African children’s library with rammed earth walls by BC Architects

This children’s library with rammed earth walls in Burundi, Africa, was built by Belgian studio BC Architects and members of the local community, according to an open-source design template (+ slideshow).

Children's library in Africa with rammed earth walls by BC Architects

The Library of Muyinga is the first building of a project to build a new school for deaf children, using local materials and construction techniques, and referencing indigenous building typologies.

African children's library with rammed earth walls by BC Architects

BC Architects developed the design from a five-year-old template listed on the OpenStructures network. They adapted it to suit the needs of the programme, adding a large sheltered corridor that is typical of traditional Burundian housing.

African children's library with rammed earth walls by BC Architects

“Life happens mostly in this hallway porch: encounters, resting, conversation, waiting,” explained the architects. “It is a truly social space, constitutive for community relations.”

Children's library in Africa with rammed earth walls by BC Architects

Rammed earth blocks form the richly coloured walls and were produced using a pair of vintage compressor machines. They create rows of closely spaced piers around the exterior, supporting a heavy roof clad with locally made baked-clay tiles.

Children's library in Africa with rammed earth walls by BC Architects

“The challenge of limited resources for this project became an opportunity,” said the architects. “We managed to respect a short supply-chain of building materials and labour force, supporting the local economy and installing pride in the construction of a library with the poor people’s material – earth.”

Children's library in Africa with rammed earth walls by BC Architects

The wide corridor runs along one side of the building, negotiating a change in level between the front and back of the site. Glass panels are slotted between columns along one of its sides and hinge open to lead through to the library reading room.

Children's library in Africa with rammed earth walls by BC Architects

Here, bookshelves are slotted within recesses between the piers, while a large wooden table provides a study area and a huge hammock is suspended from the ceiling to create a more informal space for reading.

Children's library in Africa with rammed earth walls by BC Architects

Wooden shutters reveal when the library is open. They also open the building out to the area where the rest of the school will be built, which is bounded by a new drystone wall.

Children's library in Africa with rammed earth walls by BC Architects

“A very important element in Burundian (and, generally, African) architecture is the very present demarcation of property lines. It is a tradition that goes back to tribal practices of compounding family settlements,” said the architects.

Children's library in Africa with rammed earth walls by BC Architects

High ceilings allow cross ventilation, via a pattern of square perforations between the rammed earth blocks.

Children's library in Africa with rammed earth walls by BC Architects

Here’s a more detailed project description from BC architects:


The Library of Muyinga

Architecture

The first library of Muyinga, part of a future inclusive school for deaf children, in locally sourced compressed earth blocks, built with a participatory approach.

Our work in Africa started within the framework of OpenStructures.net. BC was asked to scale the “Open structures” model to an architectural level. A construction process involving end-users and second-hand economies was conceived. Product life cycles, water resource cycles en energy cycles were connected to this construction process. This OpenStructures architectural model was called Case Study (CS) 1: Katanga, Congo. It was theoretical, and fully research-based. 5 years later, the library of Muyinga in Burundi nears completion.

Children's library in Africa with rammed earth walls by BC Architects

Vernacular inspirations

A thorough study of vernacular architectural practices in Burundi was the basis of the design of the building. Two months of fieldwork in the region and surrounding provinces gave us insight in the local materials, techniques and building typologies. These findings were applied, updated, reinterpreted and framed within the local know-how and traditions of Muyinga.

The library is organised along a longitudinal covered circulation space. This “hallway porch” is a space often encountered within the Burundian traditional housing as it provides a shelter from heavy rains and harsh sun. Life happens mostly in this hallway porch; encounters, resting, conversation, waiting – it is a truly social space, constitutive for community relations.

Children's library in Africa with rammed earth walls by BC Architects

This hallway porch is deliberately oversized to become the extent of the library. Transparent doors between the columns create the interaction between inside space and porch. Fully opened, these doors make the library open up towards the adjacent square with breathtaking views over Burundi’s “milles collines” (1000 hills).

On the longitudinal end, the hallway porch flows onto the street, where blinders control access. These blinders are an important architectural element of the street facade, showing clearly when the library is open or closed. On the other end, the hallway porch will continue as the main circulation and access space for the future school.

Children's library in Africa with rammed earth walls by BC Architects

A very important element in Burundian (and, generally, African) architecture is the very present demarcation of property lines. It is a tradition that goes back to tribal practices of compounding family settlements. For the library of Muyinga, the compound wall was considered in a co-design process with the community and the local NGO. The wall facilitates the terracing of the slope as a retaining wall in dry stone technique, low on the squares and playground of the school side, high on the street side. Thus, the view towards the valley is uncompromised, while safety from the street side is guaranteed.

The general form of the library is the result of a structural logic, derived on one hand from the material choice (compressed earth blocks masonry and baked clay roof tiles). The locally produced roof tiles were considerably more heavy than imported corrugated iron sheets. This inspired the structural system of closely spaced columns at 1m30 intervals, which also act as buttresses for the high walls of the library. This rhythmic repetition of columns is a recognisable feature of the building, on the outside as well as on the inside.

The roof has a slope of 35% with an overhang to protect the unbaked CEB blocks, and contributes to the architecture of the library.

Children's library in Africa with rammed earth walls by BC Architects

Climatic considerations inspired the volume and facade: a high interior with continuous cross-ventilation helps to guide the humid and hot air away. Hence, the facade is perforated according to the rhythm of the compressed earth blocks (CEB) masonry, giving the library its luminous sight in the evening.

The double room height at the street side gave the possibility to create a special space for the smallest of the library readers. This children’s space consist of a wooden sitting corner on the ground floor, which might facilitate cosy class readings. It is topped by an enormous hammock of sisal rope as a mezzanine, in which the children can dream away with the books that they are reading.

The future school will continue to swing intelligently through the landscape of the site, creating playgrounds and courtyards to accomodate existing slopes and trees. In the meanwhile, the library will work as an autonomous building with a finished design.

Children's library in Africa with rammed earth walls by BC Architects

Local materials research

The challenge of limited resources for this project became an opportunity. We managed to respect a short supply-chain of building materials and labour force, supporting local economy, and installing pride in the construction of a library with the poor people’s material: earth.

Earth analysis: “field tests and laboratory tests” – Raw earth as building material is more fragile than other conventional building materials. Some analyse is thus important to do. Some easy tests can be made on field to have a first idea of its quality. Some other tests have to be made in the laboratory to have a beter understanding of the material and improve its performance.

CEB: “from mother nature” – After an extensive material research in relation with the context, it was decided to use compressed earth bricks (CEB) as the main material for the construction of the building. We were lucky enough to find 2 CEB machines intactly under 15 years of dust. The Terstaram machines produce earth blocks of 29x14x9cm that are very similar to the bricks we know in the North, apart from the fact that they are not baked. Four people are constantly producing stones, up to 1100 stones/day.

Children's library in Africa with rammed earth walls by BC Architects

Eucalyptus “wood; the strongest, the reddest” – The load bearing beams that are supporting the roof are made of eucalyptus wood, which is sustainably harvested in Muramba. Eucalyptus wood renders soil acid and therefor blocks other vegetation to grow. Thus, a clear forest management vision is needed to control the use of it in the Burundian hills. When rightly managed, Eucalyptus is the best solution to span spaces and use as construction wood, due to its high strengths and fast growing.

Tiles: “local quality product” – The roof and floor tiles are made in a local atelier in the surroundings of Muyinga. The tiles are made of baked Nyamaso valley clay. After baking, their color renders beautifully vague pink, in the same range of colors as the bricks. Each roof surface in the library design consists of around 1400 tiles. This roof replaces imported currogated iron sheets, and revalues local materials as a key design element for public roof infrastructure.

Children's library in Africa with rammed earth walls by BC Architects

Internal Earth plaster: “simple but sensitive” – Clay from the valley of Nyamaso, 3 km from the construction site, was used for its pure and non-expansive qualities. After some minimal testing with bricks, a mix was chosen and applied on the interior of the library. The earth plaster is resistent to indoor normal use for a public function, and has turned out nicely.

Bamboo: “Weaving lamp fixtures” – Local bamboo is not of construction quality, but can nicely be used for special interior design functions, or light filters. In a joint workshop with Burundians and Belgians, some weaving techniques were explored, and in the end, used for the lamp fixtures inside the library.

Children's library in Africa with rammed earth walls by BC Architects
Floor plan – click for larger image

Sisal rope: “from plant to hammock” – Net-making from Sisal plant fibres is one of the small micro-economies that bloomed in this project. It took a lot of effort to find the only elder around Muyinga that masters the Sisal rope weaving technique. He harvested the local sisal plant on site, and started weaving. In the pilote project, he educated 4 other workers, who now also master this technique, and use it as a skill to gain their livelihood. The resulting hammock serves as a children’s space to play, relax and read, on a mezzanine level above the library space.

Concrete “when it’s the only way out” – For this pilot project, we didn’t want to take any risks for structural issues. A lightweight concrete skeleton structure is inside the CEB columns, in a way that both materials (CEB and concrete) are mechanichally seperated. The CEB hollow columns were used as a “lost” formwork for the concrete works. It is our aim, given our experience with Phase 1, to eliminiate the structural use of concrete for future buildings.

Children's library in Africa with rammed earth walls by BC Architects
Section – click for larger image

Project Description: Library for the community of Muyinga
Location: Muyinga (BU)
Client: ODEDIM
Architect: BC architects
Local material consultancy: BC studies
Community participation and organisation: BC studies and ODEDIM Muyinga
Cooperation: ODEDIM Muyinga NGO, Satimo vzw, Sint-Lucas Architecture University, Sarolta Hüttl, Sebastiaan De Beir, Hanne Eckelmans
Financial support: Satimo vzw, Rotary Aalst, Zonta Brugge, Province of West-Flanders
Budget: €40 000
Surface: 140m2
Concept: 2012
Status: completed

The post African children’s library with rammed
earth walls by BC Architects
appeared first on Dezeen.

Tucson Mountain Retreat by DUST

This holiday house with rammed earth walls by US architects DUST is nestled amongst the rocky outcrops and sprouting cacti of the Sonoran Desert in Arizona (+ slideshow).

Tucson Mountain Retreat by DUST

With a long narrow body that ambles gently across the terrain, the Tucson Mountain Retreat is a single-storey residence with terraces along its north and south elevations and a small deck upon its roof.

Tucson Mountain Retreat by DUST

DUST architects Cade Hayes and Jesus Robles planned a location away from animal migration paths and overexposure to sunlight and wind, then used local soil to build the house’s red earth walls.

Tucson Mountain Retreat by DUST

“Great effort was invested to minimise the physical impact of the home in such a fragile environment, while at the same time attempting to create a place that would serve as a backdrop to life and strengthen the sacred connections to the awe-inspiring mystical landscape,” explains Hayes.

Tucson Mountain Retreat by DUST

The rooms of the house are separated into three zones, comprising a sleeping and bathing area, a central living room and a music studio. Residents have to leave the building to move between zones, intended to provide acoustic separation.

Tucson Mountain Retreat by DUST

The living room features glazed walls on both sides, which slide open to enable cross ventilation. The music room opens out to a north-facing deck, while the two bedrooms have a terrace along their southern edge and feature a chunky concrete canopy to shelter them from harsh midday sun.

Tucson Mountain Retreat by DUST

A spiralling metal staircase leads up to the roof, offering residents a wide-stretching view of the surrounding desert landscape.

Tucson Mountain Retreat by DUST

The house produces all its own water using a large rainwater harvesting system that filters the liquid until it is clean enough to drink.

Tucson Mountain Retreat by DUST

There’s also a small car parking area a short distance away and it can be accessed via a narrow footpath.

Tucson Mountain Retreat by DUST

Another project we’ve featured from the Arizona deserts is a cast concrete house that is sunken into the ground. We’ve also published a cabin built by students in the Utah desert. See more houses in the US.

Tucson Mountain Retreat by DUST

See more architecture using rammed earth, including a research complex in India.

Photography is by Jeff Goldberg/ESTO.

Here’s a project description from DUST:


The Tucson Mountain Retreat is located within the Sonoran Desert; an extremely lush, exposed, arid expanse of land that emits a sense of stillness and permanency, and holds mysteries of magical proportions. The home is carefully sited in response to the adjacent arroyos, rock out-croppings, ancient cacti, animal migration paths, air movement, sun exposure and views. Great effort was invested to minimise the physical impact of the home in such a fragile environment, while at the same time attempting to create a place that would serve as a backdrop to life and strengthen the sacred connections to the awe-inspiring mystical landscape.

Tucson Mountain Retreat by DUST
Ground floor and roof terrace plan – click for larger image

Intentionally isolating the parking over 400 feet from the house, one must traverse and engage the desert by walking along a narrow footpath toward the house, passing through a dense clustered area of cacti and Palo Verde that obscure direct views of the home. Upon each progressive footstep, the house slowly reveals itself, rising out of the ground. The entry sequence, a series of playfully engaging concrete steps, dissolves into the desert. As one ascends, each step offers an alternative decision and a new adventure. Through this process, movement slows and senses are stimulated, leaving the rush of city life behind.

The home is primarily made of rammed earth, a material that uses widely available soil, provides desirable thermal mass and has virtually no adverse environmental side effects. Historically vernacular to arid regions, it fits well within the Sonoran Desert, while at the same time it embodies inherent poetic qualities that engage the visual, tactile and auditory senses of all who experience it.

The program of the home is divided into three distinct and isolated zones; living, sleeping, and music recording/home entertainment. Each zone must be accessed by leaving the occupied zone, stepping outside, and entering a different space. This separation resolves the clients’ desired acoustic separation while at the same time, offers a unique opportunity to continuously experience the raw desert landscape.

Tucson Mountain Retreat by DUST
Cross section – click for larger image

Rooted in the desert, where water is always scarce, the design incorporates a generous 30,000 gallon rainwater harvesting system with an advanced filtration system that makes our most precious resource available for all household uses.

Solar heat gain is reduced by orienting the house in a linear fashion along an east–west axis, and by minimising door and window openings in the narrow east and west facades. The main living and the sleeping spaces extend into patios and open toward the south under deep overhangs that allow unadulterated views and access to the Sonoran Desert. The overhangs provide shelter from the summer sun while allowing winter sunlight to enter and passively heat the floors and walls. They also scoop prevailing southerly breezes and enhance cross ventilation, which can be flexibly controlled by adjusting the floor-to-ceiling sliding glass doors. When the large glass doors are fully opened, the house is transformed, evoking a boundless ramada-like spirit where the desert and home become one.

The post Tucson Mountain Retreat
by DUST
appeared first on Dezeen.

HOUS.E+ by Polifactory

Shanghai architects Polifactory have developed a concept for a rammed earth house that generates energy from a lake on its roof.

HOUS.E+ by Polifactory

Designed for a rural site in Vancouver, the self-sustaining HOUS.E+ would use turbines embedded in the walls to produce electricity from water being pumped through a system of pipes.

HOUS.E+ by Polifactory

Additional electricity would come from photovoltaic panels on the rooftops of five blocks that rise above the water and any excess power could be fed back into the national grid.

HOUS.E+ by Polifactory

Rooms would be set 2.5 metres below ground level, where they would be heated in winter and cooled in summer from an underground pump that uses the surrounding earth as a heat source or sink.

HOUS.E+ by Polifactory

Two courtyards at this level would let daylight down onto the sunken floor, while more natural light would filter in through skylights.

HOUS.E+ by Polifactory

Inhabitants would also be able to harvest their own food by cultivating an ecosystem of fish, seafood and plants beneath the surface of the water.

HOUS.E+ by Polifactory

Polifactory developed the concept for a competition organised by The Architecture Foundation of British Columbia for a redesign of the typical regional house.

We also recently featured a self-sustaining house in rural China, which you can see here.

Here’s some text from Polifactory:


Hous.E+ is designed to combine new and old techniques in order to create a not only a resourceful building regarding energy efficiency and sustainability but also well equipped to actively respond to future demands of smart grid systems where energy surplus is distributed and agriculture within the city is a reality.

HOUS.E+ by Polifactory

Above: solar energy and geothermal heat exchange

Designed for a competition in Vancouver, called “100 Mile House”, this project is more than just a concept, but reality with a twist. Therefore, it is based upon existing smart technologies, but goes a step further on solutions that haven’t been explored so far. In this house water is not only stored and re-used but also is part of a cycle that generates power throughout a series of wall embedded micro hydro-turbines. Unnecessary transportation of materials is avoid making a significant difference into the overall carbon foot print emission balance.

HOUS.E+ by Polifactory

Above: hydropower

Hous.E+ is build upon a rammed earth wall technique that is unaffected by rain, fire or pests, plus it doesn’t require any further finishing. The walls act like breathing structures, allowing air exchange without significant heat loss, working naturally as a thermal mass, storing heat in winter and rejecting in the summer, eliminating the need for air conditioning.

HOUS.E+ by Polifactory

Above: aquaponics healthy food growth

Hous.E+ is set to produce more energy than it consumes.

The post HOUS.E+
by Polifactory
appeared first on Dezeen.

Lupin Research Park by Malik Architecture

Lupin Research Park by Malik Architecture

A terracotta-coloured earth wall bounding the edge of a research complex in Pune, India, vanishes into a hillside.

Lupin Research Park by Malik Architecture

Designed by Malik Architecture, the research centre for pharmaceutical company Lupin also features an open amphitheatre, water fountains and an auditorium inside an aluminium cube.

Lupin Research Park by Malik Architecture

The complex surrounds a central courtyard, while a connecting block for administration is located slightly further up the hill.

Lupin Research Park by Malik Architecture

Pergola-like structures shelter pathways between buildings, as well as a terrace at the centre of the courtyard where a library, fitness centre and cafe are situated.

Lupin Research Park by Malik Architecture

An overflowing table of water beside the main entrance is one of many fountains and pools distributed around the complex.

Lupin Research Park by Malik Architecture

The research park is the third building on Dezeen this month by Malik architecture, following an office block beside a slum and a jumbled house with an elevated steel tunnel and a rooftop swimming pool on stiltssee both stories here.

Lupin Research Park by Malik Architecture

Other buildings from the Dezeen archive to feature earth walls include a house buried in the ground and a school in Cambodia.

Lupin Research Park by Malik Architecture

Photography is by Bharath Ramamrutham.

Lupin Research Park by Malik Architecture

Here’s a more detailed description from Malik Architecture:


Lupin Research Park, Pune

The act of research and discovery is essentially an intuitive function. This complex therefore explores those elements, that to my mind, foster and inspire intuitive thought, which is the core of the creative process.

Lupin Research Park by Malik Architecture

Nature has therefore become the nucleus both at the micro and the macro levels and serves as a backdrop for two almost paradoxical elements: eastern philosophy and western technology.

Lupin Research Park by Malik Architecture

The inspiration for the complex is the timeless ‘mandala’ with the administration complex representing the head (at the highest point of the hill) and the main research park flowing south to north, wrapped around a central courtyard.

Lupin Research Park by Malik Architecture

From the simple ‘earth’ wall that vanishes into the hill, the gushing spout of water that heralds the entrance, the tilted aluminum cube floating in the water and silhouetted against the sky, the play of light and shade in the myriad pergola covered streets and courts, the sculptured vault of the cafeteria sitting on the tranquil ‘kund’ to the ageless amphitheater set into the hillock.

Lupin Research Park by Malik Architecture

The complex is intended to provide a multitude of spaces that both inspire a scientist and also serve as a meeting point for groups to jointly interact, explore and discover.

Lupin Research Park by Malik Architecture

At first glance the complex is reminiscent of and echoes the timelessness of an ancient habitat or a human settlement that it is almost a ‘rock’ out-crop at the base of the hill, of clay masses juxtaposed and emanating from the hill, merging into the hill both in the arid and hot parched season as well as the lush green forest of the monsoons.

Lupin Research Park by Malik Architecture

As one approaches closer this cluster of ‘terra cotta’ massing gives way to more orderly and identifiable form as is represented by the single long ‘wall’ that generates itself from the hill and flows downwards.

Lupin Research Park by Malik Architecture

‘Light’ to our ancestors was a manifestation of the ‘infinite’. Light is never constant, ever changing, reflecting the movement of the sun, echoing the passage of time, joining the cycle of the day and night and metaphorically representing the very cycle of life itself. The inspiration of a sun-rise the contemplation of a sun-set or the changes that the play of light brings through the above two cardinal points have been issues of immense fascination to me.

Lupin Research Park by Malik Architecture

Light and shadow, like day and night, are inter-twined, one cannot exist without the other, and it is these two elements that have been juxtaposed in a myriad number of permutations to produce a rhapsody: from the ethereal play of light on the walls, ramp and steps leading to the animal house: the surrealistic imposition of the pergolas socio-graphy onto the floor, the silver prism of the auditorium and the dark silhouette of the ‘cube’ sculpture: the splintering of light from tiny points to lengthening stippled bands moving like a sun-dial echoing the passage of time: the dappled play of light and shade in the main library / dining court: the gradual increase of light intensity as one moves-up the north / south axis (echoing the very act of regeneration / re-birth): are all representative of the dialogue and rapport that the built forms have with the sun.

Lupin Research Park by Malik Architecture

Needless to say, that major openings are in the north and east and layer solid masses on the south & west. With natural light permeating every nook of the complex, the interaction with this element appears total.

Lupin Research Park by Malik Architecture

“Water” the life sustaining element has been expressed in a multitude of moods and functions.

Lupin Research Park by Malik Architecture

The ‘macro’ concept deals with the harvesting of water through a well planned array of drains and channels that flow down the hill and feed the two major artificially created lakes at foot of the hill. In fact the very drive into the complex bisects these lakes providing the visitor with the vista of a large sheet of water (in an otherwise arid landscape).

Lupin Research Park by Malik Architecture

The main entrance to the complex is punctuated by a raised water channel gushing water from a gargoyle, representative of one of the earliest forms of carrying water. This silvery arc sets itself magically against the back-drop of the hill.

Lupin Research Park by Malik Architecture

The main entrance court has two interesting water bodies: the first a 50 feet long transparent sheet of water flowing both sides of the entrance court and punctuated by a smaller water gargoyle (representing the tranquil mood of water) and the latter being a two level stepped pool from which rises the sculptured mass of the aluminium cube that is the auditorium (symbolized the reflective quality of water).

Lupin Research Park by Malik Architecture

By far the most fascinating water body is the ‘kund’. An enormous sheet of water (on which floats the vault of the dining space) accessed on one face as a dramatic flight of steps and on the other by the verdant green of the lawn.

Lupin Research Park by Malik Architecture

The kund gives birth to a smaller shallow channel that induces the scientists to walk on the pebbles bare-foot. The channel itself ends in a ‘well’. This major body of water echoes the time-less kunds and tanks that are a hall-mark of our traditional architecture and are representative of a ‘daily’ cycle and an entire way of life.

Lupin Research Park by Malik Architecture

The main north-south axis culminates in the hill vista and the auditorium foyer on one end and the integrated common facilities complex and valley on the other. At mid-point, this axis gives birth to the east-west axis that links the nce and formulation research blocks. Both axes constantly interface with nature and the surrounding hills.

Lupin Research Park by Malik Architecture

The library, fitness center and dining areas are an integral part of the main pergola covered court that opens out into a huge garden and views of the valley on one side, the amphitheater on another and a sharp bank of terraced steps leading to the hill on the third.

Lupin Research Park by Malik Architecture

To conclude, i have attempted to bring together two parallel streams of thought: that of the scientist – who measures that which exists and that of the artist – whose realm is in the immeasurable.


See also:

.

Casa das Histórias by
Eduardo Souto de Moura
Dar Hi by
Matali Crasset
Galeria.Solar.S.Roque
by Manuel Maia Gomes

Sra Pou Vocational School by Rudanko + Kankkunen

Sra Pou Vocational School by Rudanko + Kankkunen

This school in Cambodia by Finish architects Rudanko + Kankkunen was built by the local community from hand-dried blocks of the surrounding soil.

Sra Pou Vocational School by Rudanko + Kankkunen

The Sra Pou vocational school serves as a business training centre and public hall.

Sra Pou Vocational School by Rudanko + Kankkunen

Small gaps in brickwork allow soft natural light and breezes to flow through the building, while colourful woven shutters open the indoor teaching areas onto a shaded terrace.

Sra Pou Vocational School by Rudanko + Kankkunen

More stories about educational buildings on Dezeen »
More architecture using rammed earth on Dezeen »

Sra Pou Vocational School by Rudanko + Kankkunen

Photography is by Rudanko + Kankkunen.

Sra Pou Vocational School by Rudanko + Kankkunen

Here is some text from the architects:


Sra Pou Vocational School by Rudanko + Kankkunen

Sra Pou vocational school is a vocational training center and community building in Sra Pou village, Cambodia. The school is designed by architects Rudanko + Kankkunen from Finland and built during spring 2011. The architects took care of both building design and project management.

Sra Pou Vocational School by Rudanko + Kankkunen

The purpose of the vocational training centre is to encourage and teach poor families to earn their own living. The Sra Pou community is one of the unprivileged communities in Cambodia, who have been evicted from their homes in the city to the surrounding countryside. They lack basic infrastructure, decent built environment and secure income. The new vocational school provides professional training and helps the people to start sustainable businesses together. It is also a place for public gathering and democratic decision-making for the whole community. A local NGO organizes the teaching.

Sra Pou Vocational School by Rudanko + Kankkunen

The project was started by young architects Hilla Rudanko and Anssi Kankkunen in an Aalto university design studio in spring 2010. During the studio, they travelled to Cambodia to find a design task with a local NGO. The studio works were imaginary, but Rudanko and Kankkunen decided to organize the construction of Sra Pou vocational school, since there was an urgent need for it and their design inspired both the community and donors. The firm Architects Rudanko + Kankkunen was founded during the design process. Now, it is an adventurous architecture firm specializing in public buildings in various settings.

Sra Pou Vocational School by Rudanko + Kankkunen

The school building is made out of local materials with local workforce. The aim was to teach people how to make the most out of the materials that are easily available, so that they can apply the same construction techniques for their own houses in the future.

Sra Pou Vocational School by Rudanko + Kankkunen

As the materials are scarce, the beautiful red soil was utilized to make sundried soil blocks. The whole school is hand-made: no machines or prefabricated parts were used in the building work. This allowed employing many people from the community, and it kept all techniques simple and transferable.

Sra Pou Vocational School by Rudanko + Kankkunen

Using local materials and techniques, the designers have created a beautiful architectural composition. The soil block walls repeat the warm red shade of the surrounding earth. They are laid out with small holes, so that indirect sunlight and gentle wind come in to cool the spaces – and at night, the school glows like a lantern through these small openings. The whole community space is open, providing comfortable shaded outdoor space. The colorful handicraft doors are visible from far away and welcome visitors coming along the main road.

Sra Pou Vocational School by Rudanko + Kankkunen

Click above for larger image

Location : Sra Pou, Oudong, Cambodia
Function : Vocational training and small business centre
Client : Sra Pou community, represented by Blue Tent NGO
Floor area : 200 m2
Construction cost: USD 15 000
Main material: Hand-made sundried soil block
Completed: 04/2011

Sra Pou Vocational School by Rudanko + Kankkunen

Click above for larger image

Architect: Architects Rudanko + Kankkunen
Structural advisor: Advancing Engineering Consultants
Construction management: Architects Rudanko + Kankkunen
Project and financial management: Architects Rudanko + Kankkunen
Donors: M.A.D., ISS Finland, Wienerberger, Ecophon / Saint-Gobain, Uulatuote, and Puuinfo.


See also:

.

Earth House
by BCHO Architects
Desert City House by
Marwan Al-Sayed Architects
Wadi Resort by Oppenheim
Architecture + Design