Phaidon Debuts Architecture Travel Guide App

The Phaidon Atlas of 21st Century Architecture and The Phaidon Atlas of Contemporary World Architecture are inspiring sourcebooks for the ages, but as with many authoritative, lushly illustrated volumes, it is impossible to fit them in one’s pocket, unless one has very special pants. Fear not, culture-conscious traveler, because Phaidon has just released The Phaidon Architecture Travel Guide App, an iPhone- or iPad-ready resource that’s yours for $3.99 from the iTunes store. With some 1,500 projects from 840 architectural practices (cherrypicked from both atlases), the app can be browsed by location, project, practice, and building type. Plus, the bookmarking options make it easy to create a “To See” list of architecture marvels around the globe. And travelers, take heart: no Wi-Fi or 3G is required to run the app.

Got an app we should know about? Drop us a line at unbeige [at] mediabistro.com

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Vitamin D2: Phaidon’s in-depth look at the unassuming pencil, for artists and enthusiasts alike

Vitamin D2


Covered in henna-colored scribbles, Vitamin D2 is the unassuming sequel to Phaidon’s extensive 2005 tome Vitamin D: New Perspectives in Drawing. Like its predecessor, Vitamin D2 explores the contemporary world of art’s most fundamental, but sometimes overlooked tool, the pencil. Approaching its subject…

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Where Chefs Eat

Oltre 400 dei migliori chef al mondo hanno espresso circa 2300 raccomandazioni su dove cibarsi raccolte in questo mattone sapientemente impaginato. Edito da Phaidon.

Concrete

The material’s many forms explored in a beautiful monograph from Phaidon

Concrete

From the Pantheon to the Hoover Dam, concrete has literally shaped the civilized world as we know it. Although once referred to as “the cheapest (and ugliest) thing in the building world” by Frank Lloyd Wright, concrete’s adaptive properties have propelled it to the forefront of many design movements…

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Vitamin Green

100 projects combatting environmental issues with innovative design
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The intersection of sustainability and design is one that brings to bear problems and solutions wherein the problems can be life-threatening and the solutions critical. “Vitamin Green” is a massive, comprehensive snapshot of the design world’s response to urban agriculture, ecological sustainability and energy efficiency. The collection of 100 green projects records an up-to-the-minute anthology of innovative responses to nature’s most pressing issues.

As Amara Holstein writes in the introduction, “From the macro to the micro, projects are fomenting and coming together as designers begin seriously to reinvent and reimagine sustainability in the built environment. With need as the impetus, and nature as our inspiration, we might actually stand a chance of learning to live in harmony with our planet. We’re at a tipping point of design. It’s time to decide which way the professionalism will go.” The sense of urgency is not mired in government regulations and perceived difficulty—rather, it is demonstrated by a series of successful creations that forge a path to better living. While “Vitamin Green” encompasses a broad swath of environmental design, we were especially taken by the examples of urban agricultural efforts. The selections go beyond the theorizing of solo designers to show communities of people working towards a greener future.

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One such project, Edible Estates condemns the lawn and sets out to replace America’s largest crop—and its most wasteful—with functional vegetable gardens. The company has been creating prototypes around the world since 2005, adorning completed gardens with a plaque that reads: “The empty front lawn requiring mowing, watering and weeding previously on this location has been removed.” While the project has been met with hostility from community regulations that seek to keep pristine and uniform lawns, the opposition hasn’t deterred Edible Estates ringleader Fritz Haeg from seeing out his mission.

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Started in the Summer of 2011, the Lapin Kulta Solar Restaurant serves up food cooked in open-air aluminum solar dishes. Using no energy outside of the sun’s glorious rays, the restaurant has solved their most obvious dilemma by serving up sashimi and salads on cloudy days. The space is described as an “eatery and artistic installation,” and is headed by Martí Guixé. Their solar dishes—which take a mere five hours to create—heat everything from uniquely textured barbecue to pots of percolated coffee.

The “Living Wall” at the Musée du Quai Branly is a massive vertical garden in Paris that coats the museum wall. Botanist Patrick Blanc developed a custom system for the wall after concluding that plants have a tendency to grow in nearly any moist environment. Two layers of polyamide felt are stapled to PVC and act as the growing surface, with a drip irrigation system delivering diluted fertilizer to fuel plant growth.

In response to rapid urbanization and a growing disparity between city and rural income demographics, the Quinmo Village Project was established to educate the inhabitants of China’s Quinmo Village in self-sufficiency. Part school, part eco-household architecture program, the project has succeeded in creating a complete ecological cycle on-site: food waste serves as livestock feed, and manure is turned into fertilizer to restart the process.

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Following the near destruction of the Vietnamese neighborhood in New Orleans East during Hurricane Katrina, the Mare Queen of Viet Nam Community Development Corporation (MQVN CDC) was established. Their effort, the Viet Village Urban Farm aims to replace the pre-existing network of gardens that had been operated by Vietnamese immigrants for decades. The proposed 28-acre site will be hedged in bamboo walls to separate it from residential areas, and plans have been made for the design, systems, funding and labor. To prevent future flooding and ensure responsible water use, the farm is connected to two off-site retention ponds as well as an artificial wetland to clean spent water.

Wading through the in-depth analysis of significant efforts, we came across a slew of projects that we have covered over the years. Sustainable objects like the Andrea Air Purifier, the Biolite Stove, the DBA 98 biodegradable pen, Freitag bags, the Plastiki sailboat made from recycled materials, Plumen‘s 001 light bulb and the Sayl Chair by Yves Behar remind us that eco-conscious designers are not alone. Architectural and community projects such as the Halley VI Scientific Research Station, Design Indaba‘s 10×10 Housing Project and NYC’s High Line brought us back as well. But in the end, even we had much to discover and even more to learn, the staggeringly ambitious projects in “Vitamin Green” inciting something beyond surface-level inspiration.

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Vitamin Green ships 12 May 2012 and is available for pre-order from Phaidon and on Amazon. Find more images of the book in our slideshow.


A Visual Inventory

Architect John Pawson reveals a photographic scrapbook of inspiration

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In his career architect John Pawson has designed monasteries for Cistercian monks and constructed boutique shopping locales. He has sketched concepts for yachts, created lounges for Hong Kong airlines, and has even published the deliciously simple cookbook “Living and Eating” (previously on CH). Bringing a sharp eye for minimal design, the architect has embraced a wide range of production, fed by limitless sources of inspiration. At a young age, Pawson began obsessively photographing such inspiration for his own projects, and it’s a habit he continues today. From more than 250,000 images Pawson selected 130 pairs of pictures to create “A Visual Inventory” as a glimpse into the architect’s creative process.

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Billed as little more than “snapshots” by Pawson himself, the collection is not so much about flawless photography as it is the interplay of lines and textures that feed an architect’s eye. “Mine is a scattergun approach,” he writes. “When I take a picture, there is always a reason in my mind, but a camera, when it is used as freely as mine, it is a tool for plurality, catching everything from previously undetected elements of repetition to unregistered details of narrative incident.”

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The book builds off of the concept of an “inventory”, both in the traditional sense of a collection of assets as well as a list of preferences, attitudes and interests. Some may be surprised that Pawson—an unflinchingly minimalist architect—draws from such an eclectic mix of influences. His sources include biological phenomena, human refuse, archaelogical architecture and swaths of formless texture.

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The collection essentially details the mind of an architect, and can be thought of as a kind of sourcebook for designers. Each photograph is accompanied by a short blurb that calls out Pawson’s personal reaction to the image. Selections are laid out in pairs that speak to each other, which becomes especially interesting when combinations are unexpected: railway tracks reflect dead leaves suspended in spider webs as tree roots mirror the contrails from a fleet of airplanes.

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“A Visual Inventory” is available from Phaidon and on Amazon.