World’s first hubless handmade rollerblade skates are rugged enough to go off-road too

When it comes to crazy two wheeled DIYs, there are only a handful that even come close to YouTuber “The Q” for his out-of-the-box creations. The best part, this relentless DIYer never seizes to amaze us with his eye-popping builds. Whether it’s the square-wheeled bicycle, wheeless bicycle or the airless tires.

Yet again, the inventive genius has leveled-up another means of commuting in the metropolis. An ordinary pair of rollerblade skates get the bump-up to be a capable off-roading set of wheels to tread any uneven terrain that your regular rollerblades just can’t do.

Designer: The Q

The inline skates that the DIYer owns, now graduate to a set of cool looking hubless roller skates encapsulated in a durable frame and chunkier wheels. The build kicks-off with a set of wheels salvaged from a toy car most probably that are sawed from the inside and then smoothened. This makes way for the metal bearings fitted snugly on the inside.

The next phase in this rollerblade inline skates DIY is to cut a steel frame to secure the wheels in place and act as the base for the top of the inline skates to sit on. Everything is secured in place with screws and the final step involves sanding and spray painting it to get a cool look.

Compared to some other extensive DIYs by the man, this one seems slightly easier to make by his standards. This gives keen builders opportunity to make one for themselves or their kids as a weekend project.

One thing I’d like to point out is that the wheels should be pivoting outwards by a small angle to prevent stress on the legs, and also improve the riding balance. One more thing – they’ll look way cooler with a Tron-like theme, don’t you think?

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Wiercinski Studio tops concrete equestrian centre with mono-pitch roof

Exterior of Horse House by Wiercinski Studio

A mono-pitch roof and raw material finishes characterise Horse House, an equestrian centre that architecture practice Wiercinski Studio has added to a stable in rural Poland.

Located at a local stable in the village of Jaroszewo, the concrete structure references surrounding industrial buildings and contains a breeding and training space for horses.

Equestrian centre in Poland
Wiercinski Studio has created an angular equestrian centre in Poland

“The village is built up with houses and farm buildings with varied materials, shapes and scales of roofs,” Wiercinski Studio founder Adam Wiercinski told Dezeen.

“There are picturesque fields all around, cut by the nearby expressway. The Horse House fits into a densely built-up plot with a house, existing stables and farm buildings,” he continued.

Concrete exterior of Horse House by Wiercinski Studio
Horse House has a concrete structure

Horse House has a reinforced concrete frame, which has been left exposed in places and infilled with concrete blocks. This draws on the exposed concrete used in the surrounding buildings.

“There are a lot of old, unplastered buildings in the area with visible concrete elements, which is due to economic conditions,” said Wiercinski. “Horse House interprets this landscape in a contemporary way and the concrete blocks and their arrangement refer to the brick facades.”

Stable by Wiercinski Studio
Concrete blocks slot between the exposed frame

The studio topped the bulk of the building with a large mono-pitched roof, while a smaller adjoining structure containing eighteen stalls for horses has a roof sloping in the opposite direction.

These echo the rooflines of the two existing stable buildings between which Horse House sits. The roofs are supported on timber beams, which have been left exposed internally.

Training hall of Horse House by Wiercinski Studio
There is a full-size training hall

“The ridge of the building was moved to create mono-pitched roofs over internal spaces of different heights,” the studio explained.

“The lowering of the roof over the stables matched the building in scale to the old stables and created a human-like walkway between.”

Horse House’s facilities include a full-size training hall fitted with obstacles, a warehouse, a storage space for training equipment, and a social area comprising a kitchen and study.

Located in the taller portion of the building, the training hall is lit by a polycarbonate skylight. A mezzanine level above the social areas offers a viewpoint over the training space.

Horse riding inside Horse House by Wiercinski Studio
Wooden room beams are left exposed

“The polycarbonate is great at lighting the hall from the south, because it breaks up and lets soft light into the interior without creating sharp chiaroscuro on the ground, which can scare horses,” said Wiercinski.

“It is a matte surface that is also safe for birds and in the evening the building shines gently like a lantern.”

Social spaces at Polish equestrian centre
There are social spaces overlooking the hall

In the social spaces, the floor has been coated in grey terrazzo tiles that mimic the concrete walls, while a plywood ceiling adds a sense of warmth to the rooms.

Bespoke steel and timber furnishings created by local craftsmen feature throughout the social spaces, including lighting fixtures, tables, shelves and benches, alongside saddle-shaped hangers and racks for equestrian helmets.

Other stable facilities recently featured on Dezeen include a timber stable in Kyoto that celebrates traditional Japanese carpentry and a rectilinear equestrian centre in Mexico.

The photography is by ONI Studio.

The post Wiercinski Studio tops concrete equestrian centre with mono-pitch roof appeared first on Dezeen.

Dezeen in Depth asks if AI will really take architects' jobs?

Dezeen in Depth asks if AI will really take architects' jobs?

This month’s Dezeen In Depth newsletter looks at whether architects could lose their jobs to artificial intelligence and features an interview with Bjarke IngelsSubscribe to Dezeen in Depth now.

As part of our AItopia series exploring how artificial intelligence (AI) will impact architecture and design, Dezeen examined whether the technology could end up taking architects’ jobs.

As part of the piece, we spoke to New York-based designer Sebastian Errazuriz, who express concern about the impact AI will have on jobs.

“It’s an enormous issue that we need to try and deal with,” he said.

“People always say, ‘but isn’t AI just another tool?’ Right now it looks like a tool, but the tool is getting really good, really fast – and the purpose of this tool is to think for itself.”

Bjarke Ingels speaking at the UIA World Congress of Architects 2023
Bjarke Ingels discussed what it’s like to be one of the world’s best-known architects

July’s Dezeen in Depth also features an opinion piece from David A Banks on how “cities are branding themselves into predictably unique products” and an exclusive interview with Bjarke Ingels, who discusses what it’s like to be one of the world’s best-known architects and the current limitations of AI.

Dezeen In Depth

Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design. Each edition includes an original feature article on a key topic or trend, an interview with a prominent industry figure and an opinion piece from a leading critic. Read the latest edition of Dezeen In Depth or subscribe here.

You can also subscribe to our other newsletters; Dezeen Agenda is sent every Tuesday containing a selection of the most important news highlights from the week, Dezeen Debate is sent every Thursday featuring a selection of the best reader comments and most talked-about stories and Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours on Dezeen.

The post Dezeen in Depth asks if AI will really take architects’ jobs? appeared first on Dezeen.

Eight space-efficient bedrooms with understated yet productive desk spaces

Dark wood desk next to built-in wardrobes in Fisherman's Cottage

For our latest lookbook, we’ve rounded up eight bedrooms with desks that provide much-needed workspace while maintaining a peaceful environment.

Not every house has the space for a designated office room, so adding a desk to the bedroom is a popular choice for those requiring a place to work or study at home.

The examples in this lookbook show how a workspace for productivity can be added to a bedroom without detracting from the calm and serenity needed for sleep.

It includes understated fold-out desks, desks built into wall storage, a cosy reading nook and a study area that can be closed off with sliding screens.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors informed by Mediterranean living, interiors that adopt wabi-sabi principles and interiors covered in Barbiecore pink.


Dark wood desk next to built-in wardrobes in Fisherman's Cottage
Photo by Gavin Green

Fisherman’s Cottage, Australia, by Studio Prineas

Architecture studio Studio Prineas designed a concrete tower extension containing four bedrooms for a fisherman’s cottage in Sydney, separating the private rooms from the rest of the house.

The studio added dark timber built-in wardrobes, shelving and a small desk along a wall in one of the bedrooms, adjacent to a large window that overlooks the nearby bay and lets natural light onto the study space.

Find out more about Fisherman’s Cottage ›


Bedroom with a desk in the red concrete house by Sanden+Hodnekvam
Photo by Sanden+Hodnekvam Arkitekter

House in Red Concrete, Norway, by Sanden+Hodnekvam Arkitekter

The pine-panelled interior of this bedroom contrasts with the home’s red-pigmented concrete exterior, designed by Oslo architecture studio Sanden+Hodnekvam Arkitekter.

Pine plywood furniture that decorates the space was built on site, including the wall-mounted desk at the end of the bed.

Find out more about House in Red Concrete ›


Office nook with a custom-built wood desk and colourful chair
Photo by Ballman Khapalova

Pine Lane House, USA, by Ballman Khapalova

Two bedrooms were combined into one main bedroom suite with a study space, as part of the renovation of this 1980s ranch house in Saugerties, New York, by architecture studio Ballman Khapalova.

The studio designed custom wood furniture for the home, including a minimalist fold-out desk that stretches the length of the bedroom’s designated office nook.

Find out more about Pine Lane House ›


Interior of Laxus by Apollo Architects & Associates
Photo by Masao Nishikawa

Laxus, Japan, by Apollo Architects & Associates

A desk space sits in line with glossy wall storage in the bedroom of this Tokyo home, which is lit by strip lighting recessed in the overhead cupboards.

Designed by Japanese studio Apollo Architects & Associates, the bedroom overlooks a courtyard with trees and shrubs, adding a serene and calming quality to the space.

Find out more about Laxus ›


Wooden desk behind sliding doors in a bedroom at Apartment Block by Coffey Architects
Photo by Timothy Soar

Apartment Block, UK, by Coffey Architects

Local studio Coffey Architects overhauled the interior of this two-storey London flat and decorated it with surfaces made from wooden blocks, including a mezzanine study area with a long desk and storage.

Behind the study area is a main bedroom. Here, Coffey Architects separated the two zones by changing the flooring from wooden blocks to a grey carpet and adding Japanese-style timber screens inlaid with translucent panels.

Find out more about Apartment Block ›


Reading nook with white walls and black shelving
Photo by Rafael Soldi

Whidbey Dogtrot, USA, by SHED

American firm SHED added a reading nook with views of the surrounding landscape to the bedroom suite in Whidbey Dogtrot, a cedar-clad home in the Pacific Northwest.

Slim black shelving covers the three walls in the nook and provides a worktop space for reading and studying.

Find out more about Whidbey Dogtrot ›


Wooden desk by a timber-framed window in MA House by Timothee Mercier from Studio XM
Photo by Simone Bossi

MA House, France, by Timothee Mercier

An oak desk paired with an aubergine-coloured Cassina chair sits behind a large picture window in the bedroom of this farm building in southeast France.

Architect Timothee Mercier converted the rural building into a home for his parents, creating a purposefully pared-back interior “clear of fuss and clutter” and adding splashes of colour in the choices of furniture.

Find out more about MA House ›


Wooden desk below a mezzanine bed
Image by Kevin Kunstadt

Financial District apartment, USA, by Light and Air

Brooklyn studio Light and Air removed partition walls in this 1,200-square-foot New York City apartment to create an open space with increased storage.

Custom-built furniture creates separation between the rooms, including an L-shaped desk with open shelves that helps divide the bedroom area from the living room.

Find out more about the Financial District apartment ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors informed by Mediterranean living, interiors that adopt wabi-sabi principles and interiors covered in Barbiecore pink.

The post Eight space-efficient bedrooms with understated yet productive desk spaces appeared first on Dezeen.

This week we revealed the world's largest office

World's largest office building in India

This week on Dezeen, we unveiled architecture studio Morphogenesis’s Surat Diamond Bourse in India, which has overtaken the Pentagon to become the world’s biggest office building.

Spanning 660,000 square metres, the complex just outside of Surat includes various offices arranged around a central spine.

Designed as a “city within a city”, the workplace for diamond traders has surpassed the size of America’s Pentagon office, which has been the world’s largest office building since it was completed in 1943.

Twitter's new X logo
Elon Musk has rebranded Twitter by renaming it X

Also in the news this week, US entrepreneur Elon Musk announced that he has renamed the social media platform Twitter as X to “embody the imperfections in us all”.

Musk, who acquired Twitter last year, crowdsourced the imagery for X’s new logo – an art deco-style black-and-white X with a single bar diagonally crossed with a double bar.

“Powered by AI, X will connect us all in ways we’re just beginning to imagine,” said Twitter CEO Linda Yaccarino via the online platform.

Paris 2024 Olympic and Paralympic Games torch
The 2024 Olympic and Paralympic Games in Paris will share a torch design for the first time

A symmetrical recycled steel torch with a rippled texture was revealed by French designer Mathieu Lehanneur ahead of the 2024 Olympic and Paralympic Games in Paris.

Lehanneur was informed by the appearance of the city’s River Seine when designing the torch, which will represent both tournaments – a decision that was made to promote equality and marks the first time that both games have shared a torch.

The Line at Neom
Saudi Arabia has officially denied human rights abuses connected to its Neom

In other architecture news, Saudi Arabia has officially denied human rights abuses connected to the country’s Neom mega project after the United Nations Human Rights Council issued a statement voicing its concerns in early May.

Addressed to the UN, a letter from the Permanent Mission of the Kingdom of Saudi Arabia rejected that three men were sentenced to death for criticising evictions for the Neom project, which includes megacity The Line, and instead claimed that the men were terrorists linked to organisations Daesh and Al-Qaida.

Also in Saudi Arabia, British architecture studio Foster + Partners released designs for the Equinox Resort Amaala hotel, which is a 128-room luxury accommodation that will feature a “floating” canopy and take cues from traditional Saudi architecture.

Robots talking at a water cooler created by Dall-E 2
We questioned whether AI will end up taking architects’ jobs in our AItopia series

Our AItopia series continued with our investigation into one of architecture’s biggest contemporary questions – whether AI will end up taking architects’ jobs.

We also interviewed Sony’s global head of AI ethics, Alice Xiang, who warned that the rise of the technology could result in “a lot of people living as second-class citizens in a society of AI where, systematically, models might not work well for them or might be biased against them”.

Cabin in The Sea Ranch
Joanne Koch turned a 1970s wood cabin in California into an Airbnb

Popular projects this week included architect Joanne Koch’s renovation of a 1970s Californian wood cabin that was converted into an Airbnb and a monolithic home near Belfast in Northern Ireland designed by local architecture firm McGonigle McGrath.

Our latest lookbooks featured interiors that take cues from the Japanese design philosophy of wabi-sabi and those that are characterised by a breezy and cooling Mediterranean style.

This week on Dezeen

This week on Dezeen is our regular roundup of the week’s top news stories. Subscribe to our newsletters to be sure you don’t miss anything.

The post This week we revealed the world’s largest office appeared first on Dezeen.

Tiny 14-in-1 Titanium Key Multitool Is More Versatile Than A Swiss Army Knife



Most keys open locks… The KeyMaster opens endless possibilities.

Named after its key-shaped design, this hyper-versatile multitool sits on your keychain and can do everything from open a bottle to fix a bicycle. Made from titanium, the KeyMaster is a durable little monster-multitool that fits every conceivable tool into its unique design. It comes machined from Grade 5 Titanium, weighs a paltry 29 grams (1 ounce), and is durable enough to last multiple lifetimes.

Designer: EDC Monster

Click Here to Buy Now: $59 $79 (25% off) Hurry! Only 9 days left!

Portable multitools are a dime a dozen, but none quite as well-designed as the KeyMaster. Its literal key-shaped design comes with a world of potential, and strings around your keychain or even around your neck like an ornament with a dog-tag-like appeal. A testament to how much usability you can actually cram into the shape and size of a key, the KeyMaster comes with 14 different types of tools that get you out of all kinds of fixes, whether it’s in the outdoors, at home, or in your garage.

The KeyMaster is a hyper-versatile, durable, compact, and lightweight multitool that easily replaces any other EDC you have.

Its two-part design, locked together by a hollow swiveling joint, touts as many as 14 different types of tools

Any multitool worth its salt needs to have a few standard tools, and the KeyMaster comfortably ticks those boxes. The titanium multitool comes with a nifty scalpel-holder built into its design that lets you mount any standard scalpel blade to it for effective cutting, piercing, whittling, slicing, and scraping. The scalpel blade folds into the KeyMaster’s design when not in use and folds out when you need a small yet effective knife. Moreover, the readily-available scalpel blade can easily be switched out for a new one after it gets dull, extending the KeyMaster’s overall longevity without worrying about sharpening blades. Want to cut through something a little more tough? The KeyMaster also packs a serrated edge for objects that require a little more elbow grease, allowing you to finely saw away at twigs and branches. The serrated edge also works remarkably well for scraping flint to start fires outdoors.

Multitools are also somewhat incomplete without bottle-openers and pry-bars, which is why it comes as no surprise that the KeyMaster has them too. The bottle opener brings a more everyday convenience to the KeyMaster, and the prybar also doubles as a box opener and a flat-head screwdriver. For smaller screws, the KeyMaster packs two more smaller flathead screwdrivers into its sizes, along with two small Philips-head drivers for good measure.

The KeyMaster’s swiveling design is the ‘key’ to its versatility. The two-part form factor allows it to integrate more tools and functionality into it, borrowing a page from the Swiss Army Knife. Quite like its inspiration, the KeyMaster also comes with a miniature scale of its own, with both metric as well as imperial measurements. Right below the imperial ruler is also another serrated surface that does the job of a file, helping you sand or file away at rough surfaces or remove unwanted burrs/irregularities.

Things get interesting with the KeyMaster’s built-in hex and spoke wrenches. Going above and beyond what your standard multitool gives you, the KeyMaster’s integrated wrench profiles help you assemble, disassemble, and repair objects around you. The hex wrenches come in 5 different sizes, and even let you mount S2 hex bits, working as a screwdriver. The spoke wrenches, on the other hand, are exceedingly useful for people with bicycles or motorcycles, allowing them to quickly tinker with and repair their vehicles in a moment of crisis. The hollow part of the KeyMaster’s swivel hinge also doubles as a wire bender, giving you a high-torque tool that lets you easily bend wires and narrow pipes.

Despite all its capabilities, the KeyMaster weighs just an ounce, thanks to some great design and engineering. Its compact form factor definitely wins my heart, coupled with a titanium build that’s not just extremely durable, but also waterproof, scratchproof, and corrosion-resistant. Measuring just 112mm long (4.4 inches) and 35mm across (1.3 inches), the KeyMaster ranks as one of the smaller multitools we’ve seen and can be carried in a multitude of ways. Moreover, ditch the scalpel blade and the thing is TSA-friendly too, meaning you can even carry it on flights. The KeyMaster comes with a sandblasted titanium finish, and starts at an extremely affordable $59, with free global shipping.

Click Here to Buy Now: $59 $79 (25% off) Hurry! Only 9 days left!

The post Tiny 14-in-1 Titanium Key Multitool Is More Versatile Than A Swiss Army Knife first appeared on Yanko Design.

Whipsaw Revises History With This Radical Evolution in the Grand Piano’s Design

For over 300 years, the piano has stood as an emblem of artistic culture, captivating audiences with its majestic sound and elegant design. However, despite its enduring popularity, the grand piano has remained largely unchanged in its fundamental form. That is until now. Enter the Ravenchord, a revolutionary wing-shaped instrument that seeks to redefine the piano’s very essence, liberating its form, function, and usability.

Designer: Whipsaw

Before we delve into the Ravenchord, let’s take a brief journey through the history of the grand piano’s evolution. The piano, as we know it, has its origins in string instruments like the harpsichord and clavichord. Over centuries, the piano technique underwent significant development during the transition from harpsichord to fortepiano playing, culminating in the modern piano. The emergence of virtuoso pianists and changing musical styles during the Classical and Romantic periods also contributed to the piano’s evolution and the various “schools” of piano playing.

In the year 1000 AD, keys were applied to the monochord and contemporary organs, marking the initial steps toward the piano’s design. The 14th century saw the invention of the clavicytherium, a harp-like triangle arrangement of strings. Progress continued with the clavichord in the 16th century, where additional strings and pins fastened to the keys allowed for string vibration through pressure. Clavichord advancements in the 17th century included assigning individual keys to strings and adding a cloth damper between strings.

Fast forward to the 18th century, and Cristofori introduced the first hammer-action pianoforte, credited as the piano’s inventor. Early pianoforte designs often favored the wing form, with manufacturers recognizing its advantages for superior sound quality, volume, and engineering. Eventually, the grand piano took center stage in piano making, becoming the preferred style for concert settings and homes alike.

Now, in the latest chapter of the piano’s evolution, a daring proposal named the Ravenchord has emerged. Conceived by a visionary designer named Harden, the Ravenchord resembles a bird’s wing, with strings fanning out from the center. Unlike previous attempts at redesigning the grand piano, Harden’s concept breaks away from tradition entirely, resulting in a piano that is unrecognizable in appearance but still retains the familiar keys and pedals cherished by pianists.

The Ravenchord sets a new standard for the immersive musical experience it offers, captivating the audience on multiple sensory levels. A remarkable aspect of this revolutionary instrument lies in the visual connection it establishes between the performer and the audience. Harden’s ingenious design strips away the mystique of the piano, revealing its internal mechanisms—the hammers, dampers, and strings—unveiling the magic behind the music and adding a new dimension to every performance. Just like the bow sliding against violin strings or drumsticks striking the drumhead, the Ravenchord transforms the grand piano from a mere instrument into an expressive work of art, captivating both the ears and the eyes of the audience.

To enhance the visual appeal, the Ravenchord offers an optional subtle light behind each string, illuminating the impact of the hammers. This unique feature not only adds an aesthetic touch but also provides a clear visual representation of the instrument’s function. As the hammers strike the strings, the illuminated strings amplify the sensory experience. Ultimately, this vulnerable, exposed instrument, along with the performer, bridges the visual disconnect from the piano’s past, inviting the audience to partake in a truly immersive and captivating musical journey.

Beyond aesthetics, the Ravenchord also poses interesting implications for sound projection. With the absence of a lid, the instrument could potentially alter sound dynamics within a confined space. While this remains theoretical until a built prototype emerges, Harden believes that the sound will bounce off the Ravenchord’s wooden soundboard and flow directly toward the audience, creating a more immersive listening experience.

Despite the exciting possibilities the Ravenchord presents, challenges lie ahead. Constructing a frame capable of withstanding the immense tension exerted by the 18 tons of strings will be a formidable task. Additionally, achieving the perfect tone with this untested shape will require meticulous craftsmanship and fine-tuning.

The grandeur of the piano was in its size, which could be incorporated into this though it should be kept in mind to make it look like a thick block from any angle. The grand piano despite its size would never look like a chunk of material placed anywhere because of its slimmer legs. Having said that, the Ravenchord embraces the practicality of modern life. In a world where urban spaces are increasingly limited, this wing-shaped piano offers a compact alternative, appealing to aspiring pianists who crave the grandeur of a traditional piano but lack the space for one. Additionally, with a design that allows for a 20% reduction in weight compared to a grand piano, the Ravenchord becomes a more manageable and portable instrument, expanding its accessibility to musicians worldwide.

Ultimately, the Ravenchord’s success hinges on its ability to win over pianists who have spent their lives mastering the traditional grand piano. Convincing these passionate musicians that their beloved instrument is ripe for reinvention will undoubtedly be the biggest hurdle.

The Ravenchord’s innovative design ushers in a new era of piano performance, where artistry, technicality, and visual allure converge in a symphony of boundless creativity and pushing the boundaries of design and function. Harden’s innovative vision has the potential to reshape the piano’s role in both concert halls and homes, ushering in a new era of musical artistry and creativity. As we eagerly await the first built prototype, it’s with a blend of boundless curiosity and a touch of skepticism that we look forward to witnessing this transformative step in the grand piano’s storied history.

The post Whipsaw Revises History With This Radical Evolution in the Grand Piano’s Design first appeared on Yanko Design.

A Hot Rod For Tommy Shelby – This Wicked Automobile Perfectly Embodies the Gangster Spirit

Meet the Flying Brick, a car that’s just about as badass as Peaky Blinders’ protagonist, a certain Thomas Shelby. With its dominating hot-rod demeanor, reinforced by visible exhausts, gnarly front bumpers, and a carbon-fiber body, this mafioso’s town car was actually designed for Russian billionaire and avid drift-master Sergei Kabargin. The name Flying Brick comes from the symbol of resistance and the role bricks have played in populist uprisings, and sort of fits well into the car’s overall aesthetic, with its square-ish shape and the fact that the engine outputs a mind-numbing 900 horsepower!

Designer: Alexander Opanasenko for Sergei Kabargin

The Flying Brick comes 7 years in the making, from a mere napkin sketch to actual reality. Kabargin recruited his own team to build out his one-off hot rod fantasy, getting senior car designer Alexander Opanasenko on board to help fine-tune the design and build the renders we see here. The car’s references come from a variety of places, and it’s really difficult to pin-point the aesthetic language Kabargin and team were going for with this, but their brief was pretty simple – “the car must have its own character and personality.”

The body of the car is based on a monocoque made of aluminum and carbon fiber, clocking in at 1200 kilograms (2645 lbs), and will be outfitted with a MAST LS7 supercharged engine capable of 900 horsepower. The car’s overall body adds to the theme of dominance with aggressive surfacing that exposes the car’s elements like superchargers that pop out of the hood, and exhausts emerging from the front quite typical of hot rods.

There’s a fair amount of retrofuturism with the Flying Brick – starting with its interplay between the vintage aesthetic and the use of carbon fiber. The car’s details are decidedly antique-inspired, but the headlights are quite certainly modern. There’s also a unique interplay between luxury and brutish aggression, which ties in wonderfully with the Shelby theme Kabargin and team were going for. I doubt if Tommy would particularly care about the exaggerated front bumper or the somewhat out-of-place spoiler on the rear, but that boot looks big enough to store your entire weapon arsenal… or perhaps a few unlucky suspects and victims!

Kabargin and team are apparently hard at work, realizing the Flying Brick as a one-off automobile. It’s unclear what the car’s timelines are, what its interiors look like, and how its performance stacks up, but given Kabargin’s enthusiasm for sitting behind the wheel, we can rest assured that this hot rod isn’t going to spend most of its time in a garage!

The post A Hot Rod For Tommy Shelby – This Wicked Automobile Perfectly Embodies the Gangster Spirit first appeared on Yanko Design.

The Classic Calculator moves to the next century with a projecting display

In a world where aesthetics are increasingly cherished, even our most faithful companion during math classes deserves a touch of elegance. Enter the “Blocco” calculator, a dutiful and gracefully designed device that seamlessly aligns with the familiar geometries of your desk, transforming the mundane task of calculations into a delightful experience. With its impeccable precision and ergonomic design, the “Blocco” calculator stands as a paragon of elegance in the realm of mathematical tools.

Designers: Damiano Marcon and Fabio Verdelli

The “Blocco” calculator beautifully marries functionality with aesthetics, embracing your touch with grace and precision. Its minimalistic design exudes a sense of sincerity, making it an eye-catching addition to any workspace. But it’s not just about looks; the “Blocco” delivers impeccably precise results, making it a dependable ally for both students and professionals alike. Say goodbye to mundane, uninspiring calculators and welcome the charm of “Blocco” into your life.

One of the standout features of the “Blocco” calculator is its ergonomic design, catering to both left-handed and right-handed users. The angular chamfered surface not only enhances its visual appeal but also facilitates quick and effortless typing. The debossed numbers add a layer of satisfaction to the user. This thoughtful design ensures that your calculations flow smoothly, without any discomfort or hindrance. With “Blocco” by your side, performing mathematical operations becomes a breeze.

The sleek and compact design of the “Blocco” calculator allows it to fit perfectly on your desk or workspace. Its discreet presence complements your other stationery items, creating a harmonious atmosphere for productivity. The innovative feature of directly projecting calculations onto paper further enhances its user-friendliness. This projection ensures that you can easily read and write without having to shift your focus between the calculator and paper constantly.

While the “Blocco” calculator excels in its ergonomic design and seamless integration with your workspace, it does have a limitation when it comes to portability. Its sleek design allows it to be carried around, but its usage is limited as it requires a flat surface to project the equations clearly, it is best suited for stationary use. Unfortunately, it may not be the ideal choice for those who need a calculator on the go. However, for anyone seeking an elegant and efficient desktop calculator, “Blocco” is the perfect choice.

The “Blocco” calculator emerges as a remarkable exemplar of how functionality and aesthetics can merge harmoniously. Its graceful design, precise performance, and ergonomic features make it a delightful companion for mathematical tasks. While its lack of portability may be a drawback for some users, those who value sophistication and elegance in their workspace will find the “Blocco” calculator to be an indispensable addition. Embrace the elegance of “Blocco” and elevate your calculation experience to new heights.

The post The Classic Calculator moves to the next century with a projecting display first appeared on Yanko Design.

Kaja Kühl adds pair of hempcrete and timber guesthouses to New York farm

A pair of wooden cabins in the evening

Brooklyn-based Kaja Kühl has created a pair of guest houses on a farm in upstate New York that utilize prefabricated hempcrete bricks and timber to reduce carbon impact.

Located on the Wally Farms experimental farming incubator, the two buildings were built to demonstrate sustainable building techniques and will be used as guest accommodation.

Two cabins in woods
Urban designer Kaja Kühl has created a pair of micro cabins that utilize hempcrete insulation

The design of the guest houses was informed by vernacular farmland architecture in the United States.

“I looked at historic farmworker houses and cabins in the region, as well as other parts of the United States, that often feature a rectangular shape and a simple pitched roof shape that continued to cover a long porch,” Kühl said. “They had one room or maybe a small sleeping nook in addition to the main room.”

Bird's eye view of two cabins in a forest
The homes are a reinterpretation of vernacular US farmland architecture

Each of the two structures has a generous deck and sliding glass doors that open into the surrounding clearing, where the structures are located under trees for shade.

Kühl explained that she, and architect of record Roger Cardinal, were commissioned to design two building that shared an aesthetic, but not exactly alike.

Two cabins with decks
Large decks and sliding glass doors connect the pair of structures to their site. Photograph is by Kaja Kühl.

The uniquely sloping roof of one home was chosen as it created a dynamic space, but the designer shared it was “a pain in the neck to build”.

The guest houses were clad in cedar wood shingles and black locust wood siding. Each home contains a bathroom, kitchen, living area, and loft.

A window bench with light wood and a large picture window
The pair of structures were built to demonstrate sustainable building techniques

Kühl employed three main design strategies in order to lower the embodied carbon of the structures.

Each building was insulated using hempcrete, a bio-material that is thermally efficient.

A small kitchen with light wood cabinets and a loft
They are small in order to reduce the structures ecological footprint

Using traditional methods, hempcrete usually requires 6-8 weeks to dry completely, which often proves difficult for tight construction schedules.

Working with Pennsylvania-based architecture studio Coexist, Kühl used prefabricated hempcrete bricks in combination with hemp spray insulation in order to speed up the process. The combination of the two techniques ensures a highly insulated building.

The landing on a second floor in a cabin
Clad in cedar shingles and black locust wood, they further reflect surrounding vernacular architecture

Each guest house is 400 square feet (37 square metres) – making it the largest size that can be deemed a micro home in New York state.

They were created to demonstrate the potential for smaller living as part of Kühl’s ongoing research into micro homes. Through research shared in a project journal, Kühl found that micro-home lifestyles are often associated with smaller ecological footprints.

The designer also employed passive house techniques through highly insulated walls, floors and roofs.

The large windows and sliding doors on each home face south and west to take advantage of solar heat gain.

An open window with a view of a cabin in the woods
The micro homes will be open to guests visiting the farmland site

Water for the homes is sourced from a well on the property, with electricity provided by a nearby solar field.

Kühl is an urban designer who promotes spatial justice, equity, and climate action through her Brooklyn-based practice You Are The City.

Other projects that utilise hempcrete include these nine buildings that explore the biomaterial’s potential and a three-storey home in London by Cathie Curran studio. 

The photography is by Laszlo Kovacs unless otherwise stated.

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