192 Shoreham Street by Project Orange

192 Shoreham Street by Project Orange

The two storeys that London architects Project Orange have added to the roof of a redundant brick warehouse in Sheffield look like another building stacked on top.

192 Shoreham Street by Project Orange

The upward extension replaces a pitched roof, creating three duplex studio offices within a powder-coated steel volume that both overlaps and bites through the original brick structure.

192 Shoreham Street by Project Orange

A new restaurant and bar occupies the double-height warehouse space below, where it benefits from light through the original two-storey-high arched windows.

192 Shoreham Street by Project Orange

You can see more stories about extensions here.

192 Shoreham Street by Project Orange

Photography is by Jack Hobhouse.

192 Shoreham Street by Project Orange

The text below was written by the architects:


192 Shoreham Street is a Victorian industrial brick building sited at the edge of the Cultural Industries Quarter Conservation Area of Sheffield.

192 Shoreham Street by Project Orange

It is not listed but considered locally significant.

192 Shoreham Street by Project Orange

The completed development seeks to rehabilitate the once redundant building, celebrate its industrial heritage and make it relevant to its newly vibrant context.

192 Shoreham Street by Project Orange

The brief was to provide mixed use combining a desirable double height restaurant/bar within the original shell (capitalising on the raw industrial character of the existing building) with duplex studio office units above.

192 Shoreham Street by Project Orange

These are accommodated in an upward extension of the existing building in a contrasting but complementary volume, a replacement for the original pitched roof.

192 Shoreham Street by Project Orange

The new extension is contemporary yet laconic in form and an abstract evocation of the industrial roofscapes that used to dominate this part of the city.

192 Shoreham Street by Project Orange

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It is parasitical in nature, engaging with the host structure in a couple of locations, where windows bite into the existing building.

192 Shoreham Street by Project Orange

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The new roof profile creates dramatic sweeping ceiling profiles in the new accommodation, a sectional dynamism that is to be further enhanced by the use of double height volumes in the duplex units created.

192 Shoreham Street by Project Orange

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The proposal is intended to enhance the existing building and create a striking landmark on the inner ring road; a symbol both of the area’s past and its aspirations for the future.

192 Shoreham Street by Project Orange

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192 Shoreham Street by Project Orange

Redbridge Welcome Centre by Peter Barber Architects

Slideshow: London studio Peter Barber Architects has completed a centre for drug and alcohol rehabilitation in Ilford, northeast London.

Redbridge Welcome Centre by Peter Barber Architects

The four-storey Redbridge Welcome Centre takes the form of several irregularly stacked volumes, with an uppermost level that cantilevers out towards the road.

Redbridge Welcome Centre by Peter Barber Architects

As well as providing drop-in facilities on its lower levels, the building contains temporary accommodation for homeless people upstairs.

Redbridge Welcome Centre by Peter Barber Architects

Each of the ten en suite rooms faces a private garden that the building wraps around at the back.

Redbridge Welcome Centre by Peter Barber Architects

The architects designed a similar centre in south London a few years ago – take a look here.

Redbridge Welcome Centre by Peter Barber Architects

Photography is by Morley von Sternberg.

Redbridge Welcome Centre by Peter Barber Architects

Here’s a few more details from Peter Barber Architects:


Redbridge Welcome Centre is a new community and homeless project housed in a spectacular state of the art building on a prominent site in Ilford.

Redbridge Welcome Centre by Peter Barber Architects

The Welcome Centre houses drug and alcohol units, training rooms and drop-in facilities in dramatic double height spaces at ground and 1st floor level.

Redbridge Welcome Centre by Peter Barber Architects

Light and airy residential accommodation is provided in 10 en-suite rooms at 2nd and 3rd floor.

Redbridge Welcome Centre by Peter Barber Architects

Spaces are flooded with light from fully glazed facades and all rooms have uninterrupted views into a secluded garden at the rear.

Redbridge Welcome Centre by Peter Barber Architects

The building is composed of a series of folded planes forming a continuous ribbon of structure from pavement entrance ramp to roof.

Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Redbridge Welcome Centre by Peter Barber Architects

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Zap’ Ados by Bang Architectes

French studio Bang Architectes has converted a former peanut factory in Calais into a skateboarding park with a bright orange mesh facade (photos by Julien Lanoo).

Zap' Ados by Bang Architectes

In order to increase natural light inside the warehouse the architects removed concrete walls from the east and west elevations and replaced them with glazing, screened behind the layer of steel mesh.

Zap' Ados by Bang Architectes

Two new volumes project from the facade to reveal the locations of a youth centre positioned along one edge of the building and a raised platform opposite accommodating more skating tracks.

Zap' Ados by Bang Architectes

An enclosed passageway with entrances at both ends crosses the width of the building to provide a safe place for spectators to stand.

Zap' Ados by Bang Architectes

If skateparks grab your interest, check out one designed by a skateboarding champion in Germany.

Zap' Ados by Bang Architectes

Here’s the full description from the architects:


ZAP’ADOS

Create a signal in the landscape

The operation takes place along a canal in St. Pierre, which is the former industrial district of Calais. It continues the urban renewal initiated by La Cité de la Dentelle (by Moatti & Rivière Architects) located a hundred meters downstream. In this bleak urban landscape, the conversion of the existing industrial hall has to be visible.

Zap' Ados by Bang Architectes

The future facility must signal its presence and invite potential users, the young and curious, to enter. The high clearance at the front of the building offers increased visibility of the west gable from the surrounding area. This gable, which has been completely redesigned, will project a strong signal into the public space.

Zap' Ados by Bang Architectes

Reclassify the hall

The existing building is a common industrial hall with no outstanding features, consisting of a concrete structure filled with precast concrete panels and a roof of cement sheets. The hall was once a roasted peanut factory, followed by various other incarnations (including a go-kart track) before being abandoned for several years.

Zap' Ados by Bang Architectes

Prior to handing and processing it had been dilapidated, vandalised and had become structurally unsafe. The first task was to open the dark hall before curettage and structural recovery. This was achieved by removing precast concrete panels on the eastern and western facades to release through-views and bring natural light into the heart of the building.

Zap' Ados by Bang Architectes

Express the new assignment of the building

The youth centre and the skate park extends beyond the gable and form two protrusions, which clearly signifies that the building has a new purpose. One protrusion stands on the floor and emerges from the skateboarder club and youth centre, forming a point of contact between the inside and outside space. The other is cantilevered and a launch pad that overlooks the front square, featuring skaters waiting in turn before taking off.

Zap' Ados by Bang Architectes

The two prismatic volumes, like opened arms, reclassify the free space of the front square and act as an invitation to enter. The architectural expression is unified by a common envelope made of expanded metal, which turns the silhouette from a hanger into a prism protruding from a singular hybrid form.

Zap' Ados by Bang Architectes

The metal mesh allows spectators to watch activities inside and is gradually perforated from top to bottom. The mesh acts like a shutter, controling direct sunlight and the color is stricking; it is deliberately conspicuous. This colorful mesh protects the equipment as the expanded metal is very resistant and anti-graffiti. It is doubled with a curtain wall to protect users from prevailing winds and reduce any noise nuisance to nearby houses. Outside the building the front square is treated using an orange frame to draw parking spaces, which overlap the textures of the existing floor coatings.

Zap' Ados by Bang Architectes

Linking the two programs

Inside the hall the various program elements are organised longitudinally, to optimise the length of the skate tracks and provide an entrance to the youth centre along the southern facade. When entering the building, there are a series of enclosed and heated rooms installed on the right identified by emerging prism. This set is built with a light frame and placed on the existing slab, with entrances distributed along an indoor walkway.

Zap' Ados by Bang Architectes

This walkway is fully integrated into the space used for the skate park, separated using a handrail that runs its entire length. It enables “spectators” to watch the skaters safely. The long wall is covered with an acoustic fabric stretched to form large “dimples”. This absorbing surface is designed to reduce reverberated sounds caused by skateboarding on hard surfaces.

Zap' Ados by Bang Architectes

The wall is also provided with vertical windows offering views for both users of the skate park and youth centre. A sinusoid layer of large acoustic baffles is suspended from the ceiling to increase acoustic comfort for users. These technical elements offer inexpensive modifications that morph the inner space and hide the unsightly ceiling.

Zap' Ados by Bang Architectes

Create skate tracks

The modules are arranged in a strips logically oriented along the full length of the hall. On the west side a raised platform overlooks the front square. It serves as a high point: the launcher. The bowls (rare in the region) are installed at the east end of the hall to maintain space clearance. These complex curved surfaces are works of joinery and carpentry of great sophistication.

Zap' Ados by Bang Architectes

In the center of the hall is the funbox. A calm initiation zone is arranged along the indoor walkway and punctuated by modules. The modules are made of wood (not concrete) to maintain the adaptability of the skate park and the reversibility of the original allocation of the hall.

Zap' Ados by Bang Architectes

Construction system

  • Structure of the gables and volumes emerging: structural steel
  • West facade: the existing concrete columns and structural steel are “sandwiched” by painted gradually expanded aluminum on the outside wall and the curtain wall noise attenuation inside
  • Acoustic wall on the indoor street: textile glass fiber coated with PVC stretched over two layers of cotton batting and put on a sheet of extruded PVC formed.
  • Ceiling: industrial acoustic suspended baffles made out of melamine
  • Skate joinery: wood frame and covering in birch plywood from Finland coated by a clear glaze.
  • External joinery: aluminum with double glazing.
  • Roofing of emerging volumes: self-protected bitumen.

Zap' Ados by Bang Architectes

Operation’s name: ZAP’ ADOS
Location: 87 quai de Lucien L’heureux 62100 Calais
Client: Ville de Calais
Design Architects: Bang Architectes (Nicolas Gaudard and Nicolas Hugoo) Engineer: B&R ingénierie
Program: conversion of industrial hall into Skate Park and Youth Centre Floor area: 2 760 m2
Total cost: 1,5M € H.T.
Start of study: June 2010
Delivery: December 2011

Beaugrenelle Shopping Mall by Agence Search

Beaugrenelle Shopping Mall by Agence Search

French architects Agence Search have won a competition to design a Paris shopping mall with proposals involving giant elliptical lattices.

Beaugrenelle Shopping Mall by Agence Search

The five-storey-high, egg-shaped structures will define two atriums located at opposite ends of the shopping centre.

Beaugrenelle Shopping Mall by Agence Search

Escalators and footbridges will pierce holes through the suspended structures.

Beaugrenelle Shopping Mall by Agence Search

The architects drew inspiration for the project from the conceptual cenotaph that architect Étienne-Louis Boullée designed for scientist Isaac Newton over 200 years ago.

Beaugrenelle Shopping Mall by Agence Search

Another shopping centre we’ve featured in recent months features a rippled stone facade – see it here.

Here’s some more text from Agence Search:


Agence Search Win the restricted competition for the interior design of the future New Beaugrenelle Shopping Mall

In today’s increasingly competitive environment, the architecture of shopping malls has come to play a fundamental role in their commercial success. Architecture can distinguish the shopping environment to create a sense of specificity, of differentiation. Space can become a brand. The New Beaugrenelle Shopping Mall program set the stakes to develop an existing space by transforming two atriums into a site with “Wow Effect.”

Beaugrenelle Shopping Mall by Agence Search

Atrium entrance sequence

The entrance sequence is spectacular. The visitor is taken in by the volume, by a spatial configuration that is at once singular and majestic. The lattice work structure that inhabits the central volume is visible from the building’s façade. It attracts the shopper, and once inside draws his or her eyes up to the light and shops above, and down to the event space below. The visitor’s first perception goes beyond the scale of the building, to encompass its referential universe, its status, and its identity.

Beaugrenelle Shopping Mall by Agence Search

Lattice

The lattice work structure materializes an envelope that defines the central space, and transforms it into an inhabited volume. It enables the interior design to refrain from modifying the existing architecture, while all the while entering into a dialogue with it on a large scale. The wooden lattice invokes warmth, sobriety and elegance.

Beaugrenelle Shopping Mall by Agence Search

E-commerce

The interiors project for the New Beaugrenelle Shopping Mall takes into account the transformations affecting our contemporary shopping experience. Facing the development of e-commerce, the shopping mall must affirm its singularity and specificity to maintain and improve its dynamic status. According to the “fun shopping” movement, we know that stores today must seduce buyers by transforming their commercial space into zones of conviviality and entertainment. The addition of footbridges that pierce the lattice structure and span the atrium creates novel spaces where multimedia and other recreational programs can develop.

Beaugrenelle Shopping Mall by Agence Search

« Wow Effect »

The two atriums of the Beaugrennelle shopping mall create a “Wow Effect.” In keeping with the client’s desires, they constitute an extraordinary spatial experience. Surprised and seduced by these singular architectural objects, the visitor is transported, becoming one with the volume.

University of Warwick Student Union by MJP Architects

University of Warwick Student Union by MJP Architects

The triangular roof above the cafe-bar at Warwick University’s renovated student union features a tessellated underside of polished copper.

University of Warwick Student Union by MJP Architects

London studio MJP Architects refurbished the building at the campus in Coventry, England, in 2009.

University of Warwick Student Union by MJP Architects

The building provides multipurpose rooms, mezzanine and balcony bars, a nightclub and performance venues, accessed through a central, double-height atrium.

University of Warwick Student Union by MJP Architects

Timber louvers control the levels of daylight that enter this atrium through a glazed roof above.

University of Warwick Student Union by MJP Architects

The cafe and bar are contained within an extension, where the shiny copper roof provides both a ceiling inside the building and a shelter over the decked balconies outside.

University of Warwick Student Union by MJP Architects

If you’re a fan of shiny copper surfaces, check out our earlier stories about a boutique with a polished wall and a copper-clad beauty parlour.

University of Warwick Student Union by MJP Architects

Photography is by Peter Durant.

Here’s some more explanation from MJP Architects:


Student Union, University of Warwick, Coventry UK

Creative Re-use:

The Student Union is the main provider and organiser of non-academic activity on the University campus and its success has a significant impact on the student experience at the University of Warwick. The scale and reputation of its Student Union is a major factor in prospective students’ choice of any Higher Education Institution. Matthew Dodds, Warwick Boar (the student newspaper) says: “The new building hits all the right notes for me. The Union as it stands now is exactly the right blend of old and new, evoking both a feeling of nostalgia and refreshing promise”

University of Warwick Student Union by MJP Architects

The building was originally designed as a multi-purpose administrative building whose brief was changed to a Student Union whilst under construction in the early 1970’s. By the time MJP were commissioned, it had become even less suitable for today’s needs, having neither the flexibility nor the environmental performance to accommodate the range of activities expected of a modern Student Union building. A bespoke brief for the remodelling of the building was needed, and this was created through careful consultation between the University, the end user and the architect.

University of Warwick Student Union by MJP Architects

Claire Horton, General Manager at the Student Union says: “The building is truly phenomenal and exactly as envisioned… and will deliver student and commercial services like never before”

University of Warwick Student Union by MJP Architects

Sculpting the Existing Fabric:

MJP’s new design was generated from the most striking features of the existing building: the arrangement of interiors based on a sixty degree planning grid and the distinctive triangular concrete coffered soffits. The new cafe extension is the most obvious example of this approach. Its interiors are based on the triangular plan and the floating roof’s polished copper underside provides a striking backdrop to the Student Union Plaza outside, and a clear entrance to the building.

University of Warwick Student Union by MJP Architects

Materiality:

The highly rational structure of the old building and the rough and heavy expression of the concrete slabs and walls provided inspiration for the redesign. Exposing or hiding the original fabric and using materials that contrasted or blended with it were the basic strategies in the interior design. Large surfaces of shiny copper, light and translucent polycarbonate, soft and warm timber and rough and cold ‘asphalt terrazzo’ were set-off against the in-situ concrete and concrete blocks, to highlight the peculiar qualities of the original structure and hide the inevitable areas of lower quality.

University of Warwick Student Union by MJP Architects

A Platform for Talent:

The strategy for the new Student Union was to create a series of spaces with different scales and characters: performance spaces, balcony bars, multi-purpose venues, an atrium pub, a club and dancefloors.

University of Warwick Student Union by MJP Architects

The existing building was quite literally opened-up to create two and three storey high spaces, to reveal internal vistas, let light in and give views out. Joe Wrigley, Project Architect at MJP Architects says: “What I really like is that the building is just about perfect for all sizes and genres of music. ‘The Copper Rooms’ is the main venue, and it has quickly become a great platform for new and unsigned talent, as well as acclaimed bands… the Wild Beasts and Wombats are playing gigs this month.”

University of Warwick Student Union by MJP Architects

Chris Carter, who runs the venue says: “Copper Rooms 1 is an outstanding gig venue for live music. It’s the first time the Union has looked like an academy-style venue that I can remember – the stage looks incredible… the PA also sounds absolutely beautiful. It’s the best sound I’ve ever heard in a venue of this type”

University of Warwick Student Union by MJP Architects

Client: University of Warwick

Architect: MJP Architects

Quantity Surveyor: Northcroft

M&E Consultants: Couch Perry Wilkes

Structural Engineer: Arup

Acoustic Engineer: Bickerdike Allen Partners

Fire Consultant: Arup Fire

Main Contractor: Moss Construction

Pombal Castle Hill by Comoco Architects

Pombal Castle Hill by Comoco

Portuguese architects Comoco have added a weathered steel cafe and a wooden gazebo on the hill of a castle in the town of Pombal.

Pombal Castle Hill by Comoco

The two new structures accompany a set of repaved pathways, as well as a new castle entrance and reconfigured parking area.

Pombal Castle Hill by Comoco

The two-storey cafe is clad in Corten steel and features large windows that overlook the surrounding town.

Pombal Castle Hill by Comoco

Located near the bottom of the hill, the rectangular timber pavilion is constructed from evenly spaced wooden slats.

Pombal Castle Hill by Comoco

This isn’t the first castle project we’ve featured by Comoco Architects – read about a visitors centre with walkways built through and around a castle here.

Pombal Castle Hill by Comoco

Photography is by Fernando Guerra.

Pombal Castle Hill by Comoco

Here’s a more detailed description from Comoco Architects:


Reorganization of Pombal Castle’s Hill. Pathways and Facilities
Comoco Arquitectos Luís Miguel Correia, Nelson Mota, Susana Constantino

Previous State

Throughout the last decades, Pombal Castle and its surrounding area have been doomed to seclusion from the core of the city at its feet.

Pombal Castle Hill by Comoco

For the ordinary city user, the Castle was only a background for the everyday, a mere identity reference that resonated with the history of the city more than with an actual experience of it. “Rua do Castelo”, a street defining the South and West perimeter where the hill meets the city, embodied the boundary that defined those two realms.

Pombal Castle Hill by Comoco

From that street, some connections with the walled precinct were possible. They were, however, just a vague memory of previous uses, and their conservation decayed progressively, hampering public use.

Pombal Castle Hill by Comoco

The area’s vegetation – nowadays uncritically cherished by the population – is, paradoxically, the result of the abandon to witch this area was devoted throughout most of the 20th century.

Pombal Castle Hill by Comoco

Aim of the Intervention

The project for the reorganization of Pombal Castle’s hill was launched by the city’s municipality with the goal of promoting the re-centralization of that area. The basic brief of the commission encouraged a design that would help fostering the use of that historic area by both residents and tourists.

Pombal Castle Hill by Comoco

A more elaborated programme was developed collaboratively by municipality’s politicians and technicians, together with the design team and enriched by the feedback delivered by the population at the proposal’s preliminary stage.

Pombal Castle Hill by Comoco

The basic premise was that the project should improve the connections between the urban areas at the bottom of the hill, the hill itself and the walled precinct.

Pombal Castle Hill by Comoco

The articulation with the Castle, the hallmark of the city, should be tackled in order to preserve its importance for the population’s shared identity.

Pombal Castle Hill by Comoco

To increase the area’s attractiveness some facilities should be created to answer needs such as car parking, comfortable and safe pathways, resting and contemplation areas and a cafeteria. Archaeological and preservation works should also be central to bring about and highlight the area’s history.

Pombal Castle Hill by Comoco

Description of the Intervention

The basic character of the intervention is an attempt to deliver an approach were the new designed elements should be clearly defined against the background of both the natural and the built pre-existing elements, without challenging the latters’ character, tough. The project defined three areas, each of which with a different approach.

Pombal Castle Hill by Comoco

In the first area, the south and west slopes of the hill, the approach was focused in the idea of flow. This idea was thus developed creating and highlighting connections between the urban areas at the bottom of the Castle’s hill, pathways along the slopes and gazebos to provide shelter and foster diverse experiences in the contact with the landscape. The materials used were prominently plastered walls, stone and grit pavements, and wooden structures.

Pombal Castle Hill by Comoco

In the second area, in the surroundings of the cemetery, the approach was concerned with the idea of a topographical design of the infrastructure. Both the parking area and the adjacent facilities were designed as topographical elements, concrete walls supporting the transition between sharp differences of levels.

Pombal Castle Hill by Comoco

Finally, the third area, surrounding the walled precinct, aims to enhance the Castle as the main built element of the area. The west access to the Castle was redesigned, including the platform at its bottom.

Pombal Castle Hill by Comoco

The surrounding area of Santa Maria’s Church was also redesigned to provide a public space that could foster its appropriation as a privileged stage for performances and other cultural activities. The material that is thoroughly used in this area is limestone, the same used in the main landmarks, the Castle and the Church’s ruins.

Pombal Castle Hill by Comoco

To work as a connector between these areas, a cafeteria was designed, proving thus an additional element to attract visitors to the area. To highlight its singular role in the overall intervention, the cafeteria was built using a metallic structure and finished with corten steel panels both on its façades and roofs.

Pombal Castle Hill by Comoco

It embodies, thus, the design’s strategy of affirming the new against the pre-existing preserving, however, the identity of the place. With this project we aimed at creating a delicate balance between nature and artefact.

Stork Nest Farm by SGL Projekt

Stork Nest Farm by SGL Projekt

It may look like a giant bird’s nest but this stick-covered dome is actually a horse-riding arena in the Czech Republic.

Stork Nest Farm by SGL Projekt

Designed by Prague studio SGL Projekt, the Stork Nest Farm is located on the site of a former farmstead and distillery that now accommodates hotel, conference and leisure facilities.

Stork Nest Farm by SGL Projekt

The Stork Nest Farm was both inspired by and named after storks that resided in the roof of the distillery long after it fell into disuse.

Stork Nest Farm by SGL Projekt

An eight-metre-wide skylight at the roof’s peak lets natural daylight down into the centre of the timber-framed building, while concrete-framed entrances lead visitors inside.

Stork Nest Farm by SGL Projekt

Last year we also published a bird’s nest-like hotel in the trees – take a look here.

Stork Nest Farm by SGL Projekt

Photography is by Jaroslav Malý, apart from where otherwise stated.

Stork Nest Farm by SGL Projekt

Above: photograph is by Farma Čapí hnízdo a.s.

Here’s some more text from SGL Projekt:


The Stork Nest Farm, Semtín, Czech Republic

In 2006 we were asked to design the revitalization of a farmstead for congress, company presentation, holding of corporate events and leisure activities.

Stork Nest Farm by SGL Projekt

For this purpose our client bought 19th century farmstead located at a large pound. The farmstead included a distillery with it’s chimney. From 1926 there have lived storks on the chimney. It became the main reason for buying this farm.

Stork Nest Farm by SGL Projekt

The farm is located 50 kilometers to the south from Prague. The surrounding landscape reminds piedmont area with large forest complexes, vast meadows, wetlands and a great network of ponds.

Stork Nest Farm by SGL Projekt

Since the end of the 80′s from the 20th century the farm has been abandoned and the buildings quickly decayed.

Stork Nest Farm by SGL Projekt

Above: photograph is by Farma Čapí hnízdo a.s.

The only solitary residents who remained were the storks on the distillery’s chimney. The Stork’s Nest became a symbol for us, which affected the conception of the riding arena and thinking about all the objects of this project.

Stork Nest Farm by SGL Projekt

It wasn’t a formal symbol for us. We were fascinated by stork’s fidelity. Almost 90 years generations of storks are returning from Africa to the farm and we tried to design the farm in order to bring back people here again.

Stork Nest Farm by SGL Projekt

These birds also fascinated us by their endurance in building their nest. After decades They construct still the same, no doubt about the shape and material, still in the same place and with no desire for originality, which bother all architects and builders nowadays. Storks don‘t look for exceptional places. They don‘t want to distinguish themselves and compete with others. Storks became a symbol for us in the approach to construction. Our design of the farm was led in humility to these bird architects.

Stork Nest Farm by SGL Projekt

The old farmstead consisted of an enclosed yard of an almost square ground plan and addition of a piggery. The yard contained two dwelling houses, a distillery, a barn and a stable. Valuable objects were preserved and buildings of poor quality we demolished and replaced by new ones.

Stork Nest Farm by SGL Projekt

The residential yard consist of a reception, a hotel, conference hall, restaurant, pool and bowling and house with private garden for VIP guests. Beside this residental yard we have built another new yard for the animals.

Stork Nest Farm by SGL Projekt

In this section we have placed a circular riding arena in the shape of a stork nest. It has an external diameter of 34 meters and height of 12,5 meters. The building is used for riding or for a variety of presentations, cultural and social events. Riding arena is located near the stables, and is directly connected to restaurant. The supporting structure is made of glulam timber beams. The external cladding is made of translucent polycarbonate. The oak logs, give the structure an expresive appearance and also provide shading. They were fixed to the building at the total amount of 200 tons at the length of 7, 9 and 11 meters.

Stork Nest Farm by SGL Projekt

At the top of the building there is a central sky-light with a diameter of 8 meters. It serves for intensive ventilation of the internal space by natural air flow. The natural ventilation of the arena provides a good climate.

Stork Nest Farm by SGL Projekt

The arena´s riding surface is made of sand with capillary irrigation for equestrian sport. It can be covered with plywood boards during other sorts of events. The riding area is surrounded by a protective barrier and a stand for approximately 200 people. There is VIP stand upstairs.

Stork Nest Farm by SGL Projekt

The Stork nest farm was completed in 2010. The riding arena became a landmark in the area of the farm and an element which attracts attention in wide neighbourhood. Later, our firm designed the center for protection of fauna to the farm and recently a large rectangular riding arena.

Location: Dvůr Semtín, Olbramovice, Czech Republic
GPS: 49°41’04.71″N, 14°39’05.51″E
Date completed: 03/2010
Lead architect: SGL Projekt s.r.o.
Ak. arch. Jiří javůrek
Ing. arch. Jaroslav Malý
Ing. arch. Irena Kozáková
Ing. arch. Jan Bouček
Ing. arch. Jakub Žák

Client / Developer: Farma Čapí hnízdo, a.s.

Civil Engineer: Ing. Jiří Starý, Starý a partner s.r.o.
Environmental Engineer: Ing. Miroslav Kučera
Lighting Consultant: Ing. Michal Kozak, Etna Guzzini s.r.o.
Structural Engineer: Němec Polák s.r.o.
General supplier: BAK a.s.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Ogimachi Global Dispensing Pharmacy by TKY Japan

This tiny gabled pharmacy is squeezed into a narrow alleyway between two towering apartment blocks in Osaka.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Japanese architects Yasuo Imazu of Ninkipen!, Toshikatsu Ienari and Kenta Fukunishi collaborated to design the project, under the collective identity TKY Japan.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Behind the glazed facade, an exposed skeleton of wooden columns and rafters surrounds the building’s long, thin interior.

Ogimachi Global Dispensing Pharmacy by TKY Japan

A wood and steel staircase at the back of the pharmacy leads up to a mezzanine, positioned above an enclosed office.

Ogimachi Global Dispensing Pharmacy by TKY Japan

You can see more projects by Ninkipen! here, including a bakery with an exposed concrete counter.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Photography is by Hiroki Kawata.

Here’s some more explanation from Yasuo Imazu:


This is a new construction of a Pharmacy, in the center of Osaka city area of Japan.

Ogimachi Global Dispensing Pharmacy by TKY Japan

The site once used to be a farm road. When the World War II ended, a small house was built on the road and stayed there illegally for several ten years. After the house was removed, the site then became a residential land.

Ogimachi Global Dispensing Pharmacy by TKY Japan

In front of this newly built pharmacy, there are remains of a sidewalk, which define an original function of the site used to have, thus the building is set back.

Ogimachi Global Dispensing Pharmacy by TKY Japan

That the site was a road, and that there was a small illegally-built house, were the two historical contexts we valuated as the uniqueness of the site.

Ogimachi Global Dispensing Pharmacy by TKY Japan

The form of the building follows the shape of the site with a gabled roof on top which realizes the simplest form of a house. The continuous ceiling which visually creates almost a linear perspective reflects the linear shape of the site, the path or the road.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Though it is surrounded by volumetric urban buildings, we kept the minimum volume of a single story house, recalling a persisting memory of the site, the little house.

Ogimachi Global Dispensing Pharmacy by TKY Japan

The structure is consisted of simple steel-frame which allows the wood columns and rafters to be exposed, thus provides warm and intimate atmosphere to the customers.

Ogimachi Global Dispensing Pharmacy by TKY Japan

Project name: Ogimachi Global Dispensing Pharmacy
Architect: TKY JAPAN(Toshikatsu Ienari, Kenta Fukunishi, Yasuo Imazu/ninkipen!

Use: dispensing pharmacy
Location: Osaka, Japan

Design: 2010.12〜2011.7
Construction: 2011.8〜2011.11

Site area: 96.22m2
Building area: 61.94m2
Total floor area: 61.94m2

Sports Concert Complex by GMP Architekten

Sports Concert Complex by GMP Architekten

Following their Eurovision Song Contest win last summer, Azerbaijan rushed to commission German firm GMP Architekten to design a new stadium that will be complete in time to host this year’s competition.

Sports Concert Complex by GMP Architekten

The sports stadium and concert hall for the capital city of Baku will seat 25,000 spectators and is being designed and constructed simultaneously in a period of just eight months.

Sports Concert Complex by GMP Architekten

The building’s exterior will be faceted to match the form of a crystal container. GMP Architekten are collaborating with contractors Alpine Bau Deutschland and Nüssli to deliver the project by March 2012.

Sports Concert Complex by GMP Architekten

You can see more stadiums designed by GMP Architekten here, including a trio of venues for Shenzhen that are remarkably similar.

The text below is a statement from the architects:


Sports Concert Complex, Baku, Azerbaijan

Design and implementation of Crystal Hall for the Eurovision Song Contest in Baku
In May 2012, the Eurovision Song Contest will take place in Azerbaijan’s capital Baku at Crystal Hall.

Alpine Bau Deutschland GmbH, the general contractor for the project, was contracted on August 2nd, 2011 to design and implement a multipurpose event-venue that is meant to accommodate 25,000 spectators.

This challenging task was undertaken by combining the efforts of gmp · Architekten von Gerkan, Marg und Partner, Alpine Bau Deutschland AG, and Nüssli International AG.

The Eurovision Song Contest takes place every year, which means that this striking crystal-shaped building on the peninsula near the city centre, right in the Caspian Sea and in the direct vicinity of one of the world’s highest flagpoles, had to be designed and constructed within a period of just eight months. The building is not a concert hall in the classical sense but a multi-functional indoor arena, which is intended to be a longer-term facility. Normally, event venues of comparable size, such as a football stadium, will require 4 to 5 years for design and construction.

Instead of the usual reinforced concrete construction, the building has been designed as a pure steel structure which consists of three independent parts, i.e. the membrane façade, the modular stadium itself and the interior roof. In order to be able to put up a building of the size of a football stadium in just a few months, design and construction proceed in parallel. An important tool in this complex process is the detailed visualisation of the entire work schedule: it covers and displays each step in chronological order in weekly sequences. A prerequisite for the success of this novel working method is the extensive experience in design, management and construction scheduling provided by the consortium, as well as very good communication between the design team and the construction companies.

The characteristic crystalline shape of the building and its illuminated façade is the response to Azerbaijan’s special request for the creation of a widely visible and visually effective landmark as a bridge between Asia and Europe that will be noticed in an international context. Different dynamic lighting scenarios are currently being programmed for the 9,500 LED lights to highlight the membrane façade and create moods appropriate for the different stages of the events.

Sports Concert Complex, Baku, Azerbaijan
Direct commission following the bidding process in 2011
In Cooperation: with Alpine Bau Deutschland AG, Nüssli International AG
Design: Volkwin Marg and Hubert Nienhoff with Markus Pfisterer, 2011
Project Management: Markus Pfisterer, Silke Flaßnöcker
Staff: Martin Hakiel, Carsten Borucki, Monika Kwiatkowski, Ignacio Zarrabeitia, Helge Lezius, Gerard Slee, Lars Laubenthal, Fariborz Rahimi, Justin Allen, Sebastian Lundelius, Dirk Müller

Client: State Commitee on Property Issues, Baku, Azerbaijan
Structural engineering: SSF Ingenieure München; schlaich bergermann and partners, Stuttgart
Services / Sanitary / Heating / Ventilation: Basler & Hofmann Ingenieure, Zurich
Lighting design: Lichtvision, Berlin
Seats: 25,000
Design and construction period: July 2011 – March 2012
Length of hall: approx. 206 m
Width of hall: approx. 168 m
Height of hall: approx. 25 m

Inca Public Market by Charmaine Lay and Carles Muro

Inca Public Market by Charmaine Lay and Carles Muro

The zigzagging wooden roof of this market hall in Majorca snakes around a plaza and over a car park entrance before sloping down to meet the ground.

Inca Public Market by Charmaine Lay and Carles Muro

Completed by architects Charmaine Lay and Carles Muro, the Inca Public Market and new plaza replace an older market hall that formerly occupied the site.

Inca Public Market by Charmaine Lay and Carles Muro

The building also accommodates small shops and council offices plus an underground supermarket and car park that are located beneath the public square.

Inca Public Market by Charmaine Lay and Carles Muro

Louvered windows diffuse daylight into the timber-framed hall, while wooden panels clad the base of the building’s exterior.

Inca Public Market by Charmaine Lay and Carles Muro

You can see more stories about markets here, including a concrete fish market in Istanbul.

Inca Public Market by Charmaine Lay and Carles Muro

Photography is by Jose Hevia, apart from where otherwise stated.

Inca Public Market by Charmaine Lay and Carles Muro

Above: photograph by Jaime Sicilia

Inca Public Market by Charmaine Lay and Carles Muro

Here’s some more information from Charmaine Lay:


Inca Public Market
Charmaine Lay / Carles Muro

Inca Public Market by Charmaine Lay and Carles Muro

The demolition of the old market building has offered the opportunity to rediscover a new public space in the heart of the city of Inca, just a few metres away from the Main Street and the Town Hall.

Inca Public Market by Charmaine Lay and Carles Muro

The proposal tries to obtain the maximum possible amount of public space while accommodating the different requirements of a varied programme: car park, supermarket, retail shops, council offices and public market. A public space that aims at supporting the present and future activities of this place.

Inca Public Market by Charmaine Lay and Carles Muro

The car park and the supermarket are located underground, while the rest of the required programme rises from the ground reaching its maximum height with the council offices.

Inca Public Market by Charmaine Lay and Carles Muro

Beginning at one end of the site, the wooden paving detaches itself from the ground in order to cover the entrance to the car park. This wooden strip continues as a kind of pergola that runs parallel to the street, wrapping the main public space of the square, before transforming itself once again –unfolding into three sloped planes– to become the roof of the market.

Inca Public Market by Charmaine Lay and Carles Muro

A final horizontal stretch covers the building containing the retail spaces and the council offices. This strip will become the main element of continuity throughout the project and reflects upon the surface the hidden structural bays of the car park beneath.

Inca Public Market by Charmaine Lay and Carles Muro

The market is understood as a covered plaza that is continuous with the public space surrounding it. The folds of the market roof allow for the natural light and ventilation desired.

Inca Public Market by Charmaine Lay and Carles Muro

Location: Inca (Majorca)
Client: Ajuntament d’Inca (Inca City Council)
Contractor: Dragados [first phase] / Melchor Mascaró [second phase]

Inca Public Market by Charmaine Lay and Carles Muro

Architects: Charmaine Lay, Carles Muro
Collaborators: Miquel Mariné (Project Architect)
Susana Aristoy, Juan Carlos Castro, David Domínguez, Raphaël de Montard, Alfredo Peñafiel, Gisela Planas, Anna Tantull, Ferran Vizoso
Structural engineers: GMK Associats [design stage] / BOMA (Lluís Moya, Xavier Aguiló) [site] Services engineers: Instal·lacions Arquitectòniques (Albert Salazar, Cristian González)
Quantity surveyors: Forteza Carbonell Associats (Jordi Carbonell, Xavier Arumí)
Site surveyor: Héctor Fernández