Villa Nieuw Oosteinde by Engelarchitecten

A prefabricated concrete cube appears to hover above the wooden base of this house near Amsterdam by Dutch practice Engelarchitecten (+ slideshow).

Villa Nieuw Oosteinde by Engelarchitecten

Located in the town of Aalsmeer, the villa was built on a lot that had very specific development requirements set out by the local government – the building had to be a small tower, like a gatekeeper’s house.

Villa Nieuw Oosteinde by Engelarchitecten

“It had to be out of the ordinary and not the same as other traditional houses in the vicinity,” architect Maarten Engel told Dezeen. Fortunately, “this very much appealed to the clients, so they purchased the lot.”

Villa Nieuw Oosteinde by Engelarchitecten

The architects came up with a cost-efficient cube of prefabricated concrete measuring just nine metres on each side, which sits atop a horizontally clad hardwood base.

Villa Nieuw Oosteinde by Engelarchitecten

Above the wooden base is a narrow strip of glazing to give the impression that the concrete cube is hovering slightly above it.

Villa Nieuw Oosteinde by Engelarchitecten

On the ground floor, a glass corridor connects the kitchen and living areas to a separate workspace used by one of the residents, who is a florist.

Villa Nieuw Oosteinde by Engelarchitecten

A walled roof terrace is embedded in the top of the cube and also equipped with a kitchen.

Villa Nieuw Oosteinde by Engelarchitecten

Other Dutch houses we’ve featured recently on Dezeen include a houseboat with geometric patterns on its facade and a pair of houses disguised as one.

See all our stories about Dutch houses »
See all stories about concrete »

Villa Nieuw Oosteinde by Engelarchitecten

Photography is by Marcel van der Burg.

Here’s some more text from the architects:


Engel Architecten has realised a villa with a building system that has its roots in industrial and commercial buildings.

The villa is made from prefabricated concrete element. This system is widely used for industrial and commercial buildings, but this is one of the first times it has been used for a villa. One of the big advantages is the cost and the building speed, without having to make concession in build quality and spatial experience.

Villa Nieuw Oosteinde by Engelarchitecten

Ground floor plan

It consists of a perfect cube placed in the axis of a green strip in a newly formed neighborhood in Aalsmeer, a medium-sized town close to Amsterdam. Next to the cube a small workspace is placed. The workspace is connected to the main volume by a glass corridor. On top of the house there is a roof terrace with a built-in kitchen.

Villa Nieuw Oosteinde by Engelarchitecten

First floor elevation

The materials used are both natural and industrial: precast smooth concrete and wooden sidings made from padouk, an African FSC hardwood type. The concrete and wood are separated by glass windows. This disconnects the concrete from the wood so that the concrete block seems to hover above the wooden plinth.

Villa Nieuw Oosteinde by Engelarchitecten

Roof terrace plan

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by Engelarchitecten
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Water Villa by Framework Architecten and Studio Prototype

Timber batons create geometric patterns across the exterior of this houseboat in Amsterdam by architects Framework Architecten and Studio Prototype.

Water Villa by Framework Architecten nd Studio Prototype

Named Water Villa, the boat is moored on a canal in the south-west of the city and features a sunken floor below the level of the water.

Water Villa by Framework Architecten and Studio Prototype

An atrium at the centre of the house connects the children’s rooms in the basement with the ground floor living and dining room, as well as with the first floor bedroom and study.

Water Villa by Framework Architecten nd Studio Prototype

Narrow gaps in the timber-clad facade reveal the positions of glass doors and windows on the two upper floors.

Water Villa by Framework Architecten nd Studio Prototype

One window on the top floor features a remote controlled shutter, which folds up for additional privacy.

Water Villa by Framework Architecten nd Studio Prototype

See more Dutch houses on Dezeen »

Water Villa by Framework Architecten nd Studio Prototype

Photography is by Jeroen Musch.

Here’s some more information from Studio Prototype:


Water Villa

This water villa was designed by FRAMEWORK Architecten & Studio PROTOTYPE for a waterfront location near the Olympic Stadium in Amsterdam.

Water Villa by Framework Architecten and Studio Prototype

The relation between the water and house is central to the design. There is a subtle playfulness between open and closed. The vertically designed pattern, an abstract allusion to the water, provides not only optimal privacy but also a subtle play of light inside the residence itself.

Water Villa by Framework Architecten and Studio Prototype

The inhabitants are able to regulate their privacy by, for example, an integrated folding window that can be opened and closed by remote control.

Water Villa by Framework Architecten and Studio Prototype

The house is spacious with three levels, one of which is below the water, while living and work areas are located above the water.

Water Villa by Framework Architecten

The three levels are spaciously connected by an inner patio, which not only centrally organizes the plan of the house but creates sufficient light in the lower level as well.

Water Villa by Framework Architecten

Also, the steel staircase that has such distinctive significance for the character of the house, is located in the patio.

Here again, the vertical pattern of the staircase, consisting of a steel stripe pattern, provides a dynamic display of light and direction.

Water Villa by Framework Architecten

Design: FRAMEWORK Architecten i.c.w. Studio PROTOTYPE
Type: residence
Design team: Maarten ter Stege,Jeroen Spee, Jeroen Steenvoorden, Thomas Geerlings
Design Phase: 2011
Builder: Post Arkenbouw
Area: 250 sqm

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and Studio Prototype
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Rieteiland House by Hans van Heeswijk

Slideshow: while the face of this waterside house near Amsterdam is cloaked in perforated aluminium, the rear is entirely glazed so that residents can watch the sun setting.

Rieteiland House by Hans van Heeswijk

Designed by Dutch architect Hans van Heeswijk for himself and his family, the Rieteiland House is located on the recently developed island of IJburg and has three floors that face out across the water, as well as a basement below.

http://www.dezeen.com/?p=196939

Openings in the floorplates create double height spaces in both a large ground-floor dining room and a first-floor living room.

Rieteiland House by Hans van Heeswijk

A staircase core is also driven through the full-height of the building to house storage closets, a toilet for every floor and a dumbwaiter.

Rieteiland House by Hans van Heeswijk

Three bedrooms occupy a portion of the ground floor, while a fourth is situated on the top floor diagonally opposite a screened roof terrace.

Rieteiland House by Hans van Heeswijk

More windows are screened behind the perforated metal facade, but can be revealed using electronic controls inside the house.

Rieteiland House by Hans van Heeswijk

You can see more houses in the Netherlands here, including one buried beneath a mound of earth.

Rieteiland House by Hans van Heeswijk

Photography is by Imre Csany of Studio Csany.

Rieteiland House by Hans van Heeswijk

Here’s some more text from the architect:


Architect Hans van Heeswijk designed the Rieteiland House for himself and his family. In fact, the attractive plot of land is part of a newly established island at IJburg on the outskirts of Amsterdam in the Netherlands. It asked for a house that is completely oriented on panoramic views to the park and landscape. It is carefully sited so as to create views to unobstructed daily sunsets.

Rieteiland House by Hans van Heeswijk

The intention was to maximize the relationship with the terrain, and create surprise between an austere closed front and the opposite effect in the interior.

Rieteiland House by Hans van Heeswijk

To achieve this, the boxlike street façade is completely cladded with perforated aluminium panels, of which some can open electrically to make way for the windows behind them.The aluminium panels are punctuated by perforations that show a pattern of reflecting waves. The façade on the water side is completely made out of glass panels and sliding doors.

Rieteiland House by Hans van Heeswijk

The house is an elongated rectangular block of three floors and a basement. Inside, the aesthetic shifts and the space literally opens up. Most of the floors have a double height and are open. In this way the house can be seen as a sort of spatial grandstand. This creates a panoramic view towards the west, the water and the park, on every level.

Rieteiland House by Hans van Heeswijk

A roof terrace adjacent to the bathroom on the second floor provides a place to sit unseen. Every night magnificent sunsets can be watched from the house, thus creating a special holiday atmosphere.

Rieteiland House by Hans van Heeswijk

In the core of the house, a three floors tall service ‘tower’ (‘magic-box’) contains a toilet on each floor, storage spaces, installation shafts and a dumbwaiter. For acoustical reasons this block is cladded with distinguished small wooden wenge slats.

Rieteiland House by Hans van Heeswijk

The house is more than architectural design; there are a series of products designed for the house: majestic large dining tables seating twelve people with a glass top for the interior and another with perforated rvs top for outside use. A collection of door and window fittings designed for the house, is included by manufacturer Post & Eger to their collection as ‘Wave’. Bookshelves, fireplace, a cooking island with a built-in mobile trolley are only few of the other specials for the house.

Rieteiland House by Hans van Heeswijk

Particular attention is paid to the energy. It uses heat and cold storage in the soil, a heat pump and solar collectors on the roof. Sustainability is addressed by an efficient and compact design, good insulation, the effective use of available energy, the use of natural materials and assembly techniques.

Rieteiland House by Hans van Heeswijk

Dutch Mountain by Denieuwegeneratie

Slideshow: Amsterdam design studio Denieuwegeneratie have buried a woodland villa beneath a mound of earth at a Dutch nature reserve.

Dutch Mountain by Denieuwegeneratie

The manmade hill disguises the building on its northern facade and creates a blanket of insulation around the walls during colder months.

Dutch Mountain by Denieuwegeneratie

Entitled Dutch Mountain, the house emerges from the hill on the southern and western sides, where a panelled wall of glazing folds around a staggered living room and kitchen.

Dutch Mountain by Denieuwegeneratie

Bedrooms, bathrooms and utility rooms are stacked up at the rear of the house in front of an exposed concrete wall that separates them from the piled-up earth behind.

Dutch Mountain by Denieuwegeneratie

A reconditioned car with its engine removed is positioned vertically against the walls of the kitchen to function as a bookshelf and cabinet.

Dutch Mountain by Denieuwegeneratie

We’ve featured a few interesting Dutch houses on Dezeen over the last few years – see them all here.

Dutch Mountain by Denieuwegeneratie

Exterior photography is by John Lewis Marshall, while interior photography is by Jaap Vliegenthart.

Dutch Mountain by Denieuwegeneratie

Here’s a description of the project from Denieuwegeneratie:


Dutch Mountain

The house is located on a historical agricultural plot amidst hayfields and woods in a nature reserve, a – for Dutch standards – hilly area. Although the plot has been overrun with small trees in time, it still bears the original character of the open field.

Dutch Mountain by Denieuwegeneratie

To minimize disturbance of the landscape and as a reference to the surrounding hilly terrain, the house is embedded in an artificial hill. At the same time, this answered the client’s demand for keeping his ecological footprint with the house to a minimum.

Dutch Mountain by Denieuwegeneratie

The embedding in the hill simultaneously functions as camouflage and as a blanket, hiding the house from view from the north side and using the earth as thermal insulation. One enters the house through cuts in the mountain, sided with panels of slowly corroding scrap steel.

Dutch Mountain by Denieuwegeneratie

On the south side, the house has been opened to a maximum. The grand glass facade is framed in timber, which guides the transition from the artificial to the natural. The canopy regulates sunshine through the seasons and allows for a large terrace along the full width of the house.

Dutch Mountain by Denieuwegeneratie

The terrace follows the split level of the ground floor, jumps up to the higher west façade creating a henhouse underneath. Finally, it curls back up to become the canopy. The frame is constructed out of lark wood, forested from the immediate surroundings and therefore making it a hyperlocal use of material.

Dutch Mountain by Denieuwegeneratie

Detailing creates a seamless transition between the interior and the exterior: the concrete floor, window frames and terrace finishing are all flush and continuous from inside to outside.

Dutch Mountain by Denieuwegeneratie

The spatial structure of the house is a rectangular 12 x 19 meter open space. Steel cross the entire 12 meter width allowing great flexibility to the interior arrangement. Inside the hall-like space, the rooms are stacked in a disorderly manner and built out of light wooden structures, facilitating easy implementation of possible future changes. The interior can evolve along with its inhabitants, a young family, rooms being added or removed through time.

Dutch Mountain by Denieuwegeneratie

There is a binary spatial experience in the house. Either you are in a room, with a cave-like atmosphere, daylight coming to you through deep cuts in the mountain – or you are in the large open space in front of the stacked rooms. This large space is oriented towards the 90 m2 glass facade which offers a spectacular view of the surrounding woods.

Dutch Mountain by Denieuwegeneratie

The contrast between shell and rooms is clearly visible. The concrete wall, needed to retain the mass of the mountain, is left unfinished. The welding joints of the steel spans are visible and the wood is untreated. Within this rough shell of untreated construction materials, the stack of rooms tells a completely different story: every room is finished by the inhabitants in a unique and colorful way, which expresses the individuality of the boxes.

Dutch Mountain by Denieuwegeneratie

The design is an experiment in sustainable strategies in both architecture – the hardware – and the technical installations – the software – which have been designed by Arup Amsterdam. The software concept consists of photovoltaics, LED lighting, wood pellet heating in combination with low temperature heating, CO2 monitored ventilation, a grey water circuit and the use of smart domotics. The result is a house in which the total amount of energy produced exceeds its consumption: excess energy can be used for a electric car.

Dutch Mountain by Denieuwegeneratie

The house is bold and unpredictable: an experiment in sustainable strategies in concept, structure, material and technical installations. A house that blends quietly in its surroundings, but stands out with spatial surprises.

Black Pearl by Studio Rolf.fr with Zecc Architecten

Black Pearl by Studio Rolf.fr with Zecc Architecten

Newly positioned windows reveal the overhauled interior of a Rotterdam townhouse that was formerly an abandoned apartment block.

Black Pearl by Studio Rolf.fr with Zecc Architecten

Designed by Studio Rolf.fr in partnership with Zecc Architecten, Black Pearl now houses a workshop on its ground floor, a hot tub in its rooftop greenhouse and living quarters in the two floors between.

Black Pearl by Studio Rolf.fr with Zecc Architecten

These living areas are filled with furniture by Studio Rolf.fr, including cabinets that appear to be sliced in half and chairs wrapped in bandages.

Black Pearl by Studio Rolf.fr with Zecc Architecten

Traces of stripped away floor joists are visible on both exposed and painted brickwork walls, while new partitions and floors are grey-painted timber.

Black Pearl by Studio Rolf.fr with Zecc Architecten

The facade of the 100-year-old building is painted black, but the side elevation and roof are covered with artificial grass.

Black Pearl by Studio Rolf.fr with Zecc Architecten

The architects recently received an award from furniture brand Lensvelt, who named the project as the best interior of the year in the Netherlands or Belgium.

Black Pearl by Studio Rolf.fr with Zecc Architecten

If you’re interested in Dutch houses, you can see more here.

Black Pearl by Studio Rolf.fr with Zecc Architecten

Photography is by Frank Hanswijk.

Black Pearl by Studio Rolf.fr with Zecc Architecten

Here’s some more text from the architects:


Black Pearl Rotterdam South

Social context

This house takes part of a program of the congregation Rotterdam who wanted to revitalize disadvantaged neighbourhoods by selling metier houses to private persons.

Black Pearl by Studio Rolf.fr with Zecc Architecten

These homes have in common that they are neglected the last few years and have to be refreshed. The buildings usually consist of several small apartments, one per layer.

The purpose of the municipality by selling the buildings is to attract inhabitants with more carrying-capacity. Condition of sale is that the property will be restored within a specified period and will transformed into one house. This causes less, but larger houses. This is the opposite trend to what happens in many inner cities where larger houses are divided into several small apartments.

Black Pearl by Studio Rolf.fr with Zecc Architecten

The renovation of the Rotterdam ‘metier house’ is turned into an architectural spectacle, where was experimented with time and space. The 100 years old facade of a dwelling in a closed housing unit, is totally painted black. Both masonry, frames and “windows” are covered with a shiny black oil. This creates a kind of ‘shadow’ of the original facade. In some places the new transparent windows pierce through the historical facade. The new windows announce a time with a very different way of living. This creates a relationship between the original facade and the new interpretation which become readable. All floors and small rooms behind the old windows run into one spatially contiguous entity.

Black Pearl by Studio Rolf.fr with Zecc Architecten

Just like in the façade, also in the interior the traces of the past remained visible. On the building walls an old banister and holes of removed floor joists reveal the original layout of the dwelling. The new house in the 100 year old cover has a completely different planning. The traditional layout of floors and walls, which compose the rooms are missing. Instead a series of small wooden slats compose a huge sculptural element.

Black Pearl by Studio Rolf.fr with Zecc Architecten

By this is a continuous space is left between the four walls of the historic building. This creates living spaces, which are connected by voids, large stairwells and long sightlines. All redundant banisters, railings and doors are left out, causing a high degree of spatial abstraction. Floors, walls, stairs and ceilings blend together and seem to recall an “Escher-like” impossibility. Yet this metier house (that has been empty for nearly 30 years) is far from uninhabitable. In the lower part of the house a large workroom is placed connected to the ‘roof tiles-bamboo garden’. Above is a series of semi-open living functions: living, eating, cooking, study, sleeping and a bathroom / closet.

The old roof tiles are removed in the upper part (re-used in the garden) and a new greenhouse is placed with a hot tub with a stunning view.

Black Pearl by Studio Rolf.fr with Zecc Architecten

New interpretation: three worlds

The existing building is used as a box to build a completely new house in it. All walls and floors of the house were demolished which created a space of 5 meters wide, 10 meters long and 11 meters high. In and up this box three different “worlds” are stacked: the studio, the house and the roof garden. On the ground floor, the 5 meters high studio is built. This studio space is kept as open as possible. This is achieved by organizing the necessary facilities along the walls as much as possible, in one continuous element. The living area is placed above the studio with a height of 6 meters. In this space, a sculpture is build which divides space into several areas without creating closed rooms. The object is designed and situated in a way that in several places views arise which emphasize the entire length, width and height of the place. The design is concentrated on the residual spaces between the object and the existing walls.

Black Pearl by Studio Rolf.fr with Zecc Architecten

Materialization sculpture

The sculpture is entirely composed of screwed bars together which forms both construction and finish. This construction method creates a great freedom of form. A large part of the object hangs with these bars on the roof floor so that support becomes superfluous.

Black Pearl by Studio Rolf.fr with Zecc Architecten

Click above for larger image

Colour use
In the house, five colours are used: black, white and three greyscales. An existing side wall is totally painted white. The traces of construction, including the old railings and pipes are all painted white. The other building wall is left untreated. The different faces of the object are painted in three greyscales. These shades are aligned to the space they enclose. By this method, the space between the object and the existing box are strengthened.

Rotterdam South accommodates with this new metier house a black pearl…

Black Pearl by Studio Rolf.fr with Zecc Architecten

Date preliminary design: January 2008
Start construction activity: December 2008
Acceptance: September 2010
Floor area: 170 m2

Architect
Design facade: Studio Rolf.fr i.p.w. Zecc architecten
Design interior: Studio Rolf.fr
Project architects: Rolf (Studio Rolf.fr), Yffi van den Berg & Marnix van der Meer

Rubberhouse by Cityförster

Rubberhouse by Cityförster

Architecture collective Cityförster have completed a wooden house in the Netherlands with a black rubber skin.

Rubberhouse by Cityförster

The two-storey family residence is located in the experimental housing area of De Eenvoud, outside the city of Almere.

Rubberhouse by Cityförster

A decked terrace bites into the side of the building, revealing the timber structure behind the rubber cladding.

Rubberhouse by Cityförster

Glass doors lead in from this terrace to a double-height living room and kitchen with a pivoting fireplace.

Rubberhouse by Cityförster

The other side of the house is split into two single-height storeys, with bathrooms, offices and storage on the ground floor and bedrooms upstairs.

Rubberhouse by Cityförster

Other buildings from the Dezeen archive with rubber exteriors include a one-man pavilion with a slit for an entrance and a music studio clad in buttoned rubbersee more stories featuring rubber.

Rubberhouse by Cityförster

Photography is by Arne Hansen and Nils Nolting.

The following text is from Cityförster:


De Eenvoud: Cityförster hands over RUBBERHOUSE to future residents

The RUBBERHOUSE is an experimental single family house built in energy efficient and sustainable cross laminated timber construction, clad in a black EPDM rubber skin. Being awarded first prize group in the 2006 competition “Eenvoud” (Simplicity), the RUBBERHOUSE has been designed as core and shell and is now one of 12 houses in the experimental new development “De Eenvoud” in Almere (NL).

De Eenvoud is a follow-on settlement to the experimental housing settlements De Fantasie and De Realiteit developed in the 1980’s and therefore stands in a long tradition of experimental, free and self-determined building. Originally these were developed to promote the model of privately financed housing in the Netherlands.

The new settlement is located on a clearing adjacent to a natural conservation area and is only accessible by a small residential road. The city centre and the nearby Ijmeer are easily accessible via a well developed network of cycle paths. Especially the edge of the surrounding forest creates an exclusive and nature-orientated site for the detached houses.

Rubberhouse by Cityförster

Vision

Simplicity in the sense of simple living is not something suppressing or restricting, but rather when performed as a voluntary act enables one to experience life aside from life styles driven by status. Simplicity negates the imitation of predetermined and unachievable images. Simplicity demands a certain degree of modesty, though simplicity is not meant ascetic, but it is a way to increase ones quality of life. Simplicity does not deny luxury, but can even evoke a different richer kind of luxury. This luxury can only be produced through impartiality towards things. Simplicity means realising potentials and transforming meaning.

Design

In its sculptural shape the RUBBERHOUSE is derived from the archetypical and simple form of dutch barn architecture. The cross laminated timber building consists of a double height space covered by an asymmetrical gabled roof and a single storey space covered by a shed roof.

The external skin is clad in black EPDM foil, which is commonly used as a single ply membrane for flat roofs. The material generates an immaterial and rough aesthetic, which stands in stark contrast to the cut out forming the buildings generous terrace. The cut out generating the terrace is clad in untreated larchwood, transporting the habitable atmosphere of the inside into an external habitable space. In contrast to the rough external appearance the internal rooms are determined by the warm charm of the treated timber surfaces.

The RUBBERHOUSE consist of a two storey part with lower ceiling heights, which is connected via a split level element to the single storey main living area. The concept sets smaller private rooms against a generous open living area, whereby ceiling levels vary from 2.30m at entrance level up to 4.80m in the main living room.

At ground floor level of the 2 storey section an office, WC, bathroom and cloakroom are located. The open plan kitchen and a pivoting fireplace form part of the generous living area. The upper level consists of bedroom with en- suite bathroom and walk in wardrobe.

Large sliding doors allow the extension of the living area onto the 40 m² terrace. The raised terrace is slightly elevated, thereby offering a good view across to the new neighbourhood, whilst at the same time providing some distance and privacy.

Clear visual axes and relationships throughout the whole building strengthen the robust and open layout, enhancing the visual connection with the surrounding landscape. The nearby forest can be experienced throughout the entire house.

Rubberhouse by Cityförster

Construction

The building is grounded on a partly pre-fabricated ring foundation on top of 12 concrete piles. The ground bearing slab is made of pre- cast, highly insulated hollow core slabs. Using a high degree of prefabrication already during foundation works enabled a fast and efficient programme.

The load bearing facade as well as the few load bearing partitions are constructed of cross laminated timber panels. The untreated surfaces of these walls are left fair faced to completion. The roof is constructed of large, pre- fabricated and highly insulated timber frame panels and was installed within just one day. The high amount of pre- fabrication not only enabled an extremely short programme on site of just 3 months, but also significantly reduced man hours.

The facade has been designed as a highly insulated ventilated cavity construction. Bar the terrace walls, which are clad in larch, all external wall and roof surfaces are clad in EPDM. This common single ply membrane is usually used as a sealant for flat roofs. The double glazed windows are part fixed and part open able, their timber frames being painted in grey.

Rubberhouse by Cityförster

Interiors

In stark contrast to the external black appearance the warm fair faced surfaces of the timber panels dominate internally. The house has been designed as part self build, whereby internal finishes are being applied by the client himself. Within this concept the robust aesthetics plays a large role, where future fixtures and furniture will substitute themselves. Although mainly industrial products were used and none withstanding the rough external appearance the timber surfaces provide a comfortable atmosphere and internal climate.

As per the concept of enabling self build finishing’s no conduit trenches were cut into the timber panels. All MEP services and installations are concentrated in a few plasterboard partitions and sockets are recessed into the concrete floor. According to the industrial appearance and to guarantee a high degree of flexibility some conduits have been surface mounted to walls and ceilings.

The building is heated by under floor heating which is connected to the community heating network. Additional heating can be provided via a wood stove. Bathrooms and WC’s are ventilated via controlled extract ductwork, some windows in habitable rooms are equipped with automatic opening vents.

Rubberhouse by Cityförster

Rubberhouse by Cityförster

Client: At Kasbergen, Alet Breugom
Design: CITYFÖRSTER – architecture + urbanism
Project architects: Arne Hansen, Nils Nolting
Local support: SPRIKK, Johan van Sprundel
Site management: JOS ABBO ARCHITECTS, B.v.Leeuwen
Structural engineer: B²CO; Richard Fielt

General contractor: Bouw en Aannemingsbedrijf Schoonderbeek B.V.
Ground works: Eijva werken bv
Piles: Speerstra
Prefab Fundament: Prefunko
Roof elements: DeMar Houtkonstukties
Walls: Lenotec FinnForrest.
Plumbing: De Graag installaties
Electric inst: Erik van Dunschoten
Roofing: WH van de Kamp

CITYFOERSTER is responsible for project developement, design and construction design.

Villa Rotonda by Bedaux de Brouwer Architecten

Villa Rotonda by Bedaux de Brouwer Architects

A shallow pool of water wraps around the grey brick facade of this house in Goirle, the Netherlands.

Villa Rotonda by Bedaux de Brouwer Architecten

The two-storey house was completed by Dutch architects Bedaux de Brouwer in 2010 and is located beside a busy roundabout.

Villa Rotonda by Bedaux de Brouwer Architects

Tall brick walls front the two street-facing elevations and conceal glazed walls to the entrance hall and home office.

Villa Rotonda by Bedaux de Brouwer Architects

A larger wall of glazing overlooks the garden, through which natural light filters into a double-height living room.

Villa Rotonda by Bedaux de Brouwer Architects

Like other buildings in the area, the house has a sharply pitching roof, covered in dark grey slate tiles.

Villa Rotonda by Bedaux de Brouwer Architects

Other Dutch houses we’ve featured on Dezeen this year include one with a V-shaped profile and another with a perforated fabric facadesee all our stories about house in the Netherlands here.

Villa Rotonda by Bedaux de Brouwer Architects

Photography is by Michel Kievits.

Villa Rotonda by Bedaux de Brouwer Architects

The following text is from Bedaux de Brouwer:


Villa Rotonda
Bedaux de Brouwer Architects

In Villa Rotonda, completed July 2010, the archetypical “house with saddle roof” has been abstracted to its vernacular essentials.

Villa Rotonda by Bedaux de Brouwer Architectsa

The design of this house in Goirle is a collaboration of architects Pieter and Thomas Bedaux of Bedaux De Brouwer architects. In the design they quietly continue the legacy of their grandfather Jos. Bedaux who started the firm in 1937. Yet, the building also showcases the minimalist modernist twist which they are better known for these days.

Villa Rotonda by Bedaux de Brouwer Architectsa

The house is situated near a busy round-about with lots of noisy traffic. Measures had to be taken to guarantee a comfortable and quiet living space. This basic constraint became the leitmotiv for a building with two opposite characters; a closed-off protective side and an open inviting transparent side.

Villa Rotonda by Bedaux de Brouwer Architectsa

The protective side is apparent when looking at the house from the round-about. The street façade is entirely closed with the exception of a single window. However, this doesn’t prelude a dark interior.

Villa Rotonda by Bedaux de Brouwer Architectsa

Right behind the façade a patio with a water basin cleverly allows light to enter whilst pushing the living area’s even further back; away from the busy street.

Villa Rotonda by Bedaux de Brouwer Architectsa

A long wall wraps around the perimeter of the lot. This wall ensures privacy and encloses the spacious garden. It makes it possible for the residents to enjoy light, air and the outside. Here, the inviting open side reveals itself.

Villa Rotonda by Bedaux de Brouwer Architectsa

The garden façade is rendered completely transparent, displaying a collage of lively spaces. Glass extends from ground level up to halfway the second level. A recess in the first floor makes it possible to experience the full height. The result of these spatial inventions is that the garden is pulled inside even more.

Villa Rotonda by Bedaux de Brouwer Architectsa

The house is clad in a medium gray brick with dark gray slate roof tiles. A material pallet typical of the Bedaux repertoire. The characteristic front façade chimneys also remind of earlier designs by previous generations. In with the old; in with the new!

Villa Rotonda by Bedaux de Brouwer Architectsa

 


See also:

.

Villa by Knevel
Architecten
Wrap House by
Future Studio
Studio R-1 by
architecten|en|en

Villa van Lipzig by Loxodrome

Villa van Lipzig by Loxodrome

Rough grey slate and red-stained wood panels infill a zig-zagging stone frame on the exterior of a house in Venlo, the Netherlands.

Villa van Lipzig by Loxodrome

Designed by Dutch architects Loxodrome, the house has four staggered storeys that align with the sloping landscape.

Villa van Lipzig by Loxodrome

Angled recesses in the facade createsheltered balconies outside the upper-ground-floor living room and the first-floor master bedroom.

Villa van Lipzig by Loxodrome

Two smaller bedrooms are also located on the first floor, while kitchen and dining rooms are at ground level and a garage slots into the basement.

Villa van Lipzig by Loxodrome

On the top floor of the house is a television room, which leads out to a roof terrace and hot tub.

Villa van Lipzig by Loxodrome

We’ve published lots of interesting Dutch houses on Dezeen in recent months, including a townhouse covered in tacked-on fabric and a family home with three faceted skylightssee all our stories about Dutch houses here.

Villa van Lipzig by Loxodrome

Here’s a few more words from Loxodrome:


Villa van Lipzig

The site of Villa van Lipzig is a small, narrow plot located in a new development area called ‘Nieuw Stalberg´.

Villa van Lipzig by Loxodrome

Since the size of the site is quite small in regard to the volume of the villa, an extraordinary design concept was needed.

Villa van Lipzig by Loxodrome

By the introduction of a split-level system and a shift in the horizontal plain of the floor plans, we were able to introduce a highly dynamic system that takes full advantage of the program and it’s reciprocal effect with the site.

Villa van Lipzig by Loxodrome

The lowest two floors consist of the garage and basement facilities.

Villa van Lipzig by Loxodrome

The ground floor includes the large custom kitchen, a wardrobe and a small guest toilet.

Villa van Lipzig by Loxodrome

The façade of the kitchen is equipped with full-height sliding doors, which connect the room to the garden terrace.

Villa van Lipzig by Loxodrome

Up the stairs the living room follows with an open fireplace and full oak timber flooring.

Villa van Lipzig by Loxodrome

Full-height sliding doors give a stunning view over the sun terrace into the little forest on the other side of the plot. Three bedrooms follow on the higher levels as well as a TV room and another kitchen facility.

Villa van Lipzig by Loxodrome

The roof terrace is equipped with a Jacuzzi and a large freestanding BBQ.

Villa van Lipzig by Loxodrome

The pine tree next to the villa adds another uniqueness to the roof terrace as it provides a ‘connecting to ground’ feeling to the landscape above.

Villa van Lipzig by Loxodrome

The mixture of closed, narrow spaces and wide, fully glazed façades makes every view on every floor unique.

Villa van Lipzig by Loxodrome

The space in between the surrounding buildings is used in the most efficient way.

Villa van Lipzig by Loxodrome

From inside the villa you experience the view, not spoiled by the neighboring buildings, it opens into the beautiful wide landscape of the heath landscape.

Villa van Lipzig by Loxodrome

The cladding of the façade is made out of two materials: The larger surfaces are filled with rough natural Chinese grey slate stone in combination with maranti timber.

Villa van Lipzig by Loxodrome

These elements are framed by Belgian Blue stone bindings.

Villa van Lipzig by Loxodrome

Programme: Villa, 630 m2
Design: 2007 – 2008
Completion: 2011


See also:

.

UR22 by Vincent
Snyder Architects
MYP House by
Estudio BaBO
Villa Rotterdam
by Ooze

V12K0102 by Pasel Kuenzel Architects

V12K0102 by Pasel Kuenzel Architects

Here’s the next house in the series of eleven by Rotterdam studio Pasel Kuenzel Architects on the site of a former slaughterhouse in Leiden, Netherlands.

V12K0102 by Pasel Kuenzel Architects

Named V12K0102, the house and its neighbours form part of an area masterplan by Dutch architects MVRDV.

V12K0102 by Pasel Kuenzel Architects

The 30 metre-long building alternates between one and two storeys-high and is clad in a chequered pattern of timber and white render.

V12K0102 by Pasel Kuenzel Architects

The house also features long narrow windows and a camouflaged front door.

V12K0102 by Pasel Kuenzel Architects

A private courtyard splits the house into two halves, one occupied by the children and the other used by the parents.

V12K0102 by Pasel Kuenzel Architects

This courtyard can be surveyed from a first floor deck, which also overlooks a second smaller courtyard on the opposite side of the building.

V12K0102 by Pasel Kuenzel Architects

We’ve previously featured four houses from this series on Dezeen – see the projects here and see all our stories about Dutch houses here, including one with perforated fabric tacked onto its facades.

V12K0102 by Pasel Kuenzel Architects

Photography is by Marcel van der Burg.

V12K0102 by Pasel Kuenzel Architects

Here are a few additional words from Pasel Kuenzel Architects:


V12K0102 – 30 running meters of house!

On the site of a former slaughterhouse in the historical heart of the Dutch university city of Leiden, emerges one of the biggest urban developments of private dwellings in the Netherlands.

V12K0102 by Pasel Kuenzel Architects

In their series of eleven, Rotterdam based architects pasel.künzel architects present yet another spectecular house giving a new interpretation of the classical Dutch housing typology.

V12K0102 by Pasel Kuenzel Architects

With their V12K0102 residence pasel.kuenzel architects created a remarkable project on an almost triangular building plot, the remnant of an inner city housing block.

V12K0102 by Pasel Kuenzel Architects

On a 30 metre long one-storey high base, two building volumes were placed on opposite side, one being the ‘children’s house’ and the other serving as the ‘house of the parents’.

V12K0102 by Pasel Kuenzel Architects

The two parts facing each other allow for visible eye contact, but are furthermore physically separeted.

V12K0102 by Pasel Kuenzel Architects

Collective spaces for living, dining and playing are situated on the ground floor, meandering around two intimate courtyards and establishing an immediate relation between ‘life inside and outside’ – an oasis in the city.

V12K0102 by Pasel Kuenzel Architects

Towards the city, the introvert house reveals his inner life by only two gigantic glass panes that also permit the characteristic Dutch light to reach deep into the museum like spaces.

V12K0102 by Pasel Kuenzel Architects


See also:

.

V36K08/09 by Pasel
Kuenzel Architects
V21K07 by Pasel
Kuenzel Architects
V21K01 by Pasel
Kuenzel Architects

Villa 4.0 by Dick van Gameren

Villa 4.0 by Dirk Van Gameren

Dutch architect Dick van Gameren has converted a family house outside Hilversum by punching three faceted skylights through the roof and driving a corridor through the middle.

Villa 4.0 by Dirk Van Gameren

The project has been named Villa 4.0 since this is the fourth major rebuilding of the single-storey house, which was built in the sixties and which has a plan based on hexagons.

Villa 4.0 by Dirk Van Gameren

Floor-to-celling glazing surrounds a new sunken living room at the back of the house.

Villa 4.0 by Dirk Van Gameren

A hexagonal block in one corner encloses three bedrooms with bamboo floors.

Villa 4.0 by Dirk Van Gameren

Other Dutch houses recently published on Dezeen include one with a fabric facade and another with an inwardly pitching roof – see all our stories about Dutch houses.

Villa 4.0 by Dirk Van Gameren

Photography is by Marcel van der Burg – Primabeeld.

The following is provided by the architects:


When the client set off with his family on a round-the-world sailing trip in 2007, he had no idea that this would lead him to the villa in which he lives today. Daily life on board ship was quite different from that on land: you had to generate your own electricity, make potable water with a watermaker, separate waste products down to the smallest scale and of course exploit the wind for travel purposes. All at once, things he and his family had scarcely considered on land became crucial matters. Back in the Netherlands, this fact of automatically considering aspects of sustainability became the springboard for their new house: Villa 4.0.

Villa 4.0 by Dirk Van Gameren

In the leafy Gooi region around Hilversum they found an attractive plot of land containing a simple bungalow dating from 1967 on a hexagonal ground plan. This became the stepping-off point for a major building project involving many specialists and with sustainability taken up in the plans wherever possible. So instead of demolishing the bungalow – which had already been radically altered in 1972 and 2001 – it was to be recast. The reuse principle is also in evidence in the garden design; trees and bushes have been replanted to fulfil a new duty in the garden and felled trees are stored away as firewood for the high efficiency wood burning stove in the kitchen. Heat pump, solar boiler and LED lighting are among the energy-efficient solutions deployed for handling all the big energy consumers, from heating, cooling and hot water to electricity. Some are feats of technology, others are proven yet largely forgotten solutions such as a clothes horse for drying clothes or a bicycle as the principal means of transport.

Villa 4.0 by Dirk Van Gameren

Design

Although the many modifications and additions had made the house bigger, it had also become increasingly inward-looking. The expanding wings were steadily enclosing the heart of the house with the hall and living quarters, and direct contact between the house and the magnificent surroundings was largely lost. The original detailing and material form were consistently adhered to during all previous interventions but the result was now thoroughly outmoded and of a poor technical quality.

Villa 4.0 by Dirk Van Gameren

The house has now been given its fourth look. Dick van Gameren Architecten was commissioned for the design, the principle guiding this most recent intervention being to create a house that is much more sustainable and able to reinstate the lost relationship between it and the landscape.

Villa 4.0 by Dirk Van Gameren

Dick van Gameren Architecten kept as close as possible to preserving the existing house, which gave the first step towards a sustainable end result. Taking the existing structure as the basis, the outer walls and roofs were modernized by adding insulation and replacing all windows and larger areas of glazing. The walls in the central section of the house were removed to create a new living hall looking out onto the surroundings on four sides. In addition, the physical bond between house and landscape has been consolidated by an all-glass pavilion attached to the living hall that reaches out to the brook flowing past the house.

Villa 4.0 by Dirk Van Gameren

Interior

The client desired a timeless interior. To this end the IDing interior design firm took ‘interior follows exterior’ as its stepping-off point and gave most of the rooms concrete floor slabs. This is because of that material’s durable and maintenance-friendly quality but also because it weds well with the finish of the external walls. Expansion joints made in the concrete floor continue the direction taken by the walls both inside and out onto the concrete paths in the garden. This strategy picks out the sight lines in interesting ways. The corners between walls, the kitchen, the sunken sitting area and the desk in the study all follow the architecture of the bungalow.

Villa 4.0 by Dirk Van Gameren

The harmony between internal and external space was a key design determinant, particularly in terms of colour, sight lines and lighting. Besides the aforementioned expansion joints many natural colours have been applied to ensure the house’s sense of timelessness. Exceptions to this are the natural wool felt upholstery of the settee in the kitchen and the sunken sitting area in the living room, which are a mass of colour. Curtains, all of which can be drawn up into rails in the ceiling, are in neutral tints.

Villa 4.0 by Dirk Van Gameren

Sustainability informs as much as possible of the interior. Thus, the kitchen boasts an ecological, high efficiency wood stove which after two heating sessions of 1.5 hours provides 24 hours of agreeable warmth. Not just that, the stove achieves low emission at high temperatures. The bedrooms have bamboo floors as a sustainable alternative to wood. Bamboo was chosen because it is a rapidly lignifying grass of extremely fast growth and therefore far more sustainable than any wood type. All lighting inside the house is LED based. Once again this choice is informed by sustainability; an LED lamp lasts roughly 50 times as long as an incandescent lamp and consumes about 90% less electricity.

Villa 4.0 by Dirk Van Gameren

Landscape

Like all the other specialists, landscape architect Michael van Gessel drew inspiration from the existing situation: magnificent beeches on the high-lying avenue, their branches reaching far across the steep slope, the garden’s choice position directly along the brook and several magnificent trees and shrubs round the house inspired him to draw up a new garden design whose reuse of existing plants and trees accorded well with the wishes of the client.

Villa 4.0 by Dirk Van Gameren

The special areas of the garden have been emphasized to the full by removing all extraneous elements – conifers, the many maples, low shrubs and the bare slope – to make room for a large lawn and a generous planting or replanting of perennials and flowering shrubs along the property boundary. Throughout the year, the garden presents an ever-changing though always ‘natural’ picture with a wealth of flowers and leaf shapes appropriate to both the underlying principle and the changing orientation to the sun.

A salient detail is that a large oak has been planted in the patio of the house. This makes it seem as if the house has detached itself from the edge of the woods to move into the open space in full view of the sun. Like the floor of the house the hard landscaping – entrance, parking and terraces – consists of large slabs of helicoptered concrete so that house and garden, inside and outside, flow one into the other as if it were the most natural thing.

Villa 4.0 by Dirk Van Gameren

Villa 4.0 took two years to design and build and has now been appropriated by the client.

Villa 4.0 by Dirk Van Gameren

More on aspects of sustainability in Villa 4.0 – The Netherlands

Sustainability is a concept that has been crucial in informing all components of the design, construction and daily use of the house. Rather than create an icon of sustainability, the idea was to consider practically and level-headedly at every step how the house could be least taxing on the environment in both the short and the long term. Key points of departure were maximum reuse of built elements and materials already on site and the use of sturdy and proven techniques to achieve the lowest possible energy consumption. The clients see a sustainable house not as the end of the story but as an inspirational spur to a way of life that places concern for mankind and nature and care of our planet at centre stage.

Villa 4.0 by Dirk Van Gameren

Reuse

The design steps off from the existing house, so that along with comprehensively improving the quality of both space and building performance it makes the most of the materials already on site. Components of the existing house that had to be removed have been reused elsewhere in the design where possible.

Roofs and facades have been insulated or reinsulated (R Value 3.5). The floor too has been insulated (R Value 3) and finished with a smooth continuous concrete deck floor on compression-resistant insulation. The old wood frames have been replaced with new aluminium-framed facade units of insulated glass (U Value 1.1)

Villa 4.0 by Dirk Van Gameren

Energy and indoor climate

A floor heating system has been laid into the new concrete deck floor that can heat or cool the rooms using low temperature heating (water < 35°C). A second system has been installed in the bedroom ceilings to facilitate additional cooling in summer. The entire system is fed by a thermal storage unit. All rooms can be regulated individually. Self-generated energy is not being treated as an option for the time being. The surrounding trees mean that there is much shade for a large part of the year and little wind. The part of the roof that does catch the sun all year long is provided with a solar boiler for hot water facilities (head pipe system).

Villa 4.0 by Dirk Van Gameren

Ventilation of the house is premised on the natural circulation of air throughout the building. Ventilation units in the outer walls make it possible to regulate the exact quantity of air entering the building. In summer, ventilation can be stepped up using a mechanical discharge system in the roof lights of the central hall. Of the two spaces with a lot of glazing, the kitchen has a glass sliding roof and the living room a roof hatch that allows for additional ventilation in warm weather. The ventilation units enable the house to be aired without having to leave windows and doors open.

Villa 4.0 by Dirk Van Gameren

Click above for larger image

Another source of cooling is by means of a roof-top pump that draws up water from the brook and sprays it onto the roof. The water then flows back into the brook. There is a high efficiency wood burning stove in the kitchen, fuelled with wood from the garden. The heat yield supports the heat pump, thereby reducing the energy consumption of the thermal storage system. The house’s open layout ensures that heat from the stove can spread throughout the house.

The living room heats up quickly in winter by being oriented to the south and having all-glass facades, and thus serves as a heat source for the house as a whole.

Villa 4.0 by Dick van Gameren

Interior

All living spaces receive daylight from more than one direction. Storage units, bathrooms and other ancillary spaces also receive daylight, some of it indirect. All artificial lighting is LED-based. Much of the furniture is built-in and where possible made of sustainable materials: wood floors and wardrobes – bamboo, kitchen cupboards – Ecoplex (poplar) laminate,  settees in the living room and kitchen, curtains in the nurseries – woolfilt,  floor covering in the sunken sitting area -bamboo.

Villa 4.0 by Dick van Gameren

Water and garden

Rainwater on the roofs is run off directly into the brook. All waste water (greywater) is run off into a tank where it is purified organically and then discharged into the brook. Only biodegradable cleansing agents are used in the house. The new garden layout is informed as much as possible by the replanting of existing trees and shrubs. This gives a greater openness but also more privacy where this is required. The garden is sprinkled exclusively with water from the brook. An electric lawn mower robot keeps the grass at the correct height, and the planting in the garden can be tended without the need for herbicides and artificial fertilizers.


See also:

.

Villa Geldrop by Hofman
Dujardin Architects
Villa 1 by Powerhouse
Company
H House in Maastricht
by Wiel Arets