Formafantasma and Martino Gamper among speakers announced for Milan FOMO talks

Formafantasma and Martino Gamper among speakers announced for Milan FOMO talks

Milan 2014: a series of talks will launch this afternoon in Nike’s Aero-static dome at Palazzo Clerici, forming part of the FOMO algorithmic publishing project organised by Joseph Grima with Dezeen.

Three afternoons of talks called On The Fly will kick off today with Clemens Weisshaar, Atelier Bow Wow, Folder, Linda Fregni and Bart Hess discussing the theme of weightlessness in design.

The talks will take place at Palazzo Clerici inside a dome created by Arthur Huang, founder of MINIWIZ, which uses Nike’s Flyknit technology to create a temporary events space.

They are free to attend and each afternoon the speakers will tackle a different theme related to design practice, presenting a minimum of two images to accompany their talk.

During the talks a real-time publishing algorithm – developed by Joseph Grima’s design research group Space Caviar and called Fear of Missing Out (FOMO) – will automatically create written articles from live speech and social media streams using the #OnTheFlyMilan hashtag.

Fear of Missing Out publishing algorithm_dezeen_5
The FOMObile in action at Palazzo Clerici in Milan

These will be collated in a PDF that will then be printed and saddle-stitched on the spot from the FOMObile – a roving publishing press with its own built-in power generator and solar-powered wi-fi hotspot. The resulting publication will be distributed for free in Milan and made available on the Dezeen website.

The On The Fly talks will be FOMO’s first test in a real-world environment. Anyone, anywhere will be able to take part by using the #OnTheFlyMilan hashtag on social media on Wednesday 9, Thursday 10, and Friday 11 April between 5.00 and 7.30pm CET.

Today’s event will be moderated by Joseph Grima, founder of Space Caviar and the former editor of Domus.

Talks on Thursday will be hosted by Gianluigi Ricuperati and will include Ianthe Roach, Pier Nucleo and Italo Rota, who will all discuss the theme “seamlessness”. On Friday, Marco Velardi will host Formafantasma, Martino Gamper and Anna Meroni talking about sustainability in design.

Scroll down for the full schedule for On The Fly:


9 April, Weightlessness with Joseph Grima

17:00 Clemens Weisshaar
17:30 Yoshi Tsukamoto, Atelier Bow Wow
18:00 Folder: Marco and Elisa
18:30 Linda Fregni
19:00 Bart Hess

Weightlessness will explore how external masses and strains, or lack thereof, shape the thinking and production of design. How does the experience of our environments impact on the design process? What does this mean for the final product? With a shifting landscape of outside forces, what does this mean for practice? What would freedom, or weightlessness, from this mean for our work and for us?

Formafantasma and Martino Gamper among speakers announced for Milan FOMO talks
Nike’s Aero-static dome created by Arthur Huang

10 April, Seamlessness with Gianluigi Ricuperati

17:00 Olimpia Zagnoli
17:30 Italo Rota
18:00 Pier Nucleo
18:30 Marco Raino
19:00 Ianthe Roach

Seamlessness will ask whether consistency is good for design. Is a process, or product, designed without interruption a good thing? Is a perfectly consistent object or idea something positive? What can the messy convergence or merging of technologies, processes or people add to a project? How do these transitions and interfaces of design change or challenge us for the better?

Formafantasma and Martino Gamper among speakers announced for Milan FOMO talks
The Nike Aero-static dome

11 April, Sustainability with Marco Velardi

17:00 Formafantasma
17:30 Brent Dzekciorius
18:00 Anna Meroni
18:30 Martino Gamper
19:00 Arthur Huang

Sustainability will take the practice of contemporary practitioners and explore the social, political, economic, and environmental aspects of sustainability. What is the impact of designing sustainably? How do we sustain interdependence between process, products and disciplines? These conversations will attempt to understand the life cycle of design, and the flows of work systems.

The post Formafantasma and Martino Gamper among
speakers announced for Milan FOMO talks
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The Garment District by Bart Hess at Future Perfect

The Garment District by Bart Hess at Future Perfect

People are dunked in a pool of wax to create sculptural dresses by Dutch fashion designer Bart Hess as part of a futuristic city on show at this year’s Lisbon Architecture Triennale, which kicked off yesterday in the Portuguese capital.

The Garment District by Bart Hess at Future Perfect

Bart Hess created the installation to explore ways in which humans can augment and extend the shapes of their bodies, creating a kind of prosthetic that is unique each time.

The Garment District by Bart Hess at Future Perfect

To create the garment, individuals are strapped to a robotic harness then lowered into a pool of water and wax. As the wax moves in the water it begins to set, bonding itself around the body.

The Garment District by Bart Hess at Future Perfect

The person is then lifted out of the water, encased inside a cocoon of wax that can then be cut or broken.

The Garment District by Bart Hess at Future Perfect

Speaking to Dezeen, Bart Hess explained that temperature affects the end result.  “More complex shapes require hotter temperatures, so you need to build up a tolerance to the heat,” he explained. “But it only hurts on the surface for a few seconds.”

The Garment District by Bart Hess at Future Perfect

The Garment District is one of five zones in the Future Perfect exhibition, which was conceived by curator Liam Young as an exploration into how technology will shape future cities.

The Garment District by Bart Hess at Future Perfect

“Telling stories about the future is a way of thinking about ideas,” said Young. “It’s about opening up a a discourse of what a city could be. Architects need to be operating beyond the now, developing strategies and tactics that will connect people with the future.”

The Garment District by Bart Hess at Future Perfect

The Lisbon Architecture Triennale continues until 15 December. Follow Dezeen’s coverage of the event »

Earlier this year Dutch fashion designer Iris van Herpen creates a dress modelled on splashing water. See more stories about fashion »

Here’s a short project description from the exhibition organisers:


The Garment District

Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament.

The Garment District by Bart Hess at Future Perfect

For the youth tribes of Future Perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3d printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. Body prints, imperfect and distorted and always utterly unique.

The post The Garment District by Bart Hess
at Future Perfect
appeared first on Dezeen.