London by Meike Harde

Clothing can be tucked away behind the textile skins of these storage units by German designer Meike Harde.

London by Meike Harde

Meike Harde created the London series of bedroom furniture by stretching different fabrics over metal frames.

London by Meike Harde

Included in the collection is a cabinet enveloped in pleated purple material, which bunches when the doors are slid open on a mechanism hidden within the fabric.

London by Meike Harde

An adjustable metal rod can be added on top of the cabinet to hold a circular mirror.

London by Meike Harde

Rhomboid-shaped frames wrapped in light translucent green cloth form a series of shelves.

London by Meike Harde

Objects are inserted through silts in the fabric and accessories can be hung on the protruding parts of the metal frame.

London by Meike Harde

Beige cotton is pulled taut over the metal skeleton of a dismountable wardrobe, which has an open bottom so long dresses can drape freely.

London by Meike Harde

Garments hang from a wooden rail, held up by holes in flaps that hang down from the top inside corners.

London by Meike Harde

The final item in the range is a stool created by a foam cube suspended off the ground by lengths of pink and blue mesh material, which attach to a four-legged black frame.

London by Meike Harde

Meike Harde has also designed benches and stools formed from folded foam mats, plus masks that cover just the eyes and mouth with idealised features from the media.

London by Meike Harde

More clever storage solutions on Dezeen include tables and chairs that clip together to form an assortment of shelving units and a cabinet that opens like a giant sewing box.

See more storage design »
See more design by Meike Harde »

The designer sent us the following information:


Commonly used storage facilities for clothes are mostly made of heavy and thick-walled materials like wood or press board. However, the walls of a storage object only serve as a protection against dust and generally do not need any static features.

London by Meike Harde

For this reason the series London makes use of textile materials. By means of a framework made of metal sticks the fabric protect the clothes from dirt to the same extent, but they make the furniture more lightweight and mobile. Additionally the textile material facilitates entirely different applications, both in the construction of the furniture as well as in its surface design.

London by Meike Harde

The violet cabinet made of organic molton makes use of the principle of a sliding door. The opening mechanism is incorporated into the textile part so that it can do without additional guiding rails. On the internal side of the textile mantle are rubber bands. These rubber bands are stretched when the furniture is closed and contract when it is opened, which results in the door gathering to the outside. The dressers smoked surface picks up the gathering of the wardrobe when opened, which prevents a wrinkling of the fabric.

London by Meike Harde

A mirror can be installed if desired. It hangs flexibly on a metal stick which is fixed to the upper open part of the cabinet. It is connected to the metal frame and adjustable in height.

London by Meike Harde

Whereas the cabinet can be used to stow folded clothes like t-shirts, pullovers or trousers, the beige wardrobe serves to hang up clothes hangers. This furniture provides room for shirts, dresses or jackets.

London by Meike Harde

The slip cover made of pure cotton was constructed custom-fit so that it gains an enormous strain and stiffens when put over the metal frame. The zip placed in the front part forms the door. Behind this door a wooden clothes rail surfaces which was incorporated into the slip cover.

London by Meike Harde

The wardrobe is intentionally kept open at the bottom so that even extra-long dresses can be stowed away. It is also completely dismountable and can be installed and uninstalled with only a couple of hand movements.

London by Meike Harde

The mint-green rhombic tower is composed of a metal frame over which an elastic textile tube can be put and then is tightened where the metal sticks cross. This creates pockets which can be filled through a slit in the textile mantle. These pockets are intended to make room for underwear, socks, caps, scarves and other accessories which can be seen from the outside due to the transparent fabric.

London by Meike Harde

The rubber foam cube is kept in shape by two net sheets that are fixed in a metal frame. This creates a wavering effect. The construction is relatively simple as the frame can be deconstructed at the corners so the net can be slid onto the metal posts. When putting it together the rubber foam cube is inserted and the frame is screwed in place.

Due to the light net the sheets of fabric overlap on the top side of the stool. This causes a slight colour mixture of the colours pink and blue.

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Meike Harde
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Zieharsofika upholstery by Meike Harde

German design graduate Meike Harde has designed a range of upholstered benches and stools simply by folding foam mats and fixing them to wooden frames with elastic bands.

Zieharsofika by Meike Harde

Meike Harde created the furniture with the motivation to explore new methods of upholstery construction, aiming to create a stiff cushion from a flat foam mat.

Zieharsofika by Meike Harde

“Other upholstery products are trying to use fabric without wrinkles. I want to use the natural creases in a big dimension as ornamentation, and to construct stiffness,” explains Meike, adding that stretching fabric over foam to create a flat finish requires a difficult construction process that takes a lot of time.

Zieharsofika by Meike Harde

By contrast, the simple, fast construction method that Meike has invented uses just three components: foam, rubber bands and wood.

Zieharsofika by Meike Harde

The foam mat is layered and gathered tightly to create waves that are held together at the top and bottom with elastic bands. The cushion is then compressed and fixed using longer elastic bands in the opposite direction, before the wooden stool is inserted underneath the elastic.

Zieharsofika by Meike Harde

This design avoids permanent connections between the foam and the wood, making it easy to replace cushions when they become worn.

Zieharsofika by Meike Harde

The small stool, which Meike says ”looks like broccoli, is made from a square piece of foam while the benches are made from a rectangular piece of foam.

Zieharsofika by Meike Harde

When asked about the comfort of the stiff benches, Meike told Dezeen “the furniture should be used as a bench, not as a very soft armchair,” comparing the comfort to that of Chesterfield leather furniture.

Zieharsofika by Meike Harde

We have also featured a series of disturbing masks designed by Meike Harde, called Too Beautiful to be True.

Zieharsofika by Meike Harde

Other benches and stools we have featured on Dezeen include a bench that can be converted into a chaise longue, or an armchair and a side table, and a collection of stools that can be used as tables or seats.

The post Zieharsofika upholstery
by Meike Harde
appeared first on Dezeen.

Too Beautiful To Be True by Meike Harde

Too Beautiful To Be True by Meike Harde

These masks by German designer Meike Harde cover just the eyes and mouth, replacing the wearer’s features with idealised ones from the media.

Too Beautiful To Be True by Meike Harde

Called Too Beautiful To Be True, the results are more disturbing than attractive.

Too Beautiful To Be True by Meike Harde

See all our stories about masks and disguises here.

Too Beautiful To Be True by Meike Harde

Here are some more details from the designer:


German designer Meike Harde generated masks which picture the eye and mouth area correspond to the current ideal of beauty.

Too Beautiful To Be True by Meike Harde

When put on, however, they cause a contortion of the face. This is meant to show that artificially produced beauty is not always beautiful; instead it can evoke the very opposite. Furthermore the pressure to be beautiful is to be questioned and denounced.

Too Beautiful To Be True by Meike Harde

The installation “Too beautiful to be true” was developed on the occasion of the exhibition “Fine Arts” in Saarbruecken, Germany.

Too Beautiful To Be True by Meike Harde

The visitors of the exhibition were free to take along an exemplar of the masks, which, not only inside the exhibition rooms, resulted in many unsettling reactions during the evening.

Too Beautiful To Be True by Meike Harde