Telling the Truth Through False Teeth by Alex Chinneck

Hackney-based artist Alex Chinneck has fitted identically smashed windows into a derelict factory just a mile away from the Olympic Stadium (+ slideshow).

Telling the Truth Through False Teeth by Alex Chinneck

Presented in association with the Sumarria Lunn Gallery, the installation draws attention to issues of economic and social decline in an area that was hoping to benefit from the regenerative effect of the games.

Telling the Truth Through False Teeth by Alex Chinneck

The project plays on the common assumption that unrepaired broken windows signify this kind of decline.

Telling the Truth Through False Teeth by Alex Chinneck

Chinneck spent four months clearing out soil, water tanks and heat lamps from the abandoned factory, which had last been used to grow cannabis plants.

Telling the Truth Through False Teeth by Alex Chinneck

He used industrial processes to replicate the same smashed window 312 times, with four pieces of glass creating the same break in every pane.

Telling the Truth Through False Teeth by Alex Chinneck

The installation can be viewed until November 2012, after which the building will be demolished.

Telling the Truth Through False Teeth by Alex Chinneck

The building is located on the corner of Mare Street and Tudor Road in Hackney, E9 7SN. Scroll down to see the site in our Designed in Hackney map.

Telling the Truth Through False Teeth by Alex Chinneck

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Telling the Truth Through False Teeth by Alex Chinneck

Here’s some more information about the sculpture:


Everyone knows the broken window theory – that vandalised windows signal an acceptance of social decline. Not so in Hackney where 312 identically smashed windows are causing passers-by to double take. Nicknamed ‘the Banksy of glass’ by local residents, artist Alex Chinneck is replacing broken factory windows with… broken factory windows. Presented by Alex Chinneck in association with Sumarria Lunn Gallery and located just one mile from the Olympic stadium, this intervention transforms a derelict factory building into a public art project.

Growing up surrounded by the industrial architecture of London’s East End, the work of Alex Chinneck removes everyday construction materials from their utilitarian context. Inspired by the landscape of London’s industrial architectural heritage, he finds raw beauty in these solid, purpose-made buildings. Smashed windows in former industrial neighborhoods come as no surprise; but where others see vandalism, Alex Chinneck saw potential: “There is something mesmerising about the way light catches a broken window pane, not only is the glass shattered but so is the reflection.”

Starting with an abandoned factory that had been used to grow cannabis, Chinneck spent a gruelling four months removing the remnants: piles of soil, wires, grow bags, water tanks, plant pots and heat lamps. Following an intense period of preparation, Chinneck then used industrial processes to precisely replicate one smashed window 312 times, replacing each original factory window.

All the visible windows in this building have now been replaced with identically broken sheets of glass – the combination of engineering and accident helping to complete the illusion: “This project always evolved with consideration to sculpture, architecture and engineering but ultimately I like the simple idea of performing a magic trick on such a scale.” In total 312 panes from 13 windows have been replaced with 1,248 pieces of glass – four pieces form the perfect break in every pane. Fast becoming a Hackney landmark, the former factory will soon be demolished, the work disappearing with it.

About the artist:
Alex Chinneck was born in 1984 and is a graduate of the Chelsea College of Art and Design. Most recently he was nominated for the Royal British Society of Sculptors’ Bursary Award. Using contemporary methods of fabrication, Chinneck finds new and ambitious applications for everyday construction materials, removing them from their functional context to create playful installations. By making work that is unconcerned with creative disciplines his sculptures and installations co-exist across the realms of art, design and architecture.

Title: Telling the Truth Through False Teeth
Artist: Alex Chinneck in association with Sumarria Lunn Gallery
Location: corner of Mare Street and Tudor Road, Hackney, E9 7SN
Installation on view: now until November 2012


Designed in Hackney map:

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Key:

Blue = designers
Red = architects
Yellow = brands
Green = street art

See a larger version of this map

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

The post Telling the Truth Through False Teeth
by Alex Chinneck
appeared first on Dezeen.

Miles and Miles of Sticky Tape by Monika Grzymala

Polish artist Monika Grzymala will fill a London gallery with lengths of black and white sticky tape at an exhibition that opens in October.

Miles and miles of sticky tape by Monika Grzymala

The exhibition at the Sumarria Lunn gallery will follow previous shows (pictured) at MoMA in New York, the Tokyo Art Museum, the Drawing Room in London and the Donald Judd Foundation in Texas.

Miles and miles of sticky tape by Monika Grzymala

Grzymala applies adhesive tape directly to gallery walls to create three-dimensional drawings that can both wrap around corners and project outwards.

Miles and miles of sticky tape by Monika Grzymala

In previous installations kilometres of tape bridge doorways, swirl into whirlpools and spill onto the floor.

Miles and miles of sticky tape by Monika Grzymala

The exhibition runs from 12 October to 5 November.

Miles and miles of sticky tape by Monika Grzymala

Other installations featured on Dezeen in recent weeks include a stretchy web of netting and an exhibition of floating hatssee all our stories about installations here.

Photography is by Monika Grzymala.

Here’s some more information from the gallery:


Monika Grzymala was born in Zabrze, Poland in 1970. Having moved to Germany with her family in 1980, she went on to study stone sculpture and restoration. It was only when a professor observed that her interest appeared to lie not in the objects themselves, but the relationships between them that the nature of her work changed. She stopped making sculpture and focused on drawing, exploring the basics of line and mark.

“Very quickly my line left the page and continued on the walls”

Western history has been preoccupied with drawing since records began. Indeed, many of these records are drawings themselves. From the illuminations in medieval manuscripts, through Renaissance depictions of the human form, to minimalist constructions made solely of lines, drawing has maintained its place in art. Grzymala references this sense of tradition, but sharply updates the practice by teasing it out of two-dimensions and out of its traditional medium.

“Her mastery and imagination have taken the liberation of drawing a step beyond what was accomplished by those who came before.”

Describing her use of materials in terms of distance rather than weight or amount, Grzymala claims her works are more akin to performance than conventional installation. By measuring her used spools of tape in length rather than number, she documents the physical effort she invests in every work.

“Time is a very important component of my work. The pieces are all like time capsules.”

Each work is site-specific – created in response to the conditions and configuration of a given space. For an exhibition in New York 8.3 kilometers of black and white adhesive tape seemed to hurtle across the gallery walls, turn corners, then leap off the wall to wrap around a pillar. At London’s The Drawing Room the artist’s installation documented her response to the chaotic London skyline using kilometers of white and grey sticky tape to fill each corner of the gallery.

“Whenever I leave a work, I feel as if I leave a part of me, a part of my body behind… there’s a connection – an invisible line from Berlin to London to New York.”

Grzymala’s upcoming solo exhibition at Sumarria Lunn Gallery follows shows at the Donald Judd Foundation in Texas (2008), The Drawing Room in London (2009), Tokyo Art Museum (2010) and the Museum of Modern Art (MoMA) in New York (2010).

Exhibition details:

Title: Monika Grzymala
Location: Sumarria Lunn Gallery, 36 South Molton Lane, Mayfair, London W1K 5AB
Exhibition runs: October 12th to November 5th 2011


See also:

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For Use/Numen
Tapehook
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Aoyama installation
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