Hasta La Ideas

Dezeen and MINI Frontiers: developing “living architecture” could help humanity survive, claims senior University of Greenwich lecturer Rachel Armstrong, who is investigating how we could grow a city in space.

“The world in which our cities are situated is lively,” says Armstrong. “A living city could confer survival strategies and some form of adaptation to our buildings.”

Living buildings could “absorb pollutants and carbon dioxide,” she claims, and even offer better protection against natural disasters.

“In an age when we’re faced with repeated flooding, tornadoes, hurricanes and earthquakes, I think that to design for instability is a really powerful thing.”

Armstrong, who is also a senior TED fellow and founder of research group Black Sky Thinking, is currently investigating how we would grow cities from soils as part of a project called Persephone. Led by the Icarus Interstellar foundation, the ambition of the project is to achieve interstellar space travel by the year 2100.

“Persephone is the design and engineering of the living interior of a starship,” Armstrong explains. “This is a world ship. It contains human inhabitants and therefore the interior of this space needs to support these peoples for the duration of their journey, and that could be hundreds, potentially thousands of years.”

She continues: “The architectures within this space will be grown from the bottom up, using the soils. The soils themselves will not be made inert like they are on earth – like bricks. In Persephone the culture would be to keep the liveliness of everything. So we will be extruding structures from soils. In some ways I can think of them being like the caves in Cappadocia in Turkey.”

While Armstrong admits the realisation of such a “world ship” is far off, she believes research into biological buildings and construction methods is important for life on earth.

“This might seem quite esoteric and ‘out there’,” she says. “But Persephone is essential for us because it asks us questions about what survivability and sustainability is on our planet right now.”

The music featured in the movie is a track called Everything Everywhere Once Was by UK producer 800xL. You can listen to more original music on Dezeen Music Project.

The movie features additional footage from Dan Tassell’s The Battersea Experiment.

Dezeen and MINI Frontiers is a year-long collaboration with MINI exploring how design and technology are coming together to shape the future.

The post “Growing a city from the bottom up”
could save the human race appeared first on Dezeen.

Dezeen and MINI Frontiers: created for Lady Gaga, the Volantis is the world’s first flying dress and heralds the beginning of a new era for human flight, says designer Benjamin Males.

Rapidly developing flight technology will make personal flying vehicles commercially viable in the near future according to Benjamin Males, co-founder of London-based fashion and technology company Studio XO, who developed the Volantis for Lady Gaga.

“Volantis might seem very science fiction,” says Males, “but if you consider the developments in vehicle design, if you look at the trends toward space travel and jet pack design, actually the idea of having a personal aerial vehicle that has to have style doesn’t seem that crazy”.

“Who knows, in ten years time we may all be flying round in Volantises,” he adds.

Volantis is remote controlled and flies using 12 battery-powered propellors. Flown by a trained pilot who specialises in unmanned vehicles, it was unveiled with Lady Gaga at a warehouse in Brooklyn, New York City, in November last year.

Speaking to Dezeen at Studio XO’s London headquarters, Males explains how the aircraft is powered by 12 rotor blades and borrows technology commonly used in the manufacture of drones.

“It’s known as a hex 12. It has six arms and 12 rotors. Each arm has two rotors which provide the thrust to lift [it] off the ground,” he says.

The truss section at the centre of the aircraft, to which Gaga was fastened by a belt, is made of titanium. The rotors and her custom-made bodice are made of carbon fibre.

The passenger stands inside a white bodice that is connected to the truss. “Although the machine had to be strong, we also wanted it to have the affordances of fashion. So we made a very beautiful front casing which completed the dress,” says Males.

White cylinders surround the rotors in hexagonal formation and connect in the centre above the dress, which rests on the ground using a circular stand when not in flight.

Studio XO has also worked with  other high-profile artists including the Black Eyed Peas and Azealia Banks, to create hybrid stage costumes that combine fashion and technology.

“We bring these subjects together, in this space – in this quite unique environment,” says Males, who is now working on the launch of a new ready-to-wear brand developing some of the ideas from the company’s stage work.

The music featured in the movie is a track by Simplex. You can listen to his music on Dezeen Music Project.

Dezeen and MINI Frontiers is a year-long collaboration with MINI exploring how design and technology are coming together to shape the future.

The post Lady Gaga’s flying dress offers vision of
how “we may all travel in ten years time” appeared first on Dezeen.

Dezeen and MINI Frontiers: Dutch designer Daan Roosegaarde is exploring ways of using the bio-luminescent qualities of jellyfish and mushrooms to create glow-in-the-dark trees that could replace street lights.

In this movie filmed at SXSW in Austin, Roosegaarde explains how: “In the last year I really became fond of biomimicry.”

“What can we learn from nature and apply to the built environment, to roads, to public spaces, to our urban landscape?” asks Roosegaarde.

Biomimicry is the method of imitating models and systems found in nature to solve complex design issues. One of the biological phenomena that fascinated Roosegaarde was how animals like jellyfish and fireflies generate their own light.

“When a jellyfish is deep, deep underwater it creates its own light,” he says. “It does not have a battery or a solar panel or an energy bill. It does it completely autonomously. What can we learn from that?”

Roosegaarde’s interest in biomimicry led him to collaborate with the State University of New York  and Alexander Krichevsky, whose technology firm Bioglow unveiled genetically modified glow-in-the-dark plants earlier this year.

Krichevsky creates the glowing plants by splicing DNA from luminescent marine bacteria to the chloroplast genome of a common houseplant, so the stem and leaves emit a faint light similar to that produced by fireflies and jellyfish.

Roosegaarde is now working on a proposal to use a collection of these plants for a large-scale installation designed to look like a light-emitting tree.

He had just taken delivery of one of the small Bioglow houseplants when he met up with Dezeen in Austin.

“This one was shipped to my hotel room and I’m really excited to have it in my hand,” he says, holding the small plastic box that contains the plant. “This is a very small version that we have produced. Right now we are teaming up with [the University of New York and Krichevsky] to create a really big one of them like a tree instead of street lighting.”

“I mean, come on, it will be incredibly fascinating to have these energy-neutral but at the same time incredibly poetic landscapes.”

Strict regulations around the use of genetically modified plants within the EU mean that Roosegaarde cannot use this material in his Netherlands studio. He had to travel to the US to receive the plant.

Distinct from Studio Roosegaarde’s work with Krichevsky is a second project exploring bio-luminescence, called Glowing Nature, which does not use genetically-modified material. The aim was to find a means of giving mature trees light-emitting properties without harming them, building on research into the properties of bio-luminescent mushrooms.

The proposal is to use a very fine coating of “biological paint” that when applied to trees allows them to glow at night. The coating charges during the day and at night can glow for up to eight hours. Trials using the material will start at the end of this year.

The music featured in the movie is a track by Zequals. You can listen to his music on Dezeen Music Project.

Dezeen and MINI Frontiers is a year-long collaboration with MINI exploring how design and technology are coming together to shape the future.

The post Glowing trees could be used “instead of
street lighting” says Daan Roosegaarde appeared first on Dezeen.

Dezeen and MINI Frontiers: wearable technology will revolutionise healthcare for doctors and patients alike, says the director of design studio Vitamins in our final movie from December’s Wearable Futures conference.

“In the future there’s no doubt that wearable technologies are going to be part of our everyday lives,” says Duncan Fitzsimons of Vitamins. Increased usage of personal health-monitoring devices will be one example of this, he says, making the “the doctor-patient relationship change [for the] better”.

Fitzsimons explains how the current constraints on an appointment between patient and doctor – lack of time and lack of information – can be mitigated by personal monitoring devices that collect patient data over a long period of time.

“When we are ill at the moment we only see the doctor for a very small amount of time. This is just a snapshot in the progress of your illness,” he says.

“If [a doctor] has access to a wider amount of data, they’ll be able to see how your illness has started, progressed and perhaps is tailing off,” he continues. “That will enable them to have a lot more information to diagnose you better and also enable you to have a more transparent window into your health so that you can understand it better as well.”

For these benefits to be realised, Fitzsimons says the technology to record this data needs to be attractive and easy to use, citing two examples of products by healthcare company Qardio: the QardioArm, which measures blood pressure and the QardioCore, a wearable ECG (electrocardiogram) monitoring device, commonly used to detect abnormal heart rhythms. Both are designed, says Fitzsimons, to look unlike medical devices and use a smartphone as the interface with the patient.

[The above paragraph was amended on 27 February 2014. Previously, it was stated that Vitamins would be launching the QardioArm and QardioCore products.]

Fitzsimons is the co-founder of Vitamins, the design studio which last year won the transport category at the Design Museum Designs of the Year 2013 awards for its Folding Wheel project.

This is the fifth and final movie from the two-day Wearable Futures conference that explored how smart materials and new technologies are helping to make wearable technology one of the most talked-about topics in the fields of design and technology.

In the first movie, designer of Dita von Teese’s 3D-printed gown Francis Bitonti explained how advances in design software mean “materials are becoming media”. In the second, Suzanne Lee explained how she makes clothes “grown using bacteria.” In the third, Shamees Aden explained how scientists are combining non-living chemicals to create materials with the properties of living organisms. In the fourth, Pauline van Dongen called for wearable technology to “transcend
 the world of gadgets”.

The music featured in the movie is a track by DJ Kimon. You can listen to his music on Dezeen Music Project.

Dezeen and MINI Frontiers is a year-long collaboration with MINI exploring how design and technology are coming together to shape the future.

The post Wearable technology will “transform
the doctor-patient relationship” appeared first on Dezeen.

Dezeen and MINI Frontiers: scientists are combining non-living chemicals to create materials with the properties of living organisms, says the creator of a self-repairing shoe made from protocells.

Protocells, as the chemical cocktails are known, are made by mixing basic non-living molecules in lab conditions. These then combine to create substances that exhibit some of the characteristics of living cells: the ability to metabolise food, to move and to reproduce.

In this movie Dezeen filmed at the Wearable Futures conference in December, designer and materials researcher Shamees Aden explains how “scientists are now mixing together groups of chemicals [to make] them behave like living cells. They are able to reconfigure, they are able to adapt to light, pressure and heat.”

The synthetic production of living materials is so far limited to basic applications – modifying the behaviour of oil droplets in a water solution, for example – but Aden has developed a proposal that uses protocells to make self-regenerating soles for a pair of running shoes.

The Amoeba running shoes designed by Aden use protocells’ capabilities of responding to pressure, and inflates or deflates according to the texture of ground the wearer is running on to provide more or less cushioning.

Photocells, which have a limited life span, would be replenished after each run, explains Aden. “Your shoe box would be a vessel which would hold the [protocell] liquid inside. You could buy your protocell liquid and it would be dyed any colour you like and you would pour that in and as the shoe is rejuvenated the colours would emerge.”

The speculative project is the result of a collaboration with chemist Dr Michael Hanczyc of the Institute of Physics and Chemistry and the Center for Fundamental Living Technology (FLinT) in Denmark, who has worked extensively on protocells.

“At this point it is a speculative design project but it is grounded in real science and it could be in production by 2050,” says Aden.

This is the third movie from the two-day Wearable Futures conference that explored how smart materials and new technologies are helping to make wearable technology one of the most talked-about topics in the fields of design and technology.

In the first movie, designer of Dita von Teese’s 3D-printed gown Francis Bitonti explained how advances in design software mean “materials are becoming media”. In the second, Suzanne Lee explained how she makes clothes “grown using bacteria.”

The music featured in the movie is a track by DJ Kimon. You can listen to his music on Dezeen Music Project.

Dezeen and MINI Frontiers is a year-long collaboration with MINI exploring how design and technology are coming together to shape the future.

The post Synthetic materials can
“behave like living cells” appeared first on Dezeen.