$180 billion spent on royalty fees annually – Washington Post


Dezeen Wire:
 the U.N. World Intellectual Property Agency has reported a rise in the amount paid as royalties and licensing fees from $2.8 billion to $180 billion in the last 40 years, representing a 60-fold increase – The Washington Post

The report shows that high income countries such as France, Germany, Japan, Britain and the United States continue to lead the way in research and development but that China’s share in the global market has risen from 2.2 percent in 1993 to 12.8 per cent in 2009.

Last week we reported on measures being taken by the UK government to improve intellectual property laws, designer James Dyson also raised the issue when he accused a Chinese manufacturer of copying one of his brand’s vacuum designs and Elle Decoration editor Michelle Ogundehin has criticised companies who reproduce classic products.

“Britain could become enormous Los Angeles-style ghetto” – Richard Rogers


Dezeen Wire:
British architect Richard Rogers has warned that plans by the UK government to simplify planning regulations could lead to unmoderated urban sprawl, “with rust belts and towns joining each other” – Daily Mail

He added: “If the framework is not improved it will lead to the breakdown and fragmentation of cities and neighbourhoods as well as the erosion of the countryside.” Rogers’ concerns about the government’s new National Planning Policy Framework are shared by environmental campaigners who say they don’t offer a clear enough definition of sustainable development.

Richard Rogers was involved in a planning battle in 2009 over his proposed redevelopment of Chelsea Barracks in London – see reports on Dezeen Wire

Wayne Rooney hires architects to design garden shed


Dezeen Wire:
England footballer Wayne Rooney has hired architects Pulmann Associates to design a shed in the garden of his £4 million home – The Sun

“The London River Park: place for the people or a private playground?”- The Observer


Dezeen Wire:
architecture critic Rowan Moore claims that corporate facilities integrated into the plans for the controversial London River Park would turn it into a “gigantic hospitality suite with a fairly nice walkway threaded through it” – The Observer

Moore describes architects Gensler‘s proposal as “the latest example of a widespread type of the 21st century, the pseudo-public space.” He criticises the design for the walkway and rentable pods, describing them as “offensively indifferent” to their historical surroundings and says the project organisers should learn from New York’s High Line park in order to turn a good idea into a popular public space.

See our previous story on the 35-metre model of the London River Park.

“Keyed to Detail, No Matter How Crazy” – The New York Times


Dezeen Wire:
in her latest article for The New York Times, design critic Alice Rawsthorn explains how Dutch designer Aldo Bakker‘s expressive process and relentless attention to detail make him “one of the new wave of designers who could be called design-auteurs” – The New York Times

Bakker’s products and furniture perform simple functions in ways that Rawsthorn says demonstrate “a quiet confidence, as if every element has been resolved with nothing left to chance.” Bakker says of his creative methods, which can lead to each product taking years to develop: “I love having the freedom to pay attention to every detail in my work, no matter how crazy.”

See designs by Aldo Bakker on Dezeen and read more articles by Alice Rawsthorn here.

Design Museum move will “help nurture a new generation of creative talent”- Deyan Sudjic


Dezeen Wire:
the director of London’s Design Museum Deyan Sudjic claims the museum’s new home at the former Commonwealth Institute will offer a platform for future designers and that Britain can regain its reputation as creative power, “provided we go on investing in design” – The Guardian

Sudjic describes the Design Museum’s original incarnation at the Victoria & Albert museum as “a little like an upmarket squatter in the V&A basement,” but suggests that “contemporary design is now firmly on the cultural agenda.” He claims that Britain must support design education in order to stay ahead of emerging economies, adding that “design is a way to create or safeguard jobs.”

James Dyson also recently wrote an article on the importance of design to the British economy and we previously reported on the Design Museum’s current building being up for sale.

Sebastian Wrong launches new limited edition design platform


Dezeen Wire:
designer and co-founder of British brand Established & Sons Sebastian Wrong has launched The Wrong Shop, his own retail venture focusing on limited edition products by leading designers.

The Wrong Shop launched at the Qubique design event in Berlin with an auction of editioned furniture by Sebastian Wrong, Konstantin Grcic, Jerszy Seymour and Wrong with Richard Woods, which raised £4,000 for children’s charity Kids Company.

The new project will encourage designers to work outwith the boundaries of commercial production and explore complex, experimental and unorthodox methods of production.

See all of our stories about Established & Sons here and stories from Qubique here.

Here are some more details about The Wrong Shop:


Sebastian Wrong Launches The Wrong Shop at Qubique in Berlin

Designer Sebastian Wrong will launch his new, personal venture, The Wrong Shop, during the Qubique furniture and design trade show in Berlin, on 26 October 2011.

‘The launch will be in the form of an auction with proceeds going to charity,’ says Wrong. ‘I am very excited to be launching it in Berlin, an exciting city at the forefront of European creativity.’

The auction of new products designed by Richard Woods & Sebastian Wrong (chair), Konstantin Grcic (table), Jerszy Seymour (chair) and Sebastian Wrong (table) will take place during the opening festivities on the first night, 26 October 2011, 7pm. But the pieces will be on display for the duration of the show, until 29 October.

Wrong’s role as Design Director at Established & Sons has given Wrong inspiration to start a side-project that allows the world’s leading designers to explore their creativity without the usual restrictions that come with volume production in a retail-driven market. During the Qubique auction guests will have the chance to bid on these first-off, signed series. Profits from the auction go to the Kids Company charity. (www.kidsco.org.uk)

‘The provenance of production is an essential feature of this business,’ says Wrong. ‘We manufacture in small series which we sell directly to our customers. This allows us to be more flexible in the design and develop products of a quality normally associated with bespoke manufacturing. But most importantly, it moves consumers closer to the source of the manufacturing process, about which we are very transparent. There is huge skill and specialist knowledge in the making of a beautiful piece of furniture. You will appreciate your piece more if you understand who made it and how it was made.’

About Sebastian Wrong

Sebastian Wrong studied sculpture at Norwich School of Art before forming his own manufacturing company in 1996 and later co-created the The Lane design brand that ran for four years. He designed the Spun Light in 2002 (now produced by Flos) and is a founding member and Design Director of Established & Sons. He also teaches Product Design at the Royal College of Art.

Sebastian’s extensive knowledge of manufacturing processes and materials, as well as his passion for quality product fabrication, are essential components of his Wrong Shop mission.

“Maggie’s Centre: the jolly green giant”- The Guardian


Dezeen Wire:
in a review for The Guardian, architecture critic Jonathan Glancey says that the new Maggie’s centre in Nottingham is like something out of a fairytale and “is clearly designed to make visitors smile” – The Guardian

Glancey claims that architect Piers Gough of CZWG and fashion designer Paul Smith, who was responsible for the interior, have triumphed in their attempt at creating a homely environment for those affected by cancer, adding: “From a purely architectural and design point of view, few hospital buildings – this side of the other eight Maggie’s Centres built in Britain since the 1990s – are as welcoming.”

See our original story on Maggie’s Nottingham and subsequent story with more images as well as all our stories on Maggie’s centres.

Campaigners petition to save design and technology in UK schools


Dezeen Wire:
 the Design and Technology Association is urging people to complete an online petition to retain design and technology as a compulsory part of the UK’s National Curriculum.

Design and technology is one of the subjects that could become optional in schools following the government’s announcement in January that it intends to slim down the curriculum. The petition is supported by key members of the creative and manufacturing industries, who believe the subject to be vital to the UK’s economic development.

Anyone wishing to support the campaign should visit the the Design and Technology Campaign website to sign the online petition or contact their local MP.

Plastic bottles filled with sand used to build houses in Nigeria


Dezeen Wire:
discarded bottles sourced from hotels, restaurants, homes and foreign embassies are being filled with sand and used as bricks to create curved-walled houses in a Nigerian village – BBC

The bottles are bound together with mud resulting in durable walls that are sustainable, cost-effective and provide insulation from the sun’s heat. The resulting buildings are also bullet-proof – a useful benefit in an area plagued by violence. An estate of 25 houses is currently being built with plans for a school to follow.

See our previous story on a house made from sand bags in South Africa.