House on Limekiln Line by Studio Moffitt

This gabled steel shed surrounded by crops is a self-sufficient farmhouse in Ontario by architects Studio Moffitt (+ slideshow).

House on Limekiln Line by Studio Moffitt

Above: photograph is by Shai Gil

Surrounded on every side by corn, wheat, barley and hay fields, House on Limekiln Line is a two-storey house on a ten-hectare estate in Huron Country.

House on Limekiln Line by Studio Moffitt

Above: photograph is by Shai Gil

Studio Moffit used galvanised steel cladding to make reference to the local agricultural vernacular. Wooden decks are positioned on three of the four elevations and include one that branches out like a jetty.

House on Limekiln Line by Studio Moffitt

Above: photograph is by Shai Gil

The house was completed on a design-and-build contract, which involved architect Lisa Moffitt living on-site during the construction process.

House on Limekiln Line by Studio Moffitt

“To me, the most interesting aspect of the project was moving to the site, acting as general contractor and working with local farmers to build it,” Moffitt told Dezeen. “It was a very satisfying experience collaborating with honest, hard-working ‘people of the land’.”

House on Limekiln Line by Studio Moffitt

Above: photograph is by Shai Gil

The residence is entirely off-grid and generates all its own electricity and heating using solar panels on the roof, as well as from passive heating systems. Windows are triple-glazed to prevent heat from escaping, while the concrete floor acts as a thermal mass.

House on Limekiln Line by Studio Moffitt

Above: photograph is by Shai Gil

In the warm summer months a canopy helps to shades the southern elevation from direct sunlight, while windows on every elevation can be opened to encourage cross-ventilation. Water is sourced from a well beside the house.

House on Limekiln Line by Studio Moffitt

Other farmhouses completed in recent years include a contemporary interpretation of a traditional Hungarian peasant house and a house on a sheep farm in Tasmania.

House on Limekiln Line by Studio Moffitt

See more architecture in Canada, including a curvaceous pair of twisted skyscrapers.

House on Limekiln Line by Studio Moffitt

Photography is by Gabriel Li, apart from where otherwise stated.

House on Limekiln Line by Studio Moffitt

Here’s some extra details from Studio Moffit:


House On Limekiln Line, Huron County, Ontario, Canada

The House on Limekiln Line sits on a 25 acre farm lot in Huron County, Ontario. The site is in constant flux due to shifting diurnal and annual conditions tied to weather, cultivation and occupation. The house sits lightly on the land while registering and amplifying specific conditions of this vast productive landscape: it frames expansive views of the shifting crop quilts adjacent to the house and it acts as a datum to an existing topographic shift on the site. The house is calibrated to allow views into and through the house, facilitating an interior visual spatial expansion. An extended south deck and west deck walk offer threshold spaces that extend this experiential choreography while also mediating between enclosure and exposure and extending seasonal exterior occupation of the site.

House on Limekiln Line by Studio Moffitt

The house is off-grid and utilises a number of sustainable measures. These measures reduce both operational and embodied energy consumption, and are integrated into a cohesive design. Siting and orientation facilitate passive heating and cooling. A generous south deck overhang blocks summer sun while allowing winter sun to heat the concrete thermal mass floor. Evenly distributed operable windows facilitate summer cross-ventilation and stack effect heat purging. Triple glazed windows, a highly insulated envelope detailed to reduce thermal bridging, and the use of high efficiency appliances ensure that energy consumption required to service the house is low.

House on Limekiln Line by Studio Moffitt

The house offers back to the cultural landscape in which it sits. The architectural language of the exterior, a monolithic galvanised steel shed, is informed by the local agricultural vernacular to ensure visual coherence within the landscape and to facilitate construction with locally available and sourced materials. As a design-build project, construction was completed largely by local farmers familiar with agricultural building practices.The rich dialogue with local craftsman ensured that the house is rooted in the building practices and conventions of context while also offering the community exposure to innovative resource and energy-conserving construction practices.

House on Limekiln Line by Studio Moffitt

Above: floor plans – click above for larger image and key

The interior of the 925 sf house is composed of a core of service spaces floating within the shed shell. Carefully calibrated views into and through this core ensure that, despite its limited footprint, the house is visually expansive. This experiential choreography, along with careful siting, with crops growing to enclosure, allow the house to act as a place of observation, a space that defers to and reflects back the annually and diurnally shifting landscape beyond. Creating a dialogue with and respect for the local culture and landscape encourages a sense of stewardship towards the larger ecological and environmental processes of the vast agricultural landscape in which the house sits.

House on Limekiln Line by Studio Moffitt

Above: long section

The post House on Limekiln Line
by Studio Moffitt
appeared first on Dezeen.

Cedarvale Ravine House by Drew Mandel Architects

This house in Toronto by Drew Mandel Architects features pale grey stone walls and an overhanging top storey (+ slideshow).

Cedarvale Ravine House by Drew Mandel

Home to a family of four, the two-storey residence sits at the edge of Cedarvale Park, a steeply sloping ravine surrounded by woodland.

Cedarvale Ravine House by Drew Mandel

Drew Mandel Architects used locally quarried stone blocks in three different sizes to create irregular courses on the building’s exterior. To contrast, zinc clads the cantilevered first floor and richly coloured walnut covers a selection of surfaces inside the house.

Cedarvale Ravine House by Drew Mandel

“The restrained and limited material palette avoids unnecessary ornamentation in order to focus one’s attention on the site, natural light, and movement through modulated open spaces,” say the architects.

Cedarvale Ravine House by Drew Mandel

The volume of the house is broken down into modules, which step back and forth on both floors to create two patios at ground floor level and a vegetable garden on the roof.

Cedarvale Ravine House by Drew Mandel

The architects explain this as a “pushing and pulling” that mediates between the residential context at the front and the woodland area at the rear. “The sculptural expression solves programmatic requirements, maximises views, provides natural light, and enhances the promenade and transition from suburban streetscape to very primal forms of nature,” they add.

Cedarvale Ravine House by Drew Mandel

A glazed single-storey block at the back contains the living room and offers a view back towards the park.

Cedarvale Ravine House by Drew Mandel

The overhanging first floor cantilevers out beside it and hovers above an outdoor swimming pool. To support the weight of the cantilever, the architects added a single concrete wall and a series of concealed trusses.

Cedarvale Ravine House by Drew Mandel

A double-height dining room is positioned at the centre of the house and splits the first floor into two wings. A mezzanine corridor runs between.

Cedarvale Ravine House by Drew Mandel

Other Canadian houses completed in recent years a house built with concrete bricks in Québec and a timber-clad house on a hillside.

Cedarvale Ravine House by Drew Mandel

See more architecture in Canada »

Cedarvale Ravine House by Drew Mandel

Here’s some more information from Drew Mandel Architects:


Cedarvale Ravine House
Toronto, Canada

The Cedarvale Ravine House is a 3350 square feet home for a family of four that is located at the edge of the Toronto Cedarvale Ravine. The ravine system, the most distinctive feature of Toronto’s geography, comprises of extraordinary arteries that flow through the city giving unique access to the wilderness. This infill house sits on a typical mid-town residential neighborhood street, but opens to protected woodlands at the rear of the property. The building mass is formed by pushing and pulling the desired volume across the site. It is further manipulated with void spaces. The sculptural expression solves programmatic requirements, maximises views, provides natural light, and enhances the promenade and transition from suburban streetscape to very primal forms of nature.

Cedarvale Ravine House by Drew Mandel

The circulation of the house weaves through a modulation of intimate and expansive spaces and courtyards that lead to a glass-enclosed single-storey space at the rear of the property. This is the kitchen and family room, the heart of the house. It also defines the south edge of the courtyard. This volume has been pushed down to one storey in order to permit light to the interior and views out to the ravine. Large expanses of glass dematerialise the monolithic stone building and dissolve boundaries between the interior and exterior.

Cedarvale Ravine House by Drew Mandel

The building is clad in custom local Ontario stone masonry units. 2″, 3″ and 4″ tall stone courses are laid in an irregular sequence. The random lengths of stone range from 1′-0″ to 4′-0″ and intend to emphasise the horizontal lines of the building.

Cedarvale Ravine House by Drew Mandel

Above: site plan – click for larger image

At the second floor, a zinc-clad cantilevered superstructure frames views from the inside and gestures to the woodlands. It floats above and beyond the main stone volume and allows the re-naturalised ravine plantings to be brought farther into the site. A lap pool reflects light into the space under the second floor cantilever where a family can enjoy outdoor activities around the pool and barbeque.

Cedarvale Ravine House by Drew Mandel

Above: ground floor plan

The reaching superstructure is the structural feature of the project. Its one storey high trusses are embedded in walls and are supported on an exposed slender column. Column supports are reduced by diffusing the overturning forces into both the roof and floor diaphragms. A series of space-defining vertical planes and a mass concrete wall are used for lateral resistance. The floating rear volume is complimented by a carport cantilever reaching to the front property line. Its structure is a three-point steel framing system with wood infill, sitting on cantilevered concrete walls.

Cedarvale Ravine House by Drew Mandel

Above: first floor plan

The private areas located on the second floor feature operable floor-to-ceiling glazing with sliding interior wooden shutters. The system allows one to control sunlight, privacy, air flow, and noise as desired.

Cedarvale Ravine House by Drew Mandel

Above: long section one – click for larger image

The second floor diverges into two wings separated by a double height dining space and its adjacent open courtyard. This connection space is traversed by a bridge that leads to access to a green roof.

Cedarvale Ravine House by Drew Mandel

Above: long section two – click for larger image

It contains a vegetable garden for family meals, while insulating the one-storey family room-kitchen below. Both the courtyard and the green roof spaces support the local conservation authority’s interest to have the rear of the property re-naturalised as part of a larger ravine stewardship program. With much of the rear planted, these green spaces provide additional amenity space and more complex and modulated volumes. The ravine is brought to the foreground at the second floor spaces.

Cedarvale Ravine House by Drew Mandel

Above: elevation – click for larger image

The restrained and limited material palette of stone, walnut, and concrete avoids unnecessary ornamentation in order to focus one’s attention on the site, natural light, and movement through modulated open spaces. The Cedarvale Ravine House provides opportunities to celebrate the everyday rituals of residential life and enhances the slow unfolding experience of a special site.

The post Cedarvale Ravine House
by Drew Mandel Architects
appeared first on Dezeen.