The Leaf House by SJK Architects

Concrete canopies shaped like leaves shelter the rooms of this house in the coastal town of Alibaug, India, by SJK Architects (+ slideshow).

The Leaf House by SJK Architects

Mumbai studio SJK Architects designed the home for a family, dividing the living spaces into five rooms that fan out around a central courtyard and large tree.

Supported by angled steel columns, the concrete roof canopies shelter all five rooms, which include four spaces surrounded by glazing and an open-air living room bordered by a lily pond and pool.

The Leaf House by SJK Architects

“The client enjoyed the idea of pods [that were] overlapping but distinct to house each part of the home,” the architects said. “They [wanted] the journey between pods to be a sculpted open space encompassing native trees.”

One of the pods accommodates a second living room, while the others house a kitchen, a childrens’ room and master bedroom. The two sleeping pods also have their own private courtyards.

The Leaf House by SJK Architects

Wooden doors fold back to open rooms out to the garden, plus glazed walls could be removed to create more open spaces.

“The lack of symmetry allows for walls to move as needed, open as needed and break into skylights or movable walls when required,” said the architects. “This allows sun and wind to enter the pods in the right amount, so that the quality of indoor light and air is dramatic and comfortable.”

The Leaf House by SJK Architects

Polished concrete floors feature throughout the house. The architects also tried to retain most of the existing plants on the site, including a number of coconut, neem and mango trees.

The Leaf House by SJK Architects

Other tree-like architecture on Dezeen includes a pavilion in Australia with roof sections that resemble fallen leaves and a house in London covered with hand-crafted bronze leaves.

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The Leaf House by SJK Architects

Photography is by Rajesh Vora.

Here’s a project description from the architects:


The Leaf House

Across the harbour from the chaos of Mumbai lies the coastal area of Alibaug – a 45 minute boat ride away from crowds, 22 million people and the lowest open space ratio in the world.

Our project – to create a family home of 650sqm on a 1.3 acre plot of land at the base of the hills, but far removed from the sea. Land lush with the native coconut, mango and neem trees, and peers up at the sunrise on the eastern hills above it. It was a beautiful property – we wanted to include the hills and trees and the gentle winds – the leaves strewn over the earth were the perfect cue.

The Leaf House by SJK Architects

The form of the leaf – gentle but sloping was perfect and our very first sight of the plot yielded a site plan made of dried leaves. The Client enjoyed the idea of pods – overlapping but distinct, to house each part of the home, and the journey between pods, to be sculpted open space encompassing native trees. The clump of neem, bhend and coconut became the centre – an unstructured but designed courtyard, and each pod was created with an eye to the sun and the winds.

The Leaf House by SJK Architects

The “leaf” roofs open and rise to the north and the east and protect lower and deeper on the south and the west – the southwest monsoon is a formidable factor as is the sun on these faces. The critical design of the leaf – structurally, climatically and then ergonomically entailed innovation at every step.

The Leaf House by SJK Architects

The first-structural, involved the use of dense concrete and a steel web, to generate beamless, leaf-shells, supported over steel columns filled with concrete. Retaining the natural colour and texture of every material- concrete, steel, to endure the tropical rain and sun required research into clear chemical coatings that would endure and embellish.

The Leaf House by SJK Architects

The roofs were 3D modelled extensively to ensure that sun & rain and overlapping heights worked seamlessly. And then the ergonomics to allow doors, windows and cupboards that still adhered to orthogonal principles to sit cozily in the unorthodox leaf.

The Leaf House by SJK Architects

The pallet of materials – concrete, steel, linseed oil polished wood and natural limestone was kept subdued to focus on the light, the form and the enthralling nature around encompassing the structure. The simplicity of every other element to ensure the pure experience of space, form light and nature was a deliberate pursuit. However, there was a constant dialectic between creating rules and breaking them. We enjoyed the form but never allowed it to play dictator.

The Leaf House by SJK Architects

Each pod has played with different rules depending on need and circumstance. The lack of symmetry allows for walls to move as needed, open as needed and break into skylights or movable walls when required. This allowed for sun and wind to enter the pod in the right amount, so that quality of indoor light and air is dramatic and comfortable. The landscape for the house was carefully designed to augment the existing natural flora and fauna.

The Leaf House by SJK Architects
Site plan – click for larger image

Local plant varieties were used – and nothing exotic was even considered lest it compete for attention or resources with the existing mango, coconut and neem. We used lemon grass extensively to counter mosquitos, and retain the simplicity of language. Rain water harvesting was important on this land where the bore wells ran dry most of the year. We have gathered all rain water run off into underground trenches and canals, and fed the bore wells to very good results.

The Leaf House by SJK Architects
Floor plan – click for larger image

The house began as an exploration of natural forms, built and designed to sit in nature. It encountered the manmade constructs of doors, windows and domestic gizmos – the orthogonal products of an industrial economy. Navigating and refining this encounter, into a serene and natural environment for a family to live in complete comfort, embedded in nature, was the challenge of this project.

The Leaf House by SJK Architects
Section – click for larger image

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Kontum Indochine Wedding Restaurant by Vo Trong Nghia Architects

Weddings and parties take place inside halls framed by stone, timber and bamboo at this events building for a Vietnam hotel by Vietnamese firm Vo Trong Nghia Architects (+ slideshow).

Kontum Indochine Wedding Restaurant

The Kontum Indochine Wedding Restaurant is the second building Vo Trong Nghia Architects has completed at the Kontum Indochine Hotel, following a bamboo cafe that is situated next door.

Kontum Indochine Wedding Restaurant

There are three banquet halls contained inside the building – one on the ground floor that seats 800 guests and two on the first floor that each accommodate up to 400 people.

Kontum Indochine Wedding Restaurant

The largest space is known as the Stone Hall, as it surrounded by ridged walls made up of basalt stone slabs. Some of the slabs have been polished, while others have been either hammered or left raw.

Kontum Indochine Wedding Restaurant

“These stone slabs have different surfaces, creating both dignified and delicate spatial characteristics, which are well suited to festive ceremonies,” said the architects.

Kontum Indochine Wedding Restaurant

The other two halls are double-height spaces with vaulted ceilings, including one made from self-supporting bamboo frames and one comprising nine fan-shaped timber fins.

Kontum Indochine Wedding Restaurant

A large foyer connects the three halls and leads up to offices on the second floor.

Kontum Indochine Wedding Restaurant

A louvred facade made from locally quarried pink granite surrounds three of the building’s elevations, helping to shade the interiors from direct sunlight.

Kontum Indochine Wedding Restaurant

“The louvres blur the outline and details of the building, creating an abstract volume, well balanced with the surrounding landscape,” added the studio.

Kontum Indochine Wedding Restaurant

Vo Trong Nghia Architects completed the Kontum Indochine Cafe earlier this year. Other projects by the firm include a bamboo-framed conference centre and a school with open-air corridors.

Kontum Indochine Wedding Restaurant

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Kontum Indochine Wedding Restaurant

Photography is by Hiroyuki Oki.

Here’s a project description from Vo Trong Nghia Architects:


Kontum Indochine Wedding Restaurant

Kontum Indochine Wedding Restaurant is designed as a part of a hotel complex along the Dakbla River in Kontum City, Central Vietnam. Adjacent to Dakbla Bridge, a gateway to Kontum City, the restaurant serves as a venue for wedding ceremonies, conferences and social activities of the hotel guests and citizens. The 5500-square-metre building, which contains three banquet halls and office space over three storeys, is covered by louvres made of local pink granite stone, quarried in Binh Dinh Province, 150km away from the site. The louvres blur the outline and details of the building, creating an abstract volume, well balanced with the surrounding landscape. Two different finishes were applied to each louvre; its front surface was polished, creating a sparkling exterior when exposed to sunlight, while the two edges and back surface were framed to soften the light coming into the building. Visitors can enjoy the view of the river through the louvres in light pink, being protected from harsh tropical sunlight.

Kontum Indochine Wedding Restaurant

The three banquet halls feature three different natural materials; stone, bamboo, and wood. Walls and columns of the “Stone Hall”, located on the ground floor and capable of 800 guests, are composed of Basalt stone slabs 120 deep, 80mm high and 595mm long. These stone slabs have different surfaces; pitch-faced, polished or hammered, creating both dignified and delicate spatial characteristics, which are well suited to festive ceremonies. 

Both the “Bamboo Hall” and “Wooden Hall” are located on the second level, each having capacity for 400 guests. The materials vary between the two halls, giving different characteristics of each space.

Kontum Indochine Wedding Restaurant

The “Bamboo Hall” is a ceremonial space composed of self-standing bamboo frames 6.5m high and spanning 18m. These bamboo frames are illuminated by the light fittings, hence the hall gives a quiet and intimate impression compared to the bamboo structure in the adjacent facility; “Indochine Café” which is a commodious open space.

Kontum Indochine Wedding Restaurant

The “Wooden Hall” has a ceiling consisting of nine fan-shaped louvres. The louvres are made of 20mm x 50mm brightly coloured pieces of endemic timber locally called “Kate”. The ceiling gently illuminates the interior functions similar to a light shade.

Kontum Indochine Wedding Restaurant

Natural light and air pass through the pink stone louvres into the foyer, which lies in front of the two halls and is accessible from the staircase on both ends of the building.

Kontum Indochine Wedding Restaurant
Massing diagram

Architect Firm: Vo Trong Nghia Architects
Principal architects: Vo Trong Nghia, Takashi Niwa (2 principals)
Status: Built in 07. 2013
Program: Banquet hall
Location: Kontum, Vietnam
GFA: 5,524m2
Photographs: Hiroyuki Oki
Client: Truong Long JSC
Contractor: Truong Long JSC + Wind and Water House JSC

Kontum Indochine Wedding Restaurant
Ground floor plan – click for larger image
Kontum Indochine Wedding Restaurant
First floor plan – click for larger image
Kontum Indochine Wedding Restaurant
Second floor plan – click for larger image
Kontum Indochine Wedding Restaurant
Section – click for larger image
Kontum Indochine Wedding Restaurant
Elevation – click for larger image

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Wuzhen Theatre by Artech Architects

Ornate wooden screens shroud one side of this theatre in Wuzhen, China, while the other side is shielded behind angular brickwork fins (+ slideshow).

Wuzhen Theatre by Artech Architects

Designed by Taiwanese architect Kris Yao of Artech Architects, the shape of the building was modelled on the rare twin lotus flower – an anomaly where two flower heads sprout from a single stalk – to create a pair of oval-shaped auditoriums that share a single stage area.

Wuzhen Theatre by Artech Architects

“The greatest challenge was to design a large building containing two theatres in this small village,” said the architects, explaining their decision to overlap the 600- and 1200-seat auditoriums.

Wuzhen Theatre by Artech Architects

Wuzhou, nicknamed Venice of the East, is a village where canals take the place of streets. Visitors can either arrive at the building by boat, or approach on foot across a bridge.

Wuzhen Theatre by Artech Architects

Zig-zagging wooden screens fold around the glazed exterior of the largest auditorium, allowing light to permeate the building. At night, this facade glows to create a bright beacon reflected in the surrounding waters.

Wuzhen Theatre by Artech Architects

The smaller auditorium is surrounded by overlapping fin-like walls, which were built from a traditional grey-blue brick and have slivers of glazing tucked between them.

Wuzhen Theatre by Artech Architects

The Wuzhen Theatre is intended as the venue for an international theatre festival, but could also be used for fashion shows, music performances or as a wedding centre.

Wuzhen Theatre by Artech Architects

The building was one of over 280 projects shortlisted for awards at this year’s World Architecture Festival in Singapore, which took place last week. See all our coverage of WAF 2013 »

Wuzhen Theatre by Artech Architects

Other theatres we’ve featured from China include a Shanghai building resembling a cluster of duck feet and the Guangzhou Opera House by Zaha Hadid.

Wuzhen Theatre by Artech Architects

See more theatre design »
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Wuzhen Theatre by Artech Architects

Here’s a project description from Artech Architects:


Like a twin lotus, the theatres rise from the water in this dream-like town…

In this romantic and surreal water village in China, the owner of the development decided that Wuzhen would be an important name in the global atlas of theatre where an International Theatre Festival would be located. In order to complete his vision, Kris Yao and his team was asked to design the Wuzhen Grand Theatre.

Wuzhen Theatre by Artech Architects

The greatest challenge was to design a large building containing two theatres with 1200 and 600 seats back to back, with modern theatre functions in this small, traditional water village in southern China. Using the culturally auspicious “twin lotus” as its metaphor, which functions perfectly with two theatres sharing one stage area, the design is composed of two oval shapes interlocking one another, one of them transparent and the opaque in form.

Wuzhen Theatre by Artech Architects

Due to its dual purposes of the theatre festival and tourism, the functions of the theatres are multifold. Possibilities include formal stage performances, avant-garde creations, fashion shows, conventions and wedding ceremonies.

Wuzhen Theatre by Artech Architects

Visitors arrive at the theatres by wooden boats or on foot from an island across the bridge. The smaller theatre to the right is located within the ‘solid’ volume, where pedal-like segments of thick reclining walls, clad in ancient super-sized brick, wrap around the foyer. The grand theatre to the left, enclosed in the zigzag fan-shaped glass front with a Chinese window motif, glows in the evenings and reflects on the water, adding charm to the already misty and surreal atmosphere of this otherworldly water village.

Wuzhen Theatre by Artech Architects
Floor plan – click for larger image

Project: Wuzhen Theatre
Location: Zhejiang, China
Clients: Wuzhen Tourism Development Co., Ltd
Design Architect: Kris Yao, Artech Architects
Design Team – Taipei: Kuo-Chien Shen, Winnie Wang, Wen-Li Liu, Jake Sun, Andy Chang, Kevin Lin
Design Team – Shanghai: Wen-Hong Chu, Fei-Chun Ying, Nai-Wen Cheng, Chu-Yi Hsu, Qi-Shen Wu, Jane jiang,
Collaborative design institute: Shanghai Institute of Architectural Design & Research Co. Ltd

Wuzhen Theatre by Artech Architects
Section – click for larger image

Theatre consultants: Theatre Projects Consultants Ltd
Façade consultants: maRco Skin Studio
Acoustic consultants: Shen Milsom &Wilke Ltd
Contractor: Jujiang Construction Group

Building structure: reinforced concrete, steel framing
Materials: blue bricks, glass curtain wall, wood grilles
Floor Levels: 2 floors above ground, 1 floor below ground
Building Use: theatre
Site Area: 54,980 sqm
Lot Coverage Area: 6,920 sqm
Total Floor Area: 21,750 sqm

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MRQT Boutique by ROK

A textured wall of 22,000 wooden sticks has been installed in this Stuttgart boutique by Swiss architecture firm ROK (+ slideshow).

dezeen_MRQT Boutique by ROK_1

The minimal interior by Rippmann Oesterle Knauss (ROK) for menswear store MRQT features white walls and a concrete floor to contrast with the wall of wooden rods.

dezeen_MRQT Boutique by ROK_2

Extending in various directions and to different lengths, the beech wood sticks create the illusion of a single flowing form.

dezeen_MRQT Boutique by ROK_6

CNC-drilled holes define the direction of each stick.

dezeen_MRQT Boutique by ROK_9

A range of menswear is hung on metal rails against the backdrop of the textured wall, which references moving fabric. “The installation refers to the flowing forms and delicate texture of textiles and cloth,” said the architects.

dezeen_MRQT Boutique by ROK_3

A full-height mirror lit from behind hangs in the centre of the feature wall.

dezeen_MRQT Boutique by ROK_10

Display stands and shelving are all made from the same beech wood as the sticks.

Other shop interiors featured on Dezeen include a shoe store furnished with wooden pallets, ropes and tyres and Zaha Hadid’s Milanese shoe boutique for footwear designer Stuart Weitzman.

MRQT Boutique by ROK
Section (click for larger image)

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MRQT Boutique by ROK
Plan (click for larger image)

Photography is by Daniel Stauch.

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PARKROYAL on Pickering by WOHA

Balconies covered in tropical plants and contoured surfaces based on rock formations surround this Singapore hotel by WOHA, which topped the hotels category at the Inside Festival awards last week.

PARKROYAL on Pickering by WOHA

Singapore studio WOHA designed the PARKROYAL on Pickering hotel as an extension of Hong Lim Park, a new green space located next to the site in the centre of the city’s business district.

PARKROYAL on Pickering by WOHA

By adding plant-covered balconies and terraces around the exterior, the architects were able to create 15,000 square metres of greenery – around double the area of the site – and give every guest a garden view from their room window.

PARKROYAL on Pickering by WOHA

These green spaces are complemented by the contoured surfaces that make up the building’s podium. Modelled on the topography of natural landscapes, these surfaces break through the glazed outer walls and continue through the reception spaces at ground level.

PARKROYAL on Pickering by WOHA

Other details such as hanging vines, pools of water and raw stone continue the natural theme, while mirrors line the walls and ceilings to reflect light through the space.

PARKROYAL on Pickering by WOHA

The top of the podium accommodates a terrace for guests, complete with infinity-edge pools and pavilions shaped like giant birdcages.

PARKROYAL on Pickering by WOHA

A total of 367 rooms are contained in the upper levels of the building. The architects were also responsible for the interiors of these spaces, but dropped the garden theme in favour of clean bright spaces with bespoke furniture and fittings.

PARKROYAL on Pickering by WOHA

PARKROYAL on Pickering was named best hotel interior at the Inside Festival, which took place in Singapore last week alongside the World Architecture Festival. The overall prize was given to a Barcelona apartment with patterned floor tiles.

PARKROYAL on Pickering by WOHA

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PARKROYAL on Pickering by WOHA

Here’s a project description from WOHA:


PARKROYAL on Pickering, Singapore

Designed as a hotel and office in a garden, the project at Upper Pickering Street is a study of how we can increase the green replacement in a high-rise development in the city centre and multiply it in a manner that is architecturally striking, integrated and sustainable.

PARKROYAL on Pickering by WOHA

Located in central Singapore, the site is at a junction between the CBD and the colourful districts of Chinatown and Clark Quay, and faces Hong Lim Park. A contoured podium responds to the street scale, drawing inspiration from a combination of landscaped bonsai arrangements that are modelled, chiselled and spliced to mimic natural landscapes and mountain rock formations as well as that of the contoured padi fields of Asia. These contours are precast concrete elements of modular radii, allowing the complex, sculptural podium to be put together from a basic ‘kit of parts’.

PARKROYAL on Pickering by WOHA

On the ground the contours create dramatic outdoor plazas and gardens which flow seamlessly into the interiors. Greenery from the park is drawn up in the form of planted valleys, gullies and waterfalls. The landscaping also conceal openings to the above ground carparking while allowing in air and natural light. The top of the podium is a lush landscaped terrace housing the development’s recreational facilities, with infinity edge pools opening up unobstructed views of the city. Birdcage cabanas perched over the waters add interest and delight.

PARKROYAL on Pickering by WOHA

The crisp and streamlined tower blocks harmonise with surrounding high-rise office buildings. They are attenuated into an open-sided courtyard configuration, breaking down the ‘wall of buildings’ effect and maximising views and daylighting into the building. Blue and green glass create a patina that recall the waters of Singapore River adjacent. Lofty 4 storey sky gardens which bring lush greenery directly to the rooms and breaks down the scale of the building. Corridors, lobbies and common washrooms are designed as garden spaces with stepping stones, planting and water features which create an alluring resort ambiance with natural light and fresh air, instead of being 24-hour energy guzzling air conditioned spaces. Tall overhangs work together with leafy foliage to screen these spaces from the weather and direct sun.

PARKROYAL on Pickering by WOHA

A total of 15,000m2 of skygardens, reflecting pools, waterfalls, planter terraces and green walls were designed; this is double the site area or equivalent to the footprint of Hong Lim Park! A diverse variety of species ranging from shade trees, tall palms, flowering plants, leafy shrubs and overhanging creepers come together to create a lush tropical setting that is attractive not only to the people but also to insects and birds, extending the green areas from Hong Lim Park and encouraging bio-diversity in the city.

PARKROYAL on Pickering by WOHA

These landscapes are designed to be self-sustaining and rely minimally on precious resources. Rainwater collected from upper floors irrigate planters on the lower floors by gravity supplemented by non-potable recycled Newater, which will also be used for all water features. Photovoltaic cell arrays on the roof will power grow lamps and softscape lighting, making these Singapore’s and perhaps the world’s first Zero Energy Skygardens!

PARKROYAL on Pickering by WOHA

This project is awarded Singapore’s Green Mark Platinum, the nation’s highest environmental certification. The hotel officially opened in January 2013.

PARKROYAL on Pickering by WOHA
Ground floor plan – click for larger image
PARKROYAL on Pickering by WOHA
First floor plan – click for larger image
PARKROYAL on Pickering by WOHA
Fourth floor plan – click for larger image
PARKROYAL on Pickering by WOHA
Sixth floor plan – click for larger image
PARKROYAL on Pickering by WOHA
Thirteenth floor plan – click for larger image
PARKROYAL on Pickering by WOHA
Front elevation – click for larger image

 

PARKROYAL on Pickering by WOHA
Cross section – click for larger image and key

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Sheraton Huzhou Hot Spring Resort by MAD – more photos

Beijing studio MAD has revealed new photographs of its hotel shaped like a giant horseshoe at the edge of Taihu Lake in Huzhou, China (+ slideshow).

Sheraton Huzhou Hot Spring Resort by MAD

The Sheraton Huzhou Hot Spring Resort comprises a pair of matching 27-storey towers that are connected on the upper levels to form a smoothly curving arch across the water.

Sheraton Huzhou Hot Spring Resort by MAD

Ma Yansong of MAD designed the building for the Sheraton hotels chain, which was responsible for the interior fit out. A total of 282 guest rooms are contained inside, while additional villas and guest facilities are housed within several accompanying buildings.

Sheraton Huzhou Hot Spring Resort by MAD

Some rooms are already available, but the building will officially open in December – read more about the project in our earlier story.

Sheraton Huzhou Hot Spring Resort by MAD

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Sheraton Huzhou Hot Spring Resort by MAD

Photography is by Xia Zhi.

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A Dolls’ House by David Adjaye, Zaha Hadid, FAT, dRMM and others

Twenty architects and designers including Zaha Hadid and David Adjaye have designed and constructed dolls’ houses, each integrating a feature that would make life easier for a disabled child (+ slideshow).

A Dolls' House

Property developer Cathedral Group enlisted a host of UK designers, including FAT, dRMM, Make Architects and Allford Hall Monaghan Morris, to come up with designs for the bespoke structures in a bid to raise £100,000 for disabled children’s charity KIDS.

A Dolls' House

Referencing a dolls’ house that British architect Edwin Lutyens exhibited in 1922, the brief asked each team to present a unique design on a 750-millimetre square plinth, which could then be sold at auction.

A Dolls' House

FAT worked with artist Grayson Perry on its entry, which takes the iconic form of Erno Goldfinger’s Trellick Tower building and adds an assortment of colourful openings.

A Dolls' House

London studio Guy Hollaway Architects based its design on a jack-in-a-box toy, creating a simple house with an inflatable pavilion concealed inside.

A Dolls' House

A jigsaw puzzle provided the cues for houses by Studio Egret West and Make Architects, who created models that can be assembled in different configurations.

A Dolls' House

Coffey Architects created the heaviest structure, building a concrete house with rooms that can be removed like a classic shape-sorter toy.

A Dolls' House

Architectural modelmakers AModels and designers Morag Myerscough and Luke Morgan also took part. Their entries included a treehouse filled with models of Elvis and a house on stilts above a coral reef.

A Dolls' House

Other entries included Duggan Morris Architects, Dexter Moren, DRDH Architects, Glenn Howells Architects, HLM Architects, Lifschutz Davidson Sandilands, maeRAAD Studio and shedkm.

A Dolls' House

All 20 will be presented for auction later this week with a target to raise £100,000 for the charity.

A Dolls' House

In other news, fashion designer Roksanda Ilincic has created the latest home for fashion doll Barbie, while Ikea has announced plans to produce miniature versions of some of its most popular products for children to play with. See more toy design »

A Dolls' House

Here’s some more information from Cathedral Group:


Twenty of the world’s best architects and designers build a dolls’ house for kids

On the 11 November 2013, 20 of the world’s best contemporary architects and designers will present their version of a dolls’ house in an exhibition and auction at Bonhams in aid of KIDS.

A Dolls' House

The project has been curated by Cathedral Group Plc, an innovative and forward-thinking property developer and is inspired by the dolls’ house that Edwin Lutyens designed for The British Empire Exhibition at Wembley in 1922 – using a very traditional children’s toy to display the very best of modern British architecture, craftsmanship, art and interior design.

A Dolls' House

Participating architects and designers include: Adjaye Associates, Allford Hall Monaghan Morris, AMODELS, Coffey Architects, Dexter Moren, DRDH Architects, dRMM, Duggan Morris Architects, FAT Architecture, Glenn Howells Architects, Guy Hollaway Architects, HLM Architects, Lifschutz Davidson Sandilands, mae, Make Architects, Morag Myerscough & Luke Morgan, James Ramsey RAAD Studio with Lara Apponyi, shedkm, Studio Egret West and Zaha Hadid Architects.

A Dolls' House

In the same spirit as the Edwin Lutyens dolls’ house, the architects and designers have been challenged to work with their own artist, designer and furniture-maker collaborations to make the end products even more special. Among other collaborations FAT will be working with Grayson Perry and Studio Egret West with Andrew Logan. Each dolls house – which will fit on a 750mm x 750mm plinth will also include a unique feature to make life easier for a child who is disabled.

A Dolls' House

 

Cathedral Group has pledged to raise £100,000 for KIDS to support their valuable work. KIDS is a UK charity supporting disabled children, young people and their families. They run home learning programmes, specialist nurseries and crèches, short-break programmes for disabled children and a series of inclusive adventure playgrounds. They offer a wide variety of services to parents of children with disabilities and programmes for siblings of disabled children and young carers.

A Dolls' House

A Dolls House has been kindly sponsored by Bonhams, Alno, Marley Eternit, Greenberg Traurig Maher, Realise Creative, Development Securities, Quatro PR, ING Media and Cadogan Tate.

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Medhurst Winery by Folk Architects

This winery by Melbourne studio Folk Architects is embedded into the side of a hill in Australia‘s Yarra Valley winemaking region (+ slideshow).

Medhurst Winery by Folk Architects

Folk Architects was approached by owners of a family-run winery to design a new wine-making facility on the site of their existing “cellar door building”, where customers are invited to sample wines.

Medhurst Winery by Folk Architects

One half of the building nestles into the hillside, but it is fronted on two sides by concrete walls that protrude like blades from the sloping landscape.

Medhurst Winery by Folk Architects

Part of the northern facade is clad in polycarbonate that allows daylight to filter in during the day, but also becomes translucent when illuminated at night.

Medhurst Winery by Folk Architects

The ground floor contains a large winemaking space with storage tanks and fermenting facilities, as well as a cool room and a barrel storage area.

Medhurst Winery by Folk Architects

Upstairs, an office, meeting room and tasting space open out to a grass roof terrace that meets the hillside.

Medhurst Winery by Folk Architects

This roof is also used to collect rainwater. Each year around 500,000 litres of water will be recycled and filtered for use in wine production.

Medhurst Winery by Folk Architects

“The landscaped green roof over the subterranean barrel store provides both a raised terrace with views to the surrounding landscape as well as thermal insulation for the stored wine below, reducing the requirement for the mechanical cooling,” added the architects.

Medhurst Winery by Folk Architects

Medhurst Winery was shortlisted at the recent 2013 World Architecture Festival in Singapore, in the production energy and recycling category. The overall winner was an art gallery in New Zealand with a wooden entrance canopy.

Medhurst Winery by Folk Architects

Other wineries we’ve featured include a restaurant, guest house an wine showroom inspired by the sprawling Portuguese landscape, a winery featuring towering walls of Corten steel and another featuring huge terracotta vaults concealed beneath its vineyard.

Medhurst Winery by Folk Architects

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Medhurst Winery by Folk Architects

Photography is by Peter Bennetts.

Medhurst Winery by Folk Architects

Here’s a project description from the architects:


Medhurst Winery, Yarra Valley, Victoria, Australia

Medhurst Winery is the first completed project by Folk Architects, a small practice from Melbourne.

The brief was to create a new 250-tonne winemaking facility to complement its existing cellar door. The winery produces a number of varieties and its objective is to produce premium, quality estate-grown wines using small-batch winemaking techniques.

Medhurst Winery by Folk Architects

The building is embedded into a north facing slope, and defined by a series of horizontal elements that follow the contours of the site.

Medhurst Winery by Folk Architects

Nestled quietly into the existing hill to reduce its visual impact on the landscape, the building accentuates its natural setting by framing views to the surrounding Warramate forest.

Medhurst Winery by Folk Architects

The programmatic requirements, orientation, and restrained materials palette were thoroughly evaluated and considered in order to reduce the buildings energy use, ongoing maintenance and provide a sustainable outcome.

Medhurst Winery by Folk Architects

The landscaped green roof over the subterranean barrel store provides both a raised terrace with views to the surrounding landscape as well as thermal insulation for the stored wine below, reducing the requirement for the mechanical cooling.

Medhurst Winery by Folk Architects

Similarly, the heat reflective, polycarbonate cladding to the northern facade of the wine-making area replaces artificial lighting with filtered natural sunlight.

Medhurst Winery by Folk Architects
Ground floor plan – click for larger image

At night the wall becomes translucent, exposing the profile of the winemaking equipment within. The winery roof captures approximately 500,000 litres of water annually that is harvested and filtered for use in wine production.

Medhurst Winery by Folk Architects
First floor plan – click for larger image

The new winery sits adjacent to an existing cellar door, and is very much intended to enable public engagement with the wine making process. A meandering path leads patrons from wine tasting, through a series of landscaped spaces, to views of the production area and vines beyond.

Medhurst Winery by Folk Architects
Sections – click for larger image

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House in Hyogo by Shogo Aratani Architect & Associates

This house in Hyogo, Japan, by local architect Shogo Aratani is made up of overlapping concrete slabs that accommodate an interior of staggered floors and ramped corridors (+ slideshow).

House in Hyogo by Shogo Aratani Architect & Associates

The three-storey house is located at the junction of two roads, one inclining gently upwards and another sloping down, and Shogo Aratani wanted to use these existing levels to generate the floors inside the building.

House in Hyogo by Shogo Aratani Architect & Associates

“We thought that a new development of another level was pointless,” he said. “It was more natural to follow the context.”

House in Hyogo by Shogo Aratani Architect & Associates

The architect designed a split-level floorplate that corresponds with the highest and lowest parts of the road, then incorporated a mediating floor between that matches the level of a neighbouring plot.

House in Hyogo by Shogo Aratani Architect & Associates

“The activities brought out from the characteristics of this site constitute this building, rather than the building determining people’s movements,” added Aratani.

House in Hyogo by Shogo Aratani Architect & Associates

A network of staircases and slopes connects the three ground-floor levels, and also lead up to a pair of bedrooms on the first floor.

House in Hyogo by Shogo Aratani Architect & Associates

Angular concrete forms emphasise the non-linear arrangement, creating sliced window openings through both the walls and rooftops.

House in Hyogo by Shogo Aratani Architect & Associates

Other concrete houses we’ve featured from Japan include one designed for a resident in a wheelchair and one designed to be deliberately alien to its neighbours.

House in Hyogo by Shogo Aratani Architect & Associates

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House in Hyogo by Shogo Aratani Architect & Associates

Photography is by Shigeo Ogawa.

Here’s a project description from the architects:


House in Hyogo

The site is located on a corner lot of a fancy residential area on a hill, and faces toward sloped roads on the west and north sides. This residential area was developed about a half century ago. As time has passed, small-scale developments have been undertaken due to dividing and uniting lots.

House in Hyogo by Shogo Aratani Architect & Associates

Just like the other sites, due to an arbitrary assumption of the developer, this site also has a recently built high wall on the west side, as if rejecting an approach to the site. However, construction of an in-ground garage may have been assumed, and there is level land and a slope to connect the 3m height difference on the southwest side. There is also a slope from the road on the north side, and the flat ground is about 1m high. The flat ground was probably set based on the neighbouring lot.

House in Hyogo by Shogo Aratani Architect & Associates

Therefore, this lot has 3 levels due to the relationship between the roads on the west and north sides, and the neighbouring lot. We thought that a new development of another level was pointless. No matter what the situation was, the context of this location included the current situation and it was more natural to follow the context. Three floor levels, adjusted to each height, were individually made. By connecting these, the entire space was constituted.

House in Hyogo by Shogo Aratani Architect & Associates

Based on the required volume, the three areas were partly layered and connected with stairs and slopes from the entrance to the roof. Volume studies were conducted in order to create a form to materialise such activities. The activities brought out from the characteristics of this site constitute this building, rather than the building determining people’s movements. As a result, the building was constituted with three crisscrossed monolithic forms, as if they were responding to the road on the west side that slopes up from south to north.

House in Hyogo by Shogo Aratani Architect & Associates

The west-side volume in the lowest part of the site has an entrance and a guestroom, and the southeast volume in the highest part has private spaces such as a bedroom. The third volume connects them and also has a garage that is accessible from the north side, and a living space that is the centre of living.

House in Hyogo by Shogo Aratani Architect & Associates

Location: Hyogo, Japan
Date of Completion: July, 2013
Principal Use: House
Structure: Reinforced Concrete
Site Area: 359.64m2
Building Area: 166.23m2
Total Floor Area: 202.80m2 (47.61m2/BF, 119.33m2/1F, 35.86m2/2F)
Structural Engineer: S3 Associates Inc.
Construction: Atelier Eight Co., Ltd.

House in Hyogo by Shogo Aratani Architect & Associates

Exterior Finish: Exposed Concrete / Repellents
Floor: Medium Density Fiberboard t6 / Oil Paint
Wall: Plasterboard t12.5 / Emulsion Paint
Ceiling: Wooden Fibre Cement Board t15 / Heat Insulation t50

House in Hyogo by Shogo Aratani Architect & Associates
Level one plan – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
Level two plan – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
Level three and four plan – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
Sections – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
Sections – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
South and west elevations – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
North and east elevations – click for larger image

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Studio Nuctale by Paul Coudamy

An invisible man and woman are the stars of the photoshoot for this renovated apartment in Paris by French designer Paul Coudamy (+ slideshow).

Studio Nuctale by Paul Coudamy

After completing Studio Nuctale, Paul Coudamy teamed up with photographer Benjamin Boccas to construct a fantasy scenario where the two residents of the apartment are completely invisible and lounge around wearing suits.

Studio Nuctale by Paul Coudamy

“Pictures can more powerful without personified people,” Coudamy told Dezeen. “It adds a mystery to the strange lighting sculpture and also gives more impact on the project, as the eye is not attracted by an facial expression.”

Studio Nuctale by Paul Coudamy

Located in the Buttes-aux-Cailles neighbourhood, the apartment has an area of just 35 square metres, so the designer had to develop an interior that makes the most of space.

Studio Nuctale by Paul Coudamy

He used CNC-milled plywood to assemble a compact timber module on one side of the space, which accommodates a bedroom, bathroom, kitchen and breakfast counter.

Studio Nuctale by Paul Coudamy

“All the functions of this small apartment have been concentrated to free up space in the living room,” Coudamy told Dezeen. “I worked in three dimensions rather than in plan to adapt all the volumes and maximise storage.”

Studio Nuctale by Paul Coudamy

The apartment is located on the ground floor of the building and suffered from poor natural light, so a five-metre-long lighting fixture was added to distribute light across the interior.

Studio Nuctale by Paul Coudamy

Described by the designer as a “geometric cloud”, the piece is constructed from 15 light sources and 76 frosted glass triangles, which are held together by hinges and rivets to allow the structure to be moulded into different configurations.

Studio Nuctale by Paul Coudamy

“I decided to to bring the clouds and sun inside,” said Coudamy. “A user can adapt the height and shape of this hanging sculpture to provide an exceptional feeling and fully adjustable and comfortable lighting”.

Studio Nuctale by Paul Coudamy

Other apartment interiors in Paris by Paul Coudamy include a home divided by a lumpy red resin wall and one with a curvaceous bookcase lining its walls.

Studio Nuctale by Paul Coudamy

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Studio Nuctale by Paul Coudamy

Here’s a short description from the design team:


“Nuctale,” the contraction of Nuage Fractal, is a tiny 35 m2 space lit by a monumental 5m long light: a disproportional geometrical cloud that provides a unique backdrop to this studio in the Buttes-aux-Cailles. As always, Paul Coudamy produces a maximum effect with minimal space and materials.

dezeen_Studio Nuctale by Paul Coudamy_13

The light structure comprises 15 sources and 76 frosted acrylic triangles, the relief of the cloud is versatile enough to individualise thanks to a set of 206 hinges and 824 rivets. An architect-designed construction inspired by sailing navigation, but conceived with the skill of an artisan creating a bespoke design. It perfectly sums up this young atypical agency that designs and manufactures places in one sweep. The furniture and storage have also been designed and produced in digitally cut plywood in order to optimise this small space. A lesson in terms of architecture, where the difficulty of the means is pushed to the limit.

Studio Nuctale by Paul Coudamy
Floor plan – click for larger image

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