eda by Emmanuelle Moureaux

eda by Emmanuelle Moureaux

Tokyo 2010: designer Emmanuelle Moureaux presented eda, a prototype lightweight, modular product that combines to  create cloud-like forms, at DesignTide Tokyo 2010 earlier this month.

eda by Emmanuelle Moureaux

The installation of eda, which means ‘branch’ in Japanese, consisted of 2,000 interlocking carbon twigs.

eda by Emmanuelle Moureaux

Moureaux suspended coloured twigs from the ceiling and used white ones to create a free-standing structure on the floor.

eda by Emmanuelle Moureaux

Read all our stories about Emmanuelle Moureaux here.

eda by Emmanuelle Moureaux

See all our stories on Tokyo 2010 in our special category.

eda by Emmanuelle Moureaux

Photographs are by Nacasa & Partners.

eda by Emmanuelle Moureaux

Here’s little bit of text from the designer:


eda by emmanuelle moureaux

Beauty shown by plants in the natural world. Spreads of trees, colors of flowers, flows of leaf veins, linkages of cells. Everything is in a systematic harmony. In eda, forms are determined according to the natural system.

eda by Emmanuelle Moureaux

eda is assemblages of fine lines. Each line exists straight, And large complexities contain small simplicities. Biological forms overlap rhythmically, Link air with another and create new space orders. (“eda” meaning “ branch” in Japanese, is a product which creates spaces)

eda by Emmanuelle Moureaux

Design: emmanuelle moureaux
Prototype fabrication: ACM Inc.
Material: carbon
Weight: 2.5g / eda
Size: 250mm
Colors: 16 colors + white

eda by Emmanuelle Moureaux

DESIGNTIDE TOKYO 2010 (2010/10/30-11/3)
For the first exhibition of “eda”, Emmanuelle designed an installation using 2000 pieces (eda). 900 colorful “eda” (suspended type) and 1100 white “eda” (standing alone type) composed and structured the space.

eda by Emmanuelle Moureaux


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Sticks by Emmanuelle Moureaux for Issey MiyakeStick Chair by
Emmanuelle Moureaux
Snowflake by Tokujin Yoshioka for Kartell

Orishiki Handbag by Naoki Kawamoto

ORISHIKI Clutch Bag by Naoki Kawamoto

Tokyo 2010: here’s another origami-inspired product by Naoki Kawamoto (see the spectacle case in our earlier story), this time a handbag.

ORISHIKI Clutch Bag by Naoki Kawamoto

Presented at DesignTide Tokyo 2010 earlier this month, the product is made of a magnetic tessellated triangles that fold to form a three-dimensional container.

ORISHIKI Clutch Bag by Naoki Kawamoto

See all our stories on Tokyo 2010 in our special category.

Here’s some more information from Kawamoto:


The Orishiki is not same as any another luggage system geometric and lovely shape. The material and system are also quite unique which is way combined folding and swallowing up volume inside.

ORISHIKI Clutch Bag by Naoki Kawamoto

There is big possibility of many way to use the system on many different type of luggage in the future.

ORISHIKI Clutch Bag by Naoki Kawamoto

“Orishiki” is a hybrid word composed of “Ori”, taken f rom Origami, Japanese paper-folding art, and “Shiki” taken f rom Furoshiki, Japanese traditional wrapping cloth which is large enough to wrap and transport goods and gifts, as well as wearing them as scarves.

ORISHIKI Clutch Bag by Naoki Kawamoto

“ORISHIKI” is a new carrying device consisting of a single piece of two dimensional structure, constructed of triangular segments which can be folded like origami, and can wrap things like furoshiki.

ORISHIKI Clutch Bag by Naoki Kawamoto

The geometric bag is not only idiosyncratic in its appearance but also in its highly speacialized production process.

ORISHIKI Clutch Bag by Naoki Kawamoto

The unique process can be applied to just about any productions without losing its unique product identity.

ORISHIKI Clutch Bag by Naoki Kawamoto

Origami “folding-Ori-” and wrapping cloth “sock-shiki-”, and represents a way how to “formula-Shiki-” encapsulation of “ORISHIKI”.

ORISHIKI Clutch Bag by Naoki Kawamoto

Origami-like folds, a single structure consisting of triangular segments, but wraps things like applesauce, a new kind of bag systems serve as luggage.

ORISHIKI Clutch Bag by Naoki Kawamoto

Bag was closed geometrically, as well as a structurally unique, its manufacturing method is also special.

ORISHIKI Clutch Bag by Naoki Kawamoto

Therefore, while keeping its own brand identity, product development was possible variety.

ORISHIKI Clutch Bag by Naoki Kawamoto


See also:

.

ORISHIKI Spectacle Case by Naoki KawamotoOrigami Chair by
So Takahashi
Digital Origami by
AKA Architetti

Orishiki Spectacle Case by Naoki Kawamoto

Orishiki Spectacle Case by Naoki Kawamoto

Tokyo 2010: Japanese designer Naoki Kawamoto presented this flat-pack spectacle case at DesignTide Tokyo 2010 earlier this month.

Orishiki Spectacle Case by Naoki Kawamoto

Called Orishiki Spectacle Case, the object is part of Kawamoto’s graduate project inspired by origami and furoshiki, a large Japanese traditional cloth.

Orishiki Spectacle Case by Naoki Kawamoto

A single piece made up of magnetic triangular segments is folded to form the three-dimensional object.

Orishiki Spectacle Case by Naoki Kawamoto

Read all our stories on Tokyo 2010 in our special category.

Orishiki Spectacle Case by Naoki Kawamoto

Here’s a bit more information from the designer:


“Orishiki” is a hybrid word composed of “Ori”, taken f rom Origami, Japanese paper-folding art, and “Shiki” taken f rom Furoshiki, Japanese traditional wrapping cloth which is large enough to wrap and transport goods and gifts, as well as wearing them as scarves. “ORISHIKI” is a new carrying device consisting of a single piece of two dimensional structure, constructed of triangular segments which can be folded like origami, and can wrap things like furoshiki. The geometric bag is not only idiosyncratic in its appearance but also in its highly speacialized production process. The unique process can be applied to just about any productions without losing its unique product identity.

Origami “folding-Ori-” and wrapping cloth “sock-shiki-”, and represents a way how to “formula-Shiki-” encapsulation of “ORISHIKI”. Origami-like folds, a single structure consisting of triangular segments, but wraps things like apple sauce, a new kind of bag systems serve as luggage. Bag was closed geometrically, as well as a structurally unique, its manufacturing method is also special. Therefore, while keeping its own brand identity, product development was possible variety.


See also:

.

Beigefoldedshoe by
Marloes ten Bhömer
.ORI sto by
Jakub Piotr Kalinowski
Origami Stair by
Bell Phillips

Tenon by Yota Kakuda

Tenon by Yota Kakuda

Tokyo 2010: Japanese designer Yota Kakuda presented a collection of wooden furniture at DesignTide Tokyo 2010 earlier this month.

Tenon by Yota Kakuda

Called Tenon, the pieces are joined by slotting together the mortise into the recessed tenon joints.

Tenon by Yota Kakuda

The range includes an armchair, shelving unit, side table and a little step ladder.

Tenon by Yota Kakuda

Read all our stories on Tokyo 2010 in our special category.

Tenon by Yota Kakuda

Photographs are by Kazunobu Yamada.

Tenon by Yota Kakuda

Here’s a bit of text from the designer:


“TENON”

A collection of furniture that consist of timbers and can be assembled using mortise and tenon joints as well as angular construction methods.

Tenon by Yota Kakuda

Dimension

STEP, W400 W470 H520
CHAIR, W440 D480 H710 SH420
ARM CHAIR, W590 D480 H710 SH420
SIDE TABLE, W400 D400 H420
SHELF, W820 D470 H820

Tenon by Yota Kakuda

Yota Kakuda was born in 1979 in Japan. Since he made London his main place to work in 2003, he has gained experience at various design
studios including Shin and Tomoko Azumi and Ross Lovegrove. 2005-2007, he studied and obtained MA at Royal College of Art, Design Products during he had scholarship from Japanese government. He is currently based in Tokyo since 2008.


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Prairie Chair by
Von Tundra
Chair by
Glass Hill
More stories on Tokyo 2010
on Dezeen

LLOVE Exhibition

LLOVE Exhibition

Tokyo 2010: the LLOVE exhbition currently on show in Tokyo comprises a hotel with rooms created by Dutch and Japanese designers, including this one by Pieke Bergmans filled with an enormous undulating mattress.

LLOVE Exhibition

Above: Buried by Yuko Nagayama

The exhibition consists of guests rooms each designed by Japanese and Dutch designers to celebrate 400 years of trade and cultural relations between the two countries.

LLOVE Exhibition

The rooms can be booked by visitors for an overnight stay.

LLOVE Exhibition

The concept of the exhibition was created by Suzanne Oxenaar, director of the Amsterdam Lloyd Hotel, and it will run until 23 November.

LLOVE Exhibition

Above and below: Rotating bed by Jo Nagasaka

See all our stories about Tokyo 2010 »

Photographs are by Takumi Ota.

LLOVE Exhibition

Here’s some more information about the exhibition:


LLOVE is an exhibition which is all about enjoying the experience of this space ; you can eat, drink, and stay for the night.

LLOVE Exhibition

The concept of this experimental exhibition was created by Suzanne Oxenaar, director of the Amsterdam based Lloyd Hotel, and realized by a group of Japanese and Dutch designers through different disciplines.

LLOVE Exhibition

Above and top: In Llove by Pieke Bergmans

LLOVE is also an event to celebrate the 400 years of trade relations between Japan and the Netherlands and to commemorate the 1300th anniversary of the establishment of Japan’s first full-fledged capital, Nara Heijokyo.

LLOVE Exhibition

Above and below: Llayers Llove Hotel, Tokyo by Richard Hutten

This exhibition is not completed with its opening. During the one month that LLOVE is hosted, all kinds of LLOVE will be fostered and new stories will be born, all adorning this theatrical space.

LLOVE Exhibition

If you, our guest, can stay with us for as long as you can, this theater will become an even more fascinating place. I invite you to look for all kinds of LLOVE here; please enjoy your stay!

Architect director Jo Nagasaka

LLOVE Exhibition

Above and below: Little Big Room by Hideyuki Nakayama

LLOVE is an exhibition consisting of a hotel with guest rooms created by Dutch and Japanese designers to celebrate 400 years of trade and cultural relations between Japan and the Netherlands.

LLOVE Exhibition

LLOVE is more than just an exhibition which you visit; you can actually stay there for the night (or nights!), and also a café and shops are included.

LLOVE Exhibition

Above and below: Pond by Ryuji Nakamura

The LLOVE concept was created by Suzanne Oxenaar, Artistic Director of the Lloyd Hotel & cultural Embassy.

LLOVE Exhibition

The access from the main venue of DESIGNTIDE TOKYO is very convenient and LLOVE is sure to become the meeting and exchange space for designers from around thte world.

LLOVE Exhibition

Above: Fertility by Joep Van Lieshout

LLOVE Exhibition

Above and below: Re-creation by Scholten & Baijings

LLOVE Exhibition

LLOVE Exhibition

Above: Bathroom gallery by Yokujo

LLOVE Exhibition

Above and below: Llove Creation team and Jo Nagasaka

LLOVE Exhibition

LLOVE Exhibition

LLOVE Exhibition

LLOVE Exhibition

Above and below: Café

LLOVE Exhibition

LLOVE Exhibition

Above: shop

LLOVE Exhibition


See also:

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Paco by Jo Nagasaka + Schemata Architecture OfficeHotel Forsthaus by
Naumann Architektur
Pantone Hotel by Olivier Hannaert & Michel Penneman

Ceramics by Jaime Hayón for Kutani Choemon

Ceramic tableware by Jaime Hayón

Tokyo 2010: Spanish designer Jaime Hayón has designed a range of objects for traditional Japanese ceramics company Choemon.

Ceramic tableware by Jaime Hayón

Each piece in the collection features unique artwork created by Hayón and inspired by Japanese culture, in particular that of the dinner table.

Ceramic tableware by Jaime Hayón

The pieces were created in collaboration with Japanese product design brand Maruwakaya.

Ceramic tableware by Jaime Hayón

The collection was presented at DesignTide Tokyo 2010 last week.

Ceramic tableware by Jaime Hayón

See all our stories on Jaime Hayón in our special cateogory.

Here is some more information about the collection:


The story begins when Maruwakaya, a neo-traditional Japanese product design brand and the world renowned Spanish designer, Jaime Hayon, met at DESIGNTIDE TOKYO 2009, one of the biggest autumn design festivals in Asia. Hirotoshi Maruwaka, the producer of Maruwakaya, asked Hayon a question with a strong intention in mind, that if he was interested in working with Kamide Choemon-gama, a pottery of one of Japan’s most acclaimed traditional porcelain crafts, Kutaniyaki.

Ceramic tableware by Jaime Hayón

Maruwaka told Hayon that he wanted to produce new ceramic crafts combining Hayon’s creativeness in design with Choemon-gama’s craftsman skills. Hayon, having been inspired with the worlds of Choemon-gama at previous Designtide, agreed at once. This was the start of this fateful cross-cultural relationship between one of the most outstanding designers of today, taking his first challenge to work with Japanese crafts and Japanese traditional craftsmen without any experience with other designers ever before.

Ceramic tableware by Jaime Hayón

Though their backgrounds differ in many ways, they felt confident that they could create something they would be proud of. One keyword that tied them together was ‘Tsunagari (meaning relationships)’, which also was the title of the exhibition by Keigo Kamide, the sixth Kamide Choemon-gama, in January 2010.

Ceramic tableware by Jaime Hayón

It is believed that they key ideas in traditional Japanese culture, especially ones at the dinner table, are based upon relations and links between the people at the table, food, seasons and table wares. Thus the goal was to create pieces that help people recognise these relationships.

Ceramic tableware by Jaime Hayón

In order to Hayon to understand this keyword from heart, they have decided to go on a journey finding ‘Tsunagari’ in Japanese culture.
This search took place in Asakusa town sceneries, traditional performing arts such as Kabuki, a fish market in Kanazawa, Kaiseki ceremonial meal, long established soba restaurants and many more.

Ceramic tableware by Jaime Hayón

One night at a traditional dinner in a ryokan, a Japanese style inn, Hayon was really fascinated with the wide varieties of Japanese tableware each serving for different purposes. This night, he felt and experienced the real ‘Tsunagari’ in Japanese culture.

Ceramic tableware by Jaime Hayón

What is most important is not the knowledge, but is what you feel in the heart. At the pottery, Hayon surprised the craftsmen by introducing very unique and original ideas but also keeping the traditional feel of Kutaniyaki. Kamide Choemon-gama was fully trusting Hayon to take this new challenge. There was an exchange in souls between the two to achieve their goal.

Ceramic tableware by Jaime Hayón

Their creative souls had bonded together as they spent time communicating, checking, making things work and sharing joys together.
Though Hayon came from a different part of the world, what they have created stands proudly as genuinely Japanese with Japanese spirit. Spending hours and days at the pottery, Hayon and Maruwakaya became a part of the family of the craftsmen of Kamide Choemon-gama.

Ceramic tableware by Jaime Hayón

This is the story of Tsunagari and the pieces we’ve created are the message of the story. We hope you could hold the pieces in your hands and feel the message from our heart. For us, it is never about simplubringing in what is “in” into traditional crafts. Of late, we hear people saying “Japanese traditional culture is great” but the fact is we find a lot more imported DC brands or “Japanese-ish” products without actual identitied or meaning.

Ceramic tableware by Jaime Hayón

This is the kind of Japan, we live in right now. Our aim is to make more appealing products with the traditional and authentic Japanese aesthetic sense. With this project, we felt as if Jaime was telling us Japanese to have more pride in our crafts and cultures.

Ceramic tableware by Jaime Hayón

“Over the next few years, we plan to present our achievement of this project, which we hope it would inspire lot of people including traditional craftsen allover Japan to challenge new things.” Hirotoshi Maruwaka, head of Maruwakaya

Ceramic tableware by Jaime Hayón

“We were able to sympathise very much to the fascinating ideas rom Jaime Hayon and his attitude towards creations. In the old days, Kutaniyaki establish its reputation by inviting numerous artists and potters. The creative process on this project with Jaime was no different from the way our proud predecessors worked. We are pleased to feel as if we were back in the days when Kutaniyaki originated 350 years ago.”

Ceramic tableware by Jaime Hayón

“To work with Choemon and the team has been a great experience. I’ve worked with porcelain with high scaled people and companies for a decade, but this felt like and tradition, it was a great challenge.” Jaime Hayon

Ceramic tableware by Jaime Hayón

Jaime Hayon

Born in Madrid, Spain in 1974. At age of 23 he was promoted to head of Design Department of Fabrica, the Benetton-funded design and communication academy. His works for global brands includes Lladro, Baccarat, SWAROVSKI, CAMPER, Established & Sons, and moo. Jaime is one of the most symbolic creators of this decade. He has won numerous awards. Most recently, he was guest of honour at the 2008 Interieur Biennial in Belgium, the youngest person ever to receive the accolade.

Ceramic tableware by Jaime Hayón

Kamide Choemon-gama

Established in 1879 at Terai Mura, Nomi-gun, Ishikawa Prefecture as a pottery of Kutaniyaki. For over 130 years, they make tableware to tea sets with hands using the original traditional technique which is passed on from generation to generation. Their pieces features very fine art work with deep colours and sturdy and beautiful porcelain.

Ceramic tableware by Jaime Hayón

Maruwakaya

A creative product producer team and a Japanese style product brand, headed by Hirotoshi Maruwaka, established in 2007.
“Where should Japanese crafts go?” as their fundamental question, Maruwakaya works and collaborates with many craftsmen and companies all over Japan to lead the direction of Japanese crafts. One of their popular products is “otsuriki” iPhone cover, which uses traditional craft “inden”, presented at DESIGNTIDE 2009.

Ceramic tableware by Jaime Hayón

Production: Kamide Choemon-gama
Design: Jaime Hayon (hayonstudio)
Produce: MARUWAKAYA co., Ltd.

Coordinate: Yoshizo Yoshimura (DEVILROBOTS Inc.)
Press: Miki Koike (HOW INCORPORATED)
Translation: Kotohiro Nishiyama (DEVILROBOTS Inc.)

Ceramic tableware by Jaime Hayón

Catalogue
Art direction: Jaime Hayon (hayonstudio)
Design: Atsushi Umezawa (Glam Beast Co., Ltd.)
Photo: Nienke Klunder, Koichiro Kutsuna
Text: Keita Fukasawa
Translation: Wataru Igarashi

Ceramic tableware by Jaime Hayón

Cooperation
DNP Fotolusio Co., Ltd.
Fukumitsuya Co., Ltd.
Miyamoto Unosuke Co., Ltd.
Daishouji
Kazuki Hasegawa (KOUJIN)
Hiroyuki Matsumoto (UNIT.DESIGN)
E.N.N Co., Ltd.

Ceramic tableware by Jaime Hayón


See also:

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See all our stories on
Jaime Hayón
Flying City Tableware by Carsten Höller More tableware
on Dezeen

Sleepy Chair by Daisuke Motogi Architecture

Sleepy Chair by Daisuke Motogi Architecture

Tokyo 2010: here’s another chair by Japanese design studio Daisuke Motogi Architecture (see our earlier story), this time made from a thin mattress folded into a concertina.

Sleepy Chair by Daisuke Motogi Architecture

Called Sleepy Chair, the project was presented at DesignTide Tokyo 2010 earlier this week.

Sleepy Chair by Daisuke Motogi Architecture

Photographs are by Takahumi Yamada.

Sleepy Chair by Daisuke Motogi Architecture

Here’s a tiny bit of text from the designer:


Sleepy chair

A chair as a blanket which provides a space of warmth and happiness.

Size : W700 D1100 H950

Sleepy Chair by Daisuke Motogi Architecture

DAISKE MOTOGI
Born in 1981 in the Saitama Japan
2004 Graduated from Musashino Art University
2004~2010 Worked for Schemata Architecture Office
2010 Daisuke Motogi Architecture


See also:

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Lost in Sofa by Daisuke
Motogi Architecture
Felt Up by
Charlotte Kingsnorth
+ by Yaroslav
Misonzhnikov

Lost in Sofa by Daisuke Motogi Architecture

Lost in Sofa by Daisuke Motogi Architecture

Tokyo 2010: Japanese studio Daisuke Motogi Architecture presented this armchair for holding and hiding things at DesignTide Tokyo 2010 earlier this week.

Lost in Sofa by Daisuke Motogi Architecture

Items can be stored by wedging them into slots between the upholstered cubes that form the seat.

Lost in Sofa by Daisuke Motogi Architecture

Photographs are by Takahumi Yamada.

Lost in Sofa by Daisuke Motogi Architecture

Here’s a bit of text from the designer:


Lost in sofa

Things often get lost under the sofa. It’s ordinary for a coin which slipped out of your pocket, or a never-to-be-found remote to be accidentally found in between/underneath the sofa cushions. Maybe you’ll find a forgotten 10,000yen bill that you once hid there…

Size : W900 D700 H700

Lost in Sofa by Daisuke Motogi Architecture


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Built to Resi(s)t by Quinze & Milan and EastpakSuited Case by
Erik De Nijs
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