Collage Culture

Our century’s creative identity crisis explored in a book and accompanying LP

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The collaborative brainchild of three individuals, “Collage Culture” is a multi-faceted appraisal of the 21st century as an artistic era built on references to the past. In accordance with its composite-driven theme, the project is available both as a nonfiction book—featuring two essays and unique artwork—as well as an LP that pairs the book’s texts with an original score.

Rather than praising the millennium as one rife with originality (art “sui genesis”), authors Mandy Kahn and Aaron Rose take today’s artists, designers, writers and musicians to task, offering thought-provoking arguments that the artistic foundation of the past decade has been built by collagists, comprising projects enabled by mining and stitching references and pieces from previous decades.

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In her essay “Living With the Mess”, Kahn describes a kind of nausea induced by the overwhelming inundation of references: from fashion designers who repeatedly take inspiration from earlier times—and the reviews that often champion them—to the familiarity of recycled pop music and the comfort of describing an artist with regards to the sounds of something that already exists. In his own essay, “The Death of Subculture”, Aaron Rose, an artist and the director behind the documentary film “Beautiful Losers”, challenges the next wave of artists to adopt stronger philosophies to be unique creatives.

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To add a jarring dose of visuals to the book, as well as the LP’s packaging, graphic designer Brian Roettinger of Hand Held Heart co-created a computer application to generate collages based on Kahn’s and Rose’s text. Furthering the notion of an all-sensory collage of sorts, the LP features the voices of 20-plus individuals reading Kahn’s and Rose’s essays (one on each side), interwoven with an instrumental score by the LA-based band, No Age. By using a stereo’s balance knob a listener can choose to hear just the text, just the score or both together.

Collage Culture is available in book format on Amazon, and the LP is available as a limited-edition purchase at the PPM website.


Pelicans & Parrots

Antiques and fashion take flight in two Dalston boutiques
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London’s East End is globally renowned for playing host to some of the world’s most stylishly eclectic fashion houses, art galleries and bars. But it’s the small gems you won’t necessarily hear about—unless you’re a local—that continue to fuel this reputation. Launched in 2010, Pelicans & Parrots is one such treasure. Nestled on Stoke Newington Road, just a short way from the beautiful chaos of Ridley Road Market, it’s a visual paradise, brimming with everything from vintage designer handbags through to antique leather armchairs. CH caught up with owners Ochuko Ojiri and Juliet Da Silva for a quick chat about antiques, aesthetics and avoiding the usual retail pitfalls.

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How did the name come about?

We chose Pelicans & Parrots because we like the juxtaposition of the elegant parrot and the awkward—but beautiful—pelican.

You have such a variety of stuff spanning homewares to fashion. Where do you source your stock?

Our stock comes from all over the world. Our furniture and objects are a mixture of new and vintage and come from different antique fairs and markets across the UK and EU. Much of our newer pieces are from the US as well as other areas of Europe. All our clothes are vintage and about 80% are sourced in Italy.

Do you ever have trouble parting with great finds?

Hahaha! We often argue whether or not we want to sell an item! I’ve currently got a rather nice hunting jacket that I’m very reluctant to part with and I seem to recall Juliet carrying a pretty special YSL bag!

You bravely decided to launch a concept shop, Pelicans & Parrots Black, in the middle of a recession. Did you have anything else to fall back on if this hadn’t worked?

Being a pair of creatives in the middle of a recession we felt we had no choice but to try our own thing. We had nothing to fall back on, and bills to pay. I think we have been able to survive as we both come from a strong design and retail backgrounds. We decided early on to concentrate on creating a beautiful space filled with things that we love that also have heritage and longevity. We are constantly sourcing and putting our own twist on current trends and this is something we think sets us apart from every other store.

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What are some of the challenges to owning and running Pelicans & Parrots?

Finding the money and convincing people that—although we do love them—there’s life beyond the Pound Shops. On the flipside, it’s a great and rare privilege to have one’s taste and indulgences validated. We also get to meet some fantastic characters!

Why did you choose this area?

After living in the area for many years we could see that Dalston had a fast-growing social scene and nightlife that had migrated from Shoreditch. But, there were no shops! We took great delight in being described as “Dalston’s first proper shop”. We basically created what we ourselves needed. We want both shops to create an aspired spectacle. Whether it’s our life-sized caged flamingo in our first shop or the anthropological chic we employ in P&P Black.

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Aside from your own store, where would you recommend people go if they’re just visiting East London for a day?

I would tell them to visit Ridley Road Market in Dalston, eat at Rochelle’s Canteen in Arnold Circus E2 and shop at Afrique Fabriks on Kingsland Road, Dalston.

Pelicans & Parrots

40 Stoke Newington Rd

Dalston, London, N16 7XJ

Tel. +44 20 3215 2083

Pelicans & Parrots Black

81 Stoke Newington Road

Dalston, London, N16 8AD.

Tel. +44 20 7249 9177


Shelve

Snarkitecture’s latest design holds up the goods at Grey Area’s new NYC shop and showroom
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Since launching last July, Grey Area has become a choice online destination for those seeking unique, artist-designed objects, from “Best Friends” skateboards to handmade headpieces. After opening pop-ups in Montauk last summer and then at the Bass Museum in Miami for the latest installment of Art Basel, co-founders Manish Vora and Kyle DeWoody decided to give their retail concept a permanent home with a showroom in NYC.

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Opening Thursday, 8 March 2012, the Grey Area SoHo shop and showroom will present a rotating selection of wares on Snarkitecture‘s custom-crafted display system, simply called “Shelve”. The lacquered wood and fiberglass slab shelves seem to float against the wall like chunks of uncarved stone. A continuation of Alex Mustonen and Daniel Arsham’s “Slab Table“, Shelve also speaks to Snarkitecture’s penchant for playing with topography and negative space—which can also be seen in their “Excavated Mirror” and “Slip Bench“. Shelve comes in various dimensions and will sell from Grey Area starting at $400.

In addition to the shop, the showroom will host art installations and an ongoing series of performances and events. Stop by Tuesday through Saturday or make an appointment to see what they have in store.

Grey Area

547 Broadway, 2nd Floor

New York, NY 10012


Best of CH 2011: Five Conceptually Driven Designs

Numeric shelves, refrigerator chairs and shape-shifting vases among our look back at 2011 conceptual design

From ICFF to Art Basel, 2011 delivered a flurry of design objects for the home that while highly creative and concept-driven, didn’t compromise their utilitarian duties. From recycled plastic chairs to roman numeral inspired book shelves, the following are five of our favorite pieces of sculptural design that could just as easily pass as pure art objects.

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As a brilliant example of unconventional thinking, Dirk van der Kooij turns discarded refrigerators into chairs by way of a 3D printing robot. Each Endless Chair is constructed entirely of one continuous string of precisely placed recycled plastic. This striking mix of conceptual design and sustainable production leaves us marveling over the depths of van der Kooij’s creativity.

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Designed in collaboration between Italy’s Le Fablier and Paolo Ulian, this sculptural series of pieces for the home are made using the historical medium of marble. The humble material is artfully formed into book shelves and tables that would seem a natural fit for a living room or museum. The highlight of the sustainably produced collection is the roman numeral inspired “Numerica” bookshelf, balancing form and function rather perfectly.

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In similar fashion to Ulian’s marble, Max Lamb’s collection of polished sandstone home furnishings are beautiful whether treated as furniture or not. The British designer sourced the material from Sydney’s Gosford Quarry to achieve the perfect grain and hue for a look reminiscent of colonial period pedestals.

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Brooklyn-based designer Paul Lobach’s wide range of furniture collections vary so significantly it’s hard to imagine there’s only one mind behind it all. Wading through his designs we were immediately drawn to the Watson Table—named for the American scientist who discovered human DNA’s helical shape. The unconventional use of carbon fiber and wood displays Lobach’s interest in blending artistry with technology.

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Lara Knutson’s attractive “Soft Chemistry” vessels are so bizarre it’s hard to define just what they are. The combination of reflective glass, fabric and mohair gives the pieces a distinctive sheen unlike any other material we’ve seen used in this form.


Skull Style

The recently released tome covers art, design and fashion inspired by the iconic symbol in all its morbid glory
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Long lauded as a dark symbol of the occult, the skull has endured a rather fashionable resurgence in recent years. Cataloging some of the most intriguing and sometimes unnerving displays of the symbol’s use is Skull Style, a newly released visual encyclopedia of sorts on the subject as it has appeared in modern design. Covering nearly 500 pages, this massive anthology details various forms from art and interiors to avant-garde fashion and jewelry.

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The first page we opened to landed on the incredible “impaled” high heel by fashion designer Kermit Tesoro—we knew then that the book would uncover even more unique iterations of the motif. Jim’s papier-mache and rope “Fashion Designers” and Scott Campbell‘s 3D “Noblesse Oblige” made entirely of cut and uncut U.S. currency.

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Alongside each artist and designer featured, Skull Style provides a brief biography for context and, sometimes, up to 10 pieces of their skull-centric work. As the book flows from fashion to object design and jewelry the reader is introduced to an stunning array of works from the likes of Andy Warhol, Damien Hirst and Alexander McQueen.

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Released earlier this month, Skull Style is now available for $91 from Amazon. For more information on Skull Style and other equally intriguing books from the new publishing house Curated Collection head to Farameh Media online.