A la Royal Academy of Arts de Londres, l’exposition en cours Sensing Spaces invite à ressentir les espaces, et permet aux spectateurs de venir s’approprier et interagir avec les œuvres d’Eduardo Souto de Moura, Pezo von Ellrichshausen, Kengo Kuma, Li Xiaodong, Diébédo Francis Kéré et l’agence irlandaise Grafton Architects.
This symmetrical concrete house by Chilean studio Pezo Von Ellrichshausen is the first in a series of 12 holiday homes underway in the Spanish canton of Matarraña and will be followed by others designed by Sou Fujimoto, Didier Faustino and more (+ slideshow).
Casa Pezo is the first and so far only completed residence in the Solo Houses series – a project commissioned by French developer Christian Bourdais that invited a host of international architects to design a dream house with no constraints besides budget.
Architects Maurizio Pezo and Sofia von Ellrichshausen of Pezo Von Ellrichshausen based their house on the principles of “symmetry and homothety”, creating an evenly proportioned building that centres around a courtyard and swimming pool.
The main living spaces of the house are raised two storeys above the ground so that they float over the landscape. They’re supported by a chunky central column, which accommodates the building’s entrance and contains the swimming pool.
“Occupants feel a floating sensation as they hang over a podium that only sustains the centre of the building,” explained the design team.
To maintain the unyielding symmetry, the building has two identical entrances that are both accessed from a single staircase.
Once inside, residents use a spiral staircase to walk up to the house’s main floor, where a living room, dining room and pair of bedrooms are neatly positioned around the edges of the courtyard.
All four rooms have floor-to-ceiling glazing, which slides back to allow each one to be transformed into a terrace, while four balconies form the square corners of the plan.
The architects looked at the design of traditional Mediterranean courtyard residences when developing the layout and proportions of the plan. “The size of the swimming pool, a quarter of the patio, sets the standard for each the modules of the peripheral ring,” they said.
The sides of the pool and courtyard are lined with white ceramic tiles to provide a counterpoint to the bare concrete visible everywhere else around the building.
Here’s more information from Pezo Von Ellrichshausen:
Casa Pezo – the first of the solo houses collection
Chilean agency Pezo Von Ellrichshausen has completed Casa Pezo – Solo Houses’ first initiative of unique property development in Europe. The house is a belvedere situated in the breathtaking natural site Matarraña, two hours south of Barcelona. It overlooks the Natural Park of Puertos de Beceite.
This house is the first house completed by Solo Houses. Its project comprises building a dozen homes in the region, each designed by some of the most avant-garde international architects. Christian Bourdais, founder of Solo Houses, gives architects few restrictions when designing their interpretation of a second home. He believes that this specific type of habitat offers occupants and architects a freedom from preconceived notions of housing and an aperture to unique architectural design.
Maurizio Pezo and Sofia von Ellrichshausen designed a house, which dominates the landscape. A platform separates the structure from the mainland. Occupants feel a floating sensation as they hang over a podium that only sustains the centre of the building.
Casa Pezo is made of concrete. Its design is governed by symmetry and homothety. It plays with verticality and horizontality. Balance and rhythm begin at the entrance and is sustained throughout. Two sets of stairs and doors create a triangle on either side of a corner.
It is only once you have reached the upper floor that it becomes clear that the monolith flanking the podium is a swimming pool. Covered with ceramic tiling, the pool occupies the central part of a patio. It is a reference to Mediterranean architecture where a balance of warmth and shade is essential.
Section one
The size of the swimming pool, a quarter of the patio, sets the standard for each the modules of the peripheral ring. Beyond a rigorous geometric distribution, Casa Pezo is simple and minimal. A dining room, a living room and two bedrooms are filled with little furniture, mostly designed by the architects themselves. Large windows open completely to the outside. All indoor spaces have the possibility of becoming outdoor terraces.
Section two
The estate covers just under fifty hectares. Ten other houses, all designed by renowned architects, are planned. Each unique structure will be surrounded by 3 to 4 hectares of nature. This allows each home to fully integrate into an expanse landscape.
North elevation
Architecture de Collection, the first agency specialising in the sale of outstanding 20th and 21st century architecture, markets the homes. Architects for the other homes include Sou Fujimoto, designer of the current Serpentine Gallery pavilion, Didier Faustino, Office KGDVS, Johnston Marklee, MOS Office, Studio Mumbai, or TNA Takei Nabeshima. For the price of a simple 100m2 apartment in a city, Solo Houses offers property with a creative concept.
South elevation
Christian Bourdais believes in the principle of collecting original and unique designs. The business model is patterned following the Case Study House Program. A project that collected the most talented architects of 1950s to 1970s, in order to explore the concept of a modern and affordable vacation spot in California. Half a century later, each of these productions – 36 projects, not all of which have been constructed – has become a work of art. Amateur architecture collectors strive to own them. Solo Houses is a project of today. It is a reflection on our modern way of life. It is also based on the timeless art of living.
This earthquake-proof house on a hillside in western Chile by architects Pezo von Ellrichshausen has six rooms with glass walls (+ photos by Cristobal Palma).
Mauricio Pezo and Sofia von Ellrichshausen were asked to design the house for a pair of artists whose former home had been destroyed during the major earthquake of 2010, so the architects decided to create a building with a strong structure that could withstand another disaster.
“For things to last, for them to withstand the weight of time, they must suffer. The question was to what extent this tension should be made visible,” they explain.
They gave the building an exposed steel skeleton, which frames the glass rooms on the three upper floors as well as two ceramics workshops on the lower ground floor.
These powder-coated black columns and beams create a chunky grid across each elevation, contrasting with the translucent white curtains that hang behind the glazing.
“There is a feeling of serenity and tension in the whole building,” Pezo told Dezeen. “Despite its unstable degree of transparency, it is a monolithic and bold structure.”
“But there is something uncomfortable about the dimensions of the elements of that structure,” he added. “Considering the small volume of the house, [the structural members] seem too thick to be steel and too slender to be concrete. Perhaps this building is no more than a piece of infrastructure.”
The staircase splits the house across the middle and connects the living rooms on the upper ground floor with drawing studios on the first floor and the bedroom and bathroom on the second floor.
Crossbeams either side of the staircase provide extra structural support and create the framework for built-in furniture.
Pezo von Ellrichshausen, Arco House, Concepcion, 2010-2011
The decisions taken in the design of this house were the reaction to an accident. It was created for an artist couple: he works with paper, engravings and digital publishing; she with enamelled ceramic. They had previously been living together in a big old house on the side of a hill, but this was destroyed during the earthquake that devastated central Chile in 2010. Resistance is not only opposition to a force, but also tolerance, patience, being strong-willed. For things to last, for them to withstand the weight of time, they must suffer. The question was to what extent this tension should be made visible.
The house is a vertical structure with a small rectangular (1:2) floor plan. An almost blind plinth of concrete sealed with asphalt is used to embed the house into the natural terrain. From this plinth emerge six steel 250 × 250 × 8 mm columns; the beams scarcely alter in thickness from one floor to the next. This rigid-frame structure defines six equal rooms. To this we simply added a compact piece of furniture which serves as a support for the units and the services. At the centre of gravity of the floor, the crossbeams are duplicated in order to create a vertical circulation in which the 45º intersecting nodes are bracing squares and double-landing steps. The steel components have been fireproofed and brightly enamelled with a coarse grain.
Too thick to be of steel, too thin to be of concrete, the black structure frame seems awkward when we consider the size of the volume it supports, so that between the frames, curtains and reflections this monolithic and generic new prism acquires a serene presence – perhaps with something of that ‘gentle unity’ that Georg Simmel described ruins as having.
Above: site plan – click above for larger image
Location: Concepcion, Chile Architects: Mauricio Pezo, Sofia von Ellrichshausen Collaborators: Bernhard Maurer, Diogo Porto, Joao Lopes, Antonio Conroy, Eleonora Bassi, Lena Johansen, Julliana Valle, Tim Simon Client: Barbara Bravo, Claudio Romo Builder: Ricardo Ballesta Structure: German Aguilera Building services: Marcelo Valenzuela, Jaime Tatter Plot surface: 450 m2 Built surface: 124 m2 Design year: 2010 Construction years: 2010-2011 Photography: Cristobal Palma
Above: ground floor plan
Above: first floor plan
Above: second floor plan
Above: third floor plan
Above: roof floor plan
Above: isonometric sectional drawing – click above for larger image
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