Hasta La Ideas

Product news: these hexagonal storage boxes by Icelandic designer Thorunn Arnadottir use varying shades of grey to distort perspective.

Named BERG, the monochrome collection comprises three differently sized containers that can be used for storage, as stools or as low tables.

Thorunn Arnadottir used a hexagonal shape to reference the basalt columns that are common to the Icelandic landscape. “The basalt columns are by nature very geometric and can have beautiful disorientating shadows in them,” she explains.

To exaggerate the geometry of the objects, the designer applied three contrasting shades of grey to accentuate the shadows and highlights. She then created a false perspective by dividing the lids into thirds to mimic a two-dimensional drawing of a cube.

Arnadottir comments: “I wanted to play with the boundaries of ‘faking’ something, to make it look like a natural product, a heavy massive piece of stone, but at the same time have something that’s obviously artificial by mixing materials and playing with optical illusion geometry.”

The collection is produced by Icelandic kitchens brand Brúnás and each piece is made from offcuts of faux-stone veneer and MDF. Narrow recesses along the lips of the objects makes it easier to remove the lids.

Thorunn Arnadottir presented BERG at the Harpa concert hall in Reykjavík for DesignMarch, which took place from 14-17 March. Other projects on show included a seal-shaped blanket and a pair of aluminium tables with uneven sand-cast surfaces.

Here’s a project description from the designer:

Thorunn Arnadottir debuted her new collection BERG, made by Brúnás, at Harpa in Reykjavík, during Design March 14-17 March.

Brúnás are a cabinet making workshop that works a lot with surfaces, veneers and laminates, that imitate natural materials. Their specialisation is fulfilling the customer’s dream of the perfect kitchen unit, in affordable yet durable materials.

BERG make use of their specialised skills at imitating natural materials: they are faux basalt columns, hexagonal rock formations that are a prominent feature in Icelandic landscape.

For BERG, Brúnás can use smaller offcuts of their faux stone veneer and MDF from their workshop, which are usually too small for kitchen tops.

BERG come in three different heights and can be used as small side tables, stools and storages. They can grouped together in clusters to form a bigger landscape of tables. The edge of the lid and the edge of the box are sloped in opposite directions, creating a good grip to lift the lid off the box.

BERG is part of a collaboration project between Thorunn and Make by Þorpið.

The post BERG by
Thorunn Arnadottir appeared first on Dezeen.

Product news: London print designers Eley Kishimoto teamed up with Icelandic design collective Vík Prjónsdóttir for DesignMarch in Reykjavík last week, where they presented a seal-shaped blanket inspired by an Icelandic folk tale.

Above: photograph c/o Eley Kishimoto

First designed by Vík Prjónsdóttir in 2005, the Seal Pelt was designed in reference to the mythical story about a woman who has to choose between being a seal or a human and is transformed after clothing herself with a seal’s skin and fur.

The “remixed” Seal Pelt features a pattern of squirrel graphics by Eley Kishimoto. Guðfinna Mjöll Magnúsdóttir of Vík Prjónsdóttir told Dezeen: “The Seal Pelt has now been united with the great squirrel. These two animals, that until now have not been in a close relationship, will from this moment be knitted together.”

Above: Papageno

The designers presented the Seal Pelt at the Culture House during DesignMarch. They also showed Papageno, a stripy blanket inspired by the colourful feathers of a parrot, which is the latest addition in the bird collection. Other blankets in this range include The Raven, The Flamingo and The Swan.

Above: The Swan

Each piece is woven from Icelandic sheep’s wool.

Above: The Flamingo

Past projects by Vík Prjónsdóttir include blankets inspired by the local landscape and one based on an erupting volcano.

Above: The Raven

Design March took place from 14 to 17 March.

Photography is by Ari Magg, apart from where otherwise stated.

Here’s some more information about the Seal Pelt and Papageno:

The Seal Pelt – Folktale

In the Icelandic myths, seals are believed to be condemned by humans. One ancient story from the south of Iceland is about a farmer who early one morning finds a seal pelt laying on the beach. In a cave nearby, he hears voices and music. He takes the seal pelt home and hides it in a wooden chest. Few days later he returns to the beach and finds a crying, naked, young woman sitting on a rock. He brings her to his house where she stays, but he never tells her about the pelt. As time goes by they get married and have children. But the young woman is restless and often stares quietly out of the window at the ocean. One day when the farmer goes fishing, his wife accidentally finds the key of the chest, opens it and discovers the missing pelt. She takes leave of her children, puts the pelt on and before she dives into the ocean she says: “ I am vary anxious, with seven children on land an seven in the sea.” She never comes back but the farmer misses her terribly. Later when he goes fishing there often is a seal near his boat and its eyes are filled with tears. It is said that the farmer becomes a very lucky fisherman. And when his children play at the beach there often is a seal swimming close to land. Sometimes it brings them beautiful stones and colorful fishes. But their mother never returned.

Papageno

The Papageno is a new blanket from Vík Prjónsdóttir and a part of the evolving bird blanket collection. The birds that have until now been part of the Vík Prjónsdóttir collection are the Sea Eagle and the Raven, both of these birds play a big role in the wildlife of Iceland. The Papageno represents the parrot, a bird that is very exciting and exotic in the eyes of Vík Prjónsdóttir.

The post Seal Pelt Remix by Eley Kishimoto
and Vík Prjónsdóttir appeared first on Dezeen.