Studio Visit: Jacob Escobedo: The Adult Swim designer on creating album art for Broken Bells, The Shins and more

Studio Visit: Jacob Escobedo


The helmet-clad, naked woman gracing the covers of Broken Bells’ new album and previously released single are a reflection of the vibrant psychedelic visions of Atlanta-based artist recordOutboundLink(this,…

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ListenUp: Remembering Benjamin Curtis and Phil Everly, White Lies’ album art, Afrika Bambaataa and more in music this week

ListenUp


School of Seven Bells: Painting a Memory 2014 started off with the sad news of musician Benjamin Curtis passing at the young age of 35 after a battle with cancer. The distinctly talented artist began as a drummer in Dallas-based bands UFOFU and…

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Interview: Tim Biskup: The musician and artist talks about Brainsled by Big Butter, a current Kickstarter to reissue the band’s 1989 cassette as a double vinyl LP

Interview: Tim Biskup

Known for his visually intense work and populist aesthetic, visual artist Tim Biskup grew up in Southern California and, adding music to his creative talents, started the band Big Butter with his brother, Mike. Together they explored their favorite music genres, experimented with sound and put on live stage…

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The Ganzfeld EP: Matmos celebrates 20 years of experimental music with a psychological thriller

The Ganzfeld EP

For their 20th anniversary as both musical and romantic partners, M.C. Schmidt and Drew Daniel—a duo better known as Matmos—are releasing an evocative new EP that dives deep into the psyche. Dubbed “The Ganzfeld,” the intriguing three-track compilation is a literal reflection of four years of telepathic experimentation and…

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Punk: An Aesthetic

A visual narrative of the art and design that spawned a cultural movement and DIY generation

Punk: An Aesthetic

Born in dungy London basements and matured in equally grimy streets, the punk counter culture of the mid 1970’s and 80’s defined an unrelenting angst felt by youth the world around. While many books have surfaced over the years to document its documenters, Punk: An Aesthetic wraps over 350…

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Tom Gilmour Illustration

Hand-drawn artwork inspired by traditional tattoos and macabre iconography

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Creating work dominated by occult imagery, nomadic themes and heavy linework, London-based illustrator Tom Gilmour says he finds inspiration in “black tattoo art and early 80’s skateboard graphics” to achieve a powerful aesthetic akin to something of a morbid blend of Gus Wagner and Jim Phillips. Gilmour draws each piece by hand in ink with splashes of watercolor and digital renderings to achieve certain shading effects.

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While the deep gradients and heavy iconography of traditional tattoos are still very much present, Gilmour’s intricate designs tend to lean towards the experimentation of mixed symbolism for a unique depth not often seen in the flash-style tattoos from which he draws inspiration. By designing for paper rather than skin, Gilmour is free to draw without regard to certain contours or the stylistic limits of a tattoo gun, resulting in intricate detail and an unconventional use of space. The full-bleed design style, enhanced by the use of freehand script, helps much of Gilmour’s work make the leap from tattoo sketch to fine art.

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Working as an illustrator by profession, Gilmour often lends his artistic abilities to various like-minded enterprises outside of his own sketchbook. Included in the impressive list of music-centric commissions is album cover art for metal band Lay Siege, T-shirt design for Cold Night For Alligators and promotional posters for international music festivals Sonisphere and Download. Gilmour takes such commercial assignments as opportunities to showcase his talents without sacrificing any style or artistic vision.

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For a closer look at Gilmour’s illustrations see his personal site and design collective. To see more recent works and for the chance to purchase one-off prints see Gilmour’s often-updated blog and check out Wood & Cloud Publishing Co.