently released the Boxee for iPad application, introducing massive potential for streamlining online video experiences.

Designed for all iPad users, the app consolidates all sources for online video into one location with three separate pipelines—Friends, Watch Later and Featured (edited by Boxee). With the ability to link to Twitter, Facebook and Tumblr, it automatically populates your feed with new videos from “friends” across social networking platforms.

For those who don’t spend workdays watching videos sent by coworkers, great aunts or your mom’s college roommate, “Watch Later” lets you queue up videos from TED, YouTube, Cool Hunting or any number of other video sites for viewing at your leisure.

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The sister desktop software, Boxee Media Manager, works with the iPad app to turn your machine into a iPad-friendly media server. For either Macs or PCs, the media manager wirelessly stream all video content—in any format—from computers directly to iPads, eliminating the need for conversion or using third-party serving software. Those who already own the Boxee Box, the brand’s physical device, you can use Boxee for iPad to stream any of videos directly from iPads to your home TVs, perfect for watching scared kittens or baby badgers on the big screen.

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As digital media providers fight it out, it’s rare to find a company offering streaming coverage in so many forms and for such a wide audience. The fact that Boxee designed their app for both Mac and PC users, that it easily works as a media server and is directed at their current customer base as well as non-Boxee users is quite an impressive and comprehensive approach for D-Link. The ability to aggregate online videos might not be for everyone, but the other features are worth the download alone—considering both Boxee for iPad and the Boxee Media Manager are free.

This increased transparency, allowing for greater access and user experience, is part of what has made us Boxee fans from the beginning. Hopefully, this new move sets the stage for more thoughtful, well rounded utilities like this, just the tip of the iceberg for the future of streaming media.


Astronaut Magazine

Unexpected missions and odd adventures in a new iPad pub with a clever user interface

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The brainchild of a creative group of friends in Berlin, Astronaut is an independent magazine designed specifically for the iPad. Intriguing editorials and clever interactivity lend the first issue—released last month—a comfortable feel which, nicely complimented by strong imagery and enthralling mini-documentaries, which tell tales “of amazing journeys, great missions and epic adventures.”

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Although the overall package is compelling in its own right, the short documentaries are a fantastic device-specific enhancement. Ranging from four to 22 minutes in length, each film acts as an extension of the editorial content by diving deeper into the subject at hand. And after swiping through the issue numerous times, the documentaries alone seem well worth the magazine’s modest $4 price. Make sure to check out the study of eccentric Midwesterner “Zoomer” and the Polar Bear clubs of Australia, each a pleasure to watch.

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In terms of interactivity, the navigation is a simple swipe-to-turn-pages model that’s enhanced by only having some components of the page turn from time to time. The article opened might move off the page to see the background picture full screen before moving on to the next page, for example. To further challenge the dynamic of traditional magazine format, some pages hold hidden imagery only discovered with a keen eye and the slide of your finger in just the right place. What could have been overdone, the clever user interface content finds a nice balance with the editorial content without getting in the user’s way.

Astronaut magazine can be found in the iTunes App Store—with twelve editorial features and over ninety minutes of film there is really no reason not to jump on board.


Our Choice

New Al Gore app spearheads the future of interactive books
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Based on a fantastic user interface designed by Mike Matas, co-founder of Push Pop Press, Al Gore’s 2009 book “Our Choice” has been reinvigorated for the iPad as an app that launches today. We previewed the new version, produced by Rodale and Melcher Media, which lays out Gore’s take on the looming global climate crisis in a beautiful interactive format that allows the user to pinch and swipe their way through pages, infographics, videos and images.

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The app opens with an introduction from the former Vice President who also offers a brief tutorial, which is helpful but inessential, thanks to the intuitive controls built into the application. A simple swipe left or right navigates between chapters and also turns pages within the app. Enhanced by a continuous bar along the bottom, you can quickly skip to interesting pages or images that catch your eye.

You can interact with any element within the pages; a quick two-finger pinch will pull out infographics or pictures, expanding them to full-screen. All of the expandable elements also contain geotags that display on a global map, giving the user a vision of how the facts presented fit into the big picture. Some infographics and videos contain further interactive features, letting users focus on certain areas or concepts.

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A shining example of the potential of interactive media on the iPad, the dedication of the development team shows in how the app clearly presents the story, while enhancing the user experience with simple, elegant elements, without being overbearing or sluggish. In all, it’s an excellent demonstration of how to merge old and new media to produce an engaging, informative publication.

Pick up your copy from iTunes for $5.