Lasvit’s new lighting collections “combine craftsmanship with advanced technology”

Milan 2014: designers including Maarten Baas, Arik Levy and Maxim Velčovský introduce their new pieces for Lasvit in this movie filmed at the Czech lighting company’s Emotions show in Milan earlier this week.

Lasvit launched nine new collections at its Emotions show in Milan, including designs by a host of international designers as well as a series of kinetic sculptures by the company’s in-house team.

Frozen by Maxim Velcovsky for Lasvit
Frozen by Maxim Velcovsky for Lasvit

Czech designer Maxim Velčovský, who is also the company’s art director, created a series of hanging glass lamps called Frozen, which are created by pouring molten glass over a dome-shaped mould and left to cool.

“I was very much inspired by nature, when water becomes ice,” he says of the lamps, which are displayed in a cluster with drops of water running down them. “People are not sure whether they are looking at ice or glass, so they they knock on the lamp trying to figure it out.”

Das Pop by Maarten Baas for Lasvit
Das Pop by Maarten Baas for Lasvit

Dutch designer Maarten Baas created a modular chandelier called Das Pop using his signature Clay method in which a synthetic clay is moulded around a metal frame.

“It’s made all by hand and with Lasvit’s craftsman we also made hand-blown lightbulbs,” he explains. “Das Pop is one of my favourite Belgian bands, which is where the name comes from.”

Crystal Rock by Arik Levy for Lasvit
Crystal Rock by Arik Levy for Lasvit

Arik Levy designed a series of simple crystal-shaped pendants, which are available in a variety of different colours and opacities.

“We get reflections off the facets, even when the light is off,” he says. “When it’s on and when it’s off it always stays beautiful.”

Ice by Daniel Libeskind for Lasvit
Ice by Daniel Libeskind for Lasvit

The show also features the first glass chandelier by Daniel Libeskind. Called Ice, the piece is made up of clear glass cells blown into angular moulds, creating sharp, icicle-like forms.

“When you blow crystal, it’s typically bubbly and round,” says the American architect’s son, Lev Libeskind. “Our language has always been more angular and sharp. So we said, “What would happen if we took our sharpness and impose it on the glass?” The result provides a really interesting counterpoint between material and form.”

Alice by Petra Krausova for Lasvit
Alice by Petra Krausova for Lasvit

Lasvit’s Emotions show also features two moving glass sculptures, including a hanging lotus flower designed by Petra Krausová, which opens and closes in time to music and is controlled by an iPhone app.

Magnetic by Libor Sostak for Lasvit
Magnetic by Libor Sostak for Lasvit

Visual artist Jakub Nepraš also created a sculpture made from shards of glass shaped like a tree, onto which  a series of digital images are projected.

Kora by Jakub Nepras for Lasvit
Kora by Jakub Nepras for Lasvit

“There is craftsmanship, there is poetry behind each collection and this year there is also a lot of technology on show,” explains Lasvit founder and president Leon Jakimič. “I believe we are the first company to combine glass art with really advanced technology.”

Moluds by Plechac and Wielgus for Lasvit
Moluds by Plechac and Wielgus for Lasvit

Lasvit’s Emotions show, which also features designs by Michael Young and Czech designers Jan Plechac and Henry Wielgus, is at Office Stendhal on Via Stendhal in Milan and is open from 10am to 8pm until 13 April.

Clover Pendant by Michael Young for Lasvit
Clover Pendant by Michael Young for Lasvit

The post Lasvit’s new lighting collections “combine
craftsmanship with advanced technology”
appeared first on Dezeen.

Snow Vases by Maxim Velčovský

Czech designer Maxim Velčovský presents a series of porcelain vases cast from snow at the London Design Festival, which starts today.

Snow Vase by Maxim Velčovský

Velčovský produced the Snow Vases by moulding snow into vase forms and then casting them in plaster – a technique he describes as “lost-snow casting”.

Snow Vase by Maxim Velčovský

The vases were created over three winters, from 2010 to 2012, using different types of snow collected at different locations.

Snow Vase by Maxim Velčovský

Velčovský, founder of Prague design studio Qubus, describes making vases out of snow as “a casting of water that we perpetually try to close into containers”.

Snow Vase by Maxim Velčovský

“I took snow and modelled the vases,” Velčovský explained to Dezeen. “Then you pour plaster on the snow. Plaster gets warm when hardening, so the snow melts and you get the mould. Into the mould I poured porcelain slip, so by slip casting I got the shape of the snow.”

Snow Vase by Maxim Velčovský

“This technique can be called ‘lost-snow casting’,” he adds. “It is limited edition as the mould breaks after several casts.”

Velčovský made one vase each winter and produced a limited edition of fifteen vases from each mould.

The vases, created for Prague gallery Křehký, will be shown at west London design store Mint from today until 30 September as part of the London Design Festival.

Mint, part of the Brompton Design District, is exhibiting work by many designers as part of its Cabinets of Curiosity exhibition during the festival. You can find the exhibition plus other key shows in the Brompton district on our online map of the London Design Festival.

Here’s some more info about the vases from Velčovský:


Snow Vase for Křehký Gallery

Maxim Velčovský molded vases from snow and casted their shape in plaster for three consecutive years (2010, 2011, 2012). Thus, various types of snow from various locations gave birth to a unique collection of vases.

Their molds are imprinted with time, plus solidification and melting processes that often counteracted. Designed exclusively for the Křehký gallery, the Snow Vase limited edition of 15 pieces has just been presented there.

“I am more and more interested in the moment of ephemerality. I thought that frozen water would be an ideal material for exploring that moment,” says Maxim Velčovský. “You wait for the material to fall down from the sky and then model a shape. You are cold, your hands are freezing, and then the vase melts and vanishes or you manage to capture it in a different form of water combined with plaster. The entire process and all its aspects are very fascinating.

“For instance, the fact that you can mold a vase from snow only in a specific moment and in a specific part of the planet, or water circulation that is ever-present in the process even after the process is over and the vase becomes a water container. Initially, I only wanted to make an abstract object, but then I thought it would be more interesting to make an object in the context of design that would, in essence, be a casting of water that we perpetually try to close into containers.”

The post Snow Vases by
Maxim Velčovský
appeared first on Dezeen.

Local Collection by Maxim Velčovský

Local Collection by Maxim Velčovský

London Design Festival 2011: Czech designer Maxim Velčovský presents a series of containers made from semi-finished iron piping at Mint in London.

Local Collection by Maxim Velčovský

The Local Collection comprises pieces of piping that have been diverted from their intended life as part of the city’s plumbing network and joined together to make vases.

Local Collection by Maxim Velčovský

The series was on show as part of and exhibition called Mint Explorers at the west London shop as part of the London Design Festival and the exhibition continues until 30 September. See all our stories about the London Design Festival here.

Local Collection by Maxim Velčovský

This time last year Velčovský showed a series of objects covered in mineral deposits at Mint – check them out in our earlier story and watch an interview we recorded at his Prague studio here.

Local Collection by Maxim Velčovský

Parisian studio Ciguë recently furnished a cosmetics shop with pieces of diverted plumbing – take a look at it here.

Local Collection by Maxim Velčovský

Photographs are by Jara Moravec.

Here’s some more information from Maxim Velčovský:


Local Collection

The Local collection is inspired by local identities. Quite recently the oldest porcelain workshop in the Czech Republic got closed.

I reacted by going to the local ironmonger’s shop. In the global era I started working with the stuff you can find in your neighbourhood. The material and the subsequent process in the context of place and time is what make the design really authentic.

The semi-finished products for the production of piping became my building material for the new collection. In the ironmonger’s I have always been fascinated by the parts whose morphology anticipated a function of the object.

The Local Collection makes use of the morphology of parts displayed in anonymous wholesale metal shops. I see these warehouses as boxes with Lego bricks without the original instructions that got lost. Now we can only use our own imagination.


See also:

.

Story cabinet by Maxim Velčovský Underground Souvenirs
by Maxim Velčovský
Interview with
Maxim Velčovský

Story cabinet by Maxim Velčovský

Story cabinet by Maxim Velčovský

Czech designer Maxim Velčovský presents a cabinet comprising stacked wooden boxes at Křehký Gallery in Prague.

Story cabinet by Maxim Velčovský

Called Story Cabinet, the piece was designed to display items from the gallery’s collection.

Story cabinet by Maxim Velčovský

It has turned wooden legs made from the profiles of the two gallery founders Jiří Macek and Jana Zielinski.

Story cabinet by Maxim Velčovský

More about Maxim Velčovský »
More about Křehký Gallery »

Story cabinet by Maxim Velčovský

Here are some more details from Velčovský:


Křehký Gallery presents the cupboard Story Cabinet designed exclusively for Křehký by Maxim Velčovský.

“Every cupboard is a storeroom in fact,” explains Velčovský. His cupboard enables the user to create a unique system for storing stuff without getting lost in it thanks to a classical frame with a ledge and a socle. Its legs are shaped along the profiles of gallerists Jana Zielinski and Jiří Macek and hand-made by Czech design legend Antonín Hepnar. The cupboard itself was produced by Process.

Story cabinet by Maxim Velčovský

“I conceived the cupboard for Křehký as a small storage unit where individual limited editions, made exclusively for the Křehký collection, would be displayed. With regard to the minimalist design of the entire space by Olgoj Chorchoj, I wanted to introduce a piece of furniture that would refer to old cupboards and consist of basic geometrical modules.

Story cabinet by Maxim Velčovský

The feeling of the cupboard should be evoked by the socle and the upper ledge between which the boxes will be piled. Every cupboard is, in my opinion, household storage where objects are placed for various reasons.

Story cabinet by Maxim Velčovský

Thus, I chose a configuration of boxes in which each object can find its own territory, its own world. Apart from a profiled ledge, the shape of the legs also represents a specific feature of a cupboard. As for old wardrobes and cupboards, the attention focused primarily on the front legs, while the rear legs were reduced to simple shapes. It occurred to me to make the front legs in the shape of the heads of the two Profilmedia founders.

Story cabinet by Maxim Velčovský

Thus, each leg is made according to the profiles of Jiří Macek and Jana Zielinski and symbolically bears the burden of their collection. I asked Antonín Hepnar to manufacture the legs because he is one of the greatest experts in using the woodworking lathe – his entire work is bound up with this machine.“


See also:

.

Reveal by
Studiomama
Unique Standard
by Folkform
Primary Cabinet
by Peter Jakubik