Corkers by Monkey Business and Reddish

Slideshow: Israeli studios Monkey Business and Reddish have designed these pins for making little animal characters from wine corks at the dinner table.

Corkers by Monkey Business and Reddish

Each kit contains the required limbs and features to make one of six characters, although all the parts can be interchanged to create whatever kind of strange menagerie you want.

Corkers by Monkey Business and Reddish

The range includes a monkey, deer, buffalo, bear, bunny and crow.

Corkers by Monkey Business and Reddish

See more stories about animals on Dezeen here.

Corkers by Monkey Business and Reddish

See more stories about cork here.

Corkers by Monkey Business and Reddish

Here’s a tiny bit of text from the designers:


An original addition to the wine bottle you bring to dinner.

Corkers by Monkey Business and Reddish

A design collaboration between Monkey Business and Reddish Studio.

Corkers by Monkey Business and Reddish

Bring your dinner party and your bottle corks to life with these cute, collectable animal parts.

Corkers by Monkey Business and Reddish

Each pack includes the body parts required for one Corker.

Corkers by Monkey Business and Reddish

Available in 6 designs: Monkey, Deer, Buffalo, Bear, Bunny & Crow.

Corkers by Monkey Business and Reddish

Cork not included.

Corkers by Monkey Business and Reddish

Hôtel de Police / Charleroi Danses by Ateliers Jean Nouvel and MDW Architecture

Slideshow: French architects Ateliers Jean Nouvel and Belgian studio MDW Architecture have collaborated on designs for a new police headquarters on a former police cavalry site in Charleroi, Belgium, which now also accommodates a dance school.

Hotel de Police Extension de Charleroi Danses by Jean Nouvel and MDW

The Charleroi Danses occupy the two remaining wings of the cavalry buildings and will be extended as part of the proposals, while the 75-metre-high Hôtel de Police tower will be positioned between them.

Hotel de Police Extension de Charleroi Danses by Jean Nouvel and MDW

Although the retained buildings feature red brick walls, the new tower will have a tapered form constructed from blue engineering bricks.

Hotel de Police Extension de Charleroi Danses by Jean Nouvel and MDW

A public plaza will be created in the enclosed central spaces, while an adjacent series of smaller brick buildings will create studios for artists as well as dancers.

Hotel de Police Extension de Charleroi Danses by Jean Nouvel and MDW

Other projects by Jean Nouvel we’ve featured on Dezeen include an open-air aquatic centre and a bright red pavilionsee all the stories here.

Hotel de Police Extension de Charleroi Danses by Jean Nouvel and MDW

Here’s some explanation in French from Ateliers Jean Nouvel:


Hôtel de Police / Extension de Charleroi Danses

Un repère dans la ville

Un site déjà marqué par un bâti datant du XIXe siècle, la caserne de cavalerie occupée depuis longtemps par la gendarmerie. Comme de nombreuses friches investies par un programme culturel, l’ancien manège est occupé par une troupe de danse contemporaine internationalement reconnue. Un programme de regroupement de tous les services pour compléter la fusion de la police et de la gendarmerie, et de plus l’extension de Charleroi Danses…

Hôtel de Police / Extension de Charleroi Danses by Jean Nouvel and MDW

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L’hôtel de police

Notre proposition est de créer une image publique et accessible de la police, de dégager une place ouverte vers la rue, vers la ville, et un bâtiment repère sur ce site ainsi libéré.

Hôtel de Police / Extension de Charleroi Danses by Jean Nouvel and MDW

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Pour dégager le site, il faut d’abord démolir toutes les petites annexes qui furent construites au fil des ans à flanc du porche. On dégage ainsi la grande cour de « manœuvres » en la rendant directement accessible depuis la rue : c’est la place publique. Les deux corps de bâtiments de l’ancienne cavalerie sont de beaux édifices tout en longueur, tout en briques, abritant deux larges espaces d’écuries au rez-de-chaussée: ils méritent d’être conservés, ce seront les deux premières ailes du projet. Derrière ces deux bâtiments, un large espace, puis un mur d’enceinte en briques : cette configuration permet de faire circuler l’ensemble des voitures, livraisons, parkings à l’arrière du site, entre le bâti et le mur, libérant totalement la place publique de ces contraintes. Le programme est important, la surface demandée est grande. Les deux corps de bâtiment conservés couvrent à peine un tiers de la demande. Il faut créer une troisième aile pour l’ensemble : elle sera verticale. Les trois ailes sont reliées au rez-de-chaussée, par l’intermédiaire d’un hall où s’effectuent tous les contrôles nécessaires à la sécurité du fonctionnement du programme.

Hôtel de Police / Extension de Charleroi Danses by Jean Nouvel and MDW

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Pour la tour, la proposition faite est celle d’un immeuble d’une grande flexibilité et compacité où l’on peut, très facilement, changer d’affectation les niveaux ou les relations entre les services. Pour les bâtiments existants, c’est un lieu où l’on cherche à utiliser les qualités du bâti : peu de modifications dans les principes des espaces existants pour conserver leurs qualités spatiales: distribution généreuse, belle hauteur sous plafond…

Hôtel de Police / Extension de Charleroi Danses by Jean Nouvel and MDW

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Il s’agit avant tout de la constitution d’un repère dans la ville. La tour qui s’élève n’est pas trop haute pour ne pas être impressionnante. Pour jouer comme une réponse au beffroi de l’Hôtel de ville, elle sera limitée à environ 75 mètres. Elle est de forme elliptique, pour la rendre conviviale. La couleur du logo de la police est bleu foncé : c’est cette couleur qui va habiller la tour. Cela va permettre une appropriation rapide du bâtiment par la population. La place est pavée de briques comme l’environnement ancien, de grandes bandes de couleur bleue peintes sur le sol vont lier la tour avec la place. Cette place est active : les piétons sont dirigés vers l’auvent qui marque l’entrée, les voitures d’urgence policières sont autorisées à circuler, les vélos aussi, c’est un lieu vivant de la ville.

Hôtel de Police / Extension de Charleroi Danses by Jean Nouvel and MDW

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Charleroi Danses

La place est bordée au Nord et à l’Est par le bâti ancien, à l’Ouest par la rue et au Sud par Charleroi Danses. Les locaux de Charleroi Danses sont caractérisés par un esprit «village» donné par une succession de petits bâtiments en briques desservis par une voirie intérieure. Cette atmosphère est propice pour garder une échelle humaine, par exemple lors d’événements type spectacles de rues… Cet esprit village sera conservé et continué en introduisant les nouveaux programmes sous forme de bâtiments du même type que l’existant distribués le long de la voirie intérieure : petits bâtiments de briques abritant les logements d’artistes et les studios de danse. Le lieu conservera son identité paisible et créative.

Hôtel de Police / Extension de Charleroi Danses by Jean Nouvel and MDW

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L’entrée a été faite par des architectes belges reconnus, Lhoas et Lhoas, et nous proposons de la conserver: on conserve le mur d’enceinte et les grandes baies qui ont été percées pour accéder à la salle. Cependant l’accès est aménagé de plein pied avec la rue pour inviter le promeneur à pénétrer à l’intérieur, attiré par un atrium en transparence sur la rue sur toute la hauteur de la baie. Une baie vitrée sur la façade opposée de l’atrium laisse deviner la continuité du site en surplomb. Le grand mur de briques qui longe la rue est conservé: il devient la façade sur rue du grand studio de danse, accessible depuis l’atrium et depuis les loges-vestiaires. Un nouvel accès dans la salle de spectacle est aménagé au niveau du balcon haut de la salle: ceci permet au public de découvrir l’ensemble de la salle par le haut en entrant au spectacle. Ce nouvel accès est aussi le niveau du Foyer.

Sur la terrasse formée par la dalle haute du grand studio de danse, petite construction légère, le Foyer est posé comme une tente nomade renvoyant à la vie des artistes, à la légèreté des danseurs. Sur la bâche qui recouvre cette tente, le logo et la typo de Charleroi Danses sont imprimés, signal contemporain. La terrasse est ouverte sur trois côtés : la rue, le village, et la place. Jouant avec l’ambiguïté de la proximité de ces deux programmes (Police / Danse).

Dutch Mountain by Denieuwegeneratie

Slideshow: Amsterdam design studio Denieuwegeneratie have buried a woodland villa beneath a mound of earth at a Dutch nature reserve.

Dutch Mountain by Denieuwegeneratie

The manmade hill disguises the building on its northern facade and creates a blanket of insulation around the walls during colder months.

Dutch Mountain by Denieuwegeneratie

Entitled Dutch Mountain, the house emerges from the hill on the southern and western sides, where a panelled wall of glazing folds around a staggered living room and kitchen.

Dutch Mountain by Denieuwegeneratie

Bedrooms, bathrooms and utility rooms are stacked up at the rear of the house in front of an exposed concrete wall that separates them from the piled-up earth behind.

Dutch Mountain by Denieuwegeneratie

A reconditioned car with its engine removed is positioned vertically against the walls of the kitchen to function as a bookshelf and cabinet.

Dutch Mountain by Denieuwegeneratie

We’ve featured a few interesting Dutch houses on Dezeen over the last few years – see them all here.

Dutch Mountain by Denieuwegeneratie

Exterior photography is by John Lewis Marshall, while interior photography is by Jaap Vliegenthart.

Dutch Mountain by Denieuwegeneratie

Here’s a description of the project from Denieuwegeneratie:


Dutch Mountain

The house is located on a historical agricultural plot amidst hayfields and woods in a nature reserve, a – for Dutch standards – hilly area. Although the plot has been overrun with small trees in time, it still bears the original character of the open field.

Dutch Mountain by Denieuwegeneratie

To minimize disturbance of the landscape and as a reference to the surrounding hilly terrain, the house is embedded in an artificial hill. At the same time, this answered the client’s demand for keeping his ecological footprint with the house to a minimum.

Dutch Mountain by Denieuwegeneratie

The embedding in the hill simultaneously functions as camouflage and as a blanket, hiding the house from view from the north side and using the earth as thermal insulation. One enters the house through cuts in the mountain, sided with panels of slowly corroding scrap steel.

Dutch Mountain by Denieuwegeneratie

On the south side, the house has been opened to a maximum. The grand glass facade is framed in timber, which guides the transition from the artificial to the natural. The canopy regulates sunshine through the seasons and allows for a large terrace along the full width of the house.

Dutch Mountain by Denieuwegeneratie

The terrace follows the split level of the ground floor, jumps up to the higher west façade creating a henhouse underneath. Finally, it curls back up to become the canopy. The frame is constructed out of lark wood, forested from the immediate surroundings and therefore making it a hyperlocal use of material.

Dutch Mountain by Denieuwegeneratie

Detailing creates a seamless transition between the interior and the exterior: the concrete floor, window frames and terrace finishing are all flush and continuous from inside to outside.

Dutch Mountain by Denieuwegeneratie

The spatial structure of the house is a rectangular 12 x 19 meter open space. Steel cross the entire 12 meter width allowing great flexibility to the interior arrangement. Inside the hall-like space, the rooms are stacked in a disorderly manner and built out of light wooden structures, facilitating easy implementation of possible future changes. The interior can evolve along with its inhabitants, a young family, rooms being added or removed through time.

Dutch Mountain by Denieuwegeneratie

There is a binary spatial experience in the house. Either you are in a room, with a cave-like atmosphere, daylight coming to you through deep cuts in the mountain – or you are in the large open space in front of the stacked rooms. This large space is oriented towards the 90 m2 glass facade which offers a spectacular view of the surrounding woods.

Dutch Mountain by Denieuwegeneratie

The contrast between shell and rooms is clearly visible. The concrete wall, needed to retain the mass of the mountain, is left unfinished. The welding joints of the steel spans are visible and the wood is untreated. Within this rough shell of untreated construction materials, the stack of rooms tells a completely different story: every room is finished by the inhabitants in a unique and colorful way, which expresses the individuality of the boxes.

Dutch Mountain by Denieuwegeneratie

The design is an experiment in sustainable strategies in both architecture – the hardware – and the technical installations – the software – which have been designed by Arup Amsterdam. The software concept consists of photovoltaics, LED lighting, wood pellet heating in combination with low temperature heating, CO2 monitored ventilation, a grey water circuit and the use of smart domotics. The result is a house in which the total amount of energy produced exceeds its consumption: excess energy can be used for a electric car.

Dutch Mountain by Denieuwegeneratie

The house is bold and unpredictable: an experiment in sustainable strategies in concept, structure, material and technical installations. A house that blends quietly in its surroundings, but stands out with spatial surprises.

Redbridge Welcome Centre by Peter Barber Architects

Slideshow: London studio Peter Barber Architects has completed a centre for drug and alcohol rehabilitation in Ilford, northeast London.

Redbridge Welcome Centre by Peter Barber Architects

The four-storey Redbridge Welcome Centre takes the form of several irregularly stacked volumes, with an uppermost level that cantilevers out towards the road.

Redbridge Welcome Centre by Peter Barber Architects

As well as providing drop-in facilities on its lower levels, the building contains temporary accommodation for homeless people upstairs.

Redbridge Welcome Centre by Peter Barber Architects

Each of the ten en suite rooms faces a private garden that the building wraps around at the back.

Redbridge Welcome Centre by Peter Barber Architects

The architects designed a similar centre in south London a few years ago – take a look here.

Redbridge Welcome Centre by Peter Barber Architects

Photography is by Morley von Sternberg.

Redbridge Welcome Centre by Peter Barber Architects

Here’s a few more details from Peter Barber Architects:


Redbridge Welcome Centre is a new community and homeless project housed in a spectacular state of the art building on a prominent site in Ilford.

Redbridge Welcome Centre by Peter Barber Architects

The Welcome Centre houses drug and alcohol units, training rooms and drop-in facilities in dramatic double height spaces at ground and 1st floor level.

Redbridge Welcome Centre by Peter Barber Architects

Light and airy residential accommodation is provided in 10 en-suite rooms at 2nd and 3rd floor.

Redbridge Welcome Centre by Peter Barber Architects

Spaces are flooded with light from fully glazed facades and all rooms have uninterrupted views into a secluded garden at the rear.

Redbridge Welcome Centre by Peter Barber Architects

The building is composed of a series of folded planes forming a continuous ribbon of structure from pavement entrance ramp to roof.

Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Cloudy House by Takao Shiotsuka

Slideshow: a sizeable hole in the roof of this gabled house in Oita, Japan, allows residents to climb outside and survey their surroundings.

Cloudy House by Takao Shiotsuka

Recently completed by architect Takao Shiotsuka, the two-storey Cloudy House has a tunnel through its centre that splits the ground floor into two disjointed halves, each with their own entrance.

Cloudy House by Takao Shiotsuka

Staircases on both sides connect each half to a first floor that spans across.

Cloudy House by Takao Shiotsuka

Sheets of corrugated metal clad the entire exterior, interrupted on the steeply sloping roof by a handful of extruded windows and the small terrace.

Cloudy House by Takao Shiotsuka

Other houses we’ve featured recently from Japan include one with a squared spiral staircase at its centresee them all here.

Cloudy House by Takao Shiotsuka

Photography is by Toshiyuki Yano.

Cloudy House by Takao Shiotsuka

The following information is from Takao Shiotsuka:


Cloudy house

House as opened state

Cloudy House by Takao Shiotsuka

This house is located in suburbs of Oita-city.

Cloudy House by Takao Shiotsuka

The place is a small-scale residential quarter developed about 30 years ago.

Cloudy House by Takao Shiotsuka

The housing lot exists together to the farmland, and atmosphere there calm compared with the city part.

Cloudy House by Takao Shiotsuka

There is no special, wonderful view.

Cloudy House by Takao Shiotsuka

However, the flow of light and the wind is correct and solid.

Cloudy House by Takao Shiotsuka

We thought about a suitable house for this environment.

Cloudy House by Takao Shiotsuka

About what should be of the house with opened condition, such as farmlands and fields there before.

Cloudy House by Takao Shiotsuka

The state physically opened by these is produced: drive-through in site, windblown terrace that penetrates through center of building, site boundary without wall, etc.

Cloudy House by Takao Shiotsuka

Roof of iconic gable, Burrow terrace in roof, Windowless appearance, Exterior covered with flat feeling of quality, these characterize this building.

Cloudy House by Takao Shiotsuka

Moreover, a sense of existence as the material object in the building is made to come to the surface.

Cloudy House by Takao Shiotsuka

We tried to produce the opened state by suppressing a private element as the house on the design.

Cloudy House by Takao Shiotsuka

The room is contrasted with the externals, and light is filled with each room.

Cloudy House by Takao Shiotsuka

Each room is a composition combined with the complexity by the courtyard of the weather-beaten and the shape of cross section of the gable type.

Cloudy House by Takao Shiotsuka

This indoor variety also produces the state that opens in the meaning with abundant choices of the experience.

Cloudy House by Takao Shiotsuka

When, by a hue and feel of a material of the appearance, a building almost vanishes for cloudy sky, a characteristic as “open state” appears most.

Cloudy House by Takao Shiotsuka

Title of project: Cloudy house
Architect: Takao Shiotsuka
Location: Oita-city, Oita, Japan

Cloudy House by Takao Shiotsuka

Date of completion: December, 2011

Cloudy House by Takao Shiotsuka

Use: House

Cloudy House by Takao Shiotsuka

Structure: wooden
Floor: 2 stories

House in Juso by ARX Portugal and Stefano Riva

Slideshow: Lisbon architects ARX Portugal and Stefano Riva have completed a top-heavy house in the village of Aldeia de Juso with a concrete upper storey settled over the glazed walls below. 

House in Juso by ARX Portugal and Stefano Riva

Named House in Juso, the building has two storeys above ground and one below.

House in Juso by ARX Portugal and Stefano Riva

A rectangular concrete shell wraps around the non-rectilinear upper floor of the building to create an enclosed opening beside one of the bedrooms and two private decks.

House in Juso by ARX Portugal and Stefano Riva

Formed within a timber cast, this thick band of concrete has a textured surface that reveals the grains of the wooden boards that once surrounded it.

House in Juso by ARX Portugal and Stefano Riva

Glass walls surround the ground floor living and dining rooms, which open out onto a garden and swimming pool.

House in Juso by ARX Portugal and Stefano Riva

You can see a couple more projects by ARX here, both of which also feature openings in the roof.

House in Juso by ARX Portugal and Stefano Riva

Photography is by Fernando Guerra.

House in Juso by ARX Portugal and Stefano Riva

Here’s a lengthier description from the architects:


House in Juso

In the concept for this small house in the vicinity of Aldeia de Juso, the tiniest area of flat land and the house’ s, as well as the high density of the new houses yet to be built in the surroundings, forcibly draw us to some sort of “obsession” about the possibilities of dilating space.

House in Juso by ARX Portugal and Stefano Riva

Underlying this question, the importance of “expanding” the outdoor space becomes a particular central aspect, since it is also a building integrated in a semi-rural area, where people go looking for the experience of inhabiting garden or open yard spaces.

House in Juso by ARX Portugal and Stefano Riva

We propose, after all, to solve and clarify the question, by widening to the maximum the inhabitable premises in their global scope, both in the vertical and horizontal referentials, in both interior and exterior.

House in Juso by ARX Portugal and Stefano Riva

The building has been thus structured in three floors, spatially related in profile, each level having specific and different characteristics.

House in Juso by ARX Portugal and Stefano Riva

In Level -1, the areas are laid out (as the regulations so demand) under the contour of the ground level.

House in Juso by ARX Portugal and Stefano Riva

However, this idea of “imposed limits” is to be questioned through the means of “distensions” and “advancements”, to be operated in the three possible directions (north, east and west), shaped as yards and pool.

House in Juso by ARX Portugal and Stefano Riva

In this floor there will also be included work and service areas.

House in Juso by ARX Portugal and Stefano Riva

On the ground level, the limits for the “precincts”, appears widened and defined by the walls around the lot.

House in Juso by ARX Portugal and Stefano Riva

The inner space is freely configured. Consistent with the strategy of maximizing the presence of the gardened outdoor space, the garage is then left aside to an “inserted” area to the south of the kitchen.

House in Juso by ARX Portugal and Stefano Riva

All the social spaces of the building are located on this floor.

House in Juso by ARX Portugal and Stefano Riva

On the upper floor resides what is the most significant expression of this project.

House in Juso by ARX Portugal and Stefano Riva

Until the maximum limits allowed by the regulations, was shaped a kind of enclosure of opaque lines encompassing the bedrooms and their respective yards, thus expanding the enjoyable areas and protecting their necessary intimacy.

House in Juso by ARX Portugal and Stefano Riva

On the roof level, an accessible terrace finally liberates the eye over a 360º view of the surrounding houses, the sea or the beautiful mountains of Sintra.

House in Juso by ARX Portugal and Stefano Riva

Location: Juso, Portugal

House in Juso by ARX Portugal and Stefano Riva

Project-construction: 2008-2011

House in Juso by ARX Portugal and Stefano Riva

Architecture: ARX Portugal + Stefano Riva: Nuno Mateus e José Mateus c/ Stefano Riva

House in Juso by ARX Portugal and Stefano Riva

Landscape Architecture: Sara Machado

House in Juso by ARX Portugal and Stefano Riva

Engineerings: Marco Caixa, António Paiva, Fernandes, Miguel Marques

House in Juso by ARX Portugal and Stefano Riva

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Contractor: Gardenblok Construções Lda.

House in Juso by ARX Portugal and Stefano Riva

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Area: 170 m2

House in Juso by ARX Portugal and Stefano Riva

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House in Juso by ARX Portugal and Stefano Riva

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House in Juso by ARX Portugal and Stefano Riva

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House in Juso by ARX Portugal and Stefano Riva

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House in Juso by ARX Portugal and Stefano Riva

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House in Juso by ARX Portugal and Stefano Riva

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The Round Tower by De Matos Ryan

Slideshow: this underground house by London studio De Matos Ryan tunnels beneath a listed stone tower in Gloucestershire, England.

The Round Tower by De Matos Ryan

A grass roof slopes up to cover living and utility rooms inside the single-storey building but cuts away at the centre to create a concealed courtyard.

The Round Tower by De Matos Ryan

A corridor leads from the main house into the tower itself, where a games room occupies the ground floor and bedrooms are located on two floors above.

The Round Tower by De Matos Ryan

Glazed walls at the rear of the house face out onto a sunken terrace and swimming pool.

The Round Tower by De Matos Ryan

This is the second project we’ve featured this week in Gloucestershire – see our earlier story about a school with a shiny copper chapel.

The Round Tower by De Matos Ryan

Photography is by Edmund Sumner.

The Round Tower by De Matos Ryan

Here’s some more text from De Matos Ryan:


The Round Tower, Gloucestershire
De Matos Ryan

The Round Tower is a Grade II Listed folly, which had been reduced to ruin by years of neglect and fire.

The Round Tower by De Matos Ryan

Located on the crest of a hill overlooking Siddington Village, the exposed site is visually integral to the setting of this listed structure.

The Round Tower by De Matos Ryan

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As such the design approach maintains the open relationship with the surrounding agricultural landscape by developing a discreet and substantial underground extension to the tower.

The Round Tower by De Matos Ryan

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This underground extension provides the main open plan living spaces and is lit by both a central open sunken courtyard and a lateral ‘landscape scoop’ concealing the new swimming pool and associated sun terraces from public view.

The Round Tower by De Matos Ryan

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The listed tower remains clearly the dominant structure, providing the front door to the 4 bedroom family house and the means of vertical circulation. It is also the visual focus of the main sunken courtyard garden.

The Round Tower by De Matos Ryan

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The restored tower provides additional accommodation and a roof terrace for the enjoyment of the panoramic views of the surrounding landscape.

The Round Tower by De Matos Ryan

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A new detached building adjacent to the entrance to the site, provides garaging and an additional guest studio.

The Round Tower by De Matos Ryan

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The Round Tower by De Matos Ryan

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The Round Tower by De Matos Ryan

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Flyknit running footwear by Nike

Slideshow: sports brand Nike have created a range of running shoes with knitted uppers made in one piece.

Flyknit by Nike

The Flyknit shoes have a light, almost seamless upper, knitted with different structures for different areas in polyester yarn with varying elasticity, thickness and strength.

Flyknit by Nike

Supportive cables are also woven into the fabric so the shoe fits snugly like a sock but gives support and ventilation in the appropriate areas.

Flyknit by Nike

The shoes produce less waste than normal running shoes since the material isn’t cut from larger sheets.

Flyknit by Nike

Nike also recently unveiled a wristband that tracks your movement throughout the day and gives you points for being more active – take a look here.

Flyknit by Nike

Here are some more details from Nike:


NIKE has engineered knit for performance to create running footwear that features only the essentials. Employing a new technology called Nike Flyknit, yarns and fabric variations are precisely engineered only where they are needed for a featherweight, formfitting and virtually seamless upper.

With all the structure and support knitted in, the Nike Flyknit Racer’s upper and tongue weigh just 34 grams (1.2 ounces). The whole shoe weighs a mere 160g (5.6 ounces) for a size 9, which is 19% lighter than the Nike Zoom Streak 3, a shoe worn by first, second and third place athletes in the men’s marathon at the 2011 World Championships.

While reducing shoe weight is one aspect of helping runners, the Nike Flyknit upper is also engineered for a precision fit, creating a feeling of a second skin.

An additional environmentally sustainable benefit to Nike Flyknit is that it reduces waste because the one-piece upper does not use the multiple materials and material cuts used in traditional sports footwear manufacture. Nike Flyknit is truly a minimalist design with maximum return.

The inspiration for Nike Flyknit was born from the common runner feedback, craving a shoe with the qualities of a sock: a snug fit that goes virtually unnoticed to the wearer. But all the features that make a sock desirable have proven to make them a bad choice for a running upper. An inherently dynamic material like yarn generally has no structure or durability.

NIKE embarked on a four-year mission of micro-engineering static properties into pliable materials. It required teams of programmers, engineers and designers to create the proprietary technology needed to create the knit upper.

The next steps were to map out where the specific yarn and knit structures were needed. Applying 40 years of knowledge from working with runners, NIKE refined the precise placement of support, flexibility and breathability – all in one layer.

The result is precision engineering in its purest form, performance on display. Every element has a purpose: resulting in one of the lightest, best fitting running shoes NIKE has ever made.

The Nike Flyknit Racer is the marathon shoe that the world’s best runners from all over the world, including those from Kenya, Great Britain, Russia and the US will wear in this spring’s marathons and in London this summer.

With the knowledge gained from working with the worlds best marathon runners, NIKE has also created an everyday running shoe, the Nike Flyknit Trainer+, which at 220 grams or 7.7 ounces, will bring the weight and fit benefits of Nike Flyknit to runners of all levels.

Both models will be available for all runners this coming July.

Nike Flyknit will debut in a collection that celebrates the performance attributes of the technology, while at the same time hints at its future capabilities.

House in Kokubunji by Suppose Design Office

Slideshow: overlapping openings in the walls and ceilings of this Tokyo house by Japanese architects Suppose Design Office create dozens of views between rooms.

House in Kokubunji by Suppose Design Office

Contained within a rectangular wooden volume, the family house accommodates rooms for living and sleeping on its two main floors, plus an open-plan loft accessed by ladders.

House in Kokubunji by Suppose Design Office

Some rooms on the ground floor are set at a lower level than the corridors, while the attic storage areas are raised up slightly higher than the surrounding floor.

House in Kokubunji by Suppose Design Office

Narrow handrails screen balconies on the upper two floors, so residents have to be careful not to slip over the edges.

House in Kokubunji by Suppose Design Office

Other popular houses by Suppose Design Office include one where interior walls don’t touch the floor – see more projects by the architects here.

House in Kokubunji by Suppose Design Office

You can also see all our stories about houses in Japan here.

House in Kokubunji by Suppose Design Office

Here’s a few key details from the architects:


House in Kokubunji

Location: Kokubunji city,Tokyo,Japan

House in Kokubunji by Suppose Design Office

Principal use: personal house

House in Kokubunji by Suppose Design Office

Site area: 109.11sqm

House in Kokubunji by Suppose Design Office

Building area: 62.53sqm

House in Kokubunji by Suppose Design Office

Total floor area: 119.21sqm ( 1F:62.53sqm 2F:56.68sqm )

House in Kokubunji by Suppose Design Office

Completion: September. 2011

House in Kokubunji by Suppose Design Office

Design period: November.2009-December.2010

House in Kokubunji by Suppose Design Office

Construction period: December.2010-September. 2011

House in Kokubunji by Suppose Design Office

Structure: Wood

House in Kokubunji by Suppose Design Office

Storeys: 2

House in Kokubunji by Suppose Design Office

Client: a couple and two children

House in Kokubunji by Suppose Design Office

Project architect: Makoto Tanijiri [suppose design office]+ Hiroshi Ohno [Ohno JAPAN]

House in Kokubunji by Suppose Design Office

Project team: Makoto Tanijiri [suppose design office]+ Hiroshi Ohno [Ohno JAPAN], in-charge;Keisuke Katayama

House in Kokubunji by Suppose Design Office

Ground floor plan

House in Kokubunji by Suppose Design Office

First floor plan

House in Kokubunji by Suppose Design Office

Second floor plan

House in Kokubunji by Suppose Design Office

Cross section