SOM unveils Indonesian skyscraper that will harness wind power

News: American firm Skidmore, Owings & Merrill (SOM) has revealed designs for a skyscraper in Jakarta that will be over 500 metres high and will harvest wind energy through an opening at its peak.

With a proposed height of approximately 530 metres, the Pertamina Energy Tower will be twice as high as Wisma 46, currently the tallest building in Indonesia, and will feature an integrated “wind funnel” that generates energy from prevailing air currents.

Pertamina Energy Tower by SOM is an Indonesian skyscraper that will harness wind power

SOM designed the building as a headquarters for state-owned oil and gas corporation Pertamina and it will be constructed as part of a proposed campus that also includes a mosque, a performing arts and exhibition centre, sports facilities and an energy plant.

The exterior of the tower will be glazed and will gently taper towards the top to frame the opening of the wind funnel. This curved facade will feature solar shades to allow natural light to enter, without the problems of solar heat gain.

Pertamina Energy Tower by SOM is an Indonesian skyscraper that will harness wind power

“Pertamina Energy Tower’s iconic presence will stand as a model of sustainability and efficiency, as well as collaborative workplace design,” said SOM director Scott Duncan.

“The headquarters’ performance-driven design supports and reflects the ambition of Pertamina’s mission and forges an innovative model of green development in Jakarta.”

Pertamina Energy Tower by SOM is an Indonesian skyscraper that will harness wind power

The building is scheduled for completion in 2020 in Jakarta’s Rasuna Epicentrum neighbourhood and will accommodate up to 20,000 Pertamina employees.

It is the latest in a string of skyscrapers proposed recently for the Indonesian capital, including a 400-metre structure designed by MVRDV to look like a pile of buildings.

Pertamina Energy Tower by SOM is an Indonesian skyscraper that will harness wind power
Site plan – click for larger image

More information from SOM is included below:


Pertamina reveals plans for SOM-designed tower in Jakarta

Plans were unveiled on Monday for Pertamina Energy Tower, a highly sustainable corporate headquarters in Jakarta, designed by Skidmore, Owings & Merrill LLP (SOM), the renowned architecture, engineering, interiors and planning firm. Created for the state-owned energy company, Pertamina, the large-scale project will feature a performing arts and exhibition pavilion, a mosque, and a central energy plant in addition to the office tower. Rising more than 500 metres above Jakarta, the tower will be a new landmark on the capitol’s skyline.

The architectural expression of Pertamina Energy Tower reinforces the sustainable strategies at the core of its design. Gently tapering towards a rounded top, the tower opens up at the crown, revealing a ‘wind funnel’ that will take advantage of the prevailing winds and increased wind speeds at the upper floors to generate energy. Precisely calibrated for Jakarta’s proximity to the equator, the tower’s curved facade will mitigate solar heat gain throughout the year. Exterior sun shades will dramatically improve the workplace environment and save energy by reducing the need for artificial lighting in the office interiors.

The 99-story tower will accommodate 20,000 employees and will be the centrepiece of the Pertamina campus in Jakarta’s Rasuna Epicentrum neighbourhood. Conceived as a city within a city, the campus design endeavours to create a new model for a corporate headquarters – one that is more like a bustling city – with vibrant public spaces and communal meeting areas, such as a 2,000-seat auditorium for lectures and performances and a public mosque. A central energy plant will serve as the energy production hub for the campus, a literal and figurative “heart” from which energy and services will be distributed. A covered walkway known as the “Energy Ribbon” will knit together the constellation of campus programs and span across land bridges and gardens to create an array of accessible public spaces. The project is slated for completion in 2020.

The post SOM unveils Indonesian skyscraper
that will harness wind power
appeared first on Dezeen.

Word of Mouth: Jakarta: Car-free Sundays, affordable art auctions and, of course, coffee in the Indonesian capital

Word of Mouth: Jakarta


by Maureen Ferry Cuellar Jakarta has come into the spotlight recently with Indonesia being hailed as an economic wunderkind. More and more, people are being drawn to the capital of this vast Southeast Asian archipelago in hot pursuit of business opportunities. Parallel to this economic progress, a local creative revolution…

Continue Reading…

Peruri 88 by MVRDV, Jerde and Arup

Peruri 88 by MVRDV, Jerde and Arup

Dutch studio MVRDV is proposing a 400-metre skyscraper for Jakarta that looks like a pile of at least ten separate buildings.

Peruri 88 by MVRDV, Jerde and Arup

MVRDV, alongside American architects Jerde and engineers Arup, designed the 88-storey “vertical city” as a part of developer’s bid for a site in the south-east of Indonesia’s capital.

Peruri 88 by MVRDV, Jerde and Arup

The architects explain that the building would comprise just four staggered towers, which would rise up from a commercial podium at the base. Distributed amongst these structures would be a mix of apartments, hotels and offices, as well as shops, cinemas, a mosque and a vertiginous amphitheatre accessed by outdoor elevators.

Peruri 88 by MVRDV, Jerde and Arup

“Peruri 88 is vertical Jakarta. It represents a new, denser, social, green mini-city, a monument to the development of Jakarta as a modern icon literally raised from its own city fabric,” said MVRDV co-founder Winy Maas.

Peruri 88 by MVRDV, Jerde and Arup

Gardens, swimming pools and terraces would cover the tiered rooftops, which the architects conceive as a jungle filled with local trees and plants. ”Our inspiration for the commercial podium and public spaces was Java’s natural setting; lush jungle and stone surrounded by expansive ocean,” said David Rogers, design director at Jerde.

If the developer wins the bid, construction will start imminently.

Also this year, MVRDV completed a library inside a glass pyramid and a building covered in QR codes.

See all our stories about MVRDV »
See all our stories about Indonesia »

Here’s some extra text from MVRDV:


Peruri 88: MVRDV-Jerde-Arup reveal 360.000m2 green mix use project in Jakarta, Indonesia

An international design team made up of MVRDV (overall design), The Jerde Partnership (commercial podium) and ARUP, together with developer Wijaya Karya – Benhil Property, have collaborated to create Peruri 88 – a new landmark icon for Jakarta. Peruri 88 will be a vertical city in one building combining Jakarta´s need for more green spaces with the need for densification. The tower is a 400 meter tall mix use project with retail, offices, housing, a luxury hotel, four levels of parking, a wedding house, a mosque, imax theatres and an outdoor amphitheatre. The team presented the plans to city and site owner Peruri as part of a developer’s bid competition for the prominent site at Jl. Palatehan 4 Jakarta.

Peruri 88 combines Jakarta´s need for green space with Jakarta´s need for higher densities whilst respecting the typologies of the current urban fabric. The site, which is owned by Peruri, is located at Jl. Palatehan 4 Jakarta, a block formerly used as Mint which sits right next to a future metro station.

The mix use project offers a great variety of office and housing typologies, from large office surfaces to living/working units, from lofts to townhouses, from terraced houses to patio living. Each of these stacked urban blocks comes with a semi-public roof park, an abundance of gardens, playgrounds, spas, gym’s, outdoor restaurants and swimming pools available to the inhabitants and office employees. The tall trees on these decks will provide extra shade whilst the height of the parks allows for a cooling breeze.The high rise, a luxury hotel from the 44th floor to the 86th floor, rises from a platform with park, swimming pool and the marriage house. On top of the hotel a panoramic restaurant and viewing platform complete the structure at the 88th floor.

The commercial podium which is located from levels B2 to the 7th floor is designed by Jerde Partnership with MVRDV. Its most characteristic feature is the central plaza, sheltered by the stacked volumes of the mid-rise it offers multiple outdoor layers of restaurants and shadow and natural ventilation. A series of escalators connects the shopping and retail centre to the parks of the mid-rise.

The Peruri 88 commercial podium reflects the city’s historic islands with reflective bodies of water and landscape traversing the public street levels, while integrating a sunken garden plaza.

The buildings structure has five principle cores and is less complex than visually apparent. Four traditional constructed tall towers rise up between which bridging floors will be constructed. Arup will continue to develop and rationalise the structure to satisfy regulations and the budget.

A number of international hotel, retail and apartment operators have shown interest in the building and if the team wins construction will start swiftly.

The post Peruri 88 by MVRDV,
Jerde and Arup
appeared first on Dezeen.

National Museum of Indonesia by Aboday

Slideshow: Indonesian architects Aboday have won a competition to significantly extend their country’s National Museum in Jakarta.

National Museum of Indonesia by Aboday

A glazed atrium will separate the original museum from the new building, which will be more than twice as tall.

National Museum of Indonesia by Aboday

A waffle-gridded canopy on stilts will shelter this entrance lobby and provide a location for informal exhibitions alongside book and gift shops.

National Museum of Indonesia by Aboday

A bronze elephant that is currently positioned at the museum’s entrance will also be relocated into this atrium, marking a central position where corridors converge.

National Museum of Indonesia by Aboday

Other projects by Aboday on Dezeen include a house with a spiralling concrete slidesee them all here.

National Museum of Indonesia by Aboday

Here’s a lengthier project description from the architects:


Museum Nasional Indonesia
(Open National Competition, 1st Prize Winner)

As a national pride, Museum Nasional Indonesia, located in Jakarta, on the west side of the city’s infamous Monumen Nasional (National Monument with its 24 karat gold coated flame on the top) has been suffering from identity crisis for more than a decade. Occupying an 1862 colonial building from the era of Dutch Governor General JCM Radhermacher; it has an iconic Bronze Elephant in its front yard; a gift from Siamese King Chulalongkorn during his visit in 1871 thus its nickname of Museum Gajah (Elephant Museum).

National Museum of Indonesia by Aboday

Despite its long journey as an oldest research institution dedicated to Indonesian history, the museum has only been visited by 200.000 visitor during the year of 2010. This is happened in a city whereby one nearby shopping mall welcoming 30,000 visitor a day; and a research about shopping habits shows that people in this city religiously paying a visit to their favorite mall once in 6.5 day! It doesn’t help that the museum has 145,000 artifact and artwork, the largest of its kind in South East Asia; and that its collection span from the Prehistoric Indonesia to the Independence era of 1945.

National Museum of Indonesia by Aboday

A new MasterPlan was produce in 1996 as a result of a closed competition; an attempt to revamp the museum by extending its facilities with commercial supporting areas; even thought it was halted halfway due to the global economic crisis that hit Indonesia badly. This MasterPlan with typical approach of ‘archeological-conservation: copying an existing building to achieve a ‘new harmony’ , resulting on the construction of Building B on the Northern part of the original museum creating a confusing dual identity that put the whole complex in dismay rather than the intended harmony. Some attempt to steal its precious collection also force the museum to develop a massive security fencing eliminating the museum role as a supposedly public facility, to become a building with full surveillance element. The museum complex loose its relevance to the life of cosmopolitan Jakarta.

National Museum of Indonesia by Aboday

The new scheme to develop the museum complex try to bring back this massive institution to its original role as public facility. It addresses the question of urban context by inserting a new corridor between the existing museum building (A) and building (B) that will maintain an openness to the pedestrian and city park on the Eastern part of the complex. Called Museum Corridor, this East-West axiality of future urban stream further organized and help visitor to navigate their journey within the museum complex. Shaded by a giant urban canopy, the architect introduce new activities along the corridor in a hope to attract wider audience to the otherwise staid institution. Arrange between the row of slender steel rumboid shape colonnade is a series of social and commercial nodes such as bookshop, museum store, orientation/exhibition hall and choices of F&B areas that will surely attract people in this food heaven city.

National Museum of Indonesia by Aboday

Made entirely of steel structure and shading of waffle pattern aluminum fin, the glass covered corridor is a magnified version of open terraces surrounding the perimeter of existing building; an attempt to respect and reflect the old without imitating it as guided by Charter of Venice. In this very space that the architect expect people will start diving into the experiential ambience of contemporary social and museum aesthetic. Without even buying ticket, the first time museum visitors will still be able to enjoy the collection in this passage as display starts as early as in the open garden next to the F & B sitting area. This is part of the idea to widen the exhibition area in the museum complex, as absolutism has been indefinitely ended from the issue of museum display presentation.

National Museum of Indonesia by Aboday

Perpendicular to this passage corridor, there is a wide alley on the upper level stitching the existing museum building (A), new building (B) and proposed building (C) . Called Museum Alley, it is connected by the curvilinear gentle ramp; circulating the urban stream from the passage below to the key-points at the North-South end of this alley. It also serves as the main handicap access from the secondary drop of on the Northern side of the complex. Vertically co-join by a series of elevator and ramps, the alley bring people further up to areas of temporary exhibition in Building (B) or Display Storage, Offices and 1000 seater auditorium in Building (C). The highest level of this new building block will be occupied by a museum theme restaurant that will claim the magnificent view of Monumen Nasional as it main attraction.

National Museum of Indonesia by Aboday

Click above for larger image

Many of museum collections are now scattered around the existing building, some of them are displayed in the courtyard or open verandah with no proper protection, endangering its lifespan by exposing it to weather. Also the lack of display areas within the building resulting in a very cramp museum interior, where visitor and collections sometimes knocking elbow by elbow. With the new pragmatic program of additional 10.000 sqm exhibition space, this situation will be improved as more collections can now be displayed in proper sequence or story.

National Museum of Indonesia by Aboday

Click above for larger image

Positioning these exhibition spaces in layers of levels enable museum goers to create their own choreography during the visit; as display will likely be categorized base on theme rather than chronological year. Aside from the exhibition space, new additional storage area of 5500 sqm in the upper level will be designed as such, that it will actively visible to the visitors. A storage passage of floor to ceiling glass wall for museum goers will be inserted within the storage space, allowing the visitor to have a view of what happened inside; an attempt to reduce the possibility of any wrongdoing to those priceless collection when its shielded from the public view.

National Museum of Indonesia by Aboday

To establish the criss cross of new Museum Corridor and Museum Alley as the key-point within the building, the bronze elephant will be relocated, positioned on a 2 storey pedestal right on the crossing path of these 2 main thoroughfares. People from both axial of East-West and North-South will be able to see this iconic sculpture as the museum’s mainvisual connector. Generating objections during the competition presentation as many museum insider are worried that the relocation will cause museum a lost of identity, the architect rather convinced that relocating an old icon to new position will strengthen the meaning and put the symbol into a more relevant context of time and space.

National Museum of Indonesia by Aboday

Architect: Aboday

Competition Team
Partner in Charge: Ary Indra
Team: Rafael David, Johansen Yap, Ferdy Apriady, Radhi Maulanza, Vani Wijaya, Agie Aditama, Budi Yono, Dugi Maheswardhitra

Artist Impression: Rizal Bayu
Client: Museum Nasional Indonesia

Rumah Miring by Budi Pradono

Rumah Miring by Budi Pradono

Indonesian architects Budi Pradono have designed a leaning house for Jakarta with a tree growing inside.

Rumah Miring by Budi Pradono

The three-storey Rumah Miring will have a steel frame that tilts towards the street over a swimming pool and driveway on the ground floor.

Rumah Miring by Budi Pradono

Though the walls of the house are to be angled, the floors will remain level and will project into balconies on the exterior.

Rumah Miring by Budi Pradono

The house is to be clad entirely in glass and will have opaque walls only around the first floor bathroom and the second floor guest bedroom.

Rumah Miring by Budi Pradono

Construction is due to commence in September.

Rumah Miring by Budi Pradono

Although a rarity on Dezeen, other Indonesian buildings from the archive include a house with a concrete slide and a compact box housesee more architecture in Indonesia here.

Rumah Miring by Budi Pradono

Here’s some more information from the architects:


Rumah Miring in Pondok Indah Jakarta

Start to be built on September 2011

Rumah Miring by Budi Pradono

The design proposal is a response to the surroundings in Pondok Indah residential area, where most of the people who live there, tend vying to indicate their success or show their wealth indicated by large buildings with Doric columns or Mediterranean style.

Rumah Miring by Budi Pradono

This house is quite small compare to other house, made simple as possible with a steel frame that looks mild, by tilting the building, as a whole will show a symbol of anti-establishment.

Rumah Miring by Budi Pradono

The program is very simple space with a swimming pool and study room on the ground floor and master bedroom on the first floor, and guest bedroom on the second floor. The main materials used are: recycled wood, glass, steel and concrete are the primary material forming this house. The walls around the site from a neighbor’s house are maintained to show the history and locality.

Rumah Miring by Budi Pradono

Click above for larger image

Client: CG
Location: Pondock Indah, Jakarta
Design year: 2011
Type: Residential
Architect: Budi Pradono
Architect firm: Budi Pradono Architects
Project Architect in Chief: Budi Pradoo
Architect Assistant: Stephanie Monieca
Architect Assistant Support: Andreas Cornelius Marbun, Elbert Cahyadí
Model Maker: Zuardin Akbar, Andreas Cornelius Marbun, Rofianisa Nurdin
Structure Consultant: Krisdiyanto & Partners Mechanical Electrical Engineers
Land Surveyor: Mercu Buana Laboratory
Land Area: 160 m²
Building Coverage: 128.97 m²
Build Area: 152.69 m²
Total Building Area: 321.4 m²

Rumah Miring by Budi Pradono


See also:

.

The Long Barn Studio by Nicolas Tye Architects Bibliothek Luckenwalde by FF Architekten  and Martina Wronna House in Kohoku by Torafu
The Long Barn Studio by
Nicolas Tye Architects
Bibliothek Luckenwalde
by FF and Martina Wronna
House in Kohoku
by Torafu

Jeffry Surianto

Le photographe indonésien Jeffrey Surianto arrive à exprimer tout son talent avec la photo. Toujours en train de capturer des visages et des paysages principalement de son pays, ses visuels aux couleurs incroyables impressionnent. Plus d’images dans la suite de l’article.



jeffry-surianto16

jeffry-surianto15

jeffry-surianto14

jeffry-surianto13

jeffry-surianto12

jeffry-surianto11

jeffry-surianto10

jeffry-surianto9

jeffry-surianto8

jeffry-surianto7

jeffry-surianto6

jeffry-surianto5

jeffry-surianto4

















Previously on Fubiz

Copyright Fubiz™ – Suivez nous sur Twitter et Facebook