Invader Storage System by Maria Bruun

Invader Storage system by Maria Bruun

Danish designer Maria Bruun has created a trio of modular cabinets on spindly legs that nestle together to resemble an alien from Space Invaders.

Invader Storage system by Maria Bruun

Each piece in the Invader Storage System is on wheels, making it easy to move them around.

Invader Storage system by Maria Bruun

Drawers and cupboards can be stacked in different arrangements and slotted together.

Invader Storage system by Maria Bruun

The body of each cabinet is rectilinear, but the feet are shaped like pyramids.

Invader Storage system by Maria Bruun

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Here’s the description from the designer:


Invader Storage System

Globalization is upon us, more and more people pilgrimage to the various metropolises of the world. As a result we are forced to live closer and closer to each other in smaller spaces. This also creates a new demand to our furniture where designers are forced to create products that allow the compressed lifestyle of modern consumers.

They say: ‘home is where the heart is’ but in my research I discovered that ‘home is where your stuff is’.

Invader Storage system by Maria Bruun

When I created Invader I visited 30 private homes for conversations and registrations on ‘how do people really live, and what constitutes ‘home’ for them’. During this process it became clear to me that people, however small they live, always have a collection of objects from around the world, favourite books, loving memories, and practicalities following them on their journey in life.

Through all their collected items people stage and identify ‘who they are’ or ‘who they want to be’ to the world.

Invader Storage system by Maria Bruun

Invader is a series of storage furniture with a focus on maximum flexibility for its user. Its modular flexibility, and construction on wheels creates a multiple of spatial solutions, and fills the need for both hidden and open storage.

The light long-legged aesthetic makes us question gravity and strength of the wooden legs, but a metal core in the construction provides maximal strength and allows the clean and simple, almost rigorous character of the furniture to stand out.

Invader Storage system by Maria Bruun

The stackable storage modules have a variation of three sizes and three basic functions; the drawer, the cabinet, and the surface. These three functions are the basic storage needs. A cabinet or drawer where we can hide the things that we do not want the world to see and a surface where we can stage the objects and stories we want the world to see.

The piece is inspired by its users needs and ways of living. How do we tell stories and stage our life and identity though our storage and collected objects? The project revolves around individual ways of living, collecting and creating what constitutes “home”.

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by Maria Bruun
appeared first on Dezeen.

Dear Disaster by Jenny Ekdahl

Dear Disaster by Jenny Ekdahl

This scale-covered cabinet by Swedish designer Jenny Ekdahl is intended to help victims of natural disasters to recover from their traumatic experiences.

Dear Disaster by Jenny Ekdahl

Ekdahl was inspired by the idea that creating graphs and diagrams of natural disasters can aid the psychological recovery process after the event.

Dear Disaster by Jenny Ekdahl

One side of each wooden scale is painted blue, white or grey, while the other side has been left plain, so that they can be flipped to create patterns based on water and waves.

Dear Disaster by Jenny Ekdahl

The beech wood cabinet is made up of more than 4000 parts in total.

Dear Disaster by Jenny Ekdahl

Ekdahl recently graduated from the school of industrial design at Lund University in Sweden.

Here’s some more information from the designer:


A natural disaster is an event that we associate with destruction, distress and sadness. But a natural disaster is also a phenomenon that fascinates, that is beautiful and at the same time terrifying. This contradicting love-hate relationship with nature was the starting point for my thesis work.

Dear Disaster by Jenny Ekdahl

I wanted to create an object that could both illustrate my appreciation of natural forces as well as the psychological process of recovery after a natural disaster. By describing natural disasters with graphs, diagrams and simplified pictures they are said to make the events easier to embrace.

As part of my thesis work I therefore investigated what shapes, textures and patterns the human being automatically is intrigued by, such as rhythm, complexity, playfulness and the possibility to leave personal imprints on an object.

Dear Disaster by Jenny Ekdahl

The interaction with the structure on the cabinet is a way for the user to tell her story, a conversation about sorrow and fear but also about finding meaning and regaining trust in nature after an incomprehensible event.

The function of the structure lies in mentally pleasing the user by showing her personality, feelings and personal marks, and it works as a tactile help by hiding at the same time as it highlights an event for the user, depending on what she decides to do with it. Sometimes you might talk about this process as turning pages in life and move on.

Dear Disaster by Jenny Ekdahl

The cabinet represents water as well as the absence of water, a contrast that also defines a natural disaster. When mud is cracking of drought it produces a similar three-way pattern that water bubbles has, and therefore I chose to use this structure in my design.

The cabinet is made of beech wood with a moving structure on the door consisting of small, wooden scales. I both designed and made the cabinet myself that all together consists of more than 4,000 parts.

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Jenny Ekdahl
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Snickeriet

The new Swedish furniture line bears its own interpretation of Scandinavian design

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The Scandinavian obsession with hallmarks of quality, attention to detail and hand-craft is embedded in the psyche of the region’s people. Recent years have seen a return to the core ideals of its design-minded countries—Finland, Denmark and Sweden—as each redevelops its own distinct national identity. For interpretations of its native style, Sweden can now look to Stockholm-based furniture brand Snickeriet, an offshoot of the carpentry workshop of the same name. Much like fellow Swedish company Zweed, the Snickeriet collection aims to bring its designers and craftsman closer together. While the original Snickeriet will continue its existing commission business, the new venture opens up a higher level of craftsmanship to a younger audience with a zesty, provocative visual aesthetic and an unusual stand-alone approach to building a design collection.

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“As a designer or woodsman you’re always looking for projects outside your comfort zone,” explains founder Karl-Johan Hjerling. “The workshop is at the center of everything we plan to do with the new enterprise—from concept to production, all kept in the hands of pure craft. We can let each idea develop in a very pure form, seeking solutions as the need arises and solve them in-house.”

Production is handled by artisans Gunnar Dahl and Karolina Stenfelt, who have already been significantly recognized in Sweden for notable pieces for TAF architects, Byredo perfumes and Note Design’s jawdropping Soot. Rounding out the Snickeriet team are Hjerling and his design partner Karin Wallenbeck, who have cropped up recently with work for the likes of Swedish stalwarts Svenskt Tenn and Acne.

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In keeping with the one-off approach to its commission work, Snickeriet will create each piece as a single unit, rather than as part of a series or ongoing collection. “Advanced cabinet-making is often associated with ‘older’ furniture and classical aesthetics. We want to preserve this of course but also develop it and apply it to new forms of expression,” says Dahl.

The initial four pieces—Havet, Frank, Verk and Fä (Sea, Frank, Work and Beast)—make expressive statements in this vein, boasting the kind of workmanship that pays homage to the roots of Swedish craft and exemplary skill while infusing each piece with an exciting, adventurous design narrative.

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An undulating, tactile piece, Havet’s dark exterior hides a contrasting, clean inlay demonstrating perfectly Snickeriet’s old-meets-new approach. The hacked, waved exterior is as painterly as it is sculptural.

Frank offers a slightly humorous take on the cupboard, certainly not a piece for the fainthearted but one which, like the brand itself, is not afraid to wear a sleeve of hearts. Laser-cut and etched plexiglass with brass detailing straddles a clean oiled maple frame.

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Slim and athletic, the suspended Verk desk plays on proportional form. Poised on sharp steel legs the Verk also shows off a contrasting inlay.

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Rounding off the initial offering is Fä, the Beast lamp, which perhaps takes its name from the leather used in its construction. The richly lacquered pendant manages to convey simplicity and opulence at once.

Snickeriet launches 10 May 2012 at Nitty Gritty, which will show the pieces through the end of the month.


Photosynthesis by Ehud Oren

Photosynthesis by Ehud Oren

Dezeen in Israel: artist and designer Ehud Oren presents furniture disguised as buildings in an exhibition at the Braverman Gallery in Tel Aviv.

Photosynthesis by Ehud Oren

Vinyl photographs of buildings in both Tel Aviv and New York cover the surfaces of the cabinets, concealing the locations of cupboard and drawer openings.

Photosynthesis by Ehud Oren

Images of eroded wall surfaces and street rubbish wrap some of the smaller sets of drawers, while one cabinet is decorated as an apartment block with rotated and jumbled elevations.

Photosynthesis by Ehud Oren

A mirror displayed beneath this piece reveals a photograph of a rooftop swimming pool on its underside.

Photosynthesis by Ehud Oren

Israeli artist and architect Ghiora Aharoni curated the exhibition, which is on show until 22 December.

Photosynthesis by Ehud Oren

You can see more design from Israel in our special feature.

Here’s a little more information from the gallery:


Ehud Oren – Photosynthesis
Curated by Ghiora Aharoni
Opens Thursday, November 17th 2011 8pm 17 November – 22 December 2011

Braverman Gallery is pleased to present recent work by Ehud Oren.

Photosynthesis by Ehud Oren

Ehud Oren recontextualizes ordinary images from the exterior world– fragments of photographs taken on the streets of Tel Aviv and New York–as canvases for functional repositories which conceal the mundane items of domestic life.

Photosynthesis by Ehud Oren

With this transposition of the exterior world to the interior, Ehud shifts our awareness of the routine, the quotidian, the things we take for granted.

Photosynthesis by Ehud Oren

These arrested moments–withering vines, compressed cardboard, dilapidated facades, steel scraps–celebrate the transitory and ephemeral vernacular that surrounds us.

Photosynthesis by Ehud Oren

While what we see is recognizable, the manipulated context and scale heighten our perception of its inherent beauty.

Photosynthesis by Ehud Oren

The gesture blurs the boundaries between art and furniture, elevating the utilitarian to the poetic.

Photosynthesis by Ehud Oren

Primary Cabinet by Peter Jakubik

Primary Cabinet by Peter Jakubik

Here’s another project by Slovakian designer Peter Jakubik (see his Hobby Panton Chair in yesterday’s story), this time a cabinet with a chalkboard surface.

Primary Cabinet by Peter Jakubik

The Primary Cabinet is a piece of furniture for children and provides users with the ability to alter its appearance as and when they desire.

Primary Cabinet by Peter Jakubik

More furniture on Dezeen »

Here’s a tiny bit of text from the designer:


Primary Cabinet – Draw own design

A storage cabinet created by young European designer. Peter Jakubik seeks an inspiration in the trend of “open source” with the possibility of endless variations of the final product. An Appearance of the product can user set easily as changing colour of the monitor background in your netbook.


See also:

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Stuff by
Marina Ralph
2440×1220, Saw, Assemble by Pål RodeniusHobby Panton chair by
Peter Jakubik