Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

London film agency SHOWstudio has unveiled a 3D animation of Barbie’s new Dreamhouse, a concrete brutalist dystopia, designed by fashion designer Roksanda Ilincic (+ slideshow + movie).

SHOWstudio has collaborated with Roksanda Ilincic to create a new home for the toy doll, her tenth home since 1962. It features a cluster of brutalist structures, a forest of silver birch trees on the roof and a basement cinema. Unlike its plastic predecessors the house exists as a virtual environment.

“Working in 3D has allowed us to push the boundaries of reality – using impossible materials and defying gravity to create a striking and dynamic outcome fuelled by Roksanda’s imagination,” said SHOWstudio’s digital art director, Jon Emmony.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

Inside Barbie’s new home there is a soundproofed sleeping chamber, a sunken lounge, flat screen TV, an elevator and a jacuzzi. The surrounding landscape appears as a “seemingly endless expanse of velvety black,” according to the designers.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

The concrete buildings are lit in pink and blue hues and in SHOWstudio’s animation appear to grow from a bubbling liquid before taking shape as digital structures.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

“A combination of light and dark, strength and fragility, elegance and hard edge form the framework behind Roksanda’s vision for Barbie’s new dreamhouse,” said toy manufacturer Mattel. “Large expanses coupled with intimate intricacies give the living spaces variety and depth. The modular nature of the furnishings and rooms lend themselves to multi-purposes.”

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

In 2009, Ilinic also designed a limited edition outfit to commemorate Barbie’s 50th birthday and the designer first worked with SHOWstudio in 2010 during London Fashion Week.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

Other stories about toys that we’ve featured recently include a miniature furniture range by IKEA and a dolls house that has ramps linking all the floors together.

See more toys on Dezeen »
See all our stories about fashion »

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

Here’s the full announcement from SHOWstudio:


Barbie’s new Dreamhouse designed by Roksanda Ilincic in collaboration with SHOWstudio

Barbie’s new Dreamhouse launches on SHOWstudio. Having considered moving from her native Malibu earlier this year, Barbie looked to Roksanda Ilincic to create her 21st Century sanctuary. Together with SHOWstudio, Roksanda has designed a new abstract environment with a bold exterior featuring a roof forest of silver birch, and an interior that meanders through a basement movie theatre, soundproofed sleeping chamber, and sunken lounge.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

Roksanda says: “It’s been exciting to see the external structure take shape in 3D, and the technicolour aspect of the roof forest come to life. I’m sure Barbie will be seduced by her new concrete residence.”

For the exterior, SHOWstudio wanted to create a hard and imposing structure that complimented Roksanda’s strong graphic aesthetic. The landscape features shards of material that sit in a seemingly endless expanse of velvety black.

The structure itself is bathed in hues of pink and blue; colours that reflect both the visual identity of Barbie herself and Roksanda’s Autumn/Winter 2013 palette. SHOWstudio wanted to merge the abstract and sublime with the strong and bold. In their animation, the house forms itself from the ground up, bubbling from liquid metal, concrete and glass. As the house takes shape, spikes and columns of digital matter form into solid concrete.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

Upon the roof sits a rooftop forest of towering silver birch trees. The forest floor bathed below in the glow of digital flora. This reflection of nature contrasts with the digital and manmade feel throughout the rest of the house. A combination of light and dark, strength and fragility, elegance and hard edge form the framework behind Roksanda’s vision for Barbie’s new dreamhouse.

The interior offers a somewhat lightened view of the same aesthetic. Large expanses coupled with intimate intricacies give the living spaces variety and depth. The modular nature of the furnishings and rooms lend themselves to multi purposes. Projections and colour washes give mood and warmth to the starkness.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

“Working in 3D has allowed us to push the boundaries of reality; using impossible materials and defying gravity to create a striking and dynamic outcome fuelled by Roksanda’s imagination.” Jon Emmony, Digital Art Director, SHOWstudio.

The Barbie Dreamhouse debuted in 1962, providing girls with the backdrop to play house with Barbie, truly bringing to life Ruth Handler’s vision that Barbie allows girls to role play real life scenarios, and over the past 50 years has been renovated and redesigned more than 10 times and transitioned from cardboard to plastic. Each Dreamhouse is representative of the era the house was built in and is a reflection of the time with unique architectural features and interior design details.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

The original Dreamhouse was $8.00 USD, and made of cardboard with simple flat painted details, sleek furniture, a combination television/stereo console, and a Dream Closet with pink plastic hangers. The 1962 Dreamhouse reflected the aesthetic and design of the time.

In 1974 Barbie moved into a three-story Dreamhouse that included a ‘working’ elevator and is considered to be one of the most iconic houses. By 1979 Barbie had upgraded from a cardboard house to plastic with a new Dreamhouse that featured lots of details and accessories from planters and shutters to doors and windows – the symmetrical architecture and ‘A-frame’ roof was a reflection of architecture during the time.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

The ’90s brought the Dreamhouse to a new level with the Magical Mansion that featured working sound and light electronics like a ringing telephone and doorbell, a lit fireplace and chandelier. The current Dreamhouse features modern day luxuries including a flat screen TV, an elevator and a whirlpool tub.

Barbie Dreamhouse by Roksanda Ilincic and SHOWstudio

About Roksanda Ilincic

Belgrade-born Roksanda Ilincic has shown her womenswear collections on the London Fashion Week schedule since 2005. Her eponymous label has recently grown to include swimwear and childrenswear lines which reflect her signature modern, cool and bold use of colour and shape, for which she has gained global recognition.

Barbie ensemble by Roksanda Ilincic
Barbie ensemble by Roksanda Ilincic, 2009

Her international customer base and VIP following include appearances on: the Duchess of Cambridge, Michele Obama, Samantha Cameron, Jessica Chastain, Keira Knightley, Gwyneth Paltrow, Rooney Mara, Penelope Cruz, Florence Welch, and Emma Stone, and her work has featured in the recent ‘Ballgowns: British Glamour Since 1950’ exhibition at the Victoria & Albert Museum.

Roksanda has previously dressed a limited edition Barbie to commemorate Barbie’s 50th anniversary in 2009.

About SHOWstudio

Since its foundation in November 2000, SHOWstudio has been passionate about pioneering new technologies and exploring innovative mediums. From live streaming Nick Knight’s photo shoots, to 3D scanning Kate Moss and Naomi Campbell, SHOWstudio’s team has constantly embraced new digital challenges.

Barbie Dreamhouse 1962
Barbie Dreamhouse, 1962

SHOWstudio has worked with some of the most influential and acclaimed figures of contemporary fashion, including John Galliano, Kate Moss, Rick Owens, Comme des Garçons and Alexander McQueen.

Barbie Dreamhouse 1974
Barbie Dreamhouse, 1974

Alongside these established names, SHOWstudio has also supported and nurtured emerging talent, including Giles Deacon, Gareth Pugh, Rodarte, J.W. Anderson and Mary Katrantzou, offering exciting new designers an important global showcase for creative expression. SHOWstudio has also worked with pop culture icons and creatives from the world of art, music and film including Tracey Emin, Björk, Brad Pitt and Lady Gaga.

Barbie Dreamhouse 1979
Barbie Dreamhouse, 1979

As champions of fashion film and live media, SHOWstudio has worked with the world’s most sought-after filmmakers, writers and cultural figures to create visionary online content, exploring every facet of fashion through moving image, illustration, photography and written word.

About Barbie

Barbie Dreamhouse 1983
Barbie Dreamhouse, 1983

Barbie has called Malibu her home since 1971, hitting the sand in her pastel blue bathing suit and sun-kissed tan. Building a long résumé of careers, reuniting with her boyfriend Ken, and filming her own reality show.

Barbie Dreamhouse 1990
Barbie Dreamhouse, 1990

In the past 50 years, Barbie has established herself as one of the world’s leading fashion icons, and has been dressed by leading design talents including: Alaïa, Burberry, Comme des Garçons, Chanel, Louis Vuitton, Prada, Louise Gray and Roksanda Ilincic.

Barbie Dreamhouse 1998
Barbie Dreamhouse, 1998

Barbie first broke the plastic ceiling in the 60s when, as an astronaut, she went to space four years before man walked on the moon. In the 80s she took to the boardroom as ‘Day to Night’ CEO Barbie, just as women began to break into management. And in the 90s, she ran for President, before any female candidate ever made it onto the presidential ballot.

Barbie Dreamhouse 2012
Barbie Dreamhouse, 2012

Barbie has even been a UNICEF Summit diplomat, an ambassador for world peace, a surgeon, and a computer engineer, amongst her myriad careers.

The post Barbie Dreamhouse by
Roksanda Ilincic and SHOWstudio
appeared first on Dezeen.

Prosthetics exhibition at SHOWcabinet

Fetishistic suits of armour, orthopaedic braces and wearable tusks all feature in an exhibition of prosthetics at the SHOWcabinet space in London (+ movie).

Prosthetics exhibition at SHOWcabinet

Curated by Niamh White, associate director of fashion film website SHOWstudio, the exhibition opened on Thursday and contains pieces intended to enhance, protect or deform the body.

Prosthetics exhibition at SHOWcabinet

The name of the showcase derives from the Ancient Greek word “prosthesis”, which means “to add”, but the collection also incorporates the modern understanding of prosthetics as replacement limbs.

Prosthetics exhibition at SHOWcabinet

Above: Fragmented Figure by Úna Burke

Designer Úna Burke created original pieces for the show made from leather straps joined with rivets, which encase limbs like a suit of armour.

Prosthetics exhibition at SHOWcabinet

Above: RE.TREAT #4 by Úna Burke

A black leather outfit is made up of one piece that covers the neck, arms and shoulders, and another that fits over the legs up to the waist, leaving the chest and abdomen exposed.

Prosthetics exhibition at SHOWcabinet

Above: RE.TREAT #8 by Úna Burke

Similar tan coloured pieces include a bodice extended over the shoulders and up the neck, fingerless gauntlets and a restraining device that forces the arms into a submissive position by encasing them together in front of the body.

Prosthetics exhibition at SHOWcabinet

Above: RE.TREAT #6 by Úna Burke

Burke and SHOWstudio collaborated on a film titled Bound, in which the black attire is warped as if a wearer is moving in it – watch a teaser at the top of this page or the full movie here.

Prosthetics exhibition at SHOWcabinet

Above: Infundibulum White Brace by Kat Marks

Other items in the collection include legs worn by American athlete Aimee Mullins at the London 2012 Paralympics opening ceremony, adorned with golden wings that flow up each shin.

Prosthetics exhibition at SHOWcabinet

Above: Infundibulum Black Brace by Kat Marks

Following her experience of wearing a back brace as a teenager, designer Kat Marks created three vacuum-formed thermo-plastic braces in 2009.

Prosthetics exhibition at SHOWcabinet

Above: Crown of Thorns with Mirror by Patrick Ian Hartley

A headdress formed from pipette-shaped glass tubes that fan out from a metal head brace complete with screws is by designer Patrick Ian Hartley, as are a range of restored artificial hip joints.

Prosthetics exhibition at SHOWcabinet

Above: Animal – The Other Side of Evolution #4 by Ana Rajcevic

Horns and tusks from London College of Fashion graduate Ana Rajcevic‘s Animal: The Other Side of Evolution series are also on display.

Prosthetics exhibition at SHOWcabinet

Above: Animal – The Other Side of Evolution #3 by Ana Rajcevic

The SHOWcabinet gallery space and shop are situated in Belgravia, west London, and host new exhibitions every couple of months. The Prosthetics exhibition is on display until 31 May.

Prosthetics exhibition at SHOWcabinet

Above: Splint #1 by Patrick Ian Hartley

SHOWstudio recently streamed a live project during which photographer Nick Knight captured water thrown at model Daphne Guinness. His images were used by Dutch fashion designer Iris van Herpen to create a dress – more information in our previous story.

Prosthetics exhibition at SHOWcabinet

Above: Splint #2 by Patrick Ian Hartley

See all our stories about fashion »
See more architecture and design exhibitions »

The information below is from SHOWstudio:


The term ‘prosthetic’ is now attributed to the branch of surgery dedicated to replacing missing or defective limbs, but to the Ancient Greeks it was an altogether more assertive concept meaning ‘to add’, ‘to advance’ or ‘to give power to’. For April’s SHOWcabinet, our re-imagined gallery space, we embrace this original meaning and display a range of artefacts that engage directly with prosthetics’ ability to adorn, equip and enhance.

Prosthetics exhibition at SHOWcabinet

Above: Splint #3 by Patrick Ian Hartley

Una Burke’s leather sculptures create the foundation for the installation. Her inanimate bodies engage the language of the physical gesture. Each limb is constructed from countless, beautifully bound leather straps and resemble orthopedic braces or suits of armour. While offering protection or support, they also suggest that the encased body is a fragile system. This constant interplay between empowerment and restriction creates a fetishistic dialectic between invisibility and visibility, as well as denial and disclosure. Burke will also release an exclusive film directed by SHOWstudio’s Head of Fashion Film Marie Schuller to coincide with the launch of the cabinet. The film sees her ordinarily motionless figure brought surreally and subtly to life.

 

Prosthetics exhibition at SHOWcabinet

Above: Chimere by Yiqing Yin

Alongside Burke’s work sit a variety of objects and artefacts which explore ideas surrounding prosthetics. Created during a dynamic collaboration between Aimee Mullins, Betony Vernon and Dorset Orthopeadics, the prosthetic legs that Mullins wore as a Chef de Mission for the Paralympic Opening Ceremony will be on view in the cabinet. With the legacy of last summer’s Olympic games still fresh, the imagery on Mullins’ sculptural legs is powerful. A full set of wings run the length of each shin – a reminder of Icarus, and a nod to intrepid innovation. Mullins herself competed in the Atlanta Paralympic Games in 2006 sporting a pair of the then newly developed cheetah style prosthetics and has painstakingly spent her career giving a more positive and empowered face to disability.

Prosthetics exhibition at SHOWcabinet

Above: Brand New Smile by Kyle Hopkins

Also featured in the cabinet is Kat Marks’ artefact collection ‘The Braces’. Inspired by her own experience of having to wear a Boston Back Brace to redirect the curvature of her spine in her adolescence, Marks has created 3 vacuum-formed thermo-plastic braces in various colours and styles. Remaining true to the original function of the brace, these stylised pieces hold the waist in tight and accentuate the hips, exaggerating a shape which echoes an hour glass figure. No longer does the brace read as medical accoutrement but rather speaks to fashionable ideals of beauty and sexuality.

Alongside these powerful anchors, we present an array of items from innovators in fashion and art who embrace augmentation and aesthetics in tackling the idea of bodily enhancement and extension. Medical anomalies and instruments were often housed in early nineteenth century curiosity cabinets, but we’ve chosen to include artwork by Una Burke, Aimee Mullins, Betony Vernon, Kat Marks, Patrick Ian Hartley, Dai Rees, Kyle Hopkins, Ana Rajcevic, Naomi Filmer, Tara Dougans and Yiqing Yin as a means to probe the potential in prosthetics.

The display will be accompanied by a series of events and discussion geared towards exploring the creative industries’ capabilities to expand perceptions of prosthetics.

The post Prosthetics exhibition
at SHOWcabinet
appeared first on Dezeen.

Kanye West – Lost in the World

Une réalisation de Ruth Hogben en collaboration avec Kanye West pour ce superbe clip officiel sur le single “Lost in the World”, extrait de son dernier album solo My Beautiful Dark Twisted Fantasy. Un titre en featuring avec Justin Vernon (Bon Iver) à découvrir en vidéo dans la suite.



lost2

lost3




Previously on Fubiz

Copyright Fubiz™ – Suivez nous sur Twitter et Facebook

Dynamic Blooms

Un beau clip expérimental, fruit de la collaboration entre le collectif Tell No One et SHOWstudio afin de créer “Dynamic Blooms”. Une vidéo de mode hypnotique et onirique sur une élégante photographie de Nick Knight, avec des transformations entre humains et tissus.



d1

Previously on Fubiz

Copyright Fubiz™ – Suivez nous sur Twitter et Facebook