Uchi Lounge 01 by Facet Studio

A continuous band of lighting shines down onto a long concrete table at a Japanese restaurant in Sydney refurbished by architects Facet Studio (+ slideshow).

Uchi Lounge 01 by Facet Studio

The 24-seat table fills the ground floor dining room of the Uchi Lounge, unlike the upstairs floor we featured last week where individual tables are lined up behind by a century-old brick screen.

Uchi Lounge 01 by Facet Studio

The walls and ceiling are painted black to give emphasis to the 13-metre-long lighting fixture that spans the room, while the floor is a chequerboard of black and white tiles.

Uchi Lounge 01 by Facet Studio

See more projects by Facet Studio here, including the first floor of the Uchi Lounge.

Uchi Lounge 01 by Facet Studio

Photography is by Andrew Chung.

Uchi Lounge 01 by Facet Studio

Floor plan – click above for larger image

Here’s some more information from Facet Studio:


UCHI LOUNGE 01
Within boundless darkness there floats a weightless light

“I want to make this restaurant a conceptual space, where people appreciate, then consume, Japanese cuisine,” said the owner of Uchi Lounge.

Looking at it independent of the cuisine provided by the restaurant, so called “conceptual space”, is a way to view the world without reference to solidity. However, an architectural space without solidity does not exist. There we considered, perhaps a “conceptual restaurant space” is where it enables people to simply concentrate on the act of food appreciation.

A 13m long ribbon of light floating in the space with no structural support in its length. A massive 8.4m x 1.6m concrete table firmly established at the centre of the space.

By structuring the space with measures unimaginable in normal restaurants, people are overwhelmed by the unusual scale, hence paralysed about the scale reference within Uchi Lounge. The walls and ceiling painted in a boundless black seem to continue into eternity – it is as though the ceiling does not exist, only the weightless plane of light is hovering above. “Space” becomes an abstract concept as common references fail, and at this point in time, the cuisine on the table, in front of the eyes, is the only reality; the act of food appreciation, is where one concentrates all senses.

Information about the restaurant space disappears into background; only the food on the tongue is taking the centre stage in one’s mind. We believe a space of such abstraction is appropriate for appreciating the delicacy in Japanese cuisine.

Programme: Restaurant Fitout
Project team: Yoshihito Kashiwagi, Olivia Shih, Benjamin Chan, Di Sheng Neo
Location: Sydney, Australia
Main material: Timber, Steel
Area: 77m2
Built: 2011
Structure: Cantilever Consulting Engineers

The post Uchi Lounge 01
by Facet Studio
appeared first on Dezeen.

Uchi Lounge 02 by Facet Studio

A screen made from century-old bricks divides this Japanese restaurant in Sydney, designed by Australia and Japan-based architects Facet Studio.

Uchi Lounge 02 by Facet Studio

Facet Studio inserted the wall to provide a new route from the restaurant’s entrance to the tables.

Uchi Lounge 02 by Facet Studio

Low steel beams jut out from the adjacent wall to steady the bricks.

Uchi Lounge 02 by Facet Studio

Previous projects by Facet Studio we’ve featured on Dezeen include a shop in Sydney full of vending machines that dispense T-shirts and a vintage boutique in Osaka with shelves made from stacked timber.

Uchi Lounge 02 by Facet Studio

See all our stories about bricks »
See all our stories about restaurants »

Uchi Lounge 02 by Facet Studio

Photographs are by Andrew Chung.

Here’s some more information from the designers:


This is an existing Japanese restaurant popular with regular customers who are after the chef’s specialty dishes. It seemed to have captured the regulars with not only the deliciousness of cuisine but also the indefinably nostalgia-filled space. So how do we enhance the experience of appreciating the cuisine, without destroying this atmosphere treasured by regulars? As we have been working with ‘repetition’ as a means to build up a deep excitement within people, we thought to utilise this effect to enhance, rather than break, this indefinable nostalgia.

Uchi Lounge 02 by Facet Studio

There we designed a new circulation path from entry to table, by ‘repeating’ the recycled bricks from 100 years ago (in response to the indefinable nostalgia) and rustic raw steel (in response to the client’s preference). It is a tunnel to enhance expectation towards the cuisines when one proceeds towards the table. The longer the distance of travel, the more room for enhancing this expectation.

Uchi Lounge 02 by Facet Studio

The ‘brickwall with 1/3 of its length punctured’ and ‘brickwall with 1/4 of its length punctured’ alternated for a lengthy 15m. The raw steel louvres, located 1m below the existing ceiling, correspond with the rhythm of the brick screen by spacing at one or two brick lengths. The resulting light and shadow create a repetitive rhythm, coming together in the tunnel. This repetitive rhythm enhances expectations, which in turn enhances the sensitivity to taste. When one reaches the table, it is the time the desire for the cuisine reaches its peak.

Programme: Restaurant fitout
Project team: Yoshihito Kashiwagi, Olivia Shih, Neo Di Sheng, Benjamin Chan
Location: Sydney, Australia
Area: 77 sq. m.
Year: 2011

The post Uchi Lounge 02
by Facet Studio
appeared first on Dezeen.

Streetology by Facet Studio

Streetology by Facet Studio

Suspended vending machines dispense plastic tubes containing coloured T-shirts in this Sydney shop by Facet Studio of Sydney and Osaka.

Streetology by Facet Studio

The tubes are arranged by colour, with a sample T-shirt on a hanger below each dispenser.

Streetology by Facet Studio

Up to 15 tubes can be stored in each dispenser, allowing up to 2,550 to be on display.

Streetology by Facet Studio

Named Streetology, the shop is situated next to shoe store Sneakerology (see our earlier story).

Streetology by Facet Studio

More retail interiors on Dezeen »

Streetology by Facet Studio

Photography is by Katherine Lu.

The following information was provided by Facet Studio:


Streetology

Within plastic tubes of standardised 100mm diameter, tee shirts are stored and merchandised. Within dispensers of standardised 100mm wide by 1500mm high, a maximum of 15 plastic tubes are stored and displayed. Then by repeating the dispensers by 170 times, we are now able to display a maximum of 2,550 tee shirts. If we sell one tee shirt, one plastic tube disappears from the dispenser. We designed a system of dispensers and tubes to visualize commerciality; although on its own, the stock quantity of the tee shirts fluctuates vertically within the individual dispenser unit, however after 170 repeats this fluctuation forms a “pattern” horizontally across the dispensers. There is no such field of study called “Streetology”; but this shop is a visual reflection of the street trend. It creates excitement by drawing a parallel between the shopping experience, and the act of flipping through pages of magazine asking oneself, “I wonder what is popular now on the streets!”

Project Data

Program: Commercial fitout: retail
Project Team: Olivia Shih, Yoshihito Kashiwagi
Location: Sydney, Australia
Main Material: Plywood, Aluminium plate
Area: 30 m2
Built: 2011
Photo: Katherine Lu
Mural: Babekühl
Structure: Simpson Design Associates
Lighting: Electrolight


See also:

.

Sneakerology by
Facet Studio
Habitat Antique
by Facet Studio
Urbanears by
Norra Norr

Sneakerology by Facet Studio

Sneakerology by Facet Studio

Shoes are displayed in numbered slots on row after row of plywood shelves at this Sydney shop by Facet Studio of Sydney and Osaka.

Sneakerology by Facet Studio

Called Sneakerology, the shop displays sneakers in neatly ordered boxes, with each row staggered by half a unit.

Sneakerology by Facet Studio

Customers can learn more about each style using interactive screen in the centre.

Sneakerology by Facet Studio

See also: Habitat Antique by Facet Studio

Sneakerology by Facet Studio

Photographs are by Katherine Lu.

The information that follows is from Facet Studio:


Sneakerology

A sneaker shop interpreted as a sneaker museum

In each of the 200mm x 600mm boxes, one by one, sneakers are carefully collected. The boxes are repeated, and offset by half unit on each level, and carried through repeatedly over an entire wall. Something which has little meaning on its own, when repeated 281 times over, it creates a euphoric effect for one to experience a heightened emotion.

Sneakerology by Facet Studio

The merchandises neatly displayed in the fashion similar to the museum artefacts; through touch panels centrally located within the shop, one can gain further understanding of the background stories of the merchandises. Although there is really no such field of study as “sneaker-ology”, by placing our design focus on ways to correctly understand the merchandises, it is for us an attempt at capturing “sneakers” in a scholarly fashion.

Sneakerology by Facet Studio

“That one is nice….. this one is nice too!”; There is no better way to shop than whilst enjoying an academic high.

Sneakerology by Facet Studio

Program: commercial fitout: retail
Project team: Olivia Shih, Yoshihito Kashiwagi
Location: Sydney, Australia
Main material: Plywood
Area: 55 m2
Built: 2011
Photo: Katherine Lu
Mural: Babekühl
Structure: Simpson Design Associates
Lighting: Electrolight


See also:

.

Puma House Tokyo
by Nendo
Munich Fractal Arena by
Dear Design for Munich
Munich La Roca by
Bailo+Rull ADD

Habitat Antique by Facet Studio

Habitat Antique by Facet Studio

Facet Studio have completed the interior of a vintage shop in Osaka, Japan, using cedarwood, rice paper and linen.

Habitat Antique by Facet Studio

Called Habitat Antique, layers of timber have been stacked to form pillars, with shelves slotted in between them to create display units.

Habitat Antique by Facet Studio

Photographs are by Tomohiro Sakashita.

Habitat Antique by Facet Studio

Here’s a bit more information from the architects:


HABITAT ANTIQUE

Located at a residential area in Japan is a small shop which sells antiques. “Antiques” are objects which are, different from manufactured products, becoming increasingly charming together with the passing of time.

Habitat Antique by Facet Studio

Furthermore, it is also dependant on the location and era of collection that the objects possess their own individuality.

Habitat Antique by Facet Studio

The characteristic of this shop is that there is only one of each item, honouring their individuality.

Habitat Antique by Facet Studio

Timber is a living material. The section of this material records the passing of time in the form of growth rings.

Habitat Antique by Facet Studio

Also, the expression of the material is created by the different patterns formed by growth rings.

Habitat Antique by Facet Studio

In order to extract the charm of this material, we layered the sections of timber, to allow the timber sections to create the “pattern of time” for us.

Habitat Antique by Facet Studio

To enjoy the charm of changing with time; to adore the expression of individualism… This material of timber calmly expresses the secrete pleasure of antique lovers.

Habitat Antique by Facet Studio

PROJECT DATA

PROGRAM: Retail Fitout
LOCATION: Osaka, Japan
AREA: 25m2
MAIN MATERIAL: cedarwood, rice paper, linen fabric

Habitat Antique by Facet Studio

Click for larger image


See also:

.

Dressler Papeterie und Accessoires by eins:33Brandbase Pallets by
Most Architecture
More retail
on Dezeen