Granny.F by Hiroyuki Miyake

Architect Hiroyuki Miyake used a traditional English bricklaying pattern for the ceramic tiles on the walls of this beauty salon in Toyokawa, Japan.

Granny.F by Hiroyuki Miyake

“I tried to express alternative nostalgia by using glossy colourful tiles instead bricks,” Miyake told Dezeen.

Granny.F by Hiroyuki Miyake

Displaying a graduated pattern of autumn colours, the tiles line the inside of the shampoo area and also clad the building’s exterior.

Granny.F by Hiroyuki Miyake

A partition that separates the styling and shampoo areas features doorways that copy the rhythm of the windows opposite.

Granny.F by Hiroyuki Miyake

The are no tiles on the walls of the styling area, where free-standing mirrors are arranged in a line and naked light bulbs hang on copper fixings overhead.

Granny.F by Hiroyuki Miyake

This isn’t the first salon we’ve featured by Hiroyuki Miyake, following one with a zigzagging steel screen.

Granny.F by Hiroyuki Miyake

See more stories about salons and spas »

Granny.F by Hiroyuki Miyake

Photographs are by Rikoh Adachi.

Granny.F by Hiroyuki Miyake

Here’s a description from Hiroyuki Miyake:


Beauty salon “Granny.F” designed by Hiroyuki Miyake

This beauty salon is located in Toyokawa , Aichi , Japan. It was renovated from the existing empty building.

Granny.F by Hiroyuki Miyake

Although the outer wall of tiling is carried out based on the British brick pattern, it is expressing coexistence of tradition and novel by the gradation pattern, and rich gloss.

Granny.F by Hiroyuki Miyake

The sun takes for sinking and the tile loses own color gradually. However, instead, it becomes one big background which projects the expression of a town which always changes, such as the sky at sunset and a headlight of the car which goes a passage.

Granny.F by Hiroyuki Miyake

By suppressing the lighting to an outer wall side, the light from the window arranged at equal intervals is emphasized, and a homely atmosphere is expressed by showing an internal situation in fragments.

Granny.F by Hiroyuki Miyake

The tile which is visible to the opening side of an outer wall or a partition wall is settled like “skin”, and the gray space is emphasizing “inner side.”

Granny.F by Hiroyuki Miyake

The pendant light of the naked light bulb hung at random has given shiny and coloring into the space arranged symmetrically.

Granny.F by Hiroyuki Miyake

The pendant lights are covered with copper leaf.

Granny.F by Hiroyuki Miyake

Internal styling area is changed completely with the exterior, and the space of dim mortar gray spreads. This is a place which creates beauty and the leading role is a person to the last. Space is positioning that it is only a background.

Granny.F by Hiroyuki Miyake

A shampoo area is positioning called the exterior, being in an inside by choosing the same tile as an outer wall.

Granny.F by Hiroyuki Miyake

The gradation of a tile and indirect lighting wraps people in a rich feeling of tolerance.

Granny.F by Hiroyuki Miyake

People experience various services and spend a relax time while going those space back and forth.

Granny.F by Hiroyuki Miyake

Plan – click above for larger image 

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Troove Beauty Salon by Hiroyuki Miyake

Troove Beauty Salon by Hiroyuki Miyake

A steel screen zigzags in front of a shampoo area at this dimly lit beauty salon in Gifu, Japan, by architect Hiroyuki Miyake.

Troove Beauty Salon by Hiroyuki Miyake

Paint applied to the surface of this two-millimetre-thick screen gives it a graduated surface that becomes more and more reflective nearer to the Japanese oak floor.

Troove Beauty Salon by Hiroyuki Miyake

A missing fold at the centre of the zigzag provides an entrance.

Troove Beauty Salon by Hiroyuki Miyake

Three chairs are positioned opposite in front of square mirrors, while a square window provides a view into a storage closet at the back.

Troove Beauty Salon by Hiroyuki Miyake

See more stories about salons and spas in our dedicated category.

Troove Beauty Salon by Hiroyuki Miyake

Photography is by Rikoh Adachi.

Troove Beauty Salon by Hiroyuki Miyake

Here’s some more explanation from Hiroyuki Miyake:


Beauty salon TROOVE by Hiroyuki Miyake

This beauty salon is located in Gifu, Japan, and is designed by Japanese designer Hiroyuki Miyake.

Troove Beauty Salon by Hiroyuki Miyake

This salon is run by the one stylist. In order that the stylist face each client thoroughly and create beauty. A sacred and pure atmosphere was emphasised by concise composition and light and darkness.

 

Stand lights [AKARI] were designed by ISAMU NOGUCHI in the 80s. They are also manufactured in Gifu, Japan.

Troove Beauty Salon by Hiroyuki Miyake

The space constituted by concrete and the Japanese oak exists as a background with depth.

The partition divides a shampoo booth is inspired by japanese traditional folding screen. It is made from 2mm thick galvanised iron, and the lower part is reflecting the wooden floor by processed gradation paint. It stands like it floats.

Troove Beauty Salon by Hiroyuki Miyake

Although the screen seems to be one apparently, in fact, there is a passage in the middle.

All openings of a wall are designed by the board material of 150-mm width a module.

Troove Beauty Salon by Hiroyuki Miyake

Light and darkness emphasise the meaning of a place without explanation.

The font was designed by inserting the Chinese character means “ONE” in “TIMES font”.

Troove Beauty Salon by Hiroyuki Miyake

After the Tohoku Earthquake in last year, we the Japanese have been reconsidering strongly about our country and ourselves as japanese. By the accident of nuclear power plants, power saving was obliged and many lighting of the town was turned off. Although we felt negatively about darkness at first, we noticed it was enough to live. Rather, former was too bright. Originally we the Japanese accepted shades, and while they live, they have discovered beauty and art. Because this condition, we gaze at Japanese traditional culture again and evolve it, open up a new era.

Measure calendar by Hiroyuki Miyake

Measure calendar by Hiroyuki Miyake

Japanese designer Hiroyuki Miyake‘s calendar works like a retractable tape measure, with one centimetre for each day of the year.

Measure calendar by Hiroyuki Miyake

The Measure calendar is produced under his own brand, M75.

Measure calendar by Hiroyuki Miyake

Oscar Diaz’ Ink Calendar that uses the capillary action of ink spreading across paper to display the date was one of our most popular stories last year.

Measure calendar by Hiroyuki Miyake

Here’s a tiny bit of text from Miyake:


It is a calendar which measures the time of replacing 1 cm with 1 day.

Measure calendar by Hiroyuki Miyake

By visualizing the length of the time, you can recognise something new feeling about the passed days and the left days.

Measure calendar by Hiroyuki Miyake

At the present age when all things are digitised and even the time is equalised, I believe that this calendar gives new value of the time.

Measure calendar by Hiroyuki Miyake

Product title: Measure calendar
Label name: M75
Designer: Hiroyuki Miyake


See also:

.

Ink Calendar
by Oscar Diaz
Chrono Shredder
by Susanna Hertrich
Sweeper Clock
by Maarten Baas