Olafur Eliasson Visits MIT

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If Cambridge seems a little brighter today, it’s because Olafur Eliasson is in town. The artist will be at the Massachusetts Institute of Technology (MIT) through Friday to accept the 2014 Eugene McDermott Award in the Arts. In addition to collecting a check for $100,000, taking part in public programs, and attending a gala (hosted by the likes of diplomats from Denmark, Iceland and Germany; Agnes Gund; and Anne Hawley, director of the Isabella Stewart Gardner Museum), Eliasson is taking part in a residency that focuses on his art and social business enterprise Little Sun, a portable, solar powered lamp that he calls “a work of art that works in life.” He’ll be on campus to discuss sustainable development, community engagement, design, product engineering, and social entrepreneurship in developing economies, and, in a lecture today at 5:00 p.m., “Holding hands with the sun.”
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The Negative Space of a House

Your Book est le nom du livre de Michael Heimann et Claudia Baulesch s’inspirant du projet architectural d’Olafur Eliasson à Copenhague. Composé de 908 pages, cette création magnifique représente chaque espace pensé en négatif sur la feuille. Un travail d’orfèvre à découvrir en images dans la suite.

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The Negative Space of a House5
The Negative Space of a House4
The Negative Space of a House3
The Negative Space of a House2
The Negative Space of a House7
The Negative Space of a House1

Harpa Concert Hall in Reykjavik wins Mies van der Rohe Award 2013

Harpa Concert and Conference Centre by Henning Larsen Architects Batteriid Architects and Olafur Eliasson

News: Harpa Concert Hall and Conference Centre in Reykjavik, Iceland, by Henning Larsen Architects and artist Olafur Eliasson has won this year’s European Union Prize for Contemporary Architecture, the Mies van der Rohe Award.

The crystalline Harpa Concert Hall and Conference Centre by Henning Larsen Architects and Olafur Eliasson with local practice Batteríið Architects beat four other projects on the Mies van der Rohe Award 2013 shortlist to scoop the €60,000 prize.

The Emerging Architect Special Mention award was given to María Langarita and Víctor Navarro for the Red Bull Music Academy, where they took over a warehouse and filled it with makeshift huts, providing individual studios for 60 musicians alongside a lecture hall, recording studio and staff offices.

The award ceremony will take place on 6 June at the Mies van der Rohe Pavilion in Barcelona, Spain.

Opened to the public on 4 May 2011, the Harpa Concert Hall is clad in panes of clear and colour-coated glass on a faceted steel framework, scattering glittering reflections of the surrounding harbour and sky. Read more and and check out a full set of images of the Harpa Concert Hall in our earlier story.

The biennial Mies van der Rohe Award is the most prestigious accolade in European architecture and is awarded to the best building completed in the last two years by a European architect.

The four other projects on this year’s shortlist were the Superkilen park by BIG in Denmark, Metropol Parasol by J. Mayer H. in Spain, a retirement home by Aires Mateus Arquitectos in Portugal and a Market Hall by Robbrecht en Daem architecten and Marie-José Van Hee architecten in Belgium. See all the projects shortlisted for the Mies van der Rohe award 2013.

Previous winners include David Chipperfield for the Neues Museum in Berlin in 2011 and Snøhetta for the Norwegian Opera & Ballet in Oslo in 2009. See all our stories about the Mies van der Rohe Award.

The prize is organised by the European Commission and the Mies van der Rohe Foundation, which was established in 1983 with the initial purpose of reconstructing the iconic pavilion designed by Modernist architect Ludwig Mies van der Rohe for the 1929 Barcelona International Exhibition, and now organises exhibitions and events promoting the study of Modern architecture and Mies van der Rohe’s work.

This year’s winning firm was founded in Denmark in 1959 by its namesake Henning Larsen, who last year was among the five laureates of the Praemium Imperiale arts prize awarded by the Japan Art Association. Henning Larsen Architects’ recent projects include plans for a Danish headquarters for software giant Microsoft and a proposed complex of public and leisure buildings in Trondheim, Norway.

Danish-Icelandic artist Olafur Eliasson has worked on several other architectural projects throughout his career, including a fort-like headquarters for a Danish investment company and a temporary pavilion outside London’s Serpentine Gallery, which he designed with architect Kjetil Thorsen of Snøhetta in 2007.

More about the Mies van der Rohe Award »
More about architecture by Henning Larsen »
More about Olafur Eliasson »

Here’s some more information from the Mies van der Rohe Foundation:


Harpa wins the European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2013

Harpa, the Reykjavik Concert Hall and Conference Centre in Iceland, is the winner of the 2013 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, the European Commission and the Mies van der Rohe Foundation announced today. Designed by Henning Larsen Architects, Batteríið Architects and Studio Olafur Eliasson, the building has helped to transform and revitalise Reykjavik harbour and brought the city and harbour district closer together. The ‘Emerging Architect Special Mention’ award goes to María Langarita and Víctor Navarro for the Nave de Música Matadero (Red Bull Music Academy) in Madrid, Spain. The award ceremony will take place on 7 June at the Mies van der Rohe Pavilion in Barcelona, coinciding with the celebration of the 25th anniversary of the prize.

“Architecture is one of the most visible expressions of our contemporary culture. My warmest congratulations go to this year’s winners – indeed, to all of those who made the final shortlist. They have created buildings which are not only of the highest aesthetic and technical quality, but also places which touch our emotions and bring people together. I would also like to thank the Mies van der Rohe Foundation for their excellent collaboration in helping to bring the best of contemporary European architecture to worldwide attention,” said Androulla Vassiliou, European Commissioner for Education, Culture, Multilingualism and Youth.

Harpa’s crystalline structure was inspired by Icelandic landscapes and traditions. Its dramatic design captures and reflects the light of the city, ocean and sky to thrilling effect.

Peer Teglgaard Jeppesen, from Henning Larsen Architects said: “On behalf of the team I would like to thank the European Commission and the Fundació Mies van der Rohe for this award. We are immensely honoured. Harpa is the result of collaborative process that has involved many people and with their efforts, strong commitment and drive Harpa has become a symbol of Iceland’s renewed dynamism.”

Wiel Arets, Chair of the Jury, said: “Harpa has captured the myth of a nation – Iceland – that has consciously acted in favour of a hybrid-cultural building during the middle of the ongoing Great Recession. The iconic and transparent porous ‘quasi brick’ appears as an ever-changing play of coloured light, promoting a dialogue between the city of Reykjavik and the building’s interior life. By giving an identity to a society long known for its sagas, through an interdisciplinary collaboration between Henning Larsen Architects and artist Olafur Eliasson, this project is an important message to the world and to the Icelandic people, fulfilling their long expected dream.”

The Nave de Música Matadero Madrid (Red Bull Music Academy) was built in only two months to host a nomadic annual music festival in an early 20th-century industrial warehouse complex in Madrid. It responded to the technical and acoustic needs of the event, while promoting and enriching artistic encounters between the participating musicians.

Antoni Vives, President of the Mies van der Rohe Foundation, said: “It has been an honour for the city of Barcelona and the Mies van der Rohe Foundation to grant this Prize with the European Commission for the last 25 years: a quarter of a century of the best European architecture. I would like to congratulate the winners of this 13th edition and I would like encourage architects to continue to play their role as catalysts for transforming cities.”

The winners were chosen from 335 submitted works in 37 European countries. Five works were shortlisted for the main award. The other finalists were: Market Hall (Ghent, Belgium by Robbrecht en Daem architecten; Marie-José Van Hee architecten); Superkilen (Copenhagen, Denmark by BIG Bjarke Ingels Group; Topotek1; Superflex); Home for Elderly People (Alcácer do Sal, Portugal by Aires Mateus Arquitectos) and Metropol Parasol (Seville, Spain by J. Mayer H).

The jury members who selected the finalists for 2013 are: Wiel Arets, Chair of the Jury, Principal, Wiel Arets Architects, Maastricht/Dean, College of Architecture, IIT, Chicago; Pedro Gadanho, Curator, Contemporary Architecture, Museum of Modern Art (MoMA), New York; Antón García-Abril, Principal, Ensamble Studio; Louisa Hutton, Principal, Sauerbruch Hutton Architects, Berlin; Kent Martinussen, CEO, The Danske Arkitekter Center (DAC), Copenhagen; Frédéric Migayrou, Director, Architecture & Design, Centre Pompidou, Paris; Ewa Porebska, Editor-in-Chief, Architektura-murator, Warsaw; Giovanna Carnevali, Secretary of the Jury, Director, Fundació Mies van der Rohe, Barcelona.

About the Mies van der Rohe Award

The architecture sector is at the heart of Europe’s vibrant cultural and creative industries. It directly employs more than half a million people, as well as more than 12 million in the construction sector. Architecture is part of the cultural and creative sectors, which contribute 4.5% to the EU’s GDP.

The European Union Prize for Contemporary Architecture – Mies van der Rohe Award highlights the contribution of European architects to the development of new ideas and technologies in contemporary urban development. Launched in 1987 and co-funded by the EU Culture Programme and the Fundació Mies van der Rohe, the prize is the most prestigious in European architecture. It is awarded every other year to works completed within the previous two years. The winner receives €60 000. This year’s ceremony is the 13th to take place since its launch.

Works nominated for the Prize are put forward by independent experts from all over Europe, as well as by the member associations of the Architects’ Council of Europe, national architects’ associations, and the Advisory Committee for the Prize.

The Prize is named after Ludwig Mies van der Rohe, who is regarded as one of the pioneers of 20th century modern architecture. His most celebrated works include the German Pavilion at the 1929 Barcelona Exhibition, Villa Tugendhat in Brno, Czech Republic, the Seagram Building in New York and the National Gallery in Berlin.

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Mies van der Rohe Award 2013
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Little Sun by Olafur Eliasson

Icelandic artist Olafur Eliasson has made these small solar-powered lamps for people who have limited access to reliable energy – almost a quarter of the world’s population (+ movie).

Little Sun can produce five hours of light when charged in the sun for five hours.

Little Sun by Olafur Eliasson

Above image is by Little Sun

Eliasson hopes to bring light to people in remote locations and reduce their reliance on hazardous kerosene lanterns.

Little Sun by Olafur Eliasson

Above image is by Merklit Mersha

The artist, who is best known for his Weather Project installation at Tate Modern in 2003, worked with solar engineer Frederik Ottesen on the project.

Little Sun by Olafur Eliasson

Above image is by Michael Tsegaye

The Little Sun lamps will also be used at a series of ‘Tate Blackouts’ at the Tate Modern gallery in London this summer, where visitors will be invited to look at works of art in the dark.

Little Sun by Olafur Eliasson

Above image is by Mihret Kebede

Tate Blackouts will take place between 10pm and midnight on 28 July, 4 August, 11 August and 18 August. The events are free with the purchase of a Little Sun.

Little Sun by Olafur Eliasson

Above image is by Tomas Gislason

The gallery will also host an exhibition about the Little Sun project from 28 July to 23 September.

Little Sun by Olafur Eliasson

Above image is by Andy Paradise

The movies are by Tomas Gislason.

Little Sun by Olafur Eliasson

Above image is by Andy Paradise

See all our stories about Olafur Eliasson »
See all our stories on green technology »

Here’s some more information from Tate Modern:


As part of Olafur Eliasson: Little Sun at Tate Modern, to be launched on 28 July 2012, visitors will be invited to look at works of art in the dark using only the light of Eliasson’s Little Sun solar-powered lamps. The presentation at Tate Modern has been developed for the London 2012 Festival that runs across the UK until 9 September 2012.

Olafur Eliasson is probably best-known for his highly successful The weather project (2003), part of the Unilever Series in Tate Modern’s Turbine Hall, which drew over 2 million visitors during its five-month installation.

The artist has developed the Little Sun solar-powered lamp with the engineer Frederik Ottesen to focus attention on the power of solar light to improve lives. Around 1.6 billion people worldwide live without access to mains electricity. Many of them rely on kerosene lanterns for lighting, which is both expensive and a health hazard. Little Sun brings light to people in off-grid locations, enabling them to work, reduce household expenses and improve the quality of life.

Starting on 28 July, people will be invited to participate in Tate Blackouts on Saturday nights after ordinary museum hours. For two hours, the lights will go off in the former power station and visitors can look at the works of art in the suite of galleries devoted to Tate Modern’s Surrealist collection using only the light of Little Sun lamps. This echoes the 1938 International Surrealist Exhibition at the Galérie des Beaux-Arts, Paris, where Man Ray (as ‘Master of Light’) supplied the visitors with torches to explore the labyrinthine galleries.

Beyond the Tate Blackout events, Olafur Eliasson: Little Sun will feature in a space on the third floor of the gallery from 28 July to 23 September, where visitors can learn about solar power, the global energy challenge, light and its importance in and for life. It will also include a special set-up for people to do light graffiti using the Little Sun and offer the opportunity to buy a lamp for £16.50 (€22). In off-grid areas the price will be reduced to about half that amount.

Little Sun produces 5 hours of light when it is charged in the sun for 5 hours. It facilitates the creation of small businesses to sell the lamp and, by concentrating profits at the point of need, it aims to promote economic growth in regions of the world where electricity is not available, reliable, affordable, or sustainable. Little Sun is light for studying, sharing, cooking, and earning. It is light for life.

Little Sun events in September will include a seminar and the premiere of 16 short films on light, life, and Little Sun by filmmakers from off-grid areas around the world.

Olafur Eliasson: Little Sun
Tate Modern
28 July – 23 September 2012

Tate Blackouts will take place on the following dates from 22.00 to Midnight:

28 July
4 August
11 August
18 August

The events are free with the purchase of a Little Sun.

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Olafur Eliasson
appeared first on Dezeen.

Kirk Kapital A/S headquarters by Olafur Eliasson

Kirk Kapital headquarters by Olafur Eliasson

Artist Olafur Eliasson has designed fort-like headquarters to rise out of the sea for a Danish investment company.

Kirk Kapital headquarters by Olafur Eliasson

Located in the harbour-side town of Vejle, the building will have a curved brick facade with sliced oval recesses. It will be accessed from the marina via a new footbridge.

Kirk Kapital headquarters by Olafur Eliasson

Kirk Kapital A/S’s offices will occupy the upper floors of the building, while a publically accessible cafe and gallery will be situated on the ground floor.

Kirk Kapital A/S Headquarters by Olafur Eliasson

Studio Olafur Eliasson is also collaborating with architects Lundgaard & Tranberg and landscape architects Vogt on a masterplan for the entire marina, which will be complete by 2016.

Kirk Kapital headquarters by Olafur Eliasson

Other Danish projects we’ve recently featured include former shipbuilding warehouses converted into a cultural centre and some harbour-side housing blocks – you can see more projects from Denmark here.

Here’s some more text from Kirk Kapital A/S:


Plans unveiled for the new KIRK KAPITAL A/S headquarters in Denmark, designed by Olafur Eliasson

Ambitious plans were unveiled today for a new development for Vejle Harbour in Denmark. The development consists of:

· The new headquarters for KIRK KAPITAL A/S, designed by Olafur Eliasson
· A new island, Harbour Island, with twelve buildings for housing and commercial use
· A new marina by Vejle Municipality

The masterplan proposal for Harbour Island in Vejle has been developed in a collaboration between Studio Olafur Eliasson, Lundgaard & Tranberg Arkitekter and Vogt Landscape Architects, based on plans conceived by Vejle Municipality to create an active connection between the city centre of Vejle and Vejle Fjord.

The new KIRK KAPITAL A/S headquarters are placed in the marina just south of Harbour Island. The building will contain a publicly accessible ground floor with a café and an exhibition space, as well as commercial leases and the headquarters for KIRK KAPITAL A/S on the upper floors. Expected completion date: 2016.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Copenhagen studio Henning Larsen Architects have completed a concert hall and conference centre in Reykjavík, Iceland, in collaboration with artist Olafur Eliasson.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Panes of clear and colour-coated glass surround a steel framework of twelve-sided modules on the south facade of the Harpa Concert and Conference Centre.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Inspired by basalt crystals, the faceted glass scatters reflections of the surrounding harbour and sky, and presents a glittering wall of light after dark.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

A flattened version of this geometry surrounds the other elevations of the building.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Three large concert halls occupy the first floor, including one finished entirely in red, while a smaller fourth hall on the ground floor provides a venue for intimate performances and banquets.

 

Visitors access the main foyer from a south-facing entrance, while staff and performers enter the backstage area from the north.

Harpa Concert and Conference Centre by Henning Larsen Architects

The centre was delivered with local studio Batteriid Architects.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The project was featured on Dezeen last year, when it was still under construction – see our earlier story here.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

See more projects by Henning Larsen Architects on Dezeen here, and more projects by artist Olafur Eliasson here.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Photography is by Nic Lehoux.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Here are some more details from Henning Larsen Architects:


Harpa Concert Hall and Conference Centre in Reykjavik gathers inspiration from the northern lights and the dramatic Icelandic scenery.

Situated on the border between land and sea, the Centre stands out as a large, radiant sculpture reflecting both sky and harbour space as well as the vibrant life of the city.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The spectacular facades have been designed in close collaboration between Henning Larsen Architects, the Danish-Icelandic artist Olafur Eliasson and the engineering companies Rambøll and ArtEngineering GmbH from Germany.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The Concert Hall and Conference Centre of 28,000 m2 is situated in a solitary spot with a clear view of the enormous sea and the mountains surrounding Reykjavik.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The Centre features an arrival and foyer area in the front of the building, four halls in the middle and a backstage area with offices, administration, rehearsal hall and changing room in the back of the building.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The three large halls are placed next to each other with public access on the south side and backstage access from the north.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The fourth floor is a multifunctional hall with room for more intimate shows and banquets.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Seen from the foyer, the halls form a mountain-like massif that similar to basalt rock on the coast forms a stark contrast to the expressive and open facade.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

At the core of the rock, the largest hall of the Centre, the main concert hall, reveals its interior as a red-hot centre of force.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The project is designed in collaboration with the local architectural company, Batteríið Architects.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

 

Harpa – Reykjavik Concert Hall and Conference Centre forms part of an extensive harbour development project in Reykjavik, the East Harbour Project.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

As the name indicates, the overall objective of the project is to expand and revitalise Reykjavik’s eastern harbour with a new downtown plaza, a shopping street, a hotel, residential buildings, educational institutions and mixed industry.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The overall intention is to generate life in the area and to create a better connection between the city centre and the harbour.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Situated outside the city’s building mass, the building will become a significant icon in the city – a visual attractor with a powerful and varying expression.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The isolated location will mean that, to a great extent, the changing climatic and light effects will be exposed in the facades of the concert building, often in contrast to the narrow and shady streets in the rest of the city.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Henning Larsen Architects has designed the facade of the Concert Hall in close collaboration with the local architects Batteríið Architects and the Danish-Icelandic artist Olafur Eliasson.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

As the rest of the building, the design of the facades is inspired by nature.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

In particular, the characteristic local basalt formations have provided the inspiration for the geometric facade structure.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Made of glass and steel in a twelve-sided space-filling geometric modular system called the ‘quasibrick’, the building appears a kaleidoscopic play of colours, reflected in the more than 1000 quasibricks composing the southern facade.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The remaining facades and the roof are made of sectional representations of this geometric system, resulting in two-dimensional flat facades of five and sixsided structural frames.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

In order to develop these ideas the team worked with three-dimensional computer models, finite element modelling, various digital visualisation techniques as well as maquettes, models and mock-ups.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Light and transparency are key elements in the building.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

The crystalline structure, created by the geometric figures of the facade, captures and reflects the light – promoting the dialogue between the building, city and surrounding landscape.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

One of the main ideas has been to “dematerialise” the building as a static entity and let it respond to the surrounding colours – the city lights, ocean and glow of the sky.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

In this way, the expression of the facade changes according to the visual angle.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

With the continuously changing scenery, the building will appear in an endless variation of colours.

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Click above for larger image

Harpa Concert and Conference Centre Reykjavík by Henning Larsen Architects

Click above for larger image


See also:

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Convention Centre by Eva
Jiricna and A.I Design s.r.o.
Auditorium and Congress
Hall by Estudio Barozzi Veiga
Kauffman Center by
Safdie Architects

Rainbow Panorama

Olafur Eliasson a réalisé cette installation offrant une vue à 360° sur la ville danoise d’Århus. Cette oeuvre circulaire use des couleurs de l’arc-en-ciel pour donner une ambiance originale, et permet d’accentuer le panorama. Plus de visuels de cette installation dans la suite.



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