Watchcase: Reinvention in Sag Harbor: Historic preservation brings new life to the abandoned Fahys Watch Case Company factory

Watchcase: Reinvention in Sag Harbor


Long Island’s Sag Harbor, a quiet Hamptons escape, has long maintained a community that holds history and preservation paramount. For the last seven years, a project has been underway to meet local standards and reinvent one of the village’s iconic structures. …

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Venturini House by Adamo-Faiden

Argentinean studio Adamo-Faiden has overhauled an ageing townhouse in Buenos Aires with the addition of a rooftop courtyard and an underground yoga room.

Venturini House by Adamo-Faiden

The house had been used in various guises throughout its history, most recently as an apartment block, and Marcelo Faiden and Sebastian Adamo were asked to restore the building as a home for the Venturini family.

Venturini House by Adamo-Faiden

The architects began by removing superfluous partitions and stripping the structure back to its basic form. They then re-planned the layout and worked out where they could add extra rooms.

Venturini House by Adamo-Faiden

“Our intervention can be summarised in three actions: extraction, redescription and addition,” they explain.

Venturini House by Adamo-Faiden

An extra roof inserted over the house’s old courtyard encloses the new basement-level yoga room, which is lit from above by a strip of skylights.

Venturini House by Adamo-Faiden

The surface of this roof also provides a new ground-floor patio, allowing the family to open out their living room to a secluded outdoor space.

Venturini House by Adamo-Faiden

Another storey added over the roof of the building provides a room that can be used for guests. This leads out to the new rooftop courtyard.

Venturini House by Adamo-Faiden

The roof of this extension has a V-shaped profile, making it the most noticeable addition to the traditional facade.

Venturini House by Adamo-Faiden

Adamo-Faiden has worked on a number of residential projects in Buenos Aires. Others include a fabric tensile structure at a renovated apartment and social housing installed on top of existing homes. See more architecture by Adamo-Faiden.

Venturini House by Adamo-Faiden

Other houses we’ve featured from Argentina include a residence comprising two brick boxes and a brick house wrapped in a band of white concrete. See more architecture in Argentina.

Venturini House by Adamo-Faiden

Photography is by Cristobal Palma.

Venturini House by Adamo-Faiden

Read on for more text from Adamo-Faiden:


Venturini House

The house is located close to the Abasto Market, transformed into a commercial centre. Like the market, the house where the Venturini family presently lives has homed a variety of different uses. At the time of the construction the house functioned as a house for rent. Its organisation responded to a very common typology in the city of Buenos Aires. Small houses were located towards the interior of the block, whereas the one belonging to the owner was the facade to the street. The devaluation of this area of the city towards the middle of last century brought about the occupation of the main house, being transformed into a tenement house.

Venturini House by Adamo-Faiden

Our intervention can be summarised in three actions: extraction, redescription and addition. The first of them meant the recovery of the original spatial structure. The second phase of the project was simply based on labelling again each of the spaces in order to adapt the existing structure to contemporary way of life. Finally, the last action was based in two precise additions. The first of them was the materialisation of a mezzanine floor which allowed us to simultaneously cover a yoga room in the basement and to give support to an exterior expansion for the living room area. At last, the construction of a light structure on the roof, for multiple uses, made visible the optimism that follows the revaluation of the city as a way of new crowning for the property.

Venturini House by Adamo-Faiden
Site plan – click for larger image
Venturini House by Adamo-Faiden
Floor plans – click for larger image
Venturini House by Adamo-Faiden
Long section – click for larger image
Venturini House by Adamo-Faiden
Cross section and front elevation – click for larger image

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Loft Renovation

Les équipes du studio autrichien Lakonis Architekten ont rénové un bâtiment historique, situé dans le centre de Vienne. Proposant ainsi un loft magnifique jouant avec efficacité entre héritage historique et modernité, des photographies de ce lieu sont à découvrir dans la suite de l’article.

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Theater Book Store

Le Grand Splendid Theater de Buenos Aires en Argentine propose dorénavant de disposer d’une librairie de toute beauté. Reprenant le vieux théâtre en le remettant à neuf, cette nouvelle organisation est très réussie, et est à découvrir dans la suite de l’article.



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MCA Australia Relaunch

Two exhibitions on time christen Sydney’s newly-renovated Museum of Contemporary Art

by Alex Vitlin

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Following an 18-month, $53 million redevelopment project, the Museum of Contemporary Art Australia relaunched in late March. The addition of “Australia” at the end of its title is appropriate: the MCA is no longer merely great art sequestered in a hokey building in Sydney, it’s a modern museum on one of the most coveted pieces of real estate in the world.

In addition to the refurbishment of the original building (the Art Deco former Maritime Services Board building on Circular Quay), architect Sam Mitchell and the NSW Government Architects’s Office designed a new 4,500-square-meter wing. This five-story “Mordant” wing juxtaposes rigid, chiaroscuro architecture against the softer feel of the original sandstone building. Inside, it houses a 5.8m-high gallery, a library and a Digital Learning Centre, which will allow virtual access to the museum for every school in Australia. For many, the real draw will be the rooftop sculpture terrace (with a custom work by Hany Armanious) and its attendant cafe: there aren’t so many places that allow you to see the Bridge and the Opera House by barely turning your head.

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The original building displays the MCA permanent collection. These pieces are acquired no more than 10 years after their creation, and currently include names like Ricky Swallow, Charlie Sofo, Simryn Gill, Tracey Moffatt and Shaun Gladwell. Robert Owen’s “Sunrise #3” adorns an entire wall directly opposite the museum’s collection of contemporary bark painting. The entrance hall and floors now embrace the harbor views, and provide a logical route through the collection, which couldn’t be said of the Museum’s previous incarnation.

The timing of the relaunch is auspicious: the museum was founded 21 years ago and, coincidentally or not, the feature exhibitions it has chosen to relaunch with both explore the concept of time.

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Running through 3 June 2012, “Marking Time” comprises 11 artists working in an array of media with the common notion of time as journey. Jim Campbell has three works in the exhibition, but perhaps most moving is the installation “Last Day in the Beginning of March”, an attempt to recreate the final 24 hours of his brother’s life through visceral mimicries of light, heartbeat and rainfall.

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Edgar Arceneaux draws straight onto the gallery walls in his “Drawings of a Removal”, dynamic and impermanent pieces that recall a trip he took with his father, rendered by the artist during the first week of the exhibition.

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“Continent-Cloud”, by Rivane Neuenschwander, is an illuminated ceiling on which beans are pushed around by intermittently placed fans, and the roof of the gallery morphs into moving landmasses or shapes. Here, time is not only a human experience.

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Across the entrance hall, Christian Marclay‘s “The Clock” gets its own dedicated space as a cinema, replete with couches. Showing for the first time in the southern hemisphere, this ambitious, engaging work provides a moment for every minute of the 24-hour day. Scenes from movies have been spliced to reference every minute of the day, at exactly that minute, and every Thursday until June 2012, The Clock will be open 24 hours per day. It’s an art project that uses film; it’s also a film acting as art. Either way, it possesses a curious narrative drive in which nothing is guaranteed, yet remains completely enthralling—probably a good metaphor for the redesigned MCA itself. “The Clock” is also on display through 3 June 2012.

Museum of Contemporary Art Australia

140 George Street, Sydney

NSW 2000, Australia


House Morran by Johannes Norlander Arkitektur

House Morran by Johannes Norlander Arkitektur

Swedish architects Johannes Norlander Arkitektur have renovated this 1950s island cottage near Gothenburg.

House Morran by Johannes Norlander Arkitektur

House Morran has been re-clad in tar-coated plywood and the roof, eaves and gutters are also coated in black.

House Morran by Johannes Norlander Arkitektur

The interior of the house is finished in natural pine.

House Morran by Johannes Norlander Arkitektur

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Photography is by Rasmus Norlander

Here are some more details from the architects:


House Morran

Date: 2010.11.01
Construction year: 2010

House Morran by Johannes Norlander Arkitektur

Client: Private Architect: Johannes Norlander Arkitektur AB
Location: Gothenburg Archipelago , Sweden Area: 80 m2

House Morran by Johannes Norlander Arkitektur

The house is located on an island just by the sea fairway to the port of Gothenburg.

House Morran by Johannes Norlander Arkitektur

The project is a transformation of a worn down cottage from the 50’s with an extension from the mid 70’s.

House Morran by Johannes Norlander Arkitektur

The building volume and most of the structure has been kept intact, in order not to exploit the landscape but just to refine and strengthen the qualities already existing on the site.

House Morran by Johannes Norlander Arkitektur

The new facade is cladded in plywood, coated in black pine tar just like the traditional way of preserving wooden boats.

House Morran by Johannes Norlander Arkitektur

The roof is coated in simple tar paper and has thin plywood eaves with integrated aluminum gutters, coated in black. The interior is all in natural pine and where plywood is used for both cladding and construction.

House Morran by Johannes Norlander Arkitektur


See also:

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Belle Iloise House
by Opus 5
House in Hiyoshi by
Hiroyuki Tanaka Architects
Solbrinken Ordinary House
by In Praise of Shadows