A Coruña by Sinaldaba Estudio de Arquitectura

Long wooden panels give a shed-like aesthetic to the walls and cabinets of this apartment in A Coruña, Spain, by Sinaldaba Estudio de Arquitectura.

A Coruna by Sinaldaba

Spanish studio Sinaldaba Estudio de Arquitectura adapted the narrow, confined layout of the apartment to create a single, open-plan living space at one end and a bedroom at the other.

A Coruna by Sinaldaba

Working with a limited budget, the architects used recycled materials to construct partitions between rooms, as well as to build worktops and cabinets for the kitchen.

A Coruna by Sinaldaba

White tiles were stripped from the kitchen worktop and replaced with a stainless steel surface and sink.

A Coruna by Sinaldaba

Rugged stone walls were painted white, as were the timber floorboards and ceiling beams. Architect Ignacio Reigada describes this as a “necessary luminosity” that results in “a neutral volume – white, bright [and] airy”.

A Coruna by Sinaldaba

An entrance corridor, bathroom and small study space separate the bedroom from the living and dining area.

A Coruna by Sinaldaba

Bare lightbulbs and recycled furniture complete the interior. “The furniture is all recycled. We saw it in other apartments of this building, that still aren’t restored, so we decided to include it in the project,” added Reigada.

A Coruna by Sinaldaba

Other Spanish apartments we’ve featured include a seaside home with an all-white interior and an apartment with mosaic floors and a decorative ceilingSee more Spanish architecture and design »

A Coruna by Sinaldaba

Photography is by Abraham Viqueira.

Here’s a project description from the architects:


A Coruña

A top floor in a late nineteenth century building, located one of the central streets of A Coruña, in conditions very unfavourable maintenance, on a shoestring budget but with total freedom and trust from the client to choose the solutions, have us believe appropriate.

A Coruna by Sinaldaba
Previous floor plan – click for larger image

The house has the classic spatial configuration of a Gothic story plot: elongated, narrow, narrow, multi confined spaces? Is that what we all wanted? Quite the opposite. We proposed to completely empty the floor early on, keeping only the main stairwell. We got a single space, open, broad, bounded by a strip that houses furniture-kitchen-toilet-cabinet-study, i.e. a longitudinal continuous section running along the floor and containing all needs, freeing the volume and providing a spatial and visual continuity to housing.

A Coruna by Sinaldaba
New floor plan – click for larger image

The solutions adopted for the realisation of the idea happen to be fully reversible. We basically reinforced all beams that needed it with metallic elements, fir wood is used for the longitudinal strip and to repair the core of stairs. Both the stone walls and floors and ceilings are painted white, providing a necessary luminosity, as it is also the cheapest option. The result is a neutral volume, white, bright, airy, acting as a container for a small wooden box for communications and other longitudinal collecting the necessary elements to inhabit.

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The Other Way by Carl Clerkin

London Design Festival 2013: a basketball hoop that catches the ball, an elderly broom and a bucket that’s meant for kicking feature in an exhibition of new work by British designer Carl Clerkin (+ slideshow).

Fast Basket
Fast Basket

Co-founder of homeware company All Lovely Stüff and furniture designer Carl Clerkin designed an assortment of fantastical assemblages made of everyday objects like brooms, buckets and bicycle wheels, modified and combined with a sense of humour for a solo exhibition called The Other Way

Dustpan and Brush
Dustpan and Brush

Objects include a basketball net fixed onto a skateboard, a one-legged table, a cover for a traffic cone, a small cupboard for storing your broom on the wall and a broom with tiny wheels.

Old Age Sweeper
Old Age Sweeper

“I usually design useful objects for the home,” said Clerkin. “Function is always the main driver, but I like the idea of the things that we live with having character and interacting beyond the physical.”

Squashed Caught High by by Carl Clerkin
Squashed Caught High

“I like the idea that a bucket can express an urge, or a broom can be more comfortable doing it the other way,” he added.

Dustpan and Brush
Dustpan and Brush

Clerkin has also built a wooden installation at the show for people who don’t have a loft in their home. People can climb up a wooden staircase, poke their head into a tiny attic and play with an electric train set that circles the space.

Furniture for People without Attics
Furniture for People without Attics

The Other Way exhibition is open at Gallery S O, 92 Brick Lane, London, E1 6RL throughout London Design Festival and will close on 29 September. There is also a small pop-up shop showcasing products by All Lovely Stüff.

Spinning in the Rain
Spinning in the Rain

Other design highlights from this year’s London Design Festival include the launch of a new products and furniture by design brand SCP and an exhibition of clay vessels that are based on the geological phenomenon of sinkholes.

Traffic Cone Cover
Traffic Cone Cover

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Broom Oar
Broom Oar

Images are courtesy of Gallery S O.

Here’s some more information about the designer:


About Carl Clerkin

“My Mother in law had one of those Chesterfield foot stools, the ones with the Cabriolet legs, she also had a Staffordshire Bull terrier. I always saw them as being related, Cousins perhaps.”

The Other Way
Mrs B mark I

Carl Clerkin’s work is geared towards strengthening connections between people, objects, places and spaces. His subject is often the ordinary.

A bucket, a broom, a walking stick, a shed, a traffic cone, or details borrowed from these are often used as leavers to unlock hidden narratives within the objects he makes.

Brooom by Carl Clerkin
Brooom

The work is often understated and draws very much on the familiar or the universally accessible in order to provoke our collective memories, to encourage understanding.

Broooom
Broooom

Clerkin has worked as furniture designer since graduating from the RCA in 1998. His clients include The Design Council, The Department for Education, Habitat, Lloyd Loom, Worldwide Co and Peugeot. The work varies from designing home-ware and furniture to exhibition design and gallery seating, though for this exhibition he plans to show work of a slightly different nature.

Broom Cupboard
Broom Cupboard

Established in 2010, All Lovely Stüff is a British homeware company that produces and sources well-made, practical and affordable products that make everyday tasks easier and more enjoyable.

Broom for Life
Broom for Life

Founded by Carl Clerkin and Ed Ward, two designers with impeccable design pedigrees at companies such as Habitat, Details, Worldwide Co and Established & Sons.

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Small House by Unemori Architects

Paper-thin shutters fold out from the walls of this narrow timber house in Tokyo by Japanese firm Unemori Architects (+ slideshow).

Small House by Unemori Architects

Unemori Architects clad the entire exterior with timber boards, then added matching shutters across the large windows.

Small House by Unemori Architects

“At the second and third floor there is a large hinged door in each room. If it’s opened, the inside of the room is enveloped in light and wind as if you are outside,” explained architect Hiroyuki Unemori.

Small House by Unemori Architects

Unemori positioned windows to offer the best views of the building’s surroundings. “The window is so big against the small rooms that every time a window opens or closes the view inside dramatically changes,” he added.

Small House by Unemori Architects

Small House accommodates a couple with a small child and is located within a densely populated suburban area of the city.

Small House by Unemori Architects

An entrance slotted into the corner of the building leads through to a circular white staircase, which spirals up to three storeys above and down to one below. Each floor contains one room, including two bedrooms, a dining room and a kitchen.

Small House by Unemori Architects

A glass-fronted bathroom is positioned on the roof and faces out onto the surrounding rooftops across a triangular roof terrace.

Small House by Unemori Architects

The architects used single layers of timber to construct the floors, which match furniture, surfaces and cupboards in the dining room and kitchen.

Small House by Unemori Architects

The compact site also includes a small driveway and a narrow space to park bicycles.

Small House by Unemori Architects

Other Japanese residences we’ve recently featured include a house with a staggered interior and gently sloping roof, a house lifted off the ground by a single central pillar and a tall house with views of a nearby observation tower.

Small House by Unemori Architects

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Small House by Unemori Architects

Photography is by Ken Sasajima.

Here’s some project description from the architects:


Small House

The small house which the married couple and their child live stands in the densely populated area in Tokyo. Though the neighbouring houses is very close, I aimed to design the house which exceed the physical narrowness living at the city.

Small House by Unemori Architects

I laid out the 4m×4m building as small as I could at the centre of site area 34m2 and made some space for flowing of light and wind around it. And by making the space, it’s possible to avoid setback regulation and it has the 9m high volume like a tower.

Small House by Unemori Architects

The inside is simple structure what is separated by the 4 floor boards and is jointed by spiral stairway.

Small House by Unemori Architects

Especially, by making some extremely thin floor boards (thickness 70mm) , the up and down floor boards got close and connected the whole space of the house without a break.

Small House by Unemori Architects

The space of around the house is useful to let light and wind in. The wall of the rooms borders the outside, so I put windows in the best position that harmonising with its surroundings.

Small House by Unemori Architects
Site plan – click for larger image

And the window is so big against the small room, every time the window opens or closes, the inside view dramatically changes.

Small House by Unemori Architects
Detailed site plan – click for larger image

Especially, at the second and third floor there is a large hinged door each room, if it is opened, the inside of the room is enveloped in light and wind as if you are outside.

Small House by Unemori Architects
Floor plans – click for larger image

By making the thin floor boards for connecting with their life and making the large windows what are opened toward the city, I aimed to exceed the segmentation, for example the upstairs and the downstairs, the inside and the outside, a building and the town, etc. to broaden the whole image of a house.

Small House by Unemori Architects
Floor plans – click for larger image

Location: Meguro-ku,Tokyo
Principal use: private residence
Family type: couple and child
Parking space: One car
Site area: 34.27 m2

Small House by Unemori Architects
Section – click for larger image

Building area: 17.47 sqm
Total floor area: 67.34 sqm
Plot ratio: 146.4%
Structural systems: steel frame
Scale: 1 basement and 4 storeys
Completion: August 2010

Small House by Unemori Architects
Detailed section – click for larger image

Materials:Exterior wall – flexible board t=8mm siding water-repellent coating, roof – FRP waterproof t=3mm topcoat, interior wall – whiteboard t=3mm, ceiling – lauan plywood t=4mm CL, floor – lauan plywood t=12mm UC
Architect:Unemori Architects
Structural engineer:Structured Environment
Developer : Taishin Construction

Small House by Unemori Architects
Elevation – click for larger image

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Identity Parade by Adam Nathaniel Furman

London Design Festival 2013: London designer Adam Nathaniel Furman has created multi-coloured 3D-printed ceramic objects for his Designers in Residence commission at the Design Museum (+ slideshow).

Identity Parade by Adam Nathaniel Furman

Identity Parade by Adam Nathaniel Furman consists of 3D-printed and ceramic vases and ornaments, painted in luminous colours and busy psychedelic patterns.

Identity Parade by Adam Nathaniel Furman

The objects were created in response to this year’s Designers in Residence showcase at London’s Design Museum, which challenged four designers to develop a project in response to the theme of identity.

Identity Parade by Adam Nathaniel Furman

Furman told Dezeen that his response was to create artefacts about the life of a fictional designer. The final ornaments intend to capture the imaginary character’s need for belonging and their fascination for new media and digital fabrication technologies.

Identity Parade by Adam Nathaniel Furman

“I believe very strongly in the power of character and scenario to tell complex truths about our contemporary state,” said Furman.

Identity Parade by Adam Nathaniel Furman
Meme Totem

The objects were created using a number of production methods including 3D printing laser-sintered nylon in bright colours, 3D-printing ceramics and spray painting.

Identity Parade by Adam Nathaniel Furman
Kitsch pot

“I’d always felt that identity was such a protean, gaseous, changeable thing,” the designer said. “It terrified me really. I mean, how inconstant we are, how fluid our identities are and how we change from year to year.”

For the project, Furman also produced a film that he said “compresses all the visual influences and theoretical explorations embedded in the project, in a non-didactic and fun way.” Watch it here:

Here’s a short movie about the designer, produced by Alice Masters for the Design Museum:

Furman is currently working at Ron Arad Architects is and co-director of architecture practice Madam Studio and Saturated Space research group at the Architectural Association School of Architecture.

The Designers in Residence 2013 exhibition opened last week and runs until 12 January 2014. Last year’s Designers in Residence included Oscar Medley Whitfield, Harry Trimble, Uri Suzuki and Lawrence Lek.

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Identity Parade by Adam Nathaniel Furman

Photographs are by Luke Hayes.

Here’s a press release from the Design Museum:


Designers in Residence 2013
4 Sept 2013 – 12 Jan 2014
Adam Nathaniel Furman

This year’s Designers in Residence were invited by the Museum to respond to the theme of Identity, to explore how design can be used to convey, create or reflect a sense of identity through an object or experience.

Identity Parade by Adam Nathaniel Furman

Glued to his laptop, locked in his flat, emailing, DM’ing, posting, stressing and Skyping, what sort of a collection could a characterful designer produce in 3 months?

Identity Parade by Adam Nathaniel Furman

Furman’s project explores the potential of now ubiquitous rapid fabrication techniques to free designers from commercial exigencies, and to instead prodigiously create any number of objects whose delineations are guided by and embody intensely personal narratives. The role of collector and designer collapse into one.

Identity Parade by Adam Nathaniel Furman
Yantraments 

Through a blog he created a character, a fictional tool, who existed for three months in a fever of rumination and production. Each post was a lived scenario which brought together a wider issue such as generalised anxiety or Facebook envy, with a fabrication technique such as 3d printed ceramic, or plaster, or plastic. The character fused these into a dizzying array of designs, each contributing to a collection which tells the story of a search for identity told through the design of objects. A journey which, thanks to technology, any one of us could embark upon in the near future.

Identity Parade by Adam Nathaniel Furman
Swirl and Stepwell

Furman terminated the character, and the tripartite display of his project consists of a table on which all the various objects are collected, a miniature museum of the said designer, as well as the blog through which the stories behind each of the objects is relayed, and a film which compresses and conveys in a non-didactic manner, all the various influences and themes embedded in the overall project.

Identity Parade by Adam Nathaniel Furman
Adam Nathaniel Furman

Adam Nathaniel Furman is a writer, designer, teacher and artist. He graduated from the Architectural Association in 2009 and is currently working at Ron Arad Associates. He also co-directs the Saturated Space Research cluster at the AA, and is co-director of the Architecture design practice Madam Studio.

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Series Three and Soft Series by Another Country

London Design Festival 2013: British brand Another Country has launched its third series of wooden furniture and first range of patterned textiles at designjunction (+ slideshow).

Series Three and Soft Series by Another Country

Another Country has created a range of beech and oak tables, stools, benches and desks modelled on Edwardian workshop furniture.

Series Three and Soft Series by Another Country

Trestle-style tables and benches have rounded corners, with legs and edges of flat surfaces coloured grey, red or green.

Series Three and Soft Series by Another Country

Textiles for blankets and cushion are made from hand-dyed wool in three colourful geometric patterns.

Series Three and Soft Series by Another Country

The collection is on display as part of designjunction at The Sorting Office, 21-31 New Oxford Street, in London’s West End until Sunday.

Series Three and Soft Series by Another Country

Other products on show at the exhibition include a furniture collection by new brand Joined + Jointed and a set of wicker lights by Claesson Koivisto Rune.

Series Three and Soft Series by Another Country

Also during this year’s London Design Festival, Another Country launched a collection of bedroom furniture for London retailer Heal’s.

Series Three and Soft Series by Another Country

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More details in the text from Another Country below:


Another Country launches Series Three and Soft Series at London Design Festival

The blockbuster contemporary design show; designjunction, is back for another outing at London Design Festival 2013 and so is Another Country; who will be taking their place amongst the three floors and 120,000 square feet of contemporary design in the 1960s Postal Sorting Office in Covent Garden.

Another Country has a spectacular show planned for this September that includes the launch of Series Three, the latest collection of designs inspired by Edwardian workshop furniture, and a new textiles range; Soft Series, which includes cushions and throws. There will be some new adaptations of old favourites; new additions to the Pottery Series and a spectacular stand design besides.

Series Three and Soft Series by Another Country

Series Three

Another Country has applied its extensive knowledge of producing craft-inspired contemporary objects to create a series of Beech and Oak furniture that is their most functional to-date. The tables, stools, benches and desk that make up the Series Three collection is intended to be the perfect marriage of traditional craft construction and contemporary form.

Series Three and Soft Series by Another Country

A trestle-style table base was inspired by the utilitarian and adaptable design of Edwardian industrial workbenches. The base supports a solid Beech top and the joint where these two elements meet is a decorative craft detail that is carefully celebrated. Series Three is an articulation of Another Country’s mission to produce furniture that is efficient to make and to use; unconcerned with fashion and unfussy it is charming and hardworking. The rounded corners, thoughtful scale and splashes of colour – ‘Chamberlayne Grey’, ‘Wellington Red’ and ‘Oxford Green’ are the points of difference to note.

Beech is an underused but effective timber: hard, handsome, uniform and plentiful. Another Country is championing its revival as a contemporary wood in their Series Three collection alongside the equally beautiful oak.

Finishes: white oiled and waxed beech, white oiled and waxed beech + stained colour oiled and waxed oak, oiled and waxed oak + stained colour

Series Three and Soft Series by Another Country

Soft Series

Another Country is pleased to announce the launch of its very first textiles collection, which acts as a perfect accompaniment to each collection.

Another Country’s first textile collection is something special. The blankets and cushions that make up their Soft Series are jacquard woven, meaning they could produce complex patterns, and are made from soft, hand-dyed, 100% wool. We worked with Scottish textile designer Ruth Duff and acclaimed weavers Gainsborough Silk to produce three different graphic fabric designs.

Patterns: Small Cubes Green, Small Stars Blue and Large Cubes Purple

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Paper Space by Studio Glowacka and Maria Fulford Architects

London Design Festival 2013: design firms Studio Glowacka and Maria Fulford Architects have installed 1500 metres of undulating paper strips to create a pavilion at trade show 100% Design in London this week (+ slideshow).

Paper Space by Maria Fulfor Architects and Studio Glowacka

Studio Glowacka and Maria Fulford Architects draped streams of white paper over a square frame to create a temporary ceiling for the Paper Space auditorium.

Paper Space by Maria Fulfor Architects and Studio Glowacka

Additional strips of paper drop vertically to the floor and create a perimeter for the hub.

Paper Space by Maria Fulfor Architects and Studio Glowacka

Visitors are encouraged to share ideas on rolls of paper within the structure, which can then be torn off and taken away. “Paper is a blank canvas for communication and a receiver for ideas,” Maria Fulford said.

Paper Space by Maria Fulfor Architects and Studio Glowacka

“Paper Space is illuminated by borrowed light from the adjacent exhibitor structures, changing character like a paper chameleon depending on the neighbouring light conditions,” she added.

Paper Space by Maria Fulfor Architects and Studio Glowacka

There is also a bespoke table inside the space that was hand crafted by students at UCL Bartlett School of Architecture. It is made from five-millimetre-thick steel plates and white oak.

Paper Space by Maria Fulfor Architects and Studio Glowacka

Paper Space is being used to hold events, talks and debates during 100% Design, which is open until tomorrow.

Paper Space by Maria Fulfor Architects and Studio Glowacka

Other installations at London Design Festival this year include 5000 spinning paper windmills in a doorway at the V&A museum and an Escher-style installation of fifteen staircases positioned on the grass outside Tate Modern.

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Paper Space by Maria Fulfor Architects and Studio Glowacka

Photographs are by Alastair Browning.

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United Nations North Delegates’ Lounge by Hella Jongerius and Rem Koolhaas

Designer Hella Jongerius and architect Rem Koolhaas have renovated the North Delegates’ Lounge at the United Nations buildings in New York (+ slideshow).

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

Working alongside a team of Dutch creatives that included graphic designer Irma Boom, artist Gabriel Lester and theorist Louise Schouwenberg, Jongerius and Koolhaas have reconfigured the layout and added new furniture to the lounge – one of the key spaces in the complex designed during the 1960s by a team of architects including Le Corbusier and Oscar Niemeyer.

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

Koolhaas’ OMA began by removing a mezzanine that had been added in 1978, opening up a view towards the East River. Hella Jongerius then added a bead curtain made from hand-knotted yarn and 30,000 porcelain beads.

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

Furniture is arranged so that one end of the lounge accommodates formal meetings and the other is more suited to coffee and drinks. Jongerius designed two new pieces for the space – the Sphere Table and the UN Lounge Chair – which are accompanied by original Knoll chairs.

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

A new bar is made from black resin, while the existing information desk is retained and repositioned alongside the original clock and signage.

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

Jongerius was responsible for the colour palette, adding an orange carpet alongside the purple, blue and green upholstery.

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

“The renovation and redesign of the lounge is a gift from the Netherlands to the UN,” said the designers.

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

Dezeen recently filmed a series of interviews with Jongerius discussing her latest projects and why she chose to relocate to Berlin. Watch the movies »

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

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United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

Photography is by Frank Oudeman.

Here’s a project description from Jongeriuslab:


New interior for United Nations North Delegates’ Lounge (New York)

More than sixty years after the opening of the UN North Delegates’ Lounge, Hella Jongerius has redesigned the lounge in collaboration with Rem Koolhaas, Irma Boom, Gabriel Lester and Louise Schouwenberg.

Their aim was to create a space of both comfort and professional informality. The team carefully edited the history of the space, retaining some of the iconic Scandinavian designs and creating a new perspective on the works of art already on display. They removed the mezzanine that had blocked the view of the East River, restoring the open architectural space.

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

Jongerius designed two new pieces of furniture for the lounge: the Sphere Table and the UN Lounge Chair, produced by Vitra. For the East Facade Jongerius designed the Knots & Beads Curtain, with hand-knotted yarn and 30,000 porcelain beads made from Dutch clay by Royal Tichelaar Makkum. Jongerius was also responsible for revitalizing the colour palette, selecting the furniture and designing the cradle-to-cradle Grid Carpet.

The UN buildings in New York date from 1951, six years after the foundation of the UN. Referred to as ‘A Workshop for Peace’, the complex was designed by a team of architects including Le Corbusier, Oscar Niemeyer and Wallace K. Harrison. In 2009, the UN launched a large-scale renovation project, which is now nearly complete. At the request of the Dutch Ministry of Foreign Affairs, Hella Jongerius formed a team to redesign the lounge and bring it into a new era. The renovation and redesign of the lounge is a gift from the Netherlands to the UN.

The lounge will be officially opened on September 25, 2013 by Queen Máxima of the Netherlands and the Dutch Minister of Foreign Affairs, Frans Timmermans, in the presence of Ban Ki-moon, Secretary-General of the United Nations.

United Nations North Delegates Lounge by Hella Jongerius and Rem Koolhaas

Year: 2013
Material: Various
Dimensions: Various
Commission: United Nations/ Dutch Ministry of Foreign Affairs
Category: Industrial production

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Capture exhibition by Paul Cocksedge

London designer Paul Cocksedge’s first solo exhibition, at Friedman Benda in New York, features a table folded from a single sheet of steel (+ slideshow).

Capture by Paul Cocksedge

Paul Cocksedge‘s Capture exhibition at New York City’s Friedman Benda gallery includes two new pieces by the designer.

Capture by Paul Cocksedge

The first is a table made from a curved Corten steel sheet, which balances on one end and curves back on itself to create the top.

Capture by Paul Cocksedge

The half-ton sheet folds at an angle so the top and base point in different directions.

Capture by Paul Cocksedge

His second new design is a large black domed lamp, which glows with a white light across the entire 1.6-metre-wide base.

Capture by Paul Cocksedge

Hand-spun from aluminium, the hemisphere is tilted to direct the light at an angle.

Capture by Paul Cocksedge

Capture opened last week and continues until 12 October. Also in New York, the retrospective on the life and work of Le Corbusier at MoMA finishes next week.

Capture by Paul Cocksedge

Photography is by Mark Cocksedge.

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More information from the gallery follows:


Paul Cocksedge: Capture

Friedman Benda will present Paul Cocksedge: Capture the British designer’s inaugural solo exhibition, 12 September – 12 October 2013.

Capture by Paul Cocksedge

Capture will introduce new works developed by Cocksedge over the last four and half years that push the mediums of light and structure, including a large-scale light installation, a collection of dramatic, seemingly impossible, hand-wrought dome lamps, and Poised, a series of unyielding steel tables inspired by the delicacy of paper. Known for exploring the limits of technology, materials, and manufacturing capabilities, Paul Cocksedge Studio has produced both commercial and experimental work, as well as a series of high-profile public installations around the world. Capture finds Cocksedge presenting a new series of concepts informed by his studio’s commitment to technological ingenuity, expanding the boundaries of physics, and the creation of works that are both thought provoking and unexpected.

Capture by Paul Cocksedge

The works include Capture, a 1.6-metre hand-spun aluminium dome that appears to “hold” the peaceful glow of a warm white light. The piece is informed by a process of reduction – a recurring theme in Cocksedge’s work – as it subtracts the typical infrastructure around light, instead creating a hemisphere that seems to stop light from escaping.

Capture by Paul Cocksedge

For White Light, Cocksedge will create a room within the gallery in which everything and nothing changes. For this work, the designer will create an illuminated mosaic of precisely calibrated and positioned coloured panels on the ceiling of the gallery. The ceiling will slowly fade from a spectrum of colours to a warm white light, while the room itself will remain unchanged, demonstrating the ways in which we do and do not perceive the interplay of colour and light.

Capture by Paul Cocksedge

The inspiration for Poised comes from the elegance and amenability of paper. Half a ton in weight, the steel table appears improbable upon investigation. Created following an intensive series of calculations regarding gravity, mass, and equilibrium, the table looks as though it is about to fall, but is perfectly weighted and stable.

In addition to these new works, Cocksedge will present three architectural models that take conceptual threads from Capture and White Light and reapply them to architectural settings outside of the gallery space. Central to Cocksedge’s work is an appreciation for the ways in which people respond to and interact with his designs. As a result, potential real world applications of these new works will be explored in a series of architectural models.

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Fontys Sports College by Mecanoo

Here’s another project from Dutch firm Mecanoo: a sports college in Eindhoven featuring a black brick exterior with perforations in the shape of athletes (+ slideshow).

Fontys Sports College by Mecanoo

Mecanoo completed the sports centre last year in Eindhoven’s Genneper Park for students at Fontys Hogescholen – a local science university. It houses swimming pools, indoor sports facilities, a 15 metre-high rock-climbing wall and student classrooms.

Fontys Sports College by Mecanoo

“The sports complex’s logistics are sophisticated and provide maximum opportunities for cross-disciplinary interaction between sports and education,” said the architects.

Fontys Sports College by Mecanoo

“The teaching areas can be sealed off so that only the sports halls are accessible, for example at sporting events or sports association gatherings,” they added.

Fontys Sports College by Mecanoo

Images of cyclists, gymnasts and other athletes decorate three of the facades, plus more are printed onto brightly coloured walls inside the building. There are also sporting motifs adorning some of the pieces of furniture.

Fontys Sports College by Mecanoo

A large window offers a view from the main reception area towards the climbing wall, which is slotted into a corner.

Fontys Sports College by Mecanoo

Other facilities include a canteen, a multimedia library and a sports laboratory, plus there’s a car park underneath the structure.

Fontys Sports College by Mecanoo

The building generates its own electricity and heating from solar-panels on the roof.

Fontys Sports College by Mecanoo

Terraces and seating line the perimeter, leading down towards trees and large grassed areas in the surrounding parkland.

Fontys Sports College by Mecanoo

Mecanoo recently completed Europe’s largest public library in Birmingham, England. We also recently featured a maritime museum with a zig-zagging roof by the firm. See more architecture by Mecanoo »

Fontys Sports College by Mecanoo

Other sports centres we’ve featured are a gymnasium with copper-clad panels, a sports hall with a wooden roof doubling as a hilly courtyard and a sports hall in Japan with huge clerestory windowsSee more sports centres »

Photography is by Christian Richters.

Here’s a project description from the architects:


Fontys Sports College, Eindhoven

Athletics estate

The first step has been made in turning the sport park into a sport estate with the new Fontys Sports College coming to Eindhoven’s Genneper Parks.

Fontys Sports College by Mecanoo
Basement floor – click for larger image

Mecanoo’s design for the new Fontys Sports College creates an important link in the network of sport accommodations and facilities in Genneper Parks.

Fontys Sports College by Mecanoo
Ground floor plan – click for larger image

Starting in 2012, 2200 students and teachers will make daily use of sports facilities in their own building, including the National Swimming Centre, the Tongelreep and the Indoor Sports Centre.

Fontys Sports College by Mecanoo
First floor plan – click for larger image

Fontys Sports College, with state of the art sports facilities and a comprehensive sustainability concept, will house Fontys Sports College’s three curricula which are currently housed at the Sittard and Tilburg locations. Mecanoo has created a social sports facility design that contributes to the vibrancy of Genneper Parks.

Fontys Sports College by Mecanoo
Second floor plan – click for larger image

Social

The intelligence of this building is that most of the sports accommodations are located on the first floor. This creates not a closed off sports box, but a completely transparent ground floor which is in relationship with the environment. The compactness of the building’s layout provides the advantage of room left for a stage to the building – in the form of a plinth – inviting athletic and social encounters in the outdoors. The glass plinth gives way to a black brick facade beginning on the first floor and sculpturally building up and around the rest of the building.

Fontys Sports College by Mecanoo
Roof plan – click for larger image

The literal highpoint of the building is the climbing wall which is situated at the corner of the building and acts like a beacon. A huge glass window offers a distant view of the climbers. The sports complex’s logistics are sophisticated and provide the maximum of opportunities for cross disciplinary interaction between sports and education.

Fontys Sports College by Mecanoo
Section – click for larger image

It is possible to see into the sports halls from the corridors, study areas, the restaurant and the entrance halls. Simultaneously, sport and education are logistically separated. The teaching functions can be sealed off so that only the sports halls are accessible, for example at sporting events or sports association gatherings. Also in the evening, the building is lively, contributing to the security of Genneper Parks.

Fontys Sports College by Mecanoo
Section two – click for larger image

Sustainable energy system

The building is equipped with a sustainable energy system, making it largely possible to provide for its own energy. The educational features in this compact building are efficiently oriented to the north.

To save on cooling, the south side features a building canopy. The energy roof makes use of solar energy. Further the excess of heat and cold of the buildings in the vicinity is being used and stored in two buffer tanks in the garage.

Fontys Sports College by Mecanoo
Section three – click for larger image

Programme

Sports complex of 16,500 m2 with 5 sports halls of which several meet the NOC * NSF requirements, 1 with 400 seats, a 15 meter high climbing wall, a restaurant, a library and educational facilities as a multimedia centre and a sports lab, and a parking garage with 200 parking spaces.

Fontys Sports College by Mecanoo
Section four – click for larger image

Design: 2009-2010
Realisation: 2010-2012
Client: Municipality of Eindhoven, Fontys Hogescholen, Eindhoven
Architect: Mecanoo Architecten, Delft
Structural engineer: Buro JVZ Advisory Engineers bv, Deventer
Building costs consultant: Basalt Bouwadvies bv, Nieuwegein
Engineer: Technical Consultancy Becks, Vught
Acoustics, building physics, fire safety and durability: Peutz b.v., Mook

Fontys Sports College by Mecanoo
Front elevation – click for larger image
Fontys Sports College by Mecanoo
Side elevation – click for larger image
Fontys Sports College by Mecanoo
Rear elevation – click for larger image
Fontys Sports College by Mecanoo
Side elevation – click for larger image

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Kemenes Volcanopark Visitor Centre by Foldes Architects

This volcano museum in western Hungary features walls of dark concrete and Corten steel designed by Budapest studio Foldes Architects to reference the colours of volcanic rock and lava (+ slideshow).

Kemenes Volcanopark Visitor Centre by Foldes Architects

Located on a flat plain between the city of Celldomolk and a former volcano, the Kemenes Volcanopark Visitor Centre tells the history of the surrounding region, which five million years ago was home to many volcanoes.

Kemenes Volcanopark Visitor Centre by Foldes Architects

Foldes Architects won a competition to design the museum, using materials and forms that subtly reference the shapes and colours of volcanoes.

Kemenes Volcanopark Visitor Centre by Foldes Architects

“Instead of the straight translation of the brief, such as creating a volcano-shaped museum building, we wanted to capture the true substance of the location,” said architect Laszlo Foldes.

Kemenes Volcanopark Visitor Centre by Foldes Architects

“The raw materials, the homogeneous grey of the concrete, the lava-inspired colour of the Corten steel and the flue-like arrangement of the space deliver the spirit and essence of a volcano,” he added.

Kemenes Volcanopark Visitor Centre by Foldes Architects

Corten steel boxes puncture the rectilinear volume of the five-storey building, forming self-contained screening rooms and exhibition spaces that project out towards the landscape.

Kemenes Volcanopark Visitor Centre by Foldes Architects

The entrance leads into a full-height atrium. A small skylight five storeys above lets in a beam of light and is intended to recreate the feeling of being inside a volcano.

Kemenes Volcanopark Visitor Centre by Foldes Architects

Concrete walls are left exposed inside the building, while steel staircases ascend to exhibition spaces on all four upper floors.

Kemenes Volcanopark Visitor Centre by Foldes Architects

Other buildings we’ve featured from Hungary include an extension to a Renaissance palace and a library with an egg-shaped dome at its centre. See more architecture in Hungary »

Kemenes Volcanopark Visitor Centre by Foldes Architects

Photography is by Tamas Bujnovszky.

Here’s some more information from Foldes Architects:


Volcano Visitor Centre opened in Hungary, designed by Foldes Architects

Though Hungary, located in Central Eastern Europe, is not rich in active volcanos, a large expanse of the country used to be volcanic some 5 million years ago. However, this does help ensure good quality soil for high level wine production, one of Hungary’s largest export products.

Kemenes Volcanopark Visitor Centre by Foldes Architects

The iconic Kemenes Volcanopark Visitor Centre lays 200 km west of the capital Budapest, and has been realised following a national architectural contest announced in 2009 by the Celldomolk City Council, when Foldes Architects celebrated their winning entry from the competing 44 projects. The chosen plot for the centre highlighted a flat area between the city of Celldomolk and the 5 million year old Sag Hill, a former volcano.

Kemenes Volcanopark Visitor Centre by Foldes Architects

“Instead of the straight translation of the brief, such as creating a volcano-shaped museum building, we wanted to capture the true substance of the location. According to our concept, the raw materials, the homogeneous grey of the concrete, the lava-inspired colour of the Corten steel, and the flue-like arrangement of the space, deliver the spirit and essence of a volcano.” – Laszlo Foldes, chief designer of Foldes Architects.

Kemenes Volcanopark Visitor Centre by Foldes Architects

Upon entering the vast interior of the building, the visitor meets two engaging attractions. At first sight the vertically open space captures the eye. Five floors above, a small window lets in a beam of light offering the ‘eruption’ point on the flat roof. On the opposite side, the industrial materials of the facade appear consistent with the interior: naked concrete walls, dark grey resin flooring, steel staircase and corridor, and the Corten steel cubes also visible from the outside. The varied height and location of bridges link the different sizes and positions of the Corten boxes. These offer a range of functions, from screening rooms to interactive installations area, and present the fascinating history and typology of volcanos. To create a more refined interior, the exhibition texts are situated directly on the wall without any supporting board.

Kemenes Volcanopark Visitor Centre by Foldes Architects

If you ever wanted to imagine walking through a cubist painting, this building is a great example of how it might feel to wander into Picasso’s Guernica. While passing below the red cubes, grey walls and bridges of the building, you have a real opportunity to comprehend the transience and vulnerability of human existence bracketed by such a formidable force of nature.

Kemenes Volcanopark Visitor Centre by Foldes Architects

Project name: Kemenes Volcanopark Visitor Center
Location: Celldomolk, Vas County, Hungary
Program: Specific museum building to represent the volcanic history of the territory
Type: competition commission

Kemenes Volcanopark Visitor Centre by Foldes Architects

Area/Size: 965 sqm
Cost: 1.238.000.EUR
Client: Celldomolk City Council
Project by: Foldes Architects

Kemenes Volcanopark Visitor Centre by Foldes Architects
Site plan
Kemenes Volcanopark Visitor Centre by Foldes Architects
Ground floor plan – click for larger image and key
Kemenes Volcanopark Visitor Centre by Foldes Architects
First floor plan – click for larger image and key
Kemenes Volcanopark Visitor Centre by Foldes Architects
Second floor plan – click for larger image and key
Kemenes Volcanopark Visitor Centre by Foldes Architects
Third floor plan – click for larger image and key
Kemenes Volcanopark Visitor Centre by Foldes Architects
Fourth floor plan – click for larger image and key
Kemenes Volcanopark Visitor Centre by Foldes Architects
Section A – click for larger image
Kemenes Volcanopark Visitor Centre by Foldes Architects
Section B – click for larger image
Kemenes Volcanopark Visitor Centre by Foldes Architects
Section C – click for larger image
Kemenes Volcanopark Visitor Centre by Foldes Architects
Section D – click for larger image

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