Dezeen Screen: Thomas Fiechtner

Dezeen Screen: Thomas Fiechtner

Dezeen Screen: in this movie filmed at Dezeen Space, Viennese designer Thomas Feichtner talks about One Crystal Chandelier and Drawing Lamp, the two lighting designs he exhibited as part of our our micro-exhibition Dezeen Platform. The first is a chandelier with a single crystal, while the second is a task lamp that can be balanced in two different positions. Watch the movie »

Analogia #001 by Andrea Mancuso and Emilia Serra

Analogia #001 by Andrea Mancuso and Emilia Serra

Designers Andrea Mancuso and Emilia Serra created a 3D sketch of a living room by suspending strands of wool from fishing wire.

Analogia #001 by Andrea Mancuso and Emilia Serra

Called Analogia #001, the project involved tracing the outline of a table, three chairs, a lamp, a vase of flowers and a coat rack by calculating the required wire grid on a computer then draping the wool over this framework.

Analogia #001 by Andrea Mancuso and Emilia Serra

The installation was on show at A Few Friends by Will Alsop during the London Design Festival last month. See all our stories about the festival here.

Analogia #001 by Andrea Mancuso and Emilia Serra

Here are some more details from Andrea Mancuso and Emilia Serra:


Analogia #001 by Andrea Mancuso & Emilia Serra

Analogia #001 is an alteration of space perception, an ethereal experience provoking the spectator to reinvestigate the functionality of the objects surroundings them. It is on show at “testbed1″ as part of the exhibition “a few friends”, curated by will alsop, for the london design week 2011.

Designed by andrea mancuso and emilia serra, analogia #001 is made with variably sized Merino wool on a net of fishing lines fixed from ceiling to floor and from wall to wall.

Firstly, the space was analysed with a 3D software in order to position the fishing lines that created the framework for the sketching-wool. Having the basic structure we explored the intriguing freedom of drawing in the air.

The name derives from the italian word for analogy and the concept grew during the process of its construction. In fact while we were applying the wool, studying every “brushstroke”, we realised that the process was a meticulous replication of sketching.

The installation inspires a feeling of ‘surprise’ in the viewer, which comes from seeing the materialisation of the thought itself.


See also:

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Flux by Jerszy Seymour
for Magis
Thin Black Lines
by Nendo
10 Metres Lighting
by Madelene Björk

Dezeen Screen: Dezeen Space at 54 Rivington Street

Dezeen Space at 54 Rivington Street

Dezeen Screen: in this movie filmed at 54 Rivington Street, London, Dezeen editor-in-chief Marcus Fairs gives a tour of our activities at Dezeen Space. Watch the movie »

Objects in Disguise by Tove Thambert

Objects in Disguise by Tove Thambert

Want to work on those biceps at home but embarrassed to have the dumbbells lying around? Like the idea of carrying a cane but feel less self-conscious with an umbrella? Think a pocket mirror would be handy but not sure it will go with your suit?

Objects in Disguise by Tove Thambert

Swedish designer Tove Thambert‘s collection of Objects in Disguise includes dumbbells disguised as candlesticks, a cane with the profile of an umbrella and a mirror on a pocket watch chain.

Objects in Disguise by Tove Thambert

The series also includes a stirling silver card-holder to sit in place of a handkerchief in the top pocket, a tasselled brooch resembling a pen and a bracelet that could be mistaken for a watch.

Objects in Disguise by Tove Thambert

Thambert presented the series at the Swedish Ambassador’s Residence during the London Design Festival as part of an exhibition entitled Hemma: Swedish Design Goes London.

Objects in Disguise by Tove Thambert

See all our stories about the London Design Festival in our special event category.

Objects in Disguise by Tove Thambert

Here are some more details from Tove Thambert:


Objects in disguise

A collection of objects designed on the theme of camouflage: a cane masquerading as an umbrella becomes an elegant accessory.

Objects in Disguise by Tove Thambert

What first appears to be a couple of candlesticks is in fact a set of dumbbells, designed to blend in with the home environment.

Objects in Disguise by Tove Thambert

Silver jewellery and accessories are disguised to be discrete enough for the man in suit.

Objects in Disguise by Tove Thambert

In this collection I have explored the concept of camouflage within the design context.

Objects in Disguise by Tove Thambert

These objects are my interpretations of a new kind of functionality and are also questioning preconceptions about gender and design traditions.

Objects in Disguise by Tove Thambert

The collection features:

  • Dumbbells “Light&Heavy”. Cast iron. Three different weight levels
  • Walking cane “Walk Me” Lackered wood, aluminum and leather details

Objects in Disguise by Tove Thambert

  • Card holder “Double Fold”. Sterling silver
  • Pocket mirror “Watch Me”. Sterling silver, metal

Objects in Disguise by Tove Thambert

  • Brooch “Got a pen?”. Polished aluminum, sterling silver
  • Bracelet “Half Time”. Sterling silver, crystals.

Objects in Disguise by Tove Thambert

All objects – prices on request. Some of the objects will be in production soon, others will be made by order.

Objects in Disguise by Tove Thambert

Tove Thambert

Educated at Konstfack in Stockholm (industrial design) and Parsons in New York (fashion studies). Holds an MFA in industrial design. Lives in Stockholm. Works with product design as well as her own jewellery design and strategy/trend analysis.


See also:

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Dezeen Platform:
Sivan Royz
Domestic Animals
by Guus Van Leeuwen
Love the Bird
by Marc Dibeh

Vera, Chapter One by KM and ÉM

Vera, Chapter One by KM and EM

Eleven designers including Tomás Alonso, Philippe Malouin and Study O Portable took the fictional character of a lady called Vera as their muse and presented the results in a west London basement during the London Design Festival.

Vera, Chapter One by KM and EM

Above: Veralyn Fragrance by Emmanuel Philip

Called Vera, Chapter One, the project was curated by Kirsty Minns and Érika Muller (KM and ÉM) and asked each participant to respond to one photograph of Vera, taken from a set discovered at a junk shop in the seaside town of Brighton.

Vera, Chapter One by KM and EM

The eclectic presentation included shoes with Corian heels, bottles of scent inspired by a visit to the sea and wallpaper depicting Vera’s dreams.

Vera, Chapter One by KM and EM

Above: Conch Shells by Loris & Livia

See all our stories about the London Design Festival here.

Photography is by Benedict Morgan.

Vera, Chapter One by KM and EM

Above: Play It Louder by Study O Portable

Here are some more details from KM and ÉM:


Vera, Chapter One is a multi-disciplinary exhibition orchestrated by KM and ÉM as the first part of an on-going project evolving around a fictional character.

Vera, Chapter One by KM and EM

Above: Play It Louder by Study O Portable

The first chapter has been exclusively launched during the London Design Festival in September 2011.

Vera, Chapter One by KM and EM

Exploring a literacy approach to design, this exhibition showcases an eclectic body of work, including product design, illustration, graphics and olfactive design, by some emerging international talent.

Vera, Chapter One by KM and EM

Above: Collection C by Eelko Moorer

Vera is a fictional character based on a series of photographs from a girl’s family found a few years ago in a second hand shop in Brighton.

Vera, Chapter One by KM and EM

A group of artists & designers have been commissioned to respond to one image from the series in order to create the first chapter of Vera’s fictive and collaborative biography.

Vera, Chapter One by KM and EM

Above: 1:4 by Philippe Malouin

Vera’s material and sensorial world is brought into reality through this speculative body of work.

Vera, Chapter One by KM and EM

The exhibition room becomes her intimate space into which the visitor is invited to discover an original series of suppositional artefacts.

Vera, Chapter One by KM and EM

Above: Vera’s Dream by Arlette Ess

The works featured in this publication are the different responses from the commissioned artists and designers to a brief they were given in July 2010.

Vera, Chapter One by KM and EM

This brief is presented below to give you a deeper understanding of the thinking and working process behind this project.

Vera, Chapter One by KM and EM

Above: Strap Lamp by Camille Blin

‘There are thirty one photos of Vera in total, ten of them will be released for this first chapter. You are offered to choose one picture from the series to work from.

Vera, Chapter One by KM and EM

This image is the beginning of your narration. The work you will produce is a direct continuity of this photo and it will be one of the stories contributing to Vera’s fictional and collaborative biography.

Vera, Chapter One by KM and EM

Above: Vera’s Vase by José Levy

You are free to respond to this image as you wish. Your answer might be realistic or fantasied, dramatic or comical, profound or superficial, emotional or practical – the tone is yours.

Vera, Chapter One by KM and EM

Your story can be rooted in the photo’s temporality but could also be anticipating or succeeding it.

Vera, Chapter One by KM and EM

Above: Secret Alphabet by Roma Levin

You can pick any detail from the image to build your own story – a character, a printed pattern, an object, a colour range, or any element which seems relevant to you.

Vera, Chapter One by KM and EM

What we think should be vital in the approach of your work is to keep Vera at the heart of the narration.

Vera, Chapter One by KM and EM

Above: Her Scarf by Malika Favre

We might sound mystical when saying this, but we believe that the work should almost be incarnating Vera rather than interpreting her.

Vera, Chapter One by KM and EM

Above: Aintree by Tomás Alonso

That it isn’t about telling what we think about her rather than making her come true.

Vera, Chapter One by KM and EM

Above: Aintree by Tomás Alonso

We wish you the best for this adventure. We hope that Vera will inspire you. She is now your muse.’ KM & ÉM


See also:

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Bulb by Minimalux My London by NendoTramshed

Aintree by Tomás Alonso at Vera, Chapter One

Aintree by Tomás Alonso at Vera, Chapter One

London designer Tomás Alonso presented a range of shelves and lighting that combine ash timber with leather saddlery during the London Design Festival.

Aintree by Tomás Alonso at Vera, Chapter One

Each shelf is suspended on natural leather straps, of a similar tone and colour to the wood.

Aintree by Tomás Alonso at Vera, Chapter One

The timber and leather are joined with little brass studs.

Aintree by Tomás Alonso at Vera, Chapter One

The collection also includes a basket, a tray and a lamp with a glass shade.

Aintree by Tomás Alonso at Vera, Chapter One

Vera, Chapter One was an exhibition curated by Kirsty Minns and Érika Muller (KM & ÉM), which asked designers to use a fictional character, Vera, as their muse.

Aintree by Tomás Alonso at Vera, Chapter One

See all our stories about the London Design Festival here.

Aintree by Tomás Alonso at Vera, Chapter One

Photographs are by Benedict Morgan.

Aintree by Tomás Alonso at Vera, Chapter One

The text below is from Vera curators KM & ÉM:


Tomás Alonso
Aintree

Every weekend, for as far back as she could remember, Vera and her parents would go away for day trips, sometimes to the beach, sometimes to the hills, sometimes to see her Aunt and Granddad. It was what they did.

She especially liked going to Stanmer Park. It was a regular outing spot for her and her family, but she didn’t mind because she could see the horses there. She loved horses.

Aintree by Tomás Alonso at Vera, Chapter One

Looking at them in the fields always gave her a feeling of freedom. It made her daydream of all the places they could go the day she learnt how to ride. She was especially fond of Aintree- that’s the name she gave her favourite one. She imagined he would grow into a strong pure bred that would win the Grand National, who knows maybe even ridden by her one day.


See also:

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Furniture by Benjamin Hubert for De La EspadaMatilda 2011
at designjunction
Local Collection
by Maxim Velčovský

Furniture by Benjamin Hubert for De La Espada

Furniture by Benjamin Hubert for De La Espada

London Design Festival 2011: here are some photos of a collection of furniture and lighting by industrial designer Benjamin Hubert for Portuguese brand De La Espada, presented at the Tramshed during the London Design Festival

Furniture by Benjamin Hubert for De La Espada

The project involved working with with hand-turned marble, granite and leather craftsmen from the car industry.

Furniture by Benjamin Hubert for De La Espada

Pieces include a pedestal dining table that’s weighed down by granite balls in a steel cage, a lounge chair with a seat woven from strips of leather and a dining chair with a leather seat strapped over its ash frame.

Furniture by Benjamin Hubert for De La Espada

The Quarry lamps were each carved from a solid block of marble and retain the tool marks inside the cavity.

Furniture by Benjamin Hubert for De La Espada

Since founding his studio in 2007, Hubert has designed pieces for brands including Casamania, Zero, Örsjö Belysning, Viaduct, Decode, De Vorm, Heals, Blå Station and more, but this is the first time he’s been invited to design a complete collection.

Furniture by Benjamin Hubert for De La Espada

See all our stories about Benjamin Hubert here and watch interviews we filmed with him in Milan and in Cologne on Dezeen Screen.

Furniture by Benjamin Hubert for De La Espada

Tramshed was part of Shoreditch Design Triangle.

Furniture by Benjamin Hubert for De La Espada

See all our stories about the London Design Festival here.

Furniture by Benjamin Hubert for De La Espada

Here’s some more information from Benjamin Hubert:


Benjamin Hubert x De La Espada

The collaboration between Benjamin Hubert and De La Espada presented the opportunity to develop a range of interior products utilising the skills and knowledge of artisan craftsmen, affording fewer compromises than more industrialised projects.

Furniture by Benjamin Hubert for De La Espada

This allowed for greater exploration in the handmade and manipulation of natural materials with greater emphasis on quality.

Furniture by Benjamin Hubert for De La Espada

The result is a range of crafted products with an industrial aesthetic, made utilising tactile materials where the hand of the maker can still be seen and valued.

Furniture by Benjamin Hubert for De La Espada

This is  embodied in hand-turned marble with the organic marks of the cutting tool clearly visible, woven automotive leather with hand-stitching and overt timber joinery detailing.

Furniture by Benjamin Hubert for De La Espada

The range has an industrial, minimal language with a playful look at functionality, honest construction and engaging materiality.

Furniture by Benjamin Hubert for De La Espada

Above: Cargo. Perforated automotive leather, ash, steel fixings. A leather panelled dining/occasional chair. Hand-crafted self-supporting leather panels attach to a light Ash timber frame with mechanical fixing. Cargo is inspired by the automotive industry’s use of leather, specifically in convertible soft tops with pronounced fixing details and tailored panels.

Furniture by Benjamin Hubert for De La Espada

Above and below: Quarry. Marble, acrylic, LED. Hand-turned, thin-walled marble pendant lights with roughly finished interior, to add texture and describe the story of stone production.

Furniture by Benjamin Hubert for De La Espada

Quarry utilises the marble’s translucent properties to diffuse the light and reveal its veining.

Benjamin Hubert

The traditional material is offset by the use of an LED, which allows the large hand-turned internal cavity to remain open and uncluttered.

Furniture by Benjamin Hubert for De La Espada

The interior surface is reminiscent of the first cut by renaissance sculptors to rough out a form.

Furniture by Benjamin Hubert for De La Espada

AKFD manage the factories the lamps are produced in, ensuring fair working terms, and actively pushes for safer working conditions.

Below: Perforated automotive leather, steel. A hand-woven leather lounge chair with stitched automotive leather and a leather-wrapped steel frame

Furniture by Benjamin Hubert for De La Espada

This large lounge chair is inspired by the small ‘coracle’ boats traditionally used in Wales since the Bronze Age, with its woven construction used to support the user.

Furniture by Benjamin Hubert for De La Espada

The crafted ‘tri weave’ is complemented by a leather wrapped steel frame with industrial reference points found in bike handles, creating a tactile touch point for the chair.

Furniture by Benjamin Hubert for De La Espada

Below: Gabion. Ash, powder-coated steel, granite. A pedestal dining table with a metal cage base containing the ballast that creates the structures stability.

Furniture by Benjamin Hubert for De La Espada

Subverting the idea of traditionally hiding ballast in pedestal tables, most commonly sandbags, the dining table utilises an overt granite ballast as its focal point within a steel frame with ash surface.

Furniture by Benjamin Hubert for De La Espada

Below: Silo. Granite, Ash. Turned Portuguese granite storage/side table for magazines, soft goods etc finished with an ash surface.

Furniture by Benjamin Hubert for De La Espada

Inspired by grain storage devices with its crafted stone aesthetic, the Silo tables utilise the space normally reserved for a solid base or table legs, as storage. The tables’ focal point is created by a graphic interpretation of a traditional grip feature cut into the timber surface.


See also:

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Cast Desk Tidy
by Benjamin Hubert
Chimney
by Benjamin Hubert
Maritime
by Benjamin Hubert

CSYS by Jake Dyson

CSYS by Jake Dyson

London Design Festival: industrial designer Jake Dyson presented an LED task light with a heat-pipe cooling system at designjunction last week.

CSYS by Jake Dyson

The CSYS light is inspired by construction cranes.

CSYS by Jake Dyson

A copper pipe conducts heat away from the light source, ensuring greater longevity and brightness from the high intensity LEDs. 

CSYS by Jake Dyson

The lamp is adjustable on three axis and includes a touch-sensitive dimmer switch with light level memory.

CSYS by Jake Dyson

See more designjunction coverage here and all of our London Design Festival stories here.

Here are some more details from the designer:


Heat technology makes the new CSYS LED desk light cool

On 21 September 2011, Jake Dyson will launch the new CSYS LED task light at designjunction, during London Design Festival.  The CSYS LED task light is a dimmable LED lamp that marries the latest technology with sleek design and also addresses environmental concerns.  Jake Dyson and his team have considered current issues with existing LED lights and CFLs (energy saving lights), and are proud to present CSYS as the solution. The CSYS LED task light features a clever application of heat pipe technology that will ensure sustainable quality performance of the LEDs for over 160,000 hours continual use, which equates to up to 37 years.  This technology maintains the quality of the light and good colour rendition, for a vastly increased lifespan.

Jake Dyson says “There is a discernible lack of reliability and innovation in existing LED desk lights.  Current issues in this area include: poor heat management; weak light distribution; light colour erosion; and a lack of comfortable, warm white colour.  This is making consumers and industry alike cautious about committing to this technology in lighting.  We have managed to address all of these problems and believe that CSYS will truly change people’s minds about LED lighting.”

CFLs (compact fluorescent lamps) are the energy saving option that the government recommends, but they have inherent problems such as mercury content, health and landfill disposal issues.  CSYS will provide a cleaner more sustainable mode of lighting, by using the latest high intensity warm white LEDs with a clever cooling system to keep them running brightly and efficiently, for a much longer life span – in fact, for life.  The CSYS LED desk light requires no replacement bulbs, has no mercury content and therefore reduces environmental damage.  And at only 8W the CSYS task light is five times more energy efficient than a comparable halogen bulb.

The new light also promises flexible and precise light direction as it adjusts smoothly and effortlessly through three axes.  It challenges the status quo of mechanical movement of existing lighting.  The spread and the intensity of light can be controlled to your working area and its optical design minimises glare.

The CSYS LED desk light remains true to Jake Dyson’s desire for well-considered, highly engineered and beautifully structured design, as well as his obsession with visual motion mechanics.  It is the result of 18 months of research and development into thermal management systems in order to bring the heat pipe technology used in satellites and processor chips to LED lighting, with huge benefits.

CSYS will be available from Jake Dyson Products direct – go to www.jakedyson.com.  And also from respected design and lighting retailers – contact us for further details.

About Jake Dyson Products:

Jake studied Industrial Design at Central St Martins College of Art and Design. He graduated in 1994 and began work designing retail interiors, working on shops, cafes and clubs. Jake then set up his own workshop, purchasing a mill and a lathe and started experimenting and developing products setting up his company in 2004. His studio and workshop are now based in Clerkenwell.  Other successful products designed and manufactured by Jake Dyson Products include the iconic  Motorlight Floor and Motorlight Wall.

About designjunction:

Following its debut appearance at the Milan Furniture Fair, designjunction is set to be the premier destination at this year’s London Design Festival, bringing together a stellar line-up of 30 international furniture and lighting brands.

Under the creative direction of celebrated British designer Michael Sodeau, designjunction will take over central London’s Victoria House Basement, where brands such as Modus, Hitch Mylius, Cappellini, Swedese, Benchmark, Another Country, Anglepoise, Jake Dyson and Bocci will exhibit their wide and varied collections.


See also:

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SHY Light
by Bec Brittain
Una Sistema by Carlotta de Bevilacqua for Danese Paddle by Benjamin Hubert
for Fabbian

Dezeen Screen: Change the Record by Paul Cocksedge

Dezeen Screen: Change the Record by Paul Cocksedge

London Design Festival 2011: in this interview filmed at Dezeen Space, London designer Paul Cocksedge explains the ideas behind Change the Record, a project where vinyl records are moulded into amplifiers for smartphones. Watch the movie here and see our earlier story here.

Matilda 2011 at designjunction

Matilda 2011 at Design Junction

London Design Festival 2011: Australian label Matilda presented products and furniture by 30 designers including a timber and aluminium pendant light by Kate Stokes (above) at designjunction last week.

Matilda 2011 at Designjunction

Stephanie Armchair by Khai Liew

Matilda presents work by designers based in Australia or living in London to an international audience.

Matilda 2011 at Designjunction

Tolix armchair slipcover by Henry Wilson

New products launched at the show included a new chair in white oak and cow hide by South Australian craftsman Khai Liew.

Matilda 2011 at Designjunction

Dove Stools by Brian Steendyk

Matilda also designed a pop up café for the space featuring furniture by Helen Kountouris.

Matilda 2011 at Designjunction

Filament Table by David Pidcock

See more Designjunction coverage here and all of our London Design Festival stories here.

Matilda 2011 at Designjunction

Bronze Table by Barbera Design

Here is some more information from Matilda:


Matilda unveils 30 new Australian designers at London Design Festival 2011.

Matilda 2011 at Designjunction

Salad Servers by John Quan for Jam Factory

Australian design and the country’s enviable lifestyle form the hub of the inaugural designjunction at London Design Festival this year, with Matilda 2011 launching works by 30 of Australia’s best established and emerging designers, as well as its first pop-up Matilda Café. This expansive country’s infinite space, sky and sea give rise to simple, fresh and sophisticated design as yet unseen in Europe.

Matilda 2011 at Designjunction

Autumn Stools by Takeshi Lue

Matilda will re-locate after the Festival with a residency at SCIN Gallery – the new materials and architecture showroom in Old Street which is launching during the Festival.

Matilda 2011 at Designjunction

Genie Teapot by Workshopped

Works transferring to the gallery include a unique carbon and wood bicycle from Gary Galego, a bronze table by Barbera Design and a clever, leather armchair cover for the classic Tolix chair by Henry Wilson. The 23-year-old Sydneysider, fresh from the Design Academy Eindhoven and Rhode Island School of Design, reinterprets design classics such as the iconic Angelpoise lamp that Wilson has transformed into a low energy version. He will also be building benches for the Café with his innovative brackets that transform standard store-bought timber into tables, seating and shelving.

Matilda 2011 at Designjunction

Clasp Chair by Surya Graf

For the first time, Matilda will also be bringing the best of Australia’s lifestyle to the Festival with Matilda Café, the centre piece of which is a re-purposed bar from Soho House and with clever cardboard tables and stools by Paper Tiger Products – which are perfect for pop-up spaces. Design audiences can re-energise with formidable flat whites, lamingtons (the ubiquitous national fete-stall cake), Coopers beer and boutique Australian wine.

Matilda 2011 at Designjunction

Carousel Table by Adam Goodrum

Three expats living in London lead the exhibition – internationally renowned Tasmanian Brodie Neill (represented by the Apartment Gallery); Marcel Sigel, former Senior Designer at Tom Dixon and Charles Trevelyan, with a new, accessible version of his sold-out, limited edition Titanic Lamp.

Matilda 2011 at Designjunction

Spun Lights by Justin and Glenn Lamont for LifeSpaceJourney

Other products from Matilda include the Coco Pendant by Kate Stokes, a 28-year-old who launched the brand Coco Flip less than a year ago. The pendant, which is highly successful in Australia, is her first ever product and one of several designs Matilda is manufacturing locally, forming part of Matilda’s mission to bring the best of Australia’s lifestyle to Europe, whilst being firmly committed to ‘made in Britain’.

Matilda 2011 at Designjunction

E Turn Bench by Brodie Neill

Another first for Matilda is an international launch of a brand new work by South Australian master craftsman, Khai Liew. Liew, who was named in Wallpaper* magazine’s global top 200 and has work on display at the Design Museum, will unveil Stephanie, an exquisite armchair made from American white oak and cow hide.

Matilda 2011 at Designjunction

Lace light by Bernabeifreeman

Khai Liew’s protégé Takeshi Iue presents the Autumn stool – a simplified wooden stacking stool – and Stefan Lie reinterprets a quintessentially English tradition with his Genie teapot for Workshopped. Young design duo Daniel Emma – winner of the Promising Talent Award at last year’s 100% Design – launch four new items in their Desk Objects range.

Matilda 2011 at Designjunction

Titanic by Charles Trevelyan

Matilda will also show work by Perth maven Jon Goulder, who produces hand crafted works of a quality that no machine could come near, such as his exceptional Amore Mio chair.

Matilda 2011 at Designjunction

Illumini by Karen Cuningham & Mandi King for Jam Factory

Other outstanding products include Carousel table by Adam Goodrum (famed for his Stitch chair for Cappellini) from Galerie Gosserez in Paris, and Adelaide’s Jam Factory will be showing, among others, works by illumini – the brainchild of Karen Cunningham and Amanda King – winners of the 2010 Bombay Sapphire People’s Choice Award.

Matilda 2011 at Designjunction

Wall Brooch by Marcel Sigel

Other designers in the showcase are: LifeSpaceJourney – Spun Series of table, stools and lights by opthamologist and designer Justin Lamont. Surya Graf – Clasp Series, Stylish and functional café furniture. Toby Horrocks – Flatform, angular shelving cleverly created from cardboard. bernabeifreeman – High profile lighting design duo showcasing Lace and Leaf lighting. Yellow Diva – British-Australian upholstery experts with their W and M series sofas and chairs.

Matilda 2011 at Designjunction

WS1 by Yellow Diva

Designers returning from the 2010 Matilda LDF showcase include cloth, Luxxbox and Brian Steendyk.

Matilda 2011 at Designjunction

Paper Tiger Stool by Antony Dann

Festival goers and the general public alike will be able to see Brian Steendyk’s modular Coral seating in action outside the Southbank Centre Shop opposite the entrance to Royal Festival Hall and Brodie Neill’s seductive E-turn bench is in the window of Wieden + Kennedy, in Hanbury Street, between Spitalfields Market and Brick Lane.

Matilda 2011 at Designjunction

MC1 by David Walley for Yellow Diva

Matilda is made possible by Australian State Governments – Arts New South Wales, South Australia’s Integrated Design Commission and Arts Queensland. With additional support from the Australian High Commission in London.

Matilda 2011 at Designjunction

Cushions by Julie Paterson for Cloth Fabric

Matilda Café is sponsored by Verdigris (pewter bar) and Coopers Beer and signage is provided by Doublet.

Matilda 2011 at Designjunction

Carbon Wood bicycle by Gary Galego

Jenni Carbins – Matilda Founder

Matilda 2011 at Designjunction

Sake Cups by Peter Biddulph for Ceramic Design

An Australian living in London for the past six years, Jenni Carbins is the former Director of Marketing at Southbank Centre. In Australia, she ran a marketing communications consultancy with clients including Sydney Opera House, Sydney Festival, Sydney Film Festival, Sydney Biennale and Sydney Olympic Park.

Matilda 2011 at Designjunction

Flatform Shelf by Toby Horrocks

Jenni Carbins founded Matilda with the aim tapping into Australia’s design talent and bringing the best of the nation’s lifestyle to the world. Matilda aims to have as many products as possible manufactured locally – either in the UK or Europe – while maintaining the freshness of Australian design. The company launched with a pilot showcase as part of London Design Festival 2010.

Matilda 2011 at Designjunction

1984 Fish Bowl by Workshopped


See also:

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Furniture
by Faudet-Harrison
COD
by Rami Tareef
NSEPS
by Silo