Flos 50th Anniversary

Peruse a half-century of innovative lighting with the Italian brand’s retrospective iPad app

In its 50-year tenure Flos has truly embodied the spirit of Italian design, serving as a laboratory of experimentation for designers such as Ronan and Erwan Bouroullec, Achille Castiglioni, Antonio Citterio, Paul Cocksedge, Rodolfo Dordoni, Ron Gilad, Konstantin Grcic, Piero Lissoni, Jasper Morrison, Marc Newson, Tobia Scarpa, Philippe Starck, Patricia Urquiola and Marcel Wanders, just to name a few. Entrepreneurs Dino Gavina, Arturo Eiseinkeil and Cesare Cassina established the brand in 1962 based on the simple values of talent, art and culture, and in 1964 Flos— meaning “flower” in Latin—moved to the Brescia area under the guidance of Sergio Gandini, the visionary who brought in legendary talents like Achille and Pier Giacomo Castiglioni and Tobia Scarpa.

Gandini thus began the brand’s remarkable story of passion, hard work and a near obsessive devotion to experimentation, research and innovation—all of which has been diligently documented in the Flos Historical Archive by Gandini’s wife and the 2011 Compasso d’Oro winner Piera Pezzolo Gandini. With the help of a team of professionals and friends, for the last six years Pezzolo Gandini has undertaken meticulous research, restoration and classification work to bring together prototypes, designs, original drawings, packaging, graphics, advertising, photographs, film clips, books, catalogues, awards and appearances at trade fairs, exhibitions and museums. The archive takes various forms—multimedia, paper and collections of products and objects.

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In order to celebrate this important anniversary, Flos is launching an iPad application developed by Mobile Dream Studio. We recently had the chance to preview the app in Milan, and it is not simply a catalogue, but a true journey in the history of design. Sergio and Piera’s son, Piero, the CEO of Flos, collaborated with writer and journalist Stefano Casciani and photographer Ramak Fazel to create a real family history focused on “precision, project and poetry”.

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The app—available late April 2012—offers a detailed chronological sequence of facts, full of archived images of the people who started the company, as well as sketches, prototypes, games, products and videos of the production processes.

Piero-Lissoni-Letter.jpg Marcel-Wanders-Flos-50-Letter.jpg

Additionally, a number of Flos’ past and present designers sent the company personal love letters which are presented inside the app in the form of the original document, expressing emotions, memories, gratitude and best wishes for the past 50 years and those to come.

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To mark the 50th anniversary Flos is also presenting a futuristic product to begin the next 50 years. The Light Photon lamp, designed by Philippe Stark and using OLED technology, produces light on one side and reflects it on the other, thanks to a mirror-effect metalized head. The base is a single block of stainless steel with an optical sensor that powers on and dims the light. Available from September 2012, this limited edition of 500 pieces will carry a special Flos 50 logo sensor meant as a link between the history and the future of the company.


Haus der Essener Geschichte by Scheidt Kasprusch

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

Following our recent feature about buildings clad in weathered steel, here’s an archive in Essen, Germany, that is clad in Corten.

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

Designed by German studio Scheidt Kasprusch Architekten, the four-storey building contains a public archive for the city’s historical records and documents.

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

The steel panels create stripes across the facade, interrupted by angled recesses concealing narrow windows.

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

The Corten-clad block is an extension to a former school building, which was refurbished by the architects to provide administration rooms, a library and an exhibition area for the city archives.

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

Other Corten-clad buildings from our recent feature include a winery in the south of France and a see-through church in Belgiumsee all our stories about weathered steel here.

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

Photography is by Deimel & Wittmar.

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

Here’s some more text from Scheidt Kasprusch Architekten:


Haus der Essener Geschichte
Conversion and rebuilding

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

The project comprises the reconstruction of the listed Luisenschool to be used as a library, an administration and an exhibition area and also the new construction of an archive building.

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

The accurate design of the new building and also the sensitive handling of the old building were of paramount importance.
By doing so The Luisenschool turns into focus of education and history.
The overlapping utilizations of school-library-archive-exposition demonstrates a special quality and offers new opportunities.

Haus der Essener Geschichte by Scheidt Kasprusch Architekten

The corten steel tables, which cover the new archive, are made of a material that constantly alters and protects itself by corrosion.
It communicates the change of time, appears protective and alludes to the background of the City of Essen.

Awarding authority: City of Essen
Concept and development: Ahlbrecht Felix Scheidt Kasprusch Architekten
Competition: 2005, 1st award
Completion: 2010
Gross floor area: 5500 sqm
Location: Essen, Germany
Materials: new archive building: corten steel tables


See also:

.

Chateau Barde-Haut
by Nadau Lavergne
Museum in Palmiry
by WXCA
Exchange by
Andre Kikoski

BFI Master Film Store by Edward Cullinan

BFI Master Film Store by Edward Cullinan

London studio Edward Cullinan Architects have completed a concrete and steel bunker to store the British Film Institute‘s entire film collection.

BFI Master FIlm Store by Edward Cullinan Architects

Located in Warwickshire, England, the BFI Master Film Store can archive up to 460,000 film canisters inside vaults with sub-zero temperatures and specified humidity levels.

BFI Master FIlm Store by Edward Cullinan Architects

These 36 vaults are externally clad in precast concrete panels to maintain a stable thermal mass.

BFI Master FIlm Store by Edward Cullinan Architects

At the front of the building is an entrance block wrapped in corrugated stainless steel panels, which features a steeply pitched sedum roof.

BFI Master FIlm Store by Edward Cullinan Architects

This block provides workshops, a meeting room and staff facilities, as well as airtight lobbies leading to the storage vaults.

BFI Master FIlm Store by Edward Cullinan Architects

We have recently published a number of bunker-like buildings on Dezeen – see all the stories here.

BFI Master FIlm Store by Edward Cullinan Architects

Photography is by Edmund Sumner.

BFI Master FIlm Store by Edward Cullinan Architects

Here are some more details about the project from Edward Cullinan Architects:


This autumn, the British Film Institute (BFI) has reached a major milestone in its long history of preserving the nation’s film heritage. The pioneering new building is ready to house the BFI’s entire master collection of acetate and nitrate film in closely controlled environmental conditions ideal for the long term protection of this priceless and vulnerable material.

BFI Master FIlm Store by Edward Cullinan Architects

The Project has been realised through the Screen Heritage UK (SHUK) programme, a nationwide initiative funded by the Department of Culture, Media and Sport. One of its key objectives is to prevent the deterioration and loss of the nation’s films so that they can be made accessible now and in the future. The BFI cares for the most significant film collection in the world. It represents the history of the moving image in Britain from pre-cinema through to the present day. The collection has been stored over two sites; the new building consolidates the collection into an existing site in Warwickshire.

BFI Master FIlm Store by Edward Cullinan Architects

The building is designed by Edward Cullinan Architects who led a detailed feasibility study which concluded that the BFI’s existing archive buildings could not be suitably upgraded, and that a new ‘sub-zero’ storage facility large enough to house all master acetate and nitrate material should be constructed at the earliest opportunity.

BFI Master FIlm Store by Edward Cullinan Architects

The final technical solution is the result of intense research and collaboration between the architect, engineers, film experts and the BFI to define the best method for storing such a large collection of film sustainably for the next 50 years and beyond.

At just under 3000m², the new vaults will store up to 460,000 canisters of film in conditions of -5°C at 35% relative humidity, while the construction enables the building to sustain these conditions in an energy efficient way.

BFI Master FIlm Store by Edward Cullinan Architects

Pre-cast concrete panels provide the thermal mass required to limit temperature fluctuations. Although the building form is quite simple, consisting of 30 identical cellular vaults for nitrate and 6 vaults for acetate film, the specification requires extremely low air leakage rate and must withstand intense heat in the unlikely event of a nitrate film fire. Rigorous analysis, detailing, quality control and testing has been carried out to ensure the building will provide the sub–zero temperature, low humidity and fire prevention that the film requires for its preservation.

The building is the first of its kind to store large quantities of film in such cold and dry conditions; it will also achieve a BREEAM Rating of ‘Excellent’ for its sustainable features.

BFI Master FIlm Store by Edward Cullinan Architects

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Project Data

Design Team Appointed: July 2009
Construction period commenced: October 2010
Construction Cost: £9million
Cost per m2: £3,000
Planning approved: June 2010
Building occupied: September 2011
Practical Completion Date: December 2011

BFI Master FIlm Store by Edward Cullinan Architects

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Credits

Client: BFI
Architect: Edward Cullinan Architects
Structural Engineer: Curtins Consulting
Services Engineer: Couch Perry & Wilkes
Project Manager: Buro Four
Quantity surveyor: W H Stephens
CDM Coordinator: Arcadis
Main contractor: Gilbert Ash NI

See also:

.

EDF Archives Centre
by LAN Architecture
A shop in a church
by Merkx + Girod
The Rothschild Foundation
by Stephen Marshall

The Rothschild Foundation by Stephen Marshall Architects

Rothschild Foundation by Stephen Marshall Architects

These archival buildings in Aylesbury, England, by London studio Stephen Marshall Architects are screened by a uniform line of oak beams.

Rothschild Foundation by Stephen Marshall Architects

Containing a collection of records for charity The Rothschild Foundation, the series of buildings around two courtyards also include meeting rooms and open-plan offices.

Rothschild Foundation by Stephen Marshall Architects

An existing red-brick farmhouse is retained, while the adjacent new buildings are each clad in varying compositions of timber panels, white render and glass.

Rothschild Foundation by Stephen Marshall Architects

Internally, an oak gridshell roof structure creates a column-free reading room, overlooking the more formal of the two courtyards at the entrance to the site.

Rothschild Foundation by Stephen Marshall Architects

Photography is by Richard Bryant/arcaidimages.com

Rothschild Foundation by Stephen Marshall Architects

More projects in the UK on Dezeen »

Rothschild Foundation by Stephen Marshall Architects

The following details are from the architects:


The Rothschild Foundation

Brief

The brief for the project comprises space for the Rothschild Foundation Archive and office space for the charity investment organisation. The archive space includes the main reading room, offices for archive staff and the archive stores themselves which are naturally cooled to reduce energy use.

Rothschild Foundation by Stephen Marshall Architects

The building is open to the public by appointment and will provide access to one of the most comprehensive family collections in Europe.

Rothschild Foundation by Stephen Marshall Architects

The charity investment offices are within a two-story space across the courtyard garden from the reading room. This building contains meeting rooms and open plan office space set within a building similar in appearance to the archive group.

Rothschild Foundation by Stephen Marshall Architects

Between the office building and the archive group is situated the courtyard. This space provides a formally landscaped garden that serves as the arrival courtyard to the whole project.

Rothschild Foundation by Stephen Marshall Architects

It is very much seen as a large outdoor room and is planted with Alemanchier trees and hedges.

Rothschild Foundation by Stephen Marshall Architects

Programme

Draft planning permission was obtained in July 2008. Works on site started in June 2009 with completion in February 2011.

Rothschild Foundation by Stephen Marshall Architects

Design

The solution to the Rothschild Archive is very much tied up in the name of the site, Windmill Hill. The Hill is one of the few elevated vantage points in South Bucks and as such is fortunate in having huge views over the surrounding countryside.

Rothschild Foundation by Stephen Marshall Architects

The site has three principle views, directly south, to the southwest and to the west. The archive building and courtyard spaces are set out to bring these views into the building and courtyard. The western view in particular is “trapped” within the large opening defined by the 25m beam.

Rothschild Foundation by Stephen Marshall Architects

Significant changes were made to the Estate access road to bring in spectacular views out to the north and west. The approach road was diverted north of the great wood allowing distant views of the manor house, the historic heart of the estate, and then a gradual curve was formed taking in the surrounding countryside until finally dropping to the formal arrival courtyard adjacent to the archive group. From here the visitor walks up the steps into the arrival courtyard and on turning at the top experiences the view to the west. This is the framed view, made more dramatic by the reflecting views on either side. Also within this arrival courtyard is the free standing oak screen to the reading room that offers shade and privacy.

Rothschild Foundation by Stephen Marshall Architects

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There was always the intention to bring the existing red brick farmhouse into the composition of the new project. Indeed at one time the intention was to re-use many of the agricultural outbuildings as the new archive but this proved impractical due to their bad condition. The proportion of new building compared to the farmhouse was such that a method had to be found to re-dress the balance; hence the archive offices and archive store are conceived to an extent as continuations of the farmhouse.

Rothschild Foundation by Stephen Marshall Architects

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The same roof tile and details are used and the buildings are clad in “louvered” timber, similar to the barns and sheds of the diary farm previously on the site. This move allows the reading room; courtyard and office building to take on a contemporary expression with rendered walls, zinc roofs and minimal landscape.

Rothschild Foundation by Stephen Marshall Architects

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Materials and Method of Construction

The previous agricultural use of the site is strongly echoed in the materials and details. The principal materials are stone, oak, glass and render. Doors are formed in ledged braces and walls are rendered with simple openings. Windows have oak shutters. Cladding is installed over a steel frame with metsec infill.

Rothschild Foundation by Stephen Marshall Architects

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The reading room and gallery roof structure takes the form of an oak gridshell. This structure has no steel and is formed from a geometric structure grid. Lights are recessed up into structure to form a simple wooden fabric.

Rothschild Foundation by Stephen Marshall Architects

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NB. The project is exhibited at the Stables Buildings in the Waddesdon Estate. It is possible to view the Windmill Hill Archive by joining one of Waddesdon’s free Architectural Tours on the following dates: 2 & 4 June, 7 & 9 July, 4 & 6 August, 1 & 3 September or 6 & 8 October. Please visit the Waddesdon website for further information.

Rothschild Foundation by Stephen Marshall Architect

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Project Location: Windmill Hill, Waddesdon Estate, Aylesbury
Architect: Stephen Marshall Architects LLP

Rothschild Foundation by Stephen Marshall Architects

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Project Team:

Client: Alice Trust
Architect: Stephen Marshall Architects LLP
Structural Engineer: Thornton Tomasetti
Services Engineer: Max Fordham
Lighting Consultant: Speirs and Major Associates
QS: Selway Joyce
Landscape Designer : Mary Keen


See also:

.

EDF Archives Centre
by LAN Architecture
Apprentice Store
by Threefold Architects
Ty Pren by Feilden Fowles