Hardcoded Memory by Troika

In the first of three posts about the Digital Crystal exhibition at London’s Design Museum, we look at a mechanical projector built by London design studio Troika which uses Swarovski crystal lenses and LEDs to create portraits on the gallery wall (+ slideshow).

Hardcoded Memory by Troika

The projector uses 858 custom-cut crystal optical lenses, each positioned in front of an LED.

Hardcoded Memory by Troika

Rotating cams move each LED towards or away from its lens, diffracting the white light into variously sized spots.

Hardcoded Memory by Troika

The spots of light then combine to produce three blurry, low-resolution portraits on the gallery wall.

Hardcoded Memory by Troika

“The recent past has seen a complete shift in the reproduction and selection process of visual information, and today we no longer need to restrict which and how many images we take,” Troika’s Conny Freyer told Dezeen.

Hardcoded Memory by Troika

“We are on the brink of a new age, still informed by the analogue world yet provided with new digital tools,” she added. “Hardcoded Memory is a reflection on that change and on the digital world by approaching it from an analogue point of view.”

Hardcoded Memory by Troika

The three portraits were selected according to their postures, in a reference to the traditional posed portraiture that was prevalent throughout the last century but is seen less often today.

Hardcoded Memory by Troika

Digital Crystal: Memory in the Digital Age continues at the Design Museum in London until 13 January 2013.

Hardcoded Memory by Troika

Other projects we’ve featured by Troika include an outdoor LED installation that displays yesterday’s weather and chandeliers that project overlapping circles of light.

Hardcoded Memory by Troika

See all our stories about Troika »
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Hardcoded Memory by Troika

Here’s more information from Troika:


Troika (Conny Freyer, Sebastien Noel, Eva Rucki)

Hardcoded Memory (2012)

2.60 m (H) x 2.0 m (W) x 0.4 m (D)
858 custom cut Swarovski crystal optical lenses, custom software, 858 LEDs, brass, anodized aluminium, dyed fibreboard.

Memory is closely linked to forgetting. Before the digital era, forgetting was easy, for better or worse. Not only is it biologically in-built to forget, the analogue world around us cannot guarantee that recorded memories will last forever.

Photographs fade, film footage can be lost and media out-dated. In the past, remembering was the exception, forgetting the default. Only a few decades ago, analogue photography was a limited edition of images taken of precious moments or the everyday: our grandparents, parents, children or ourselves. By selection, these images became meaningful, carrying the story for, and of, an extended period of time, a life, a person.

Now in the age of endless digital image reproduction there is no longer a function for a selection process, and so we do not need to forget. We externalise our memories by handing them over to the digital realm enabled through digitisation, inexpensive storage, ease of retrieval, global access, and increasingly powerful software, blurring lines of ownership and making virtual forgetting close to impossible.

Hardcoded Memory is a reflection on the moment and on time itself, standing as a metaphor for the human search for meaning and continuity, while celebrating forgetting in the digital age.

Low-resolution portraits are projected onto the gallery wall, generated by a hardcoded mechanical structure which in the nature of its construction limits the selection of available images. Custom-cut Swarovski crystal optical lenses project light from LEDs, which, motored by rotating cams, move away from, and toward to each crystal lens, transforming, through diffraction, the white light into a constellation of circular projections, creating a rhythmical fading in, and fading out of low resolution imagery on the gallery wall.

All pictorial information is hardcoded into the rotating cams of the mechanism giving a pre-determined selection of what can be displayed by the projector. And while the low resolution image is lending the portraits a universal appeal, the body posture of the portrayed informs a definite era or decade.

Experiencing the dream-like imagery on the gallery wall, the visitor is immersed in a digital memory embedded into an analog physical object, reinforcing Troika’s agenda of exploring rational thought, observation and the changing nature of reality and human experience.

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Bird-apartment by Nendo

Japanese designers Nendo have built an enormous woodland nesting box with 78 entrances for birds on one side and one big door for humans on the other (+ slideshow).

Bird-apartment by Nendo

The treehouse was built for observing birds at the Momofuku Ando nature centre in Komoro, in Japan’s Nagano Prefecture.

People can reach the Bird-apartment by climbing up a ladder and through a circular hole.

Bird-apartment by Nendo

Spy holes across the back wall of the apartment allow a discreet view into the 78 bird boxes on the other side.

Bird-apartment by Nendo

We’ve featured lots of treehouses on Dezeen, including a giant weaver bird’s nest in Dartmoor, UK, and a tree-top hotel in northern Sweden.

Bird-apartment by Nendo

Other designs by Nendo we’ve featured include a tote bag with a pop-out hand puppet and a set of unstable furniture that has to be balanced by books and cups.

Bird-apartment by Nendo

See all our stories about Nendo »

Bird-apartment by Nendo

See all our stories about treehouses »

Bird-apartment by Nendo

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Orfila Flat by Schneider Colao

Surfaces of marble and hardwood spread through the rooms of this renovated apartment in Madrid by Spanish architects Schneider Colao (+ slideshow).

Orfila Flat by Schneider Colao

The residence is located on the third floor of a 19th century apartment block and the architects have removed some of the original walls to create larger bedrooms and a central living room.

Orfila Flat by Schneider Colao

Unusually, a walk-through shower runs along the side of the living room, but can be screened behind a set of sliding doors.

Orfila Flat by Schneider Colao

“The owners practice yoga and meditation,” explains architect Jesus Colao. “They wanted to simply define wet and dry areas, rather than feel they were constantly entering a different space.”

Orfila Flat by Schneider Colao

The shower walkway stretches between bathrooms on opposite sides of the apartment, including one that opens out to the main entrance.

Orfila Flat by Schneider Colao

“Traditionally many Moorish homes, not limited to religious buildings, had a fountain for cleansing prior to entering a home or shop,” said Colao, to explain the idea behind this arrangement.

Orfila Flat by Schneider Colao

Marble floors and surfaces can be found in each of the wet areas, including a terrace at the rear of the apartment that features an outdoor sink.

Orfila Flat by Schneider Colao

Dinesen hardwood covers the floors of the two bedrooms, while softwood beams create ribbed ceilings over the bathrooms.

Orfila Flat by Schneider Colao

See more stories about apartment interiors, including one in Milan with a wireframe staircase.

Orfila Flat by Schneider Colao

Photography is by Diego Dominguez.

Orfila Flat by Schneider Colao

Here’s some text from the architects:


Orfila Flat by Schneider Colao Architects

Located on a quiet street in the Chamberi neighborhood of central Madrid, the Orfila flat is a gut renovation intervened within a historic 19th century apartment building. The original 200 sq. meter flat contained a winding maze of rooms which were gutted to design a structural framework allowing for an open plan which brings together various domestic programs including sleeping quarters, office, living space, open shower, kitchen and terrace.

Orfila Flat by Schneider Colao

3D axonometric plan – click above for larger image and key 

The project materials are addressed simply using naturally treated Macael marble throughout the flat and Dinesen hardwood floors in the bedrooms. The massive nature of the marble surface offers a continuous artificial landscape that fuses washrooms and public spaces into one.

Vertical openings were enlarged through structural means as much as possible and a terrace was extended beyond the existing limits of the property to maximize natural light.

Orfila Flat by Schneider Colao

Plan – click above for larger image and key 

Project Team:
Schneider Colao (Architects)
Jesus Colao (Lead Design Architect)
Beatriz Pérez Pérez de Iriarte (Design Architect)
Julia Lillo García (Design Architect)

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Centro de Recepción de Visitantes, Atapuerca by a3gm + Mata y asociados

A perforated metal box encases the concrete visitor centre for the Atapuerca archaeological site in northern Spain by architects a3gm and Mata y asociados (+ slideshow).

The Atapuerca UNESCO World Heritage site in Burgos, northern Spain, is home to the fossilised remains of Europe’s earliest humans.

The concrete visitor centre is inserted inside a larger enclosure of perforated metal squares.

The patterns in the metal box are designed to “resemble the piles of straw bales and the dark clumps of trees in the area,” the architects told Dezeen.

Inside the visitor centre are classrooms, lecture halls, an information area and a cafeteria, as well as administrative areas.

Outside the building is a pond of oxygen-producing plants which processes water from the centre and nearby archaeological park.

A canopy of vines will eventually grow on a metal grid to cover the car park.

Earlier this year we posted a special feature about recently completed public buildings in Spain, including museums, town halls and markets – see it here.

See all our stories about Spain »
See all our stories about cultural buildings »

Photographs are by Mata y asociados.

Here’s some more information from the architects:


Centro de Recepción de Visitantes, Atepuerca, Burgos
Visitors Centre, Atapeurca, Burgos
Architects: a3gm + Mata y asociados
Location: Atapuerca, Burgos, Spain

Concept: Jesús Alba Elías, Laura García Juárez, Jesús García Vivar, Smara Gonçalves Diez, Carlos Miranda Barroso
Project and Construction: Salvador Mata Pérez
Collaborators: Myriam Vizacaíno Bassi, Javier Encinas Hernández, Alberto López del Río, David Muñoz de la Calle, Luis Antonio Pahíno Rodríguez, architects; Tomás R. Dientes, quantity surveyor

Engineers: GHESA, A2V Ingenieros
Environmental Engineering: HYDRAInvestor: Junta de Castilla y León. Consejería de Cultura y Turismo. Dirección General de Patrimonio Cultural

Centro de Recepción de Visitantes by a3gm + Mata y asociados

Project Area: 1.625 m2 sqm
Project Year: 2006, 2009
Construction Year: 2009–2010

Contractors: SACYR S.A.U., NUCLEO S.A.
Budget: EUR 3,500,000

The purpose of the project is the definition of the Visitors Centre of Atapuerca paleoanthropological site and the rearrangement of the environment with service and relationship areas with the existing archaeological park.

The proposal starts off from a double reading of the building: from its presence in the landscape and its inner functions.

In between proposed a relationship of a certain lack of boundaries in the band between the inner chamber and the outer shell is a space that expands on the main access and allowing expansion of the cafeteria and an extension of the exhibition area.

The image of the building initially refers to the volumes present in the surrounding landscape: natural elements ordained by human intervention, such as straw piles or clumps of trees.

Behind this reading of the envelope that filters and qualifies both the perception of the building inside and outside the image from the inside of the rooms, the direct sunlight, wind, appears logical scale and performance of a building exchange visitors and cultural flows.

The interior facades are conceived as a volume cut in plan to allow expansion in the interstitial space, and in section to introduce daylight and express to the outside the performance of the parts.

The Centre also seeks metaphorical proximity to the site, that effectively contributes to the production of a new architectural organism, by recreating a part of the building that belongs to the earth (stereotomic) and one that is detached from it (tectonic), a mask protection as light as possible wrapping the whole.

In this sense, the building is designed as a big concrete box – petrous nature – pierced by large skylights, and an outer perforated net that wraps and covers acting as a second skin.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

Site plan

The interstitial space generated between the net and the concrete box recalls the archaeological site workspace. At the building entrance this space is conceived as a rest area, and the one of the opposite corner as a multipurpose outside area.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

Plan – click above for larger image

The indoor exhibition space chooses a route between major structural concrete screens in addition to the presence of the lecture halls. At the entrance there is a space for information and sales of publications, a cafeteria and administrative and service areas.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

Ground floor plan – click above for larger image

The classrooms are designed as modular elements with multiple possibilities of use and relationship between the polyvalent area and the exhibition area, from a small room for about 25 people to a conference hall for 100 people.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

Upper floor plan – click above for larger image

The lightweight exterior enclosure has a discontinuous character, it is punctured or disappears in singular points as the entrance plaza and the gazebo.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

Roof plan – click above for larger image

It generates a variable section in the access area with very strong relationships between the open space of the square and the space of the terrace-gazebo, in contrast to the austerity of the outer box.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

Section – click above for larger image

To solve the necessarily large car parking area, the idea of nature is recreated again through metal elements, metaphors of trees, on which in the future vines will grow to shape the final camouflage of parked vehicles.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

Section – click above for larger image

A light canopy and a wooden grid between the car park and the building will form an exterior square for outdoor activities.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

North elevation – click above for larger image

Outside a pond of macrophytes solves the sanitation of both the Visitor Center and the next Archaeological Park.

East elevation – click above for larger image

The bed of the pond is a biotechnology system that mimics the process of self-purification that spontaneously occur in natural wetlands, based on the use of plants and other aquatic lower organisms.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

South elevation – click above for larger image

This system is in perfect harmony with the new policies and sustainable development needs, providing high purifying efficiency with low operating and maintenance costs. The visit to the projected pond finally has become part of the Visitors Center’s educational route.

Centro de Recepción de Visitantes by a3gm + Mata y asociados

West elevation – click above for larger image

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Rapha Cycle Club by Brinkworth

London cyclists can hang their bicycles on the walls while they grab a coffee or browse at this Soho store for cyclewear brand Rapha by design studio Brinkworth (+ slideshow).

Rapha Cycle Club by Brinkworth

The Rapha Social Club is conceived as a social meeting place for road cyclists, where memorabilia is exhibited alongside the brand’s latest products and live racing is aired on screens surrounding a cafe area.

Rapha Cycle Club by Brinkworth

Like the company’s other spaces in San Francisco and Osaka, the London club has a Citroen H Van parked up inside it and uses a colour palette of black, white and pink that matches the aesthetic of the Rapha logo and products.

Rapha Cycle Club by Brinkworth

Metal-framed cabinets and tables can be wheeled around the concrete floor to provide flexible display stands.

Rapha Cycle Club by Brinkworth

“With Rapha Cycle Clubs, there is finally a permanent home for cycle fans to totally surround themselves in all the best aspects of road cycling in a great café atmosphere,” said Brinkworth Director David Hurren.

Rapha Cycle Club by Brinkworth

More clubs are due to open in Melbourne, New York and Tokyo and will have similar designs to the London branch.

Rapha Cycle Club by Brinkworth

Other cycling shops we’ve featured on Dezeen include one with chunky chipboard walls and artificial turf floors.

Rapha Cycle Club by Brinkworth

See all our stories about cycling »

Rapha Cycle Club by Brinkworth

Here’s a project description from Brinkworth:


Brinkworth design London Rapha Cycle Club.

Luxury cycling apparel brand Rapha appoint design consultancy Brinkworth to create their unique retail concept – Rapha Cycle Club.

Brinkworth were commissioned to develop the Rapha Cycle Club concept into an environment that would reflect the core cultural values of Rapha’s heritage, the glory and suffering of world road cycling. The first permanent UK Cycle Club now open in London’s Soho, builds on Rapha’s vision to provide a meeting place for the cycling community to eat, drink, watch racing and shop from the full Rapha product range, totally immersing themselves in a space dedicated to the pursuit of road cycling.

The Cycle Club aesthetic exemplifies the Rapha approach of premium design and materials while referencing workshop functionality. A flexible retail system has been developed to display not only apparel but unique products and Rapha’s collection of cycling memorabilia. A double height rear feature wall creates a backdrop to the iconic Rapha ‘H’ Van, a constant element of the brand, evoking a strong image of 60s racing.

Brinkworth have taken an intentionally unconventional approach to the layout, designing a space that places equal importance on the social and retail aspects, to deliver a truly blended experience. Bespoke cycle storage for visitors’ bikes and tools for basic bike servicing and maintenance are available, ensuring that the club is a key destination for both city cyclists and racers alike.

Integrated within the space is a custom-designed bar area with zinc-topped counter, reminiscent of timeless European café culture, underpinned by the Rapha branded cups and espresso machines. Visitors sit at laser-etched tabletops that feature famous alpine climbs, while watching racing on large screens positioned within the space. Solid concrete flooring combined with the unmistakable grey, white and pink Rapha colour scheme brands the overall space.

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Dezeen’s top ten products at Maison & Objet

Slideshow feature: Dezeen is at Maison & Objet in Paris this week and we have selected our top ten products exhibited at the design and interiors trade fair, including shelves that look like sheets of paper caught in the wind by Japanese studio YOY (image 1).

Other new product launches include Doreen Westphal‘s concrete egg cup with a strong magnet inside so a spoon can be balanced on its tip (image 2) and trays by Donna Wilson for SCP in a new geometric pattern called Fort (image 3).

New lighting includes Hulger‘s mini version of its award-winning Plumen 001 designer light bulb (image 4) which will be available at our pop-up shop Dezeen Super Store from Friday, London designer Nick Fraser shows terracotta pendants based on his faceted plant pots we’ve featured before (image 5) and cage-like lamp shades filled with ornamental birds are on show at the Challieres stand (image 6).

Other picks from Maison & Objet that we’ve already featured on Dezeen include new coloured editions of the concrete Weight Vases by Decha Archjananun (image 7), Samuel Wilkinson‘s Hoof table with sharpened legs (image 8), the circular Fading Mirror by Thomas Eurlings with a soft-focus reflection (image 9) and a wooden rocking chair that Pierre Fauvresse has added to his Perch collection (image 10).

Maison & Objet is a biannual design and interiors fair that opened on 7 September at Paris Nord Villepinte as part of Paris Design Week and concludes today.

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House HV by Kombinat

Slovenian architects Kombinat have transformed a gloomy Alpine chalet into a contemporary home with concrete wings and timber shutters like a sliding puzzle (+ slideshow).

House HV by Kombinat

The house is situated at the foot of the Karavanke Alps, overlooking the Ljubljana basin in Slovenia.

House HV by Kombinat

The architects added an outer staircase and a concrete extension with a roof terrace.

House HV by Kombinat

The ventilated vertical wooden facade replaces a dark timber exterior.

House HV by Kombinat

The original dark timber can now be seen on the inside wall of the new staircase.

House HV by Kombinat

When the window shutters are closed the house resembles a closed wooden box, with only the glazing of the concrete extension remaining open to the landscape.

House HV by Kombinat

A garage with a green roof stands on the other side of the house.

House HV by Kombinat

We recently featured another project in the mountains – a black wooden house in the Swiss Alps.

House HV by Kombinat

See all our stories from Slovenia »

House HV by Kombinat

Photographs are by Miran Kambič.

House HV by Kombinat

Here’s some more information from the architects:


House HV is situated at the foot of the Karavanke Alps, overlooking the Ljubljana basin. It represents a transformation of a weekend house – a two-storey wooden hut with a concrete ground floor – into a family home. The owner wanted to extend the living area in the form of a winter garden and a carport.

House HV by Kombinat

To stay within the existing scale of the surrounding buildings, the additional volumes are separated from the basic house with a gap, forming the entrance on the one hand and an outer staircase on the other.

House HV by Kombinat

They are partially dug into the slope to become part of the landscape, with a green roof above the carport and a terrace on top of the living room extension.

House HV by Kombinat

The basic volume of the house was extended only with a new staircase and service rooms on the ground level.

House HV by Kombinat

The existing thermal insulation on the inner side of the wooden hut was removed to expand the inner space and the entire house was faced with new insulation and a wooden ventilated facade.

House HV by Kombinat

The timber of the wooden hut – once an outer wall – can now be seen on the staircase.

House HV by Kombinat

The original house with dark timber exterior

Sliding wood shutters can close the entire house, transforming it into a unified wooden volume on a wooden terrace.

House HV by Kombinat

Ground floor plan – click above for larger image

Then only the large glazing of the winter garden opens to the magnificent view of the landscape underneath.

House HV by Kombinat

First floor plan – click above for larger image

Architecture: Kombinat: Tomaž Čeligoj, Ana Grk, Blaž Kandus, Alenka Korenjak, Tina Rugelj
Location: Bašelj, Slovenia
Plot area: 570,00 sq m
Floor area: 176,00 sq m
Project/completion: 2007-12

House HV by Kombinat

Section – click above for larger image

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HouseWING by AnLstudio

A white desk folds up the wall and across the ceiling like a crumpled aeroplane wing in this apartment in Seoul by South Korean design firm AnLstudio (+ slideshow).

HouseWING by AnLstudio

The angular structure travels between the entrance hall and the artist’s working areas.

HouseWING by AnLstudio

Narrow tubes of lighting have been inserted between fragments of the wing.

HouseWING by AnLstudio

In order to separate the living quarters from the workspace, the wing does not enter the kitchen, bedroom or bathroom.

HouseWING by AnLstudio

We previously featured another project in South Korea by AnLstudio – an observatory made of shippping containers.

HouseWING by AnLstudio

See all our stories about Seoul »
See all our stories about apartments »

HouseWING by AnLstudio

Photographs are by Sunghwan Yoon and Heebon Koo.

HouseWING by AnLstudio

Here’s some more information from the architects:


AnLstudio, a New York & Seoul-based design firm, completes renovated home office space for an artist. The project is located in typical residential unit on 10th floor of a 45 year old Korean complex apartment in Seoul. The project was built on re-consideration of dwelling space in response to home-working.

Ultimately, it attempts not only to maximise the texture of the historical landmark building, but also to create a new environment that supports a condition for two conflicting activities (working and dwelling), reflecting the contemporary residential culture. AnLstudio rethinks how the typical residential unit can accommodate two activities – creating two clusters and sharing the programs.

HouseWING by AnLstudio

Inspiration in both the name of apartment, Nakwon – meaning ‘utopia’ – and the client’s attitude for life, led to the design of the distinguishing purely white feature shaped like a wing of an aeroplane. The aim for the wing is to differentiate between two rival life patterns in a confined space. The target is to maximise the spatial perception by wrapping it with unique lighting embedded in the ceilings and walls of working area.

The ‘wrapper’ around the ceiling and wall surfaces of the ground floors is carefully planned to connect and serve the semi-public clusters such as the vestibule, living area, library and Working table. The wing supports functions of work, providing lighting and organising dwelling units along the periphery of the space, which is the private area (master bedroom, kitchen, bathroom).

Client: Sey Min
Architect: AnLstudio
Team: Keehyun Ahn, Minsoo Lee, and Yongseok Kwon
Construction Director: Heebon Koo
Location: Jongro, Seoul
Program: Home Office
Area: 69sqm
Status: Completed 2012 August

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Wuxi Grand Theatre by PES-Architects

Eight huge wings resembling a cluster of duck feet form the roof of this theatre in Wuxi, to the west of Shanghai, designed by Finnish practice PES-Architects (+ slideshow).

Wuxi Grand Theatre by PES-Architects

Above image is by Pan Weijun

Wuxi Grand Theatre is situated on a manmade peninsula on Taihu Lake.

Wuxi Grand Theatre by PES-Architects

Above image is by Kari Palsila

The perforated aluminium panels on the roof are lit up by thousands of colour-changing LEDs.

Wuxi Grand Theatre by PES-Architects

Glowing columns are dotted around the main entrance square and continue inside the building where they support the roof of the central lobby.

Wuxi Grand Theatre by PES-Architects

The main auditorium is covered with 15,000 solid bamboo blocks designed to enhance the acoustics of the space.

Wuxi Grand Theatre by PES-Architects

Above image is by Kari Palsila

Around 20,000 custom-made glass bricks cover the curved wall of the auditorium in the lobby area overlooking the lake. “Finnish nature, lakes and ice” were the inspiration behind this part of the building, say the architects.

Wuxi Grand Theatre by PES-Architects

Above image is by Kari Palsila

The theatre has been shortlisted for an award at this year’s World Architecture Festival, which takes place from 3-5 October. The full shortlist is available to read on Dezeen.

Wuxi Grand Theatre by PES-Architects

See all our stories about theatres »
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Wuxi Grand Theatre by PES-Architects

Above image is by Kari Palsila

Photographs are by Jussi Tiainen except where otherwise stated.

Wuxi Grand Theatre by PES-Architects

Here’s some more information from the architects:


Wuxi Grand Theatre

In 2008, PES-Architects won the first prize in the invited international architectural competition for Wuxi Grand Theatre. The other competitors were established and well-known practices from Germany, France, Japan and Denmark. The main idea of Wuxi Grand Theatre is based on its location. The manmade peninsula on the northern shore area of Taihu Lake and the highway bridge nearby make this location comparable to that of Sydney Opera House.

Wuxi Grand Theatre by PES-Architects

Due to this location the building is an impressive landmark, rising up to a total height of 50 meters like a big sculpture from the terraced base. Its eight gigantic roof wings stretch far over the facades, giving the building a character of a butterfly, while protecting the building from the heat of the sun. The architectural concept is unique: inside the steel wings are thousands of LED lights, which make it possible to change the colour of the wings according to the character of the performances. This is possible, because the underside of the wings is covered by perforated aluminium panels.

Wuxi Grand Theatre by PES-Architects

Another special feature is the “forest” of 50 light columns, each 9 metres high, which start from the main entrance square, support the roof of the central lobby and continue outside of the lakeside entrance into the lake. There is a strong Chinese feature that runs throughout the whole building: the large scale use of bamboo which is both a traditional and a modern Chinese material.

Wuxi Grand Theatre by PES-Architects

Above image is by Martin Lukascyzk

Recently new methods for the production and use of bamboo have made it possible to cover the Main Opera Auditorium with over 15,000 solid bamboo blocks, all individually shaped according to acoustic needs and architectural image. There is also a material with a Finnish character: almost 20,000 specially designed glass bricks cover the curved wall of the opera auditorium in the lakeside lobby. Finnish nature, lakes and ice were the architectural inspiration.

Wuxi Grand Theatre by PES-Architects

Architecture and interior design: PES-Architects
Project: Wuxi Grand Theatre
Address: to the North of Jinshi Road, North bank of Lake Li, Taihu New City, Wuxi, P.R.China
Client: Office for the Important Urban Projects in Wuxi /Fan Chun Yu, Zhou Jian
User: Wuxi Culture and Art Administration Center
Floor area: 78 000 m2
Year of completion: 2012
Start of design: 2008
Competition: June 2008

Wuxi Grand Theatre by PES-Architects

Plan – click above for larger image

Architects:

Competition, 2 phases:
PES-Architects: Pekka Salminen and Tuomas Silvennoinen (main designers), Tristan Hughes, Jouni Rekola, Michael Bossert, Heikki Riitahuhta, Tomi Laine, Miguel Pereira, Emanuel Lopez, Elina Modeen, LaiLinLi, Fang Hai
UDG: Sun LiYang, Gu ZhiPeng, Guan XiaoJing

SD-, DD- and CD-phases:
PES-Architects: Pekka Salminen (project leader and chief designer), Martin Lukasczyk (project architect/ project manager), Elina Modeen (project manager China), LaiLinLi (project manager China), Fang Hai, Julia Hertell, Tristan Hughes, Vesa Hinkola, Willem-Anne van Bolderen, Miguel Pereira, Nicholas Capone, Marcelo Diez, Jani Koivula, Heikki Riitahuhta, Tomi Laine, Yang Yue
UDG: Zhang Min, Guan XiaoJing, Teng Xu

Wuxi Grand Theatre by PES-Architects

Main auditorium section – click above for larger image

Interior design: PES-Architects: Pekka Salminen, Martin Lukasczyk, Kai Lindvall, Satu Ristola

Landscape design Finland: Maisemasuunnittelu Hemgård: Gretel Hemgård, Vilja Larjosto
Landscape design China: Feiscape, Shanghai
Structural design Finland: Vahanen Group: Matti Haaramo
Structural design China: Shanghai Institute for Architectural Design and Research SIADR, Shanghai

HVAC design Finland: Climaconsult: Harri Ripatti
HVAC design China: SIADR, Shanghai
Lighting design Finland: Valoa Design: Roope Siiroinen, Marko Kuusisto
Lighting design China: Enjoy, Shanghai

Acoustic design Finland: Akukon & Kahle Acoustics: Henrik Möller, Ekhard Kahle, Thomas Wulfrank
Acoustic design China: Zhang Kuiseng, Shanghai
Stage design Finland: Akukon: Henrik Möller , Janne Auvinen
Stage design China: SBS, Beijing

Wuxi Grand Theatre by PES-Architects

Section – click above for larger image

Other participants:

Bamboo: Yrjö Kukkapuro, Fang Hai
Space programme: Finnish National Opera/ Timo Tuovila
Special glass bricks: Tapio Yli-Viikari and Kirsti Taiviola (Aalto University), Niu Fanzheng, Lu Ye
Glass column consulting: Glaston: Pekka Nieminen

Local partners:

Shanghai Institute of Architectural Design and Research Co. SIADR (DD and CD phases)
Gold Mantis, Suzhou (interior design DD and CD phases)
United Design Group Co.Ltd. UDG, Shanghai (competition phase and SD phase)

Material suppliers:

Bamboo interiors: Dasso Co, Hangzhou
Roof material: Rheinzink Co, Shanghai
Glass elevations: Pilkingtong Co, Shanghai
Glass Bricks: SIP Pengli Visual Mastermind & Design Co. Ltd.

Wuxi Grand Theatre by PES-Architects

Elevation – click above for larger image

Contractors:

Construction administration & client: Office for the Important Urban Projects in Wuxi/ Fan Chun Yu, Zhou Jian
Construction supervision: Zhejiang Tiangnan Project Management Co. Ltd
Main construction company: China Construction 3rd Engineering Bureau/ CSCEC
Steel structure construction: Jiangsu Huning Steel Mechanism Co. Ltd
MEP: China Construction Industrial Equipment Installation Co. Ltd
Stage machinery: SBS Bühnentechnik GmbH/ SBS Stage Equipment Technology (Hangzhou) Co. Ltd
Stage machinery supervision: ENFI
Acoustics: Huisitong Acoustic Technology Enineering Co. Ltd
Stage lighting: Hangzhou EKO Light
Facades: Wuxi Jingcheng Curtain Wall Engineering Co. Ltd
Interior construction: Gold Mantis, Decoration Co. Ltd. of China Construction 3rd Engineering Bureau, JiangSu XinHuaDong Construction Decoration Engineering Co. Ltd, Hua Ding Construction Decoration Engineering Co. Ltd
Landscape construction: Shanghai Landscape Construction & Design Co. Ltd, Yixing Hydo-Engineering Co. Ltd
Building automation: ZheDa Innovation Technology Co. Ltd

The post Wuxi Grand Theatre
by PES-Architects
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Sunset Villa by TT Architects

A covered courtyard has been inserted into the side of this Kurashiki house by Japanese firm TT Architects (+ slideshow).

Sunset Villa by TT Architects

The owner of the home wanted to replace the existing extension with a structure that limited the amount of bright sunshine coming in from the west.

Sunset Villa by TT Architects

The architects decided to set the courtyard into the building, creating a vitrine-like space and effectively shading the living area.

Sunset Villa by TT Architects

A toplight in the roof of the courtyard provides extra light without glare, while full-height glazing slides across to provide access outdoors.

Sunset Villa by TT Architects

The living area, workspace and master bedroom are arranged around the courtyard.

Sunset Villa by TT Architects

On the outside walls, sheets of galvanised steel overlap slightly to resemble shingle tiles.

Sunset Villa by TT Architects

We recently made a Pinterest board of courtyards featured on Dezeen – see it here.

Sunset Villa by TT Architects

See all our stories about courtyards »
See all our stories about Japanese houses »

Sunset Villa by TT Architects

Photographs are by Kei Sugino.

Here’s some more information from the architects:


Concept:

Sites that were originally like this would have normally been given up on. The TT Architects’ approach to design utilises these negative elements, converting them into positive ones.

Sunset Villa by TT Architects

The client came to us asking that the extension on the east-side of the block and adjoining the pre-existing main building be removed, and that a building of a similar scale be built in its place.

Sunset Villa by TT Architects

On the west-side of the block, there is a large and spread-out garden; however the client was troubled by the sun coming in from the west and as such ceased using the windows facing this direction. Is it possible for the client to be able to enjoy the landscape from the western garden, while solving the problem posed by the western sun?

Sunset Villa by TT Architects

As a solution, we designed a centre-courtyard acting functionally as a deep-set eave. The layout surrounding the courtyard features a living room, a bedroom and a workspace. The courtyard acts a buffer to the western sun, resulting in a softer, indirect light filtering inside. The southern sun illuminates the courtyard after filtering through a top-light located above.

Sunset Villa by TT Architects

The courtyard acts a light source, ensuring that the living room is adequately lit. With the scenery unfolding right before your eyes, it is almost like one has the luxury of their very own private landscape view.

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TT Architects
appeared first on Dezeen.