Empty Light by Amanda Buckley

Empty Light by Amanda Buckley

This table lamp by Royal College of Art graduate Amanda Buckley has a ring of LEDs tucked under the rim of the shade to reflect a diffused glow from the empty shade.

Empty Light by Amanda Buckley

“The lamp uses a soft wash of white to reflect the main light source,” says Buckley. “When I designed it I was really obsessed with reflective light and how it could be used in an everyday functional setting but in a way that was subtle and beautiful.”

A friction hinge means it can be adjusted to cast light over a workspace or up into the room.

Empty Light by Amanda Buckley

Buckley developed the Empty Light while studying on the college’s Design Products course and presented the prototype at Show RCA 2012 last month. It’s the first in a range that will include a floor-standing light and a pendant light.

Watch a tour of the Design Products graduate show with course leader Tord Boontje here or above.

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Amanda Buckley
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Mouth Factory by Cheng Guo

These tools by Royal College of Art graduate Cheng Guo are controlled by simple mouth movements like chewing and blowing (+ movie).

Mouth Factory by Cheng Guo

The Mouth Factory includes a drill, a lathe and machines for rotational moulding and vacuum forming.

Mouth Factory by Cheng Guo

Above photo is by James Champion

There is also a silver ‘tongue extruder’ which fits inside the mouth and squeezes out Play-Doh when the user extends their tongue.

Mouth Factory by Cheng Guo

The drill is mounted on a headpiece and operated by making a chewing movement to turn the drill bit.

Mouth Factory by Cheng Guo

The vacuum forming tool allows the user to mould objects by inhaling through a tube. A plastic sheet is melted and placed on the fibreglass mould before the air is sucked out by the user, forcing the material into the shape of the mould.

Mouth Factory by Cheng Guo

Above photo is by James Champion

With the rotational moulding tool, the user fills the mould with resin before blowing on the attachment to spin it round as it sets.

Mouth Factory by Cheng Guo

The lathe lets the user hold the cutting tool in their mouth while spinning the wood which is held in place by the headpiece.

Mouth Factory by Cheng Guo

Cheng Guo recently graduated from the RCA’s Design Products course. Have a look at Dezeen’s movie of course leader Tord Boontje giving a tour of the work on display at Show RCA 2012.

Mouth Factory by Cheng Guo

Above photo is by James Champion

See all our stories from Show RCA 2012 »

Photographs are by Grey Chen, except where noted.

Here’s some more information from the designer:


Mouth Factory is inspired by the concept of human enhancement which has developed along with the progress of civilisation, from basic physical exercise to the adoption of enhancing apparatus all the way to the genetic engineering boomed in recent decades.

Mouth Factory by Cheng Guo

Above photo is by James Champion

I’ve always been interested in human behaviour in a given condition or environment, the subconscious control of one’s own body as well as enhancement of human capability, which is either overlooked or underestimated due to our familiarity with our own bodies.

Mouth Factory by Cheng Guo

The reason I chose the mouth as the subject matter to work with is that although it is such a wondrous organ, its capabilities and versatility is still underdeveloped. Apart from linguistic communication, food mastication and respiratory function which we take for granted in everyday life, the human mouth could also undertake many other functional tasks.

Mouth Factory by Cheng Guo

For example, using the mouth to replace the functions of handicapped body parts, performance acts such as using the mouth to pull a van, and special behaviours that occur in certain environments such as licking a wound.

Mouth Factory by Cheng Guo

Above photo is by James Champion

From the macroscopic point of view, by enhancing the capabilities of a frequently used yet underdeveloped organ, this project aims to investigate and present the reciprocal relationship between human body and various synthetic appendages, as well as the possible effects on the body imposed by those devices.

Mouth Factory by Cheng Guo

To some extent, Mouth Factory also renders and amplifies the aesthetic of human body and the rhythmicity of the repetitive behaviour when people are operating these performative devices, as well as a sense of beauty for the machines in production.

Mouth Factory by Cheng Guo

Above photo is by James Champion

Teeth lathe:
This wearable teeth lathe is driven by bows that are operated by hand. Two one-way bearings hiding in the pulley wheel of each side allow the axle to rotate in a single direction only. Instead of using lower front teeth as the cutter, which was the initial idea, the user will grip a silver steel blade with his teeth to shape the spinning material.

Inhaling vacuum form machine

Air is drawn out of the fibreglass mould by mouth after melting the plastic sheet mounted on it. Due to the vacuum inside, the atmospheric pressure will force the sheet material to fit on the internal surface of the mould. Then the formed plastic will be fixed after cooling down. The piston in the acrylic air chamber prevents the user from inhaling the toxic gas of heated plastic. The group of one way valves are used to hold the air in the mould when user breathes.

Blowing rotomolding machine

After placing a pair of silicone moulds in the aluminum container, mixed resin is injected into the mould from the side hole. Then the user can blow the fan blade as well as sway the head, which makes the container rotate around two axises. The whole process can last about five minutes.

Chewing drill

The biting force of a human being is about 13-35kg. This chewing drill uses a set of rack gear to transfer the biting force into torque. The chuck can hold various bits such as a drill bit, screw driver bit, sander bit, milling cutter, etc.

Tongue extruder

The shape of this extruder came from the casting of designer’s oral cavity. It is oral -safe due to the feature of silver material. After putting the chewing gum or play-doh into the extruder, user is supposed to eject his tongue to push the material come through the die in order to complete the extrusion process.

The movie above shows a mouth workout with movements designed to strengthen the mouth and improve the user’s tool skills.

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by Cheng Guo
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RCA architecture course to move away from “paper architecture”, says new dean

Dezeen Wire: new Royal College of Art dean of architecture Alex de Rijke will steer students away from proposing unrealisable “paper architecture” and instead focus on how their ideas could be built (+ movie).

In an interview with Dezeen at the RCA Show 2012 last month, de Rijke said: “Historically [at the RCA] there’s always been a very strong agenda on paper architecture – the speculative, the work that is provocative but not necessarily make-able.”

In future, “Students will be encouraged to speculate not just about future uses or programmes or places, but actually speculate about how they will be built,” de Rijke says. “Material experiment will very much become part of the course.”

De Rijke, of UK firm dRMM, was appointed to the role in September 2011 following the retirement of Nigel Coates in May.

Watch him give a tour of work by this year’s graduates in our other movie filmed with him at the show and see all our coverage of Show RCA 2012 here.

Movie: tour of Architecture at Show RCA 2012
with Alex de Rijke

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Parallel Architecture by James Thompson at Show RCA 2012

Parallel Architecture by James Thompson at Show RCA 2012

Royal College of Art graduate James Thompson cast the spaces between objects in the college cafe and used the resulting shapes to make furniture-like sculptures.

Parallel Architecture by James Thompson at Show RCA 2012

Thompson mapped the spaces between objects like armchairs and pool tables using Jesmonite, which is typically deployed to create decorative mouldings.

Parallel Architecture by James Thompson at Show RCA 2012

The resulting sculptures are mounted on wooden structures to resemble a new interior based on the same spatial relationships.

Parallel Architecture by James Thompson at Show RCA 2012

Thompson graduated from the college’s Design Products course and Parallel Architecture is on display at Show RCA 2012 until 1 July.

Parallel Architecture by James Thompson at Show RCA 2012

Last week we published a movie with Design Products course leader Tord Boontje giving a tour of the show – watch it here.

Parallel Architecture by James Thompson at Show RCA 2012

See more stories from Show RCA 2012 »

Parallel Architecture by James Thompson at Show RCA 2012

Here’s more information from the designer:


My work deals with our perception of space and its interpretation. My approach draws inspiration from the description of space in cubism and the potential duality of space and time, composed of parallel worlds and higher dimensions that exist alongside our own. Documentation is a key feature of my work, used as a working methodology and an outcome itself, evidenced through the creation of a tools and a systems used to record, re-map and translate a given space into something else.

Parallel Architecture by James Thompson at Show RCA 2012

Parallel Architectures:

Design a system that can be used to document and re-map a particular space and time, to define new interior pieces. The work uses the current formation of a space, the RCafe at the RCA, as the start point to build a functional parallel interior, from that space, for that space.

Parallel Architecture by James Thompson at Show RCA 2012

Cast jesmonite paths map the space, illustrating distance by creating connections between objects, these connections relay on each other for support, they cannot stand alone. The casts used describe space at that particular time and are used to influence to shape of the other, parallel re-constructed space they will become. In the re-constructed space these negative in-betweens are then filled and populated to bridge this gap and give new function to this empty space.

Tangible Textural Interface by Eunhee Jo at Show RCA 2012

Royal College of Art graduate Eunhee Jo has designed a tactile speaker with a fabric control panel and a speaker that moves to the music (+ movie).

Tangible Textural Interface by Eunhee Jo at Show RCA 2012

The control panel for the Tangible Textural Interface (TTI) speaker is embedded in a concave surface on one side. By pushing the fabric surface, the user can skip tracks, adjust the volume or select options on the equaliser.

Tangible Textural Interface by Eunhee Jo at Show RCA 2012

On the other side, the speaker’s surface pulsates to the beat of the music and physically responds to selections made on the control panel.

Tangible Textural Interface by Eunhee Jo at Show RCA 2012

Eunhee Jo recently graduated from the college’s Innovation Design Engineering course and the TTI speaker is on display at Show RCA 2012, which continues until 1 July.

See more stories from Show RCA 2012 here and watch course leader Miles Pennington give a tour of the show here.

Photographs are by Taehyung Kim.

Here’s some more information from the designer:


TTI by Eunhee Jo

Interactive surfaces makes everyday objects multi-functional and fun. Reactive technologies have now enabled normal interfaces with new functions and new possibilities. The role of the surface is changing radically, according to how it’s designed and incorporated with objects.

My proposal was to re-define the role of the surface in future lifestyle, exploring how surfaces can be an integrated as part of a product or environment.

TTI (standing for Tangible Textural Interface) is a new sound system that embeds a tactile surface. TTI has flexibility that enables people to physically touch and feel the response through the controls and physical morph of the surface. TTI delivers new aesthetics through integrated flexible surfaces as interface material unlike adapting conventional materials for interfaces such as plastic or glass. Unlike existing 2D interfaces, TTI has a curved 3D surface opening up new possibilities in making flexible forms and shapes within the interface.

TTI consists of 3 main functions, backwards and forwards, volume control and equaliser, having a physical feedback and control interface within one surface. As you control the functions, the left surface physically responds to the controls. Tactile surface also responds to the beat of the music.

Movie: tour of Architecture at Show RCA 2012 with Alex de Rijke

Movie: the final tour we filmed at this year’s Royal College of Art graduate show features projects from the Architecture course including a high-rise hotel growing tropical fruit and an insect-powered office tower.

Movie: tour of Architecture at Show RCA 2012 with Alex de Rijke

Above: Data Harvest by Christopher Green

Professor of Architecture Alex de Rijke introduces the course and presents student Louis Hall’s investigation into the way cities develop around motorway infrastructure and the effects major corporations might have on the built environment.

Movie: tour of Architecture at Show RCA 2012 with Alex de Rijke

Above: HOT-el by Amanda Callaghan

De Rijke also talks about Haiwai Xie’s model for low-rise, high-density living in London modelled on a Chinese neighbourhood.

Movie: tour of Architecture at Show RCA 2012 with Alex de Rijke

Above: Good Intentions by Louis Hall

Student Christopher Green describes his design for a high-rise office building that would cultivate insects both as a sustainable food source and a method for storing data within the structure.

Movie: tour of Architecture at Show RCA 2012 with Alex de Rijke

Above: ‘BRIC’ house by Haiwai Xie

De Rijke, of UK firm dRMM, took over as dean of the School of Architecture in September 2011 following the retirement of Nigel Coates, as reported on Dezeen Wire.

The show continues until 1 July and you can see all our stories about the work exhibited here, plus tours of Design Products, Design Interactions and Innovation Design Engineering.

Ring by Hotzu River Cheng

Ring by Hotzu River Cheng

When Royal College of Art graduate Hotzu River Cheng found out that cooking fumes were a bigger cause of lung cancer than cigarettes among Chinese women, he set out to design a better extractor fan to protect them.

Ring by Hotzu River Cheng

Most cooking extractors are simply designed to prevent the room filling with fumes but their position above the stove drags the carcinogenic gasses past the user’s face.

Ring by Hotzu River Cheng

Called Ring, Cheng’s product blows air diagonally upwards towards the back of the stove where the fumes are extracted below face-level.

Ring by Hotzu River Cheng

He proposes two ways of introducing the system: a new stove with extraction built in to the back (above), or a portable version that can be attached to existing cookers.

Ring by Hotzu River Cheng

Cheng graduated from Innovation Design Engineering and his work is on display at Show RCA 2012 until 1 July.

Ring by Hotzu River Cheng

Watch our movie tour of the Innovation Design Engineering show here and see all our stories about Show RCA 2012 here.

Ring by Hotzu River Cheng

Here’s some more information from Hotzu River Cheng:


Lung cancer has been the leading cause of cancer death among women in China since 1986. However, only 10 percent of female lung cancer patients smoke. Why? The cooking fumes!

Exposure to fumes from cooking oils was an important risk factor for lung cancer. Heating cooking oil to high temperatures creates PAHs (Polycyclic Aromatic Hydrocarbons) through evaporation. PAHs are linked to breathing problems and lung cancer.

Ring by Hotzu River Cheng

A British study shows that cooking in the bad ventilation system for one hour is equivalent to smoking two packs of cigarettes. The risk of getting lung cancer increases by 2-3 times. However, only 9.4% people knew that the fumes could be carcinogenic.

Ring by Hotzu River Cheng

The most important is, right now the range hood is designed for the room, not for the user. Most fume extractors are installed above the range, over the user’s head. They prevent fumes from spreading to the entire house, but do not protect the cook from fume inhalation.

‘Ring’ is an innovative fume extractor which is designed for the user’s health. When we cook, the fume always goes up, and we still can inhale the fume no matter how strong the fume extractor it is. ‘Ring’ can extract the fumes before it goes up. The cook will no longer need to live with the risks of cooking fume inhalation.

Ring by Hotzu River Cheng

APPLICATION I – GAS STOVE (PATENT PENDING)

Not all the households have the fume extractors. However, they all have the stoves once they cook at home. These gas stoves have a similar feature. There is a lot of empty space inside the box. Therefore, an extractor fan is built inside the stove.

If you don’t have a fume extractor, you can use this gas stove directly as a fume extractor. However, if you already have a fume extractor, you could rotate the angle of the nozzle, it can improve the efficiency of the fume extractor.

APPLICATION II – PORTABLE DESIGN (PATENT PENDING)

This is the portable fume extractor for the aftermarket. It is easy to carry and install.

One set is for the single stove. However, it works perfectly with two sets. Square joint is for fixing. Round joint is for rotating. You can change the pipe into a longer one once
you have a bigger stove. It is a modular design. This portable fume extractor is cheap, easy to clean, and flexible.

Movie: tour of Innovation Design Engineering at Show RCA 2012 with Miles Pennington

Movie: the third tour we filmed at the Royal College of Art graduate show features work from the Innovation Design Engineering course, including a candyfloss machine for recycling plastic and a bicycle for recycling copper from electrical wires.

Movie: tour of Innovation Design Engineering at Show RCA 2012 with Miles Pennington

Above: Iris by Mimi Zou

Course leader Miles Pennington presents an eye-tracking camera and student Eunhee Jo presents her stereo system with textile controls.

Movie: tour of Innovation Design Engineering at Show RCA 2012 with Miles Pennington

Above: New Tangible Interfaces by Eunhee Jo

The show continues until 1 July and you can see all our stories about the work exhibited here.

Movie: tour of Innovation Design Engineering at Show RCA 2012 with Miles Pennington

Above: Esource by Hal Watts

Watch a tour of the Design Products course with Tord Boontje »
Watch a tour of the Design Interactions course with Tony Dunne »
See all our stories about the Royal College of Art »