Studio Toogood creates a blood red installation for Hermès

Blood appears to drip from display units and garments hang from meat hooks in this installation at the London flagship store of French fashion house Hermès by designers Studio Toogood (+ slideshow).

Studio Toogood installation for Hermes Petit h

The installation was completed by designer Faye Toogood’s studio for the petit h division of Hermès, taking up the ground floor of the shop on London’s Bond Street.

Studio Toogood installation for Hermes Petit h

Hermès petit h was established in 2010 as a series of products using the brand’s offcuts and rejected stock.

Studio Toogood installation for Hermes Petit h

Running with this notion, Studio Toogood created red structures for the space using a blown-up template of a Hermès bag that the designers saw while visiting the brand’s atelier.

“The piece that caught my eye was a leather off cut of a signature Hermès bag pattern,” said Faye Toogood. “The hide was a skeleton of the negative shapes left after the pattern cutters had cut the intricate shapes. It was so inspiring to see a person working within such an established house, finding beauty in the unexpected.”

Studio Toogood installation for Hermes Petit h

Despite looking like an abattoir, the studio insists that the ideas for the installation came from the craftsmanship that goes into creating the petit h products: “It goes without saying that this brand is truly inspiring in the way it relentlessly pushes the boundaries of craftsmanship and materials,” said Toogood.

Studio Toogood installation for Hermes Petit h

The blood red colour used throughout the store is a reference to Hermès’ previous branding.

Studio Toogood installation for Hermes Petit h

Dripping pigmented resin creates the effect of blood oozing from the display units and garments hanging from meat hooks are tinted darker red to look as though they are smeared with dried blood.

“[Items] are set against drapes assembled from offcuts and remnants of the house’s iconic silk scarves, each dipped in red dye and bound together with scarlet-pigmented resin,” Toogood said.

Studio Toogood installation for Hermes Petit h

Staff wear uniforms of aprons, gloves and hats made from scrapped Hermès leather accessories and scarves, also coloured red to match the decor.

Studio Toogood installation for Hermes Petit h

Grey knives, pliers and other equipment that wouldn’t look out of place in an abattoir are mounted on the wall above metal counters.

Studio Toogood installation for Hermes Petit h

In the shop windows, neon lights depicting blown-up shapes of tools used to create the brand’s products are set against red curtains.

The installation will remain in place until 7 December.

Read on for more text sent to us by Studio Toogood:


Studio Toogood has teamed up with the house of Hermès to launch petit h – a creative and poetic new take on the iconic Hermès brand that finds recreation in re-creation.

Studio Toogood installation for Hermes Petit h

The entire ground floor of the flagship Bond Street store will be dedicated to a custom-designed Studio Toogood interior that acts as an antidote to West End slickness.

Studio Toogood installation for Hermes Petit h

In keeping with petit h’s theme of exuberant reinvention, the utilitarian white space repurposes the distinctive shapes and templates of signature Hermès bags for a series of sculptural displays in glossy leather and resin.

Studio Toogood installation for Hermes Petit h

Meanwhile, the windows are a homage to the petit h craftsmen. A tool from each of the trades scaled up in linear neon and set against dramatic drapes assembled from offcuts and remnants of the house’s iconic silk scarves and bound together with scarlet-pigmented resin.

Studio Toogood installation for Hermes Petit h

The staff too will be getting involved in the spirit of upcycling, delving into a special Studio Toogood dressing-up box filled with aprons, hats and other accessories – all fashioned from discarded Hermès scarves and leather goods.

Studio Toogood installation for Hermes Petit h
Floor plan

From November 20th to December the 7th, at Hermès, 155 New Bond Street,W1

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red installation for Hermès
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Browns Focus by Studio Toogood

One level of this London boutique designed by Studio Toogood is bright and minimal, while the other looks like a dark nightclub.

Browns Focus by Studio Toogood

Studio Toogood divided the two-storey Browns Focus store so daywear is displayed in a clean, white space in the basement and eveningwear can be browsed on the darker upper level. “A brilliant-white basement represents daywear and a midnight-blue minimalist ground floor taps into the spirit of dressing for the evening,” said the studio.

Browns Focus by Studio Toogood

Shoppers step up from street level to the upper floor or descend into the basement, which can be glimpsed through a floor-level window in the entrance.

Browns Focus by Studio Toogood

Welded-steel panels, neon lighting and blue-tinted glass are all used on the upper floor to create an atmosphere more like an underground music venue.

Browns Focus by Studio Toogood

Garment rails are formed from metal pipes suspended from the ceiling, bent into rectangles or hoops.

Browns Focus by Studio Toogood

A midnight blue blob serves as the counter and a blue spun-metal disc with a light behind is attached to the wall above.

Browns Focus by Studio Toogood

Surfaces in the basement are all white, only broken up by colourful woven rugs and stacks of iridescent boxes.

Browns Focus by Studio Toogood

Changing room door handles appear to be made from scrunched-up pieces of paper set in plaster.

Browns Focus by Studio Toogood

Studio founder Faye Toogood‘s furniture populates both floors, including vitrines made from metal lattices that are black upstairs and white downstairs.

Browns Focus by Studio Toogood

The white mesh is also used for a seat and screens downstairs, alongside display counters built from piles of sawn wood lengths.

Browns Focus by Studio Toogood

We’ve recently featured another Studio Toogood project: a fashion store that combines raw concrete and colourful fabrics.

Browns Focus by Studio Toogood

Other recent retail interiors on Dezeen include an ochre-coloured boutique in Katowice, Poland, and a UK bakery with a magpie’s nest motif engraved into the counter.

Browns Focus by Studio Toogood

Earlier this year we published a laundrette in Barcelona that also looks like a nightclub.

See more retail interiors »
See more design by Studio Toogood »
See more architecture and design in London »

The following text is from Studio Toogood:


Browns Focus by Studio Toogood

Browns Focus, one of the world’s leading destinations for newly discovered talent and emerging designers has been re-launched into a new and extended space with a new interior designed by Studio Toogood.

Browns Focus by Studio Toogood

The space, set across two floors, is divided thematically – a brilliant-white basement, representing daywear, and a midnight-blue minimalist ground floor that taps into the spirit of dressing for the evening.

Browns Focus by Studio Toogood

The club-like darkness of the ground floor has a postindustrial feel, with black rubber, welded steel-panelled displays, a graphic constructivist clothes rail and a sophisticated touch of blue-tinted glass.

Browns Focus by Studio Toogood

By way of contrast, the area downstairs is glowing white and minimalist; walls of white mesh and rubber with a lacquered floor are offset by irregular display platforms, assembled from rubberised timber offcuts.

Browns Focus by Studio Toogood

Both floors feature exclusive furniture designs by Faye Toogood, including her iconic mesh jewellery vitrines and a striking biomorphic cash-wrap counter. The result is a carefully balanced retail environment that complements and highlights the brand’s design-led fashion collections.

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Mahani by Studio Toogood

Raw concrete and colourful fabrics are combined in this fashion store in Dubai by London designers Studio Toogood (+ slideshow).

Mahani by Toogood

Studio Toogood designed the boutique for Dubai fashion brand Mahani, introducing cast-concrete and monolithic forms intended as “an antidote” to the glamourous opulence of shops elsewhere in the Emirates.

Mahani by Toogood

Richly coloured drapes divide the space, while stools designed by Faye Toogood are upholstered in bright satin, providing relief from the plain concrete surfaces.

Mahani by Toogood

Garments can be hung from simple black railings that run along the perimeter of the store or suspended from discrete hooks that protrude from the walls.

Mahani by Toogood

Bespoke pieces of furniture constructed from metal mesh are used to display items such as shoes and jewellery.

Mahani by Toogood

A concrete catwalk spans the length of the store, providing opportunities for fashion shows and events, while white animal sculptures are dotted around the edges of the space.

Mahani by Toogood

A chandelier made from bare light bulbs hangs from the ceiling. Elsewhere, angled spotlights are combined with suspended strip lights to add to the store’s raw aesthetic.

Mahani by Toogood

The final addition is an in-store bakery serving tea, coffee and desserts made by food design collective Arabeschi di Latte, who Studio Toogood previously collaborated with on an installation where participants were served black food at midnight in a darkened apartment.

Mahani by Toogood

Other projects we’ve featured by Studio Toogood include a bar where guests selected wine by smelling scented totem poles and an installation featuring boxes decorated with multi-coloured electrical tape.

Mahani by Toogood

See all our stories about Studio Toogood »
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Mahani by Toogood

Here’s a description from Studio Toogood:


Studio Toogood’s design for the new Mahani – Dubai’s first concept store – is an antidote to the polished slickness of modern retail in the Emirates.

Mahani by Toogood

The walls and fittings of the store – which opened in May 2013 – are cast in raw concrete, creating a neutral, Modernist-inspired environment to showcase the fashion-forward collections on sale.

Mahani by Toogood

The ascetic qualities of the space are offset by subtle touches of femininity, including richly coloured drapes and satin upholstery on bespoke pieces designed by Faye Toogood; meanwhile, a series of animal sculptures add a playful element.

Mahani by Toogood

Mahani’s in-store “bakery” serves tea, coffee and sweet treats by food designers Arabeschi di Latte, while a dedicated catwalk area running the length of the boutique allows for exclusive shows by cutting-edge and emerging designers.

Mahani by Toogood
Floor plan

The interplay of Studio Toogood’s monolithic modern interior with the soft femininity of the directional clothes makes Mahani an exciting, exclusive and distinctive new fashion destination in Dubai.

Mahani by Toogood
Cross section

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Opening Ceremony pop-up shop by Studio Toogood

Studio Toogood has filled a pop-up fashion boutique in London with rubber-coated objects and glass tabletops mounted on piles of industrial fabrics.

Faye Toogood for Opening Ceremony

The Opening Ceremony shop in Covent Garden features tables and chairs by Faye Toogood based on recurring shapes first seen in her Assemblage collection from 2010.

Faye Toogood for Opening Ceremony

One table has sheets of foam, carpet and other textured fabrics sandwiched between its glass tabletop and supporting trestles.

Faye Toogood for Opening Ceremony

Another glass tabletop appears to balance delicately on a foam-stuffed tube, a black sphere and a stack of fabric. An earlier version of this table used stone, brass and sycamore as supports.

Faye Toogood for Opening Ceremony

Upstairs, a similar table rests on an empty white tube, a skeletal sphere and cube with threaded sides. A white display cabinet also uses thread to create a subtle screen door.

Faye Toogood for Opening Ceremony

The Spade chair, with its distinctive handle-shaped backrest, has been reproduced in ash wood, and one of the chairs is also coated in rubber.

Faye Toogood for Opening Ceremony

Rubberised geometric constructions provide an abstract window display.

Faye Toogood for Opening Ceremony

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Faye Toogood for Opening Ceremony

Photography is by Leon Chew.

Faye Toogood for Opening Ceremony

Here’s some more information from Studio Toogood:


Studio Toogood has created a series of mechanical-looking constructions to coincide with the launch of Opening Ceromony’s first pop-up shop in London. Reflecting the immediacy and the temporary nature of the “pop up”, the rubberised pieces marry the handmade with the industrial. Each constellation plays with the ideas of construction, transparency, texture and abstraction that are characteristic of Studio Toogood’s aesthetic.

Working with Opening Ceremony, Faye Toogood has created a number of pieces to complement the architecturally deconstructed pop-up shop. Toogood’s pieces are featured throughout the space, and include stacked industrial forms in the basement, and translucent, light pieces on the ground floor.

Opening Ceremony, 31-32 King Street. Convent Garden WC2. July – October, 2012

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La Cura by Studio Toogood at MOST

La Cura by Studio Toogood at MOST

London designers Studio Toogood will create a “hospital for the senses” at MOST in Milan next month as an antidote to the hustle and bustle of the furniture fair.

La Cura by Studio Toogood at MOST

The La Cura installation will feature a therapeutic sound and light installation created in collaboration with Kite & Laslett, special scent by perfumers 12.29 and a re-energising elixir by food designers Arabeschi di Latte.

La Cura by Studio Toogood at MOST

Visitors will be seated on Studio Toogood’s Spade chairs, which will be wrapped in bandages, while they mould a piece of white clay to contribute to a collaborative sculpture that will grow as the week progresses.

La Cura by Studio Toogood at MOST

Read more about Studio Toogood on Dezeen here.

La Cura by Studio Toogood at MOST

We’ll also be at MOST with Dezeen Studio powered by Jambox – read more about it here.

La Cura by Studio Toogood at MOST

Here are some more details from MOST:


Studio Toogood will present ‘la cura’ with NIVEA, a partnership born from a mutual belief that design is for everyone. ‘la cura’ is a visual antidote to the chaos of the Salone del Mobile, a hospital for the senses where visitors are invited to rebalance through a series of intimate performances.

Whilst experiencing a therapeutic sound and light composition produced in collaboration with Kite & Laslett, visitors are presented with a ball of white clay to mould and shape into something that reflects their own individual expression and mood. These artworks – called ‘The Cures’ – are collected at the end of each performance and clustered together in the ‘Pavilion’ during the course of the week to create a collective sculpture.

For ‘la cura’, the Underkitchen by food designers Arabeschi di Latte have prepared a re-energising elixir designed to restore people’s sparkle and spirit. The air is filled with a bespoke scent by perfumers 12.29, which is designed to capture the essence of the colour white in olfactory form. Guests are seated on ‘Spade’ chairs by Faye Toogood, each one bandaged and covered for protection.

Read more about the highlights of MOST in our earlier story.

National Museum of Science and Technology,
Via Olona 6, 20123 Milan, Italy
Entrance through Via Olona 6

Dates: Tuesday 17 April, 10AM – 9PM Wednesday 18 April, 10AM – 6PM
Thursday 19 – Saturday 21 April, 10AM – 9PM Sunday 22 April, 10AM – 6PM
Press Preview: Monday 16 April, 3PM-7PM

www.mostsalone.com

The Blocks by Studio Toogood

The Blocks by Studio Toogood

London designers Studio Toogood have created a temporary wine bar in Sydney where guests are invited to select their vintage by smelling scented totem poles.

The Blocks by Studio Toogood

Trained wine stewards guide the visitors around each of the five wooden poles, as well as past a series of glass display cabinets where objects and imagery represent a palette of different flavours.

The Blocks by Studio Toogood

Next, each guest is led to a table where a group of spherical lamps representing grapes are bunched overhead behind wire netting.

The Blocks by Studio Toogood

A collection of hand-cast aluminium chairs from Studio Toogood’s Spade range provides seating.

The Blocks by Studio Toogood

The bar is positioned at the centre of the room, surrounded by sausage-like sofas.

The Blocks by Studio Toogood

After five weeks, the bar will relocate to a second venue in Melbourne.

The Blocks by Studio Toogood

Read more about the Spade chair in our earlier story, or see more projects by Studio Toogood here.

The Blocks by Studio Toogood

Photography is by Paul Barbera.

Here’s some more information from  Studio Toogood:


THE BLOCKS

One of the worldʼs most sought-after wine brands, Penfolds, is collaborating with renowned London-based designers Studio Toogood to create an ambitious multi- sensory environment dedicated to wine.

The Blocks by Studio Toogood

Designed to demystify the process of vinification, THE BLOCKS encourages visitors to discover and awaken their palate using sight, touch, smell and taste.

The Blocks by Studio Toogood

Studio Toogoodʼs first installation outside Europe will initially be unveiled in Australia on the 16th March in Sydneyʼs last remaining undeveloped, historic wharf building: Pier 2/3.

The Blocks by Studio Toogood

This three week event will then travel to Melbourne in late July.

The Blocks by Studio Toogood

Upon entering THE BLOCKS, visitors will be greeted by trained sommeliers – ʻThe Nosesʼ – who will take guests on a journey through five imperious wooden totems.

The Blocks by Studio Toogood

Inspired in form by the five groups of grapes available for tasting – and impregnated with different bespoke scents produced in conjunction with a perfumer for the event – the totems have been designed to guide guests to select the appropriate wines to suit their personal palate.

The Blocks by Studio Toogood

Not content with stimulating the nose, Studio Toogood asks guests to drink with their eyes by revealing glass cabinets filled with highly visual, poetic interpretations of the terminology normally associated with describing wine by five emerging Australian artists and designers.

The Blocks by Studio Toogood

Once inside the installation, guests will be able to indulge in Penfolds Bin and Luxury wines, complemented by locally foraged and seasonal tastes designed by Executive Chef Jock Zonfrillo (Magill Estate).

The Blocks by Studio Toogood

To complete this gastronomic experience, guests will be seated under canopies of illuminated glass grapes on Faye Toogoodʼs iconic ʻSpadeʼ chairs.

The Blocks by Studio Toogood

Hand-cast from raw aluminium specifically for the event, the ʻSpade Chair / Naked Aluminiumʼ is cold to the touch, reminding guests of their cellar-like experience.

Delicate Interference: Assemblage 3 by Faye Toogood

Assemblage 3 by Faye Toogood

London Design Festival 2011: here are some photos of the third collection of furniture by London designer Faye Toogood, this time exploring iridescent materials, on show at Phillips de Pury & Company in London this week. 

Assemblage 3 by Faye Toogood

Working in bronze, aluminium, steel, glass and resin, Toogood has designed a dressing table lighting, jewellery stand and armoured bench that refract and reflect light to create shifting optical effects.

Assemblage 3 by Faye Toogood

The collection also includes new versions of her Elements Table and Spade Chair, which both featured in her country-inspired Super Natural presentation in London last September and the more sinister Natura Morta show in Milan.

Assemblage 3 by Faye Toogood

Delicate Interference: Assemblage 3 is on show at Phillips de Pury & Company at Claridge’s, 45-47 Brook Street, London W1 until 4 October.

Assemblage 3 by Faye Toogood

See all our stories about Toogood here and all our stories about the London Design Festival 2011 here.

Assemblage 3 by Faye Toogood

Here’s some more information from Phillips de Pury & Company:


Assemblage 3 by Faye Toogood

British Designer, Faye Toogood, will launch her third furniture collection, Delicate Interference: Assemblage 3, exclusively with Phillips de Pury & Company during the 2011 London Design Festival.

Assemblage 3 by Faye Toogood

The series examines iridescence as a natural optical force through new and re-contextualised works in bronze, aluminium, steel, glass and resin. By a touch of alchemy she uses man-made materials to create a natural phenomenon, mimicking nature’s ability to attract and protect through the refraction of light.

Assemblage 3 by Faye Toogood

The entire series will be on show at Phillips de Pury’s Brook Street space with Studio Toogood directing the exhibition design. All works in the collection will be available exclusively through Phillips de Pury.

Assemblage 3 by Faye Toogood

“Faye Toogood has developed one of the most compelling catalogues of design work in recent years. Her latest, Assemblage 3: Delicate Interference, offers an intelligent, timely study of material, form and finish. We are thrilled to be a part of this watershed exhibition for Faye.“ Brent Dzekciorius, Director of Retail Operations, Phillips de Pury & Company.

Assemblage 3 by Faye Toogood

Faye Toogood graduated from Bristol University with a degree in Fine Art and Art History. Upon graduation she worked closely with Min Hogg, the founding editor of The World of Interiors magazine, and eventually held the prestigious post of Decoration Editor.

Assemblage 3 by Faye Toogood

Eight years later, Toogood established the eponymous Studio, set on the bank of Regents canal, and is now recognised for initiating some of the most innovative and outstanding design projects today. Clients include Comme des Garcons, Alexander McQueen, and Tom Dixon.

Assemblage 3 by Faye Toogood


See also:

.

Natura Morta
by Studio Toogood
Sneaker department
by Studio Toogood
Utility exhibition stand
by Studio Toogood

Assemblage 2 by Toogood at Natura Morta

Assemblage 2 by Toogood at Natura Morta

Milan 2011: London designers Toogood presented their second collection of furniture as part of Studio Toogood’s Natura Morta exhibition in Milan last week (see our earlier story).

Assemblage 2 by Toogood at Natura Morta

Called Assemblage 2, the series is a development of their first collection shown in London last september (see our story here), this time using darker materials and colours.

Assemblage 2 by Toogood at Natura Morta

See all our stories about Milan 2011 »

More from Studio Toogood on Dezeen »

The following is from Studio Toogood:


Toogood launches Assemblage 2.

By replacing the delicate sycamore, brass and Portland stone found in Toogood’s first collection with more elemental materials, Assemblage 2 seeks to reinterpret its clean geometric forms. Made using leather, sand-cast aluminium, melted pewter, bronze, wax and resin, Assemblage 2 promises to be altogether more unyielding, elemental and visceral.

Lunar Plate
Sand-cast pewter; 40cm x 40cm.
Formed using the sand-cast process, these lunar-landscape plates explore the beauty in the unpredictable quality of molten pewter. Each plate is a unique explosion – there is no mould and the sand dictates the form.

Assemblage 2 by Toogood at Natura Morta

Stone  1
English Portland stone and fluorescent; 40cm x 40cm x 40cm.
This square stone object, hand-sculpted from English Portland stone, provides fluorescent illumination in the dark through a sliced section in the stone.

Assemblage 2 by Toogood at Natura Morta

Stone 2
English Portland stone and fluorescent; 20cm x 20cm x 78cm.
This rectangular stone object, hand-sculpted from English Portland stone, provides fluorescent illumination in the dark through a sliced section in the stone.

Assemblage 2 by Toogood at Natura Morta

Afraid of the Dark Candle
Hand-made from sand-cast pewter; 10cm x 10cm.
A scented candle by Toogood. ‘Afraid of the Dark’ scent made with essence of tuberose, a night-blooming perennial plant with a complex, exotic fragrance. To be ignited at night.

Assemblage 2 by Toogood at Natura Morta

Stratum Table
Anodised aluminium; 200cm x 90cm x 71cm.
Inspired by rock strata, the surface of this table is made from layers of architectural aluminium profiles in different shades of black. Clamped together using heavy industrial brass fixings, the corrosion-resistant aluminium tabletop sits on a pair of sand-cast aluminium trestle legs.

Assemblage 2 by Toogood at Natura Morta

Assemblage 2 by Toogood at Natura Morta

Spade Stool in Aluminium
Sand-cast aluminium; 86.5cm x 41cm x 45 cm.
Originally made in sycamore for Assemblage 1, the ‘Spade’ stool has now been sand- cast in corrosion-resistant aluminium and anodised to provide an irregular blackened, molten-like effect.

Spade Chair in Aluminium
Sand-cast aluminium; 86.5cm x 41cm x 45 cm.
Originally made in sycamore for Assemblage 1, the ‘Spade’ chair has now been sand- cast in corrosion-resistant aluminium and anodised to provide an irregular blackened, molten-like effect.

Assemblage 2 by Toogood at Natura Morta

Spade Chair in Leather
Hand-stitched natural goatskin – in black and natural; 41cm x 45cm x 86.5cm.
Originally made in sycamore for Assemblage 1, the ‘Spade’ chair has now been covered in goatskin leather. Each seam of the leather pattern has been intricately hand-stitched, staying honest to the carpentry details of the original.

Bronze
Solid bronze; 60cm x 60cm x 17cm. Limited Edition of 10 + 1 AP.
This hand-crafted piece, intricately welded from small sections of solid bronze, mimics the natural formation of fool’s gold: iron pyrite.

Assemblage 2 by Toogood at Natura Morta

Element Table in Resin
Clear crystal resin; 100cm x 100cm x 24cm. Limited Edition of 10 + 1 AP.
Cast in smoky solid resin, this piece replaces the brass, wood and stone elements used in the Assemblage 1 ‘Element’ table with pure volume and void.

Assemblage 2 by Toogood at Natura Morta

Bat
Felt. Sizes S/M & M/L.
Inspired by the shape of a bat, this dress will be worn by the food servers at the Natura Morta event.

Natura Morta by Studio Toogood

Assemblage 2 by Toogood at Natura Morta

Assemblage 2 by Toogood at Natura Morta


See also:

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Assemblage 1 by
Toogood
Corn Craft by Gallery FUMI & Studio ToogoodTom Dixon Shop by
Studio Toogood