Researchers develop "biological concrete" for moss-covered walls

Researchers develop biological concrete

Scientists at a Spanish university are developing a new type of concrete that captures rainwater to create living walls of moss and fungi.

Unlike existing vertical garden systems which require complex supporting structures, the new “biological concrete” supports the growth of organisms on its own surface, according to researchers from Universitat Politècnica de Catalunya in Barcelona.

Researchers develop biological concrete

Top image: simulation of a vegetated facade at the Aeronautical Cultural Centre in El Prat de Llobregat

Above: simulation of a vegetated facade at the Ako-Suites Aparthotel in Barcelona

The concrete contains a biological layer that collects and stores rainwater, providing a moist growing environment where microalgae, fungi, lichens and mosses can thrive, they explain in a report.

A waterproof layer separates the organisms from the inner structural part of the concrete, while an outer layer acts in reverse, allowing rainwater in and preventing it from escaping.

Researchers develop biological concrete

Above: lichens on a rock

The concrete also absorbs carbon dioxide in the atmosphere and acts as an insulating material and a thermal regulator, say the researchers, who are currently in the process of patenting the material.

The next step is to accelerate the process so that the mossy surface develops in under a year, they add.

We’ve featured lots of buildings with living walls, including a mossy office building in Amiens, France, and a São Paulo furniture showroom covered with plant-filled vases – see all our stories about green walls.

We’ve also featured a number of projects using algae, such as a conceptual skyscraper that would make energy from algae and a concept car that would also use the organism to make fuel – see all our stories about algae.

Images are courtesy of UPC.

Here’s some more information from the researchers:


Researchers at the UPC develop a biological concrete for constructing “living” façades with lichens, mosses and other microorganisms

The Structural Technology Group has developed and patented a type of biological concrete that supports the natural, accelerated growth of pigmented organisms. The material, which has been designed for the façades of buildings or other constructions in Mediterranean climates, offers environmental, thermal and aesthetic advantages over other similar construction solutions.

In studying this concrete, the researchers at the Structural Technology Group of the Universitat Politècnica de Catalunya · BarcelonaTech (UPC) have focused on two cement-based materials. The first of these is conventional carbonated concrete (based on Portland cement), with which they can obtain a material with a pH of around 8. The second material is manufactured with a magnesium phosphate cement (MPC), a hydraulic conglomerate that does not require any treatment to reduce its pH, since it is slightly acidic.

On account of its quick setting properties, magnesium phosphate cement has been used in the past as a repair material. It has also been employed as a biocement in the field of medicine and dentistry, indicating that it does not have an additional environmental impact.

The innovative feature of this new (vertical multilayer) concrete is that it acts as a natural biological support for the growth and development of certain biological organisms, to be specific, certain families of microalgae, fungi, lichens and mosses.

Having patented the idea, the team is investigating the best way to promote the accelerated growth of these types of organisms on the concrete. The goal of the research is to succeed in accelerating the natural colonisation process so that the surface acquires an attractive appearance in less than a year. A further aim is that the appearance of the façades constructed with the new material should evolve over time, showing changes of colour according to the time of year and the predominant families of organisms. On these kinds of buildings, other types of vegetation are prevented from appearing, lest their roots damage construction elements.

Three layers of material

In order to obtain the biological concrete, besides the pH, other parameters that influence the bioreceptivity of the material have been modified, such as porosity and surface roughness. The result obtained is a multilayer element in the form of a panel which, in addition to a structural layer, consists of three other layers: the first of these is a waterproofing layer situated on top of the structural layer, protecting the latter from possible damage caused by water seeping through.

The next layer is the biological layer, which supports colonisation and allows water to accumulate inside it. It acts as an internal microstructure, aiding retention and expelling moisture; since it has the capacity to capture and store rainwater, this layer facilitates the development of biological organisms.

The final layer is a discontinuous coating layer with a reverse waterproofing function. This layer permits the entry of rainwater and prevents it from escaping; in this way, the outflow of water is redirected to where it is aimed to obtain biological growth.

CO2 reduction

The new material, which has various applications, offers environmental, thermal and aesthetic advantages, according to the research team led by Antonio Aguado and supported by Ignacio Segura and Sandra Manso. From an environmental perspective, the new concrete absorbs and therefore reduces atmospheric CO2, thanks to its biological coating.

At the same time, it has the capacity to capture solar radiation, making it possible to regulate thermal conductivity inside the buildings depending on the temperature reached. The biological concrete acts not only as an insulating material and a thermal regulator, but also as an ornamental alternative, since it can be used to decorate the façade of buildings or the surface of constructions with different finishes and shades of colour; it has been designed for the colonisation of certain areas with a variety of colours, without the need to cover an entire surface. The idea is to create a patina in the form of a biological covering or a “living” painting.

There are also possibilities for its use in garden areas as a decorative element and as a sustainable means of blending buildings and constructions into the landscape.

Architectural renovation

The material lends itself to a new concept of vertical garden, not only for newly built constructions, but also for the renovation of existing buildings. Unlike the current vegetated façade and vertical garden systems, the new material supports biological growth on its own surface; therefore, complex supporting structures are not required, and it is possible to choose the area of the façade to which the biological growth is to be applied.

Vegetated façades and vertical gardens depend on a plant substrate in some type of container, or they use cultures that are totally substrate-independent, such as hydroponic cultures. However, they require complex systems attached to the construction itself (layers of material) and even adjacent structures made of metal or plastic. This can lead to complications associated with additional loads, the reduction of light, or the reduction of space around the building. With the new “green” concrete, the organisms can grow directly on the multi-layered material.

Patent and commercialisation

The research has led to a doctoral thesis, which Sandra Manso is writing. At present, the experimental campaign corresponding to the phase of biological growth is being conducted, and this will be completed at the UPC and the University of Ghent (Belgium). This research has received support from Antonio Gómez Bolea, a lecturer in the Faculty of Biology at the University of Barcelona, who has made contributions in the field of biological growth on construction materials.

At present, a patent is in the process of being obtained for this innovative product, and the Catalan company ESCOFET 1886 S.A., a manufacturer of concrete panels for architectural and urban furniture purposes, has already shown an interest in commercialising the material.

The post Researchers develop “biological concrete”
for moss-covered walls
appeared first on Dezeen.

House in Lisbon by Luís and Tiago Rebelo de Andrade and Manuel Cachão Tojal

This narrow townhouse in Lisbon has bushy plants all over its body and a swimming pool on its roof.

House in Travessa do Patrocínio

Designed by Portuguese architects Luís Rebelo de Andrade, Tiago Rebelo de Andrade and Manuel Cachão Tojal, the three-storey house was designed as a vertical garden that includes 25 different Iberian and Mediterranean plant species.

House in Travessa do Patrocínio

“Different fragrances are spread throughout the floors,” the architects told Dezeen. “In the swimming pool you will have the flavour of saffron; in the bedroom, lavender; in the living-room, rosemary.”

House in Travessa do Patrocínio

“In the heart of a busy city, the vertical garden creates an unique link with nature and an unexpected atmosphere,” they added.

House in Travessa do Patrocínio

A single staircase spans one side of the house to connect all three floors and the roof terrace. The architects describe them as “an allusion to the famous stairs of Alfama,” in reference to the stepped streets in the oldest area of the city.

House in Travessa do Patrocínio

On the roof, the narrow pool stretches along the whole length of the terrace so that it can be used for swimming lengths.

House in Travessa do Patrocínio

Living and dining rooms are on the second floor, while bedrooms occupy the first floor and a garage and music room are on the ground floor.

House in Travessa do Patrocínio

Other buildings with green walls on Dezeen include a pharmacy and clinic in Japan and a furniture showroom in Brazil.

House in Travessa do Patrocínio

See all our stories about green walls »

House in Travessa do Patrocínio

Photography is by Fernando Guerra.

House in Travessa do Patrocínio

Here’s a description from the architects:


House in Travessa do Patrocínio

From a small lot with its unique implantation, this project has raised early on a couple of challenges… and along with them, ideas emerged.

House in Travessa do Patrocínio

Above: ground floor plan – click above for larger image

The box housing deviates from the gable to create a vertical yard (glass box), with a straight ladder connecting all floors, an allusion to the famous stairs of Alfama, running between the all four floors walls and linking the various dimensions.

House in Travessa do Patrocínio

Above: first floor plan – click above larger image

This courtyard is the heart of the house, bringing light to the interior, enhancing the main entrance and creating a real exterior/interior relationship.

House in Travessa do Patrocínio

Above: second floor plan – click above for larger image

In terms of material, we chose to polish the rectangular form and give the block the face of a tree, making it one more element of the square, which resulted together with the existing tree and water fountain, in a triad.

House in Travessa do Patrocínio

Above: roof plan – click above for larger image

The program was set up almost automatically, the technical services and garage with direct access from the street, the first floor holding the private area of the house. The second floor is the social area, with a direct connection to the coverage, extending social into outdoors, being the view related to the social side and the private area to both square and Embassy, the setting of a typical Lisbon experience, which is a truly intimate relationship between quarters.

Therefore, this project is in fact a mini lung and an example of sustainability for the city of Lisbon, keeping the principles of a living typical habitat and a relationship with the outside, assuming a revitalizing urban role.

House in Travessa do Patrocínio

Above: section – click above for larger image 

Architects: Luís Rebelo de Andrade, Tiago Rebelo de Andrade & Manuel Cachão Tojal
Co-Workers: Madalena Rebelo de Andrade, Raquel Jorge, Carlos Ruas & Tiago Moniz
Location: Travessa do Patrocínio, Lisbon, Portugal
Project Year: 2008-2012
Project Area: 248 sqm
Client: BWA – Buildings With Art

Construction:
Construoeiras, Obras Públicas e Construção Civil SA
Supervision – RTCNC,Lda – Eng. Rui Taborda
Electrical, Communications and Safety – EppE – Eng. José Cardoso Water and Sewer – Carlos Nunes Baptista
AVAC – Prom & E, Lda – Eng. Luis Baião
Gardens – Adn-Garden Desing

The post House in Lisbon by Luís and Tiago Rebelo
de Andrade and Manuel Cachão Tojal
appeared first on Dezeen.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

The deep-framed windows of this office building by French studio Chartier-Corbasson Architectes burst through mossy walls and piles of stone beside a 100-year old mansion in Amiens.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

Scattered across the green walls, the windows offer glimpses inside the new six-storey building that accommodates the Regional Chamber of Commerce and Industry for Picardy.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

Chartier-Corbasson’s Olivia Caillou explained that the organisation had first planned to occupy both the new building and the historic Hôtel Bouctôt Vagniez, but eventually “decided to move all their offices into the new construction” and use the old building as a reception space.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

Describing the design of the green walls, Caillou said that they drew inspiration from the Japanese-style garden that surrounds the property and that “the choice of our plants was guided by this particular aesthetic”.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

Meeting rooms and offices occupy each of the floors, while a 189-seat auditorium is located in the basement.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

The rear of the block nestles into a row of buildings on a neighbouring street and is clad with steel panels that were designed to match the colours and patterns of the typical local brickwork.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

See more projects with green walls, including a pharmacy and clinic by Kengo Kuma.

Photography is by Yves Marchand & Romain Meffre.

Here’s a project description from the architects:


Regional Chamber of Commerce and Industry
Amiens 2012

The Bouctot-Vagniez Town Hall in Amiens is a remarkable building, an architectural testament to the glories of nineteen-twenties Art Nouveau. Our project is concerned with designing an extension to this unique building, which is home to the Picardy Regional Chamber of Commerce and Industry.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

Ground floor plan – click above for larger image

All the essential features of the project are represented in a plinth of living greenery that creates a link between the new wing, the existing premises and the gardens. The offices will be situated above this greenery plinth. They are housed in two separate spaces divided from one another by an atrium that will allow natural light and air to penetrate the heart of the building. Screen-printing technology protects certain perspectives by shading the glazed areas or leaving them clear, according to the needs created by the utilisation of the rooms behind. To the south, on the roadside elevation, a double skin of metal mesh allows for ventilation and creates a sunscreen, creating a secluded atmosphere in the offices.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

Second floor plan – click above for larger image

As regards the garden elevation, the design forms part of the existing landscaping as a sort of kink in the boundary wall. The hall opens out as broadly as possible onto the gardens, and the ground floor rises up to embrace a wide panoramic bay window creating a fluid, light-filled space.

Regional Chamber of Commerce and Industry by Chartier-Corbasson Architectes

Section – click above for larger image

Client: CRCI de Picardie
Architects: Chartier-Corbasson Architectes
Iida Tulkki, Gabriel Guthieriez architectes assistants

Engineering: Betom
HEQ engineering: Cap Terre
Acoustics: JPLamoureux
Stage design: Ducks scéno
Consultant facade: Van Santen et associés

Program: Office building, meeting rooms, reception rooms, 189 seats auditorium, landscape design
Net surface: 1800 sq m
Budget: €56 million
Delivery: June 2012

The post Regional Chamber of Commerce and Industry
by Chartier-Corbasson Architectes
appeared first on Dezeen.

Firma Casa by the Campana brothers and SuperLimão Studio

Firma Casa by the Campana brothers and SuperLimão Studio

Brazilian designers Fernando and Humberto Campana and architects SuperLimão Studio have covered the facade of a São Paulo furniture showroom with thousands of plant-filled vases.

Firma Casa by the Campana brothers and SuperLimão Studio

The faceted aluminium containers hang from a mounted wire grid on the exterior of the two-storey Firma Casa store.

Firma Casa by the Campana brothers and SuperLimão Studio

Folding metal doors leading into the ground floor showroom open wide enough for large furniture to fit through.

Firma Casa by SuperLimao Studio and Campana Brothers

Concrete covers the floor of this gallery and store, while air conditioning ducts and lighting rails remain exposed on the ceiling.

Firma Casa by SuperLimao Studio and Campana Brothers

Staff offices are located upstairs on the first floor.

Firma Casa by SuperLimao Studio and Campana Brothers

The Campana brothers also recently completed their first hotel interior – see that story here and see more of their projects here.

Firma Casa by SuperLimao Studio and Campana Brothers

Photography is by Maira Acayaba.

Firma Casa by SuperLimao Studio and Campana Brothers

Here’s a little more text from SuperLimão Studio:


Firma Casa – Between Design and Art

The Firma Casa project started to be developed in November 2008, when Sonia Diniz Bernardini, owner of Firma Casa, decided to renew her store, established in 1994. She invited the Studio Campana to make the project and they decided together to invite SuperLimão Studio, a young architecture and design studio, to make the project and develop a lot of ideas.

The project consists in a two floor building with 500 square meters divided in a gallery, a retail store and, in the second floor, the offices. All of the steel structure, air conditioning ducts, and a grid of electric rails are showed in the ceiling. The beams can be used with industrial magnets to hang pieces, and pallets shelving can support different pieces with different dimensions. SuperLimão Studio looked to flexibility to develop the project with could be used for a lot of different exhibitions.

A three pieces front door allows entering pieces of big dimension into the gallery and the whole concrete floor can support heavy weight objects, sculptures, etc. In the outdoor area the Elastopave® was used to give the floor the capacity to drain rainwater.

To cover the whole façade, Fernando and Humberto Campana suggested a green wall with Espada-de-São-Jorge (Sansevieria Trifasciata), a plant with African origin and very diffused in Brazilian popular culture because of it’s protective superstition power. In front of this challenge SuperLimão Studio developed a bent aluminum vase, with an origami form to support the plants. There are 3500 vases with 9000 seedlings of Espada-de-São-Jorge.

Project: SuperLimão Studio + Studio Campana
Location: Al. Gabriel Monteiro da Silva, 1487, São Paulo, SP Architect: SuperLimão Studio
Landscape: Fernando e Humberto Campana
Landscape Execution: Maria Helena Cruz
Structural Engineers: Statura General Contractor: Sigla Engenharia Design: 2008 – 2011
Construction: 2011 – 2011
Site Area: 952 square meters Building Area: 505,47 square meters Use: Art Gallery -­‐ Retail Store Photography: Maira Acayaba

Replay by Vertical Garden Design

Replay by Vertical Garden Design

A jungle of bushy ferns and sprouting begonias fills the windows of Replay’s Barcelona boutique.

Replay by Vertical Garden Design

Landscape architects Vertical Garden Design created this green wall and a second facing a rear courtyard.

Replay by Vertical Garden Design

Plants on this second wall infill the spaces between weathered metal tiles, which were installed in 2009 when Italian architects Studio 10 remodelled the shop.

Replay by Vertical Garden Design

Plants that usually grow beside waterfalls were chosen for both walls.

Replay by Vertical Garden Design

Dressed mannequins and giant model spiders also occupy the shopfront, in front of the planted wall.

Replay by Vertical Garden Design

Other projects on Dezeen about green walls include a plant-covered power station and a house with a sprouting interior wallsee all the stories about green walls here.

Replay by Vertical Garden Design

Here’s a description of the walls from Vertical Garden Design:


Replay’s store on Passeig de Gràcia in Barcelona now hosts a vertical garden of just above 100m2. In the storefront location, the two storey wall is set in a dramatic and playful environment with waterfalls, sculptures and contrasting materials.

Replay by Vertical Garden Design

As a great place to study nature’s own vertical gardens, the waterfalls were a natural starting point for the plant design. Looking closer to the environment around a waterfall, growing conditions change with linear patterns of fissures and cracks in the underlying exposed rock, or the rapidly decreasing moisture already small steps away from the immediate vicinity of the falling water. In such a manner, like the erratic and geometric cracking of an eroding rock, groups and strings of plants were laid out in an organic pattern.

Replay by Vertical Garden Design

The generous surface allow for many kinds of plants. Larger groups of begonias, different ferns, small (but long) aroids like the common Philodendron scandens or Scindapsus pictus, sets the background for more dramatic effects of cascading fronds of Nephrolepis exaltata and Polypodium subauriculatum or larger aroids like Philodendron giganteum and P. erubescens.

Replay by Vertical Garden Design

The store also have a outdoor vertical garden, located in a patio in the back of the store. Partially shadowed by surrounding buildings, the southwest facing wall has the upper area well exposed to the hot mediterranean sun, whereas the lower part is mostly in shadow.

Replay by Vertical Garden Design

This difference in sun exposure gave way for more typical mediterranean plants in the top – such as Lavandula, Rosmarinus and Artemisia – and more shadow preferring plants like Chlorophytum and Fatsia in the lower area. In between there are a few plants that will gain some more size, the idea being to create a strong and wild growing surface, contrasting the metal grid from which it extends.


See also:

.

House outside Brussels
by Samyn and Partners
Home 06
by i29
Brooks Avenue House
by Bricault Design

Dezeen archive: green walls

Dezeen archive: green walls

We’ve published a few stories about green walls this week. Here are a few more from the Dezeen archives. See all the stories »

See all our archive stories »

House on the outskirts of Brussels by Samyn and Partners

House on the outskirts of Brussels by Samyn and Partners

This house near Brussels by architects Samyn and Partners has a glass wall at the front and a plant-covered wall by French botanical artist Patrick Blanc at the back.

House in the outskirts of Brussels by Samyn and Partners

Blanc, who is widely regarded as the pioneer of the green wall, created the flourishing facade and roof from a selection of exotic plants.

House in the outskirts of Brussels by Samyn and Partners

Completed in 2007, the four-storey house is both a home and workplace for a cinematographer and his family.

House in the outskirts of Brussels by Samyn and Partners

A deep furrow circling the house provides a glimpse down to another row of windows, revealing the basement studios below.

House in the outskirts of Brussels by Samyn and Partners

The fully glazed west elevation exposes the interiors of the ground, first and second floors, but can be screened by a wall of translucent curtains.

House in the outskirts of Brussels by Samyn and Partners

On the ground floor, partitions that separate the kitchen, hallway and family room were once the exterior walls of a single-storey house incorporated into the design.

Photography is by Marie-Françoise Plissart.

More information is provided by the architect:


This house for an artist includes the street level of an existing small house. It now houses the entry hall, a family room and a kitchen; the living-room and the stairway are in the extension to the building.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

The second floor includes the master bedroom with its bathroom, as well as five children’s rooms and sanitary installations. They are equipped with a mezzanine protected by textile netting that will lead to the glassed-wall facade.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

The house presents curved and vegetalised facades that are very private and closed to the neighbours to the north, the east and the south. In contrast, the west facade is entirely glass-walled as if it were one huge partitioned window.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

It is planned that Immense translucid white polyester curtains in widths of 1.6 m suspended from the top of the structure to the ground floor would run along this great « window »  to ensure shade in the summer months.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

Initially conceived as a wall of ivy with a patinated copper roof, the vegetalised facade is finally composed of a selection of exotic plants chosen by the botanical artist Patrick Blanc, and extends to cover the roof.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

We had to design the structure, the insulation, and the water-tightness of the envelope and resolve the building physics issues in order to receive the necessary support systems, irrigation and fertilisation systems for the plants that are set into a felt support stapled to rigid PVC panels.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

600 m², Nov. 1999 – June 2007; (01/390)

House in the outskirts of Brussels by Samyn and Partners

Services
Landscaping.
Architecture.
Interior architecture.
Structural engineering, in collaboration with Sagec.
Mechanical, Electrical, Plumbing Engineering, in collaboration with FTI.
Quantity surveying.
Project management.
Construction site management.


See also:

.

Vertical Living Gallery by
Sansiri and Shma
La Maison-vague by
Patrick Nadeau
Brooks Avenue House by
Bricault Design

Vertical Living Gallery by Sansiri and Shma

Vertical Living Gallery by Sansiri and Shma

The chequered facade of this Bangkok showroom by architects Sansiri and landscape architects Shma is half glass and half living plants.

Vertical Living Gallery by Sansiri and Shma

The bushy native plants sprout from hollow trapezium-shaped panels on two faces of the building.

Vertical Living Gallery by Sansiri and Shma

Named the Vertical Living Gallery, the showroom houses a gallery and offices for the sale of apartments.

Vertical Living Gallery by Sansiri and Shma

Vertical louvres shade the windows between the green panels.

Vertical Living Gallery by Sansiri and Shma

This showroom is the second green-walled building featured on Dezeen this week – see our earlier story about a plant-covered tower by Eduoard François.

Vertical Living Gallery by Sansiri and Shma

More stories about green walls on Dezeen »

Vertical Living Gallery by Sansiri and Shma

Click above for larger image

Photography is by Wison Tungthunya.

Here are some more details from the landscape architects:


Vertical Living Gallery

Bring nature along as you move upwards.

While Bangkok living ground has been rising up, little does the green area rise. This green envelope is designed for condominium sale office gallery, a place where a new urban living definition is displayed.

The module green wall crate is made from stainless steel for easy construction. Hanging plant pots and drip irrigation are installed behind the felt. This system is inexpensive and convenient to construct. Considering the locality, we selected local plant, Tokyo Dwarf which is normally found on ground. It can stand very well under Bangkok’s extreme environment. The texture of plant also softens the rigidity and stand out among Bangkok complex structure. While thin member and angled one, once lightened, express another dimension of the surface, contrasting to the flat surface of high-rise.

Location: Sukhumvit Road. Between soi 34 and 36, Bangkok Thailand
Project Year: 2010-2011
Project Area: 430 sqm
Cost: 4 million baht (33,000 USD)
Architects: Sansiri PCL
Landscape Architect: Shma Company Limited
Interior Designer: DWP co.
Lighting Consultant: APLD co.


See also:

.

Home 06
by i29
Brooks Avenue House
by Bricault Design
Ann Demeulemeester Shop
by Mass Studies

O’ Mighty Green by STAR Strategies + Architecture

O'Mighty Green by STAR Strategies + Architecture

Rotterdam studio STAR Strategies + Architecture have photoshopped green walls over images of iconic buildings to poke fun at the way architects believe cladding a building in plants makes it sustainable.

O'Mighty Green by STAR Strategies + Architecture

The Berlin Wall, Le Corbusier’s Villa Savoye and Issac Newton’s Cenotaph are among the buildings draped in greenery.

O'Mighty Green by STAR Strategies + Architecture

Entitled O’ Mighty Green, the images are being exhibited at the International Architecture festival eme3 in Barcelona.

O'Mighty Green by STAR Strategies + Architecture

More conceptual architecture on Dezeen »

O'Mighty Green by STAR Strategies + Architecture

The following information is from the architects:


O’ Mighty Green

Sustainability currently shares many qualities with God; supreme concept, omnipotent, omnipresent, and omniscient; creator and judge, protector, and (…) saviour of the universe and the humanity. And, like God, it has millions of believers. Since we humans are relatively simpleminded and suspicious and need evidence before belief can become conviction, Green has come to represent sustainability; has become its incarnation in the human world. But sustainability, like God, might not have a form, nor a colour…

1. Emancipation

In a desperate attempt to give shape to an all-encompassing ideology the Green proves to work as the quickest and easiest representation of sustainability. The Green is the only symbol able to keep pace with today’s lack of patience and hunger for images; a Lady Gaga-Sustainability: effective, noticeable, creative, sensationalist. In a persistent effort to become the allegory of Sustainability, Green has been emancipated as its caricature.

2. Function

If the Iconic buildings simply needed to be iconic, the Green buildings simply need to be green. Green as a function. Green allows sustainability to be bought per m2, or to be painted on, or glued on. Sustainability is a Photoshop filter in CS6: Ctrl+Green.

3. Style

Modernism, Postmodernism, Deconstructivism… We have now definitely entered Sustainabilism. Unlike in previous movements every architect can be a Sustainabilist: whether avant-garde, commercial, young, established… It can be even combined with other styles: Eco-Deconstructivism … Architectural magazines and commercial brochures found a common language: the Green. Green is also the point on which the architect, the client, the developer, the politician, and the user agree. For the first time ever we have a genuine International Style.

  • Green buildings can be Ducks or Decorated sheds, and there are some interesting cases of being both at the same time: the Decorated Ducks.
  • Green should be added as the sixth principle to Le Corbusier’s five points, and as the fourth quality to Vitruvius’ triad: Venustas, Utilitas, Firmitas and Sustinebilitas
  • The built … product of Sustainability is not sustainable architecture but Green. Green is what remains after Sustainability has run its course or, more precisely, what coagulates while Sustainability is in progress, its fallout… *Taken from Junkspace by R. Koolhaas
  • Green is the new Black.

4. Religion

  • Green works as faith. Saint Green will watch over the sustainable architects, and will guide them in the Green direction.
  • Green works as confession. The guiltier we feel, the greener we try. The green-looking is usually indirectly proportional to its sustainability achievements. Green has the capacity of reducing all that matters to one single problem, and one single solution: Green.
  • Green is double-miraculous. As if trying to heal cancer with aspirins, Green is the phenomenal formula that turns sustainable everything that it touches. It can also hide graceless designs. Ugly Green buildings are more readily accepted than ugly buildings.

5. Ambiguity

But the Green also hides a perverse dimension… As in a David Lynch movie; everything appears to be calm and harmonious but there is something disturbing… rotting… The Green is the common lie, the secret consensus, the perfect crime; everybody knows that it cannot be that good, that it cannot be that easy, but why bother? It sells, and there is enough Green for everybody.


See also:

.

Playhouse by AbodayHome 06 by i29Barnacre Equilibrium Tanks
by Ian Simpson Architects