"Finally some warm colours in this neoliberal dystopia" says commenter

Moynihan Connector by SOM

In this week’s comments update, readers discussed a block-long timber truss bridge that connects Manhattan’s High Line to the renovated Penn Station and other top architecture and design stories.

The 300-foot (92-metre) long bridge is part of the Moynihan Connector, which connects Manhattan’s elevated High Line walkway to the Moynihan Train Hall transit hub.

Bridge to High Line by SOM
SOM connects block-long glulam bridge to the High Line

“A great-looking addition to the city”

In Marius’s opinion, the “elegant highline that carried trains did not need this” adding the footbridge is “fat and ungraceful.”

The commenter’s views were shared by Ekin Sahin, who argued that the structure is “not architecturally pleasing, not an engineering marvel or not contemporary design in any way.” They continued by claiming that “it’s not sustainable” just because timber was used.

With a more positive outlook, Ken Steffes found the bridge a “great-looking addition to the city” but wondered whether it “should be covered in a city with winter weather like New York.”

“Finally some warm colours in this neoliberal dystopia,” agreed Trewus with a hint of sarcasm.

Do you like the bridge? Join the discussion ›

BIG named as masterplanner of Neom’s octagonal port city

“Zero morality urbanism”

Readers debated the fact that Danish studio BIG has been named the masterplanner of the floating port city of Oxagon, which is part of the Neom development in Saudi Arabia.

“They should feel utterly ashamed of themselves,” said Jell. “For participating in this awful, inhumane endeavour and, frankly, for producing such rubbish and gimmicky design.”

“Food for the critics, but the city moves on despite those naysayers,” argued Mr J. They wondered whether it “will end up better than the housing plague currently enveloping our shire counties”, adding that “only the future will reveal that.”

Prole made it short but clear: “Zero morality urbanism.”

What are your thoughts? Join the discussion ›

Photo of Parconido Bakery Cafe
Sukchulmok adds curved brick forms to rooftop of Parconido Bakery Cafe

“That would have been fun to design”

Readers were generally impressed by the Parconido Bakery Cafe in South Korea, which is made from red bricks and features playful curved shapes and rounded walls designed to create an illusion-like effect.

Z-dog noted that the project “seems upside down” and that the “brick arches inverted to their natural position could have created a wonderful division of the spaces.” They continued by praising the project and said that it “has been executed beautifully.”

Idractula, on the other hand, found the project “too fussy” and was of the opinion that the “curves at foot level present a hazard.”

“That would have been fun to design,” commented Jb.

Would you visit this cafe? Join the discussion ›

Norman Foster portrait
“Architecture without architects” can teach valuable lessons says Norman Foster

“Architecture without modernist architects is certainly desirable”

Readers reacted to an exclusive interview with Normal Foster at the Venice Architecture Biennale during which he said that the simplest structures, such as tents and huts, can teach architects lessons.

“I know many houses in Europe, and North America that have never seen an architect, yet they are gems in terms of style, materials, and planning,” agreed Apsco Radiales.

“Architecture without modernist architects is certainly desirable,” commented Jb.

“Interesting and unfortunately indispensable in the ‘damaged’ or war-torn parts of the world,” added Pa Varreon.

Did you read the interview? Join the discussion ›

Comments update
Dezeen is the world’s most commented architecture and design magazine, receiving thousands of comments each month from readers. Keep up to date on the latest discussions on our comments page and subscribe to our weekly Debate newsletter, where we feature the best reader comments from stories in the last seven days.

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Islablanca outdoor furniture collection by Gandia Blasco

Islablanca outdoor furniture collection by Gandia Blasco

Dezeen Showroom: Spanish brand Gandia Blasco has launched the Islablanca outdoor furniture collection, which draws its form from the boxy, white-washed vernacular architecture of Ibiza and the surrounding Mediterranean region.

The Islablanca collection includes a sofa, armchair, sun lounger and tables. It was designed by Gandia Blasco Group president and creative director José A. Gandía-Blasco Canales, who wanted to root the design in the island location that has great personal significance to him.

Islablanca outdoor furniture collection by Gandia Blasco
The Islablanca collection is informed by the vernacular architecture of Ibiza and the Mediterranean

“I first visited Ibiza in 1973,” said Gandía-Blasco Canales. “It fascinated me. I will always remember that image as I said to myself: this is my place. With Ibiza I have a relationship of eternal idyll.”

“Islablanca is inspired by the gorgeous and simple architecture of the island, with its dry-stone walls and that sobriety that for Gandia Blasco is synonymous with elegance.”

Islablanca outdoor furniture collection by Gandia Blasco
The collection includes a modular sofa that is infinitely extendable with modules

In Islablanca, that architectural language translates into bold aluminium frames with square-shaped profiles, which are available in a wide range of powder-coated colours, including two new additions for Gandia Blasco, a metallic Night Blue and Gold.

The collection’s sofa can be infinitely extended with the addition of more seating modules and the upholstery is edged with contrast stitching that Gandia Blasco says adds personality to the pieces.

Product: Islablanca
Designer: José A. Gandía-Blasco Canales
Brand: Gandia Blasco
Contact: alejandra@gandiablasco.com

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The Line "does not touch the poetry of the desert" says Massimiliano Fuksas

Massimiliano and Doriana Fuksas

The founders of Italian practice Studio Fuksas have spoken to the Italian press about their designs for The Line mega city in Saudi Arabia, which are on display during the Venice Architecture Biennale.

Speaking to Italian newspaper La Repubblica in a rare interview by an architect working on the project, Massimiliano and Doriana Fuksas said that the project aligned with the aims of the Venice Architecture Biennale they curated in 2000.

“It’s like an urbanisation project that does not touch the poetry of the desert,” said Massimiliano Fuksas.

“After all, the architecture biennale that we curated in 2000 was entitled: Less Aesthetics More Ethics. A motto that is now in the spirit of our time.”

Studio Fuksas on The Line
Massimiliano and Doriana Fuksas (top) have spoken about their designs for The Line (above)

Part of the controversial Neom development in northwestern Saudi Arabia, The Line is planned as a 170-kilometre-long mega city that will house nine million people. Studio Fuksas‘ designs are included in an exhibition on Neom titled Zero Gravity Urbanism that is currently on display in Venice.

Massimiliano Fuksas revealed that the studio is working on three modules for the city, which will consist of a pair of parallel 500-metre-high skyscrapers.

“You shouldn’t think of the concept of tower or skyscraper in the classic sense,” Doriana Fuksas told La Repubblica. “In our modules all the urban functions are present and integrated: homes, green areas, public spaces of various types.”

Studio Fuksas' designs for The Line
Studio Fuksas’ designs for The Line were on display during the Venice Architecture Biennale

Although few details about the city have been revealed, one of its key features will be its reflective outer walls.

In the interview, Massimiliano Fuksas appeared to reveal that the walls would be built from solar panels.

“The walls have a double function,” said Massimiliano Fuksas.

“Since the energy must be 100 per cent renewable, the walls perform the function of producing this energy, and of reflecting the surrounding landscape, the desert landscape.”

Neom designs presented at Venice Architecture Biennale exhibition
The designs were based on “quantum mechanics, fractals and algorithms”

Massimiliano and Doriana Fuksas explained that the design for their section of The Line was an evolution of ideas developed at the studio’s Shenzhen airport terminal, Rome convention centre and Fiera di Milano, which is home of the Salone del Mobile furniture fair.

Their design aims to be a departure from geometric shapes that determine the form of the majority of buildings.

“Architecture has always relied on Euclidean geometry,” said Doriana Fuksas. “Instead, in the last decades, we have studied something else: quantum mechanics, fractals and algorithms. All concepts that contribute to design today.”

Alongside Studio Fuksas, Adjaye Associates, Delugan Meissl Associated Architects and Morphosis presented their designs for The Line at the exhibition, which was named Zero Gravity Urbanism. Also at the exhibition, Danish studio BIG was named as the masterplanner of the Oxagon floating port city, which is also part of the Neom development.

The Neom project is one of the largest and most controversial in the world. We recently published a guide to the development, which explains what the project is, the studios involved and why it is controversial.

It has been criticised on both sustainability and human rights grounds, with human rights organisation ALQST reporting that three members of the Huwaitat tribe, who are believed to have criticised displacements connected to Neom, have been sentenced to death.

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Marta gallery challenges New York designers to create "improvised chairs" in three days

Make-Do exhibition by Marta gallery for NYCxDesign

Tyres, walking frames and branches from New York‘s public parks are among the materials salvaged to form 24 chairs, as part of an exhibition that Los Angeles gallery Marta is hosting inside an abandoned Chinatown building for NYCxDesign.

The Make-Do exhibition pairs a dozen newly commissioned pieces from local studios with a dozen historical chairs from the private collection of design dealer Avi Kovacevich, created between the 1880s and 2010s.

Sourced from all over the US, these archival pieces are examples of impromptu seating designs by anonymous everyday people that were born out of necessity and circumstance, such as an armchair made from stacked tyres in a California car repair shop.

Anonymous tyre chair from collection of Avi Kovacevich
Make-Do features a mix of contemporary and archival chairs. Photo by Avi Kovacevich

To encourage this same ad-hoc approach for the new commissions, Marta devised an almost game show-style format, asking 12 New York studios to make a chair in only three days – with one day dedicated to material sourcing, one for planning and the last for building.

“It’s interesting because it prompts a designer or an artist to prize materials that they have on hand,” Marta co-founder Benjamin Critton told Dezeen. “So taking things that are unloved or under-loved and giving them a new life.”

“For us, it was also an opportunity to engage specifically with New York-based designers, who we find often have to make do in many ways.”

Chairs in Make-Do exhibition by Marta gallery for NYCxDesign
Isabel Rower’s Box Chair (far left) resembles a found cardboard chair (right)

In keeping with this ad-hoc spirit, the exhibition during NYCxDesign is housed inside a building in Chinatown that dates back to 1913 and once served as a bank, a nightclub and a medical imaging centre but has stood empty for the past 10 years.

These different layers of history are still visible on the building’s interior, where the 24 “improvised chairs” were placed in aesthetic dialogue to compare and contrast the new and historic works.

Furniture designer Minjae Kim built a rocking chair using scrap wood from his own studio, which is presented alongside a DIY chair from the 1940s with a similarly oversized backrest made from repurposed ammunition crates.

Pineal Lobotomy chair by Chen Chen & Kai Williams
Chen Chen & Kai Williams’s Pineal Lobotomy chair photographed by Avi Kovacevich

Nearby, an armchair that was carefully engineered from cardboard boxes and found on the streets of New York is paired with an equally monolithic stoneware seat by Brooklyn artist Isabel Rower, which was formed using a cardboard mould.

“Isabel mentioned to me when she was bringing it over that she had always been concerned about making and firing a big clay chair,” Kovacevich explained. “But the prompt made her think: let me just try.”

“The prompt is quite freeing,” agreed Marta’s other half Heidi Korsavong. “Because you’re only allowed to construct the chair in one day, there is no judgement on the expert finishing. It becomes this really wonderful celebration of experimentation and free thinking.”

Chairs in Make-Do exhibition by Marta gallery for NYCxDesign
Sarah Burns’s Slipper Chair (left) is exhibited next to a piece by Shaina Tabak (right)

Many of the historic designs were crafted from whatever was on hand at the time, among them a sling seat made from a rug that was found in a carpet warehouse.

Mirroring this approach, many of the contemporary designers scoured their own studios for waste materials from previous projects that they could repurpose.

Chen Chen & Kai Williams used cast steel fixings, left over from a sculpture the duo created in 2014, to stabilise their Pineal Lobotomy chair, with a frame made from branches found in nearby public parks.

And woodworker Shaina Tabak constructed a simple chair from salvaged timber, decorated with sheet-metal offcuts from a mirror she made for Brooklyn nightclub Rash.

“Shana does really exacting woodwork and she really endearingly said: I’m not sure if I can make a chair in three days,” Critton recalled. “And we were like: of course you can.”

“Anyone can make a chair in three days. These universal briefs are really exciting to us in that almost anyone could execute them.”

Sink Chair by Samuel Brockman
Samuel Brockman combined a sink and a Zimmer frame. Photo by Avi Kovacevich

Others found discarded materials further afield, with woodworker Samuel Brockman using a bisected stainless steel sink for a seat and a walking frame for a base.

And the Chair for the Bottom of the Drawing by artist Miles Huston consists of a four-wheeled creeper trolley, used by mechanics to access the underside of a car, topped with a cushion from one of Knoll’s Womb chairs.

Another update on a classic seating design comes from artist Sarah Burns, who created a modern take on a low-slung slipper chair – a somewhat outdated chair typology designed specifically for putting on shoes – complete with a dedicated slipper compartment.

Chairs in Make-Do exhibition by Marta gallery for NYCxDesign
Miles Huston designed a Chair for the Bottom of the Drawing (right)

Also included in the exhibition are works from two duos: painter Georgia McGovern and her partner, architect Sebastijan Jemec, as well as artists Kristen Wentrcek and Andrew Zebulon.

Other contributors include Nigerian-American designer Nifemi Ogunro, ceramicist Joseph Algieri and Brendan Timmins, who specialises in creating “semi-functional aestheticised objects”.

Once the exhibition comes to a close, the disused building at 5 Chatham Square is now set to be turned into a hybrid bar, restaurant and club by the founders of Williamsburg nightlife venue Baby’s All Right.

Wentworth Type Beat chair by Brendan Timmins
Also on show is the Wentworth Type Beat chair by Brendan Timmins

Meanwhile in LA, Marta is staging Burns’s debut solo show in its Silverlake gallery and working on an exhibition with Houston that will open next year.

The collectible design gallery has become known for its experimental group shows, which have seen designers reimagine the humble toilet roll holder and take over a house by famed modernist Richard Neutra with works that respond directly to its architecture.

The photography is by Jason Lê.

Make-Do is on view at 5 Chatham Square from 19 May to 27 May. For more exhibitions, talks and events during New York’s design week, visit Dezeen’s dedicated NYCxDesign guide

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Reflective hemispherical theatre enlivens French pavilion at Venice Architecture Biennale

Performers at Ball Theater at the French Pavilion

The French pavilion at this year’s Venice Architecture Biennale takes the form of the Ball Theater – a hemispherical stage that is intended to “reawaken our desires for utopia”.

Set to host a string of performances over the course of the biennale, the pavilion was designed as an inclusive space where the boundaries of art and architecture are blurred and people can express themselves freely.

Exterior of The French Pavilion at the Venice Architecture Biennale 2023
The French Pavilion contains the metallic Ball Theater

The Ball Theater was designed by the architecture studio Muoto in partnership with scenographers Georgi Stanishev and Clémence La Sagna, associate curator Jos Auzende and programmer Anna Tardivel.

It was designed to offer visitors a space to imagine a more utopian future, which the curators said responds to the theme of this year’s event, The Laboratory of the Future.

The Ball Theater at the Venice Architecture Biennale 2023
The theatre is a hemispherical stage

“The idea of the theatre came because we wanted to create a collective space,” Muoto architect Yves Moreau told Dezeen.

“It was a way to respond to the theme of the biennale, The Laboratory of the Future,” he continued. “The theatre is a laboratory because you can do whatever you want. You can put on a hat, you put on makeup and you’re somebody else. It was really a place for expression and inclusivity.”

Interior of French Pavilion in Venice
It will host a series of performances

Entering the pavilion, the first thing visitors see is the curved exterior of the hemispherical stage, which is covered in aluminium. Its globe-shaped form was designed to resemble both a mirror ball and “a world in miniature”.

“This party aura suggests a new approach to today’s crises, one where the emphasis is no longer on emergency, but on the possibility of imagining somewhere and something different,” the team said.

As visitors move around the stage, its hollowed middle is revealed. Here, a steel structure is fitted with a stage, projectors, a curtain and a microphone, all overlooked by stepped seating.

The stage itself is designed to be adaptable, incorporating a movable podium that enables it to be used for different performances.

Rear view of Ball Theater at the French Pavilion
The theatre has a modular structure

“We created this theatre in a round shape, which is really an image of another world, another place,” Moreau said.

“It’s a circle space so you are almost standing on the stage. You’re sharing the space with performers and actors, with the people that are going to make the space alive.”

The performance programme includes both workshops and artist residences, scheduled once a week until the event ends in November.

“Each ball event gives a new set of occupants a chance to take possession of the theatre, to work on and try out new relationships with the public,” the curators said.

Interior of the French Pavilion at the Venice Architecture Biennale 2023
Around the stage are miscellaneous found objects

Alongside the theatre, this year’s French pavilion features other installations made of miscellaneous found and recycled objects. Together with the stage, these are hoped to reflect “our desire to reconstruct a future with what remains of the past”.

This year, the Venice Architecture Biennale has placed a special focus on sustainability. In response to this, the curators of the French pavilion have constructed the Ball Theater using local manufacturers in and around Venice and designed the structure to be reusable.

Its formwork is modular and can be easily broken down into small parts and relocated to a new location. A tour is already planned for the theatre after the biennale.

Alongside the Ball Theater, we have featured a number of other national pavilions at this year’s Venice Architecture Biennale including the Brazilian Pavilion, which was awarded this year’s Golden Lion best national participation.

The photography is by Schnepp Renou.

The Venice Architecture Biennale takes place from 20 May to 26 November 2023. See Dezeen Events Guide for all the latest information you need to know to attend the event, as well as a list of other architecture and design events taking place around the world.

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Winning a Dezeen Award is "beyond what words can explain" say past sustainability winners

Dezeen Awards 2022 winner

With just over one week until Dezeen Awards entries close, last year’s sustainability winners explain how winning reinforced their belief in their work and helped them gain recognition.

One studio said winning a Dezeen Award led to a “significant rise in enquiries” while another said it was “a reminder that good work can prevail”.

“Winning a Dezeen Award gave us credibility, which is extremely important for a start-up business,” said the studio that won sustainable design of the year.

Sustainability key across categories

Dezeen Awards 2023, in partnership with Bentley Motors, is open for entries. Submit your project before the entry deadline next Thursday 1 June at midnight London time.

Our categories have been revised for 2023, and there are now 39 project categories to enter across architecture, interiors, design and sustainability.

This includes nine new awards, three of which are within our sustainability categories and will reward sustainable renovations, sustainable building products and material innovations.

See what last year’s sustainability winners had to say:

Dezeen Awards 2022 Localworks trophy
Uganda studio Localworks displays their trophy on one of the bookshelves in their office library

Design and build studio Localworks won sustainable building of the year for its Mustardseed Junior School in Uganda, which was built from natural and locally sourced materials.

“Having designed and supervised many eco-friendly projects over the years, Mustardseed is our first fully completed project as designers and builders, and receiving this award definitely motivates us to push further into this direction,” Kampala-based Localworks told Dezeen.

“Green contextual architecture is what Localworks is all about,” it continued. “Therefore, winning the sustainability category is a great endorsement of our efforts. We were touched by the words of the jury who had clearly looked into the project beyond what the photos transmit.”

Studio Localworks has a number of projects in progress, including the Bidi Bidi Music & Arts Centre at a refugee camp in Yumbe, Uganda. The centre developed in collaboration with firms Hassell and Arup was designed as a sheltered open-air theatre that can double as a performance venue or a community space.

Dezeen Awards 2022 winner
Bangalore-based Multitude of Sins exhibits its trophy on a sculptural lamp in the office

Indian practice Multitude of Sins won restaurant interior of the year last year for The Circus Canteen, a restaurant in Bangalore made from discarded materials. The local office described a feeling of “disbelief” when receiving the news about winning.

“Being honoured by a publication like Dezeen is something beyond what words can explain ” said Multitude of Sins. “The entire experience since winning has felt a bit karmic and is a reminder that good work can prevail.”

“The impact has been massive ever since we were longlisted for the awards,” it added. “As a studio, we’ve received appreciation both within the country and internationally,”

“Being recognised by Dezeen has helped restore faith in ourselves,” Multitude of Sins continued. “Don’t let the fear of being new to the field burden you from applying to the awards as the platform is one that appreciates design in its truest form.”

Kenoteq office
The Dezeen Award-winning K-Briqs in situ at the Kenoteq headquarters in Scotland

Scottish startup Kenoteq won sustainable design of the year in 2022 for its building brick K-Briq, made of 90 per cent construction waste. The tech firm described feeling “absolutely elated” when receiving the award.

“The PR around the award and the Dezeen platform has definitely given us exposure to our target market that we couldn’t have imagined and a significant rise in enquiries, in the UK and internationally,” Kenoteq told Dezeen.

“The interest generated internationally also gives kudos and opportunity to our forthcoming investment raises and will guide us to determine where best to roll out our international manufacturing operations,” the studio added.

“Elation, confidence-builder, opportunity and collaboration provider! We can’t wait to showcase our future projects through Dezeen.”

As a result of the awards, Kenoteq collaborated with Object Space Place, another Dezeen Awards shortlisted studio, to create a coffee shop interior featuring K-Briq bricks. Kenoteq is also expecting the final certification for the K-Briq in the early summer of this year.

Submit your project today!

Remember to check out our new categories awarding sustainable renovations and retrofits, as well as sustainable building products to reward cutting-edge products where the innovation delivers carbon reduction or improved climate resilience.

Click here to find out more information about Dezeen Awards and subscribe to our newsletter to receive the latest news updates. Plus you can always drop us a line at awards@dezeen.com if you have any questions.

Dezeen Awards 2023

Dezeen Awards celebrates the world’s best architecture, interiors and design. Now in its sixth year, it has become the ultimate accolade for architects and designers across the globe. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent.

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David Adjaye designs India's largest cultural centre for Kiran Nadar Museum of Art

Model of the Kiran Nadar Museum of Art by David Adjaye

The Kiran Nadar Museum of Art has unveiled plans for a major new building designed by Ghanaian-British architect David Adjaye, which is on show at the Venice Architecture Biennale.

Set to become India’s largest art and culture centre, the museum is under construction on a 100,000-square-metre site in Delhi.

The design is revealed for the first time in the form of a scale model created by David Adjaye’s firm, Adjaye Associates, for the Curator’s Special Projects section of the biennale.

Model of the Kiran Nadar Museum of Art by David Adjaye
The Kiran Nadar Museum of Art is under construction in Delhi, India

Scheduled to open in 2026, the building will facilitate the expansion of the Kiran Nadar Museum of Art (KNMA), a museum led by one of India’s most prominent collectors of contemporary Indian art.

Kiran Nadar established the museum in 2010. It currently operates across two small venues, in New Delhi and Noida, and has a collection of more than 10,000 works. The new KNMA will bring visual arts, music, dance and theatre all together under one roof.

“The collection was growing and I felt we needed a stand-alone space,” Nadar told Dezeen.

“We want to make it a destination,” she explained. “My hope is that art and culture will feed on each other; we want a multi-dimensional institution where people from different walks of life will come and spend a day.”

Model of the Kiran Nadar Museum of Art by David Adjaye
The design is by Ghanaian-British architect David Adjaye

Adjaye Associates is working with Indian architecture firm S Ghosh & Associates on the project.

Adjaye revealed details of the design in a conversation with Glenn Lowry, director of the Museum of Modern Art (MoMA), on the opening day of the biennale.

Model of the Kiran Nadar Museum of Art by David Adjaye
The KNMA building is conceived as a cluster of pavilions

The architect described it as “an agglomeration of pavilions that come together”.

“It is a cluster of buildings that are surrounding courtyard spaces,” Adjaye said. “For me, that’s a response to the incredible heritage of India in terms of dealing with the climate and the richness of the culture.”

Model of the Kiran Nadar Museum of Art by David Adjaye
The structure will cover a 100,000-square-metre site. Photo is by Timothy Casten

Adjaye won a competition for the project back in 2019, with a design for a more high-rise building.

The design had to be rethought when the museum decided to build on a different site than originally intended. This led Adjaye to develop a more low-rise building.

According to Adjaye, the core concept has remained the same throughout. He describes the current design as “a horizontal version of the vertical idea”.

Model of the Kiran Nadar Museum of Art by David Adjaye
Spaces will be organised around a series of courtyards. Photo is by Timothy Casten

“A common theme in all my work is the way in which you create a path,” he said.

“When we changed to a horizontal building, it no longer became about moving from the urban part to the top; it became about going through a series of courtyards and gardens. It’s all about engaging with nature and with extraordinary spaces for art.”

Model of the Kiran Nadar Museum of Art by David Adjaye
The facade features repeating triangles, referencing the shape’s symbolism in Hindu and Muslim culture. Photo is by Timothy Casten

Adjaye said his inspirations for the project include the Kimbell Art Museum in Texas, designed by architect Louis Kahn, a building famous for its manipulation of natural light.

The architect also credits the late Indian architects Charles Correa and Balkrishna Doshi, who he said were “instrumental in showing me so many things in India”.

This led him to add many details that reference Hindu and Muslim culture, such as the repeating triangles that feature across the facades.

“I think there are a lot of people in the west who don’t understand how deep the architectural history of India is,” he said. “It is one of the wonders of the world.”

Venice Architecture Biennale
The design has been revealed for the first time at the Venice Architecture Biennale. Photo is by Timothy Casten

KNMA presents the model alongside works from the museum’s collection by Indian artists Tyeb Mehta, Zarina and Nasreen Mohamedi, and a film by Amit Dutta.

They are show in the Arsenale venue at the Venice Architecture Biennale, in a section titled Mnemonic.

Exploring the relationship between memory and architecture, Mnemonic is one of eight sections that make up this year’s biennale exhibition, The Laboratory of the Future, curated by Lesley Lokko.

The Venice Architecture Biennale takes place from 20 May to 26 November 2023. See Dezeen Events Guide for information about the event, plus a list of other architecture and design events taking place around the world.

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DZHUS creates pocket-covered clothes "saturated with symbolism"

Transit collection by DZHUS

Fashion house DZHUS paid homage to the plight of Ukrainian refugees when creating its Autumn Winter 2023 collection, which includes multifunctional clothing pieces clad with pockets.

Called Transit, the most recent collection by Ukrainian brand DZHUS features metamorphosing garments in monochrome hues that were designed to transform from one item of clothing to another.

For example, one piece is a grey, ribbed maxi dress with an exaggerated hood that can be reshaped into an angular cape by adjusting a selection of zips.

Maxi dress with big hood by DZHUS
One piece is a maxi dress with an exaggerated hood

DZHUS founder Irina Dzhus told Dezeen how the collection was informed by the forced evacuation faced by millions of Ukrainians since Russia invaded the country on 24 February 2023.

“The Transit collection is saturated with symbolism, communicating the painful changes my countrymen had to undergo during the mass evacuation process and their further refugee reality,” said the designer.

“Having lost everything in multiple cases, our heroic people have managed to preserve their identity.”

Oversized garment with multiple pockets by DZHUS
Another eclectic garment takes cues from guardian angels and bulletproof vests

Another garment – the collection’s “signature look” – is a boxy white jacket with an optional hood that, contrastingly, references the imagery of both guardian angels and bulletproof vests.

“The jacket’s panels, covered with pockets, open as wing-like oversized sleeves,” explained Dzhus.

Black hat with zipped elements and a black matching outfit
The Transit collection was designed to be adaptable

Pockets feature heavily throughout the collection. One example is a crisp white dress with a statement collar that can be folded down into bag-shaped carriers.

“In the Autumn Winter 2023 line, you’ll see a variety of designs built around pockets and bags, as an allusion to the hard choice each of us had to make when taking with ourselves only what was possible to carry, and often, impractical but memorable things were prioritised,” said the designer.

“With that exaggerated capacity of the looks, I kind of wanted to say, I wish we could take more with us to our new lives,” added Dzhus, who shared her personal evacuation story with Dezeen last year after fleeing Ukraine for Warsaw.

Dress with a bag-like collar
One dress has a statement collar that can be transformed into bags

Manufactured in Ukraine and Poland, the collection is also characterised by malleable silhouettes, which can transform from androgynous to more traditionally feminine depending on how the garment is worn.

“This is meant to pay tribute to the radical changes of personality most of us have lived through in these extreme circumstances, which have questioned the very fundamental aspects of our identity,” explained the designer.

Black outfit by DZHUS with adjustable components
Silhouettes range from androgynous to more traditionally feminine

DZHUS chose a material palette of textured cotton and knitted fabric as well as see-through rayon for the collection. Angular pleats and distressed finishes enhance the garments’ dramatic look.

As well as paying homage to the experience of Ukrainian refugees, the multifunctional garments also intend to take sustainability into account by encouraging a reduced number of items in a wardrobe that feature more than one purpose, according to Dzhus.

The designer also explained how the Transit collection could benefit “fashion-loving travellers” who want to travel with minimal luggage, without compromising their personal style.

“I create for exceptional personalities, for whom a garment or an accessory is an attribute of self-expression, a material shape of their unique self, a shell in between the inner and the outer world,” continued the designer.

“When I wear my favourite clothing, I’m more me than without it.”

Garment with multiple pockets in the Transit collection by DZHUS
Pockets feature heavily in the collection

The collection was presented at Milan design week as part of Continuum, an exhibition showcasing the work of five Ukrainian studios including furniture brand Faina. At Continuum, Dzhus personally transformed the garments worn by models during a live performance.

Among the brand’s previous collections are garments accessorised with concrete cuffs and pieces informed by the structure and formation of the earth’s layers.

The photography is by Anna Goncharova and the video is by Svetlana Symakova

The post DZHUS creates pocket-covered clothes “saturated with symbolism” appeared first on Dezeen.

10 Best Home Cleaning Appliances That Saves You Time and Sanity

Let’s face it. No matter how we sugarcoat or gamify it, household chores won’t always be fun and exciting. The very word itself has become synonymous with “burdensome,” and there will always be aspects of the task that will always be unpleasant. Unfortunately, these are also tasks that are critical to living a comfortable and healthy life, such as doing the laundry or cleaning up after pets. Since there’s no way to avoid doing them, the best solution would be to complete these chores in the easiest and fastest way possible without compromising on efficiency and safety. Fortunately, we’re at a point in history where technology and design have given us so many products to assist in household work, perhaps even too many to choose from. To help narrow down those choices, here are Yanko Design’s Top 10 home appliances that let you breeze through those chores so that you can spend your time on things that matter the most.

1. OSOTEK HotWave Mop Vacuum

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Robot vacuums might be good for regular maintenance of floors, but they might not cut it for heavier workloads and more stubborn dirt. That doesn’t mean you have to fall back onto less efficient and harder-to-use appliances, especially when there are smarter alternatives available. This one, for example, might look like a typical upright vacuum cleaner, but its innovative use of hot water to mop floors easily sets it apart from the crowd.

The OSOTEK HotWave’s built-in water heater makes sure that you’ll be able to get out those pesky stains, something that robot mops still can’t get right these days. Its intelligent suction power automatically adjusts how much suction you need depending on how much dirt its infrared sensor detects. And with its self-cleaning and self-drying features, all you really need to do is to take the OSOTEK HotWave from its base, walk around with it like a regular vacuum, and return it to its base so that it will be clean and dry for your next use. No dirt, no stains, no sweat.

Click Here to Buy Now: $359.99 $499.99 ($150 off, use code ‘WELCOME10’ to save extra $10!).

2. PUPSULE Portable Poop Scooper

When parents tell kids that a pet is a big responsibility, they’re probably referring to more than just feeding them and giving them baths. Cleaning up after our furry friends, especially when they’ve “done their thing,” can be the least enjoyable part of having a pet. That’s especially true when dogs leave their traces outdoors, much to the annoyance of other people and the embarrassment of their owners. Fortunately, you don’t need to get down and dirty anymore just to pick up after your canine pal, thanks to PUPSULE.

It may look like some prop from a kid’s sci-fi or secret spy show, but this leakproof mechanical arm is exactly what you need to safely and easily pick up your dog’s brown treasure. It almost feels like a game where you deftly pull out a poop bag, drape it over PUPSULE’s claw, and use the plunger to get the job done with the filled bag safely stowed inside the capsule, ready for dropping into a garbage bin. It’s a no-fuss, no-mess solution that will make walks with your dog a lot less stressful.

Click Here to Buy Now: $24.99 $29.99 (17% off).

3. ECOVACS DEEBOT Robot Vacuum Cleaners

Even before the present smart home wave, there was already a small number of robots rolling around some houses. Robot vacuum cleaners have been around for years now, and although they haven’t exactly changed their basic circular design, they have definitely become smarter and more sophisticated, offering features and perks that help take our minds off the dirt and stains on our floors. There is, in fact, a dizzying number of choices now available in the market, and ECOVACS ROBOTICS has one for every need and budget.

Those just getting their feet wet to keep their floors dry won’t go wrong with DEEBOT N10 PLUS, an entry-level option that offers a solid set of features, including laser-based navigation as well smart mopping. The DEEBOT T9+ takes cleaning to the next level with TruDetect 3D 2.0, which can avoid the objects that kids and pets tend to leave lying around. It even has a built-in air freshener to make sure that the room smells good while the floor stays clean. Right at the top stands the DEEBOT T10 OMNI, offering self-cleaning mop pads and voice control, ensuring that you’ll never have to stoop down just to keep your floors spic and span.

Click Here to Buy Now: $499.99 $649.99 ($150 off).

4. LARQ Purifying Pitcher

Keeping your house clean is important for hygienic living, but drinking clean water is even more critical to a healthy life. There are plenty of water purifying devices and products in the market, ranging from pitchers with filters to full-blown machines, but many of them ironically end up polluting the rest of the planet’s waters in the long run, directly or indirectly.

LARQ is a more sustainable solution to keeping both our bodies and our planet healthy. Using innovative carbon-derived, plant-based filters, this purifying pitcher not manages to clean water from pollutants but also makes water taste crisp and pure. Whether it’s for drinking plain water or making better-tasting smoothies, this sustainable water filtering pitcher quickly delivers pure and crisp water that will help sustain you for your next round of chores.

Click Here to Buy Now: $139 $168 (17% off).

5. AirTulip Sleep Air Purifying Smart Headboard

After all those chores, sleep is a most welcomed respite where we finally let our tired bodies rest. But even our seemingly peaceful bedrooms can be home to invisible things that still need to be cleaned out. In fact, we’re pretty much defenseless from these harmful substances when we’re asleep, so we have to rely on external help to clean up the air around our beds. That’s the kind of peaceful slumber that the AirTulip Sleep smart headboard is aiming for, and it does so in a rather unusual and creative way.

Unlike your typical air purifiers, the AirTulip Sleep integrates a medical-grade laminar flow purifier into a stylish headboard that you can match with any bed or linen design. Its unique technology practically creates a purified air bubble around you that doesn’t mix with other air in the room, effectively keeping contaminants away. As a bonus, the headboard integrates features like wireless charging, ambient light, reading lamps, and power outlets, making sure you can get the most out of your time in bed, whether asleep or just chilling out.

Click Here to Buy Now: $1124 $1499 (25% off).

6. Dayoo Kitchen Steam Cleaner

It isn’t just cleaning up after pets that is a chore. Cleaning up after humans, including ourselves, can be just as stressful. Of the many places in the house that requires the most cleaning, the kitchen is probably one of the highest. Never mind the pots and pans used for cooking, even just washing the plates and utensils we use every meal can be a tiring and wasteful activity. Of course, there are dishwashers nowadays, but these convenient machines turn out to be quite inefficient and ineffective at what it’s supposed to do.

It might look like an odd part of the kitchen, but Dayoo is an innovative alternative that combines the best of dishwashers and manual washing. Using a showerhead-like nozzle, it utilizes a high-pressure jet of steam to clean plates, bowls, pans, knives, and anything in between. Not only does it help save water, it also makes it easier to reach areas that neither dishwashers nor faucets can access, ensuring a thorough job of making your kitchenware clean and ready for their next use.

Click Here to Buy Now: Starting from $230 (Free shipping!)

7. Leo’s Loo Too Self-Cleaning Litter Box

Cat owners have a different problem when it comes to their friend’s regular discharges. While these furballs can be trained to do their thing in litter boxes, making sure that those remain clean and odor-free isn’t as easy as it sounds. That can be especially problematic with fussy felines, though that can now be a thing of the past thanks to Smarty Pear’s latest contraption, Leo’s Loo Too.

Looking more like a toy washing machine that almost functions like one, this smart litter box promises a hands-free and worry-free experience for humans and a comfortable and safe life for the cat. Not only does it automatically clean after the cat, it can also log your pet’s visits and weight so you can keep tabs on their health as well. It will even alert you when its waste bag is full, so you don’t have to constantly check the drawer for yourself. It’s the purrfect fix for feline fans.

Click Here to Buy Now: Starting from $649.99 (Use ‘100OFF’ for an additional $100 off and more).

8. Gulp Washing Machine Filter

Along with washing the dishes, doing the laundry is one of the inevitable chores that almost everyone experiences. Thankfully, there is also an abundance of technologies that make life easier for humans, though they sadly come at the expense of our planet’s own life. Very few realize that the dirty water that comes out of even the smartest washing machine has tiny particles that end up polluting the Earth’s waters. Cleaning our dirty laundry shouldn’t have to mean keeping our planet dirty, and that is what this simple, sustainable solution is delivering.

Gulp is a small machine that attaches to the wastewater output of any kind of washing machine, filtering the microplastics that our clothes shed during the washing process. Since it drains the excess water on its own, you don’t have to do anything afterward except empty the filter cup of the dried microfibers. Even better, Gulp’s creators will accept this captured material for research and recycling, ensuring that they won’t touch our planet’s waters ever again.

Click Here to Buy Now: $247 $310 (20% off).

9. Narwal T10 2-in-1 Robot Cleaner

Almost like our furniture, not everyone will be happy with a single robot vacuum cleaner design. Indeed, there might be too many options available, and they can vary greatly in terms of features and core functions. Of course, most advertise vacuuming as the main purpose, which is what the majority of people look for anyway. As if to turn that idea on its head, the Narwal T10 seems to make sucking up dirt its second-best feature only, putting most of its focus on mopping your floor clean.

Make no mistake, it’s still a good vacuum cleaner, but the Narwal T10 really shines when it comes to mopping the floor and then cleaning those mop heads without getting your hands dirty. Its LIDAR-based navigation makes sure it knows exactly where to go, or at least where you allow it to go in each room. Its “squircle” design also makes it stand out visually, driving home the image of being different from your typical large robot pucks.

Click Here to Buy Now: $1049 (Sign up to get $100 off).

10. Heisenberg LawnMeister Robot Lawnmower

Robot vacuum cleaners might be smart and useful, but their utility ends at your doors. When it comes to keeping lawns trimmed and clean, most have to settle for less efficient and less effective tools. Some smart lawnmowers, for example, aren’t smart enough to really know where to go, and you often end up having to set up ugly wire fences to keep them from going astray.

The LawnMeister robot lawnmower practically brings all the brains and technologies enjoyed by robot vacs from indoors to outdoors, allowing this roving grass cutter to know where they should and shouldn’t go, avoid obstacles and furry critters, and even spray fertilizer where it’s needed. Neighborhood kids might be bummed out at having less employment, but your lawn will definitely appreciate the smarter attention you can now give it without even lifting a finger.

Click Here to Buy Now: $999 $2499 (60% off).

The post 10 Best Home Cleaning Appliances That Saves You Time and Sanity first appeared on Yanko Design.

Satechi’s Apple Magic Keyboard Redesign Features Backlit Keys and USB-C Charging for Enhanced Performance

Apple makes great primary devices… but has the worst peripherals on the market. Look at how the Magic Mouse charges, or how unrepairable the AirPods are, or that godawful AirPods Max carrying case, or even the fact that their Magic Keyboard (for both the iMac and iPad) don’t come with backlit keys. The products look remarkably sleek and cutting edge, but there’s really no excuse for bad usability… and rather than just wait for Apple to fix their problems, Satechi just decided to make a better version of their products instead.

Meet the Satechi Slim X3, a vastly better version of Apple’s own Magic Keyboard. The beauty of the X3 is that it acknowledges that the Magic Keyboard’s design doesn’t need changing, but its functionality does. Made to look strikingly similar to Apple’s own keyboard, the Slim X3 offers unique features, like the ability to connect to and switch between multiple devices, USB-C charging (so you can use the same iPad charger with your keyboard), and perhaps the greatest feature of them all, backlit keys that glow to help you easily type at night. The X3 comes with an extended 100% layout featuring arrow keys and a numpad too, although Satechi also makes the X1, with a compact 60% layout for people looking for a smaller keyboard.

Click Here to Buy Now

Right off the bat, the Satechi Slim X3’s design stands out as something an Apple aficionado would absolutely love. You’ve got the keyboard in both silver and space-grey variants, with a machined aluminum outer chassis that has a slight angular tilt, and black plastic keys for that familiar Magic Keyboard experience. The Slim X3’s layout is as expansive as the Magic Keyboard, featuring all the necessary keys along with the function keys on top as well, although understandably enough, there’s no TouchID key on this particular device, given that it’s proprietary Apple technology.

The lack of a TouchID key, however, is more than made up for by the Slim X3’s more prized features. The entire keyboard offers a backlit experience, giving you the ability to work comfortably even in low-light settings or at night without needing to have a table lamp or a light switched on. It’s a simple yet crucial detail that bizarrely enough, Apple completely missed… much to Satechi’s advantage. The Slim X3 also supports connections with 4 devices at the same time, using Bluetooth 5.0, and the ability to even switch between them by tapping the device keys located right above the numpad.

The Slim X3 offers a pretty uncompromising experience for Apple lovers looking for a better solution than the Magic Keyboard. Satechi’s attention to visual design has resulted in a keyboard that’s so remarkably similar to Apple’s own, it blends in with your work setup beautifully. Moreover, the keyboard sports a USB-C port, allowing you to use a regular cable to charge it rather than needing a special Lightning cable handy all the time. If you’ve got an iMac or MacBook, or even an iPad, chances are you’ll have a USB-C cable lying around (since all those devices have USB-C ports of their own), making the Slim X3’s integration even more seamless. Moreover, the Slim X3 Wireless Keyboard boasts compatibility with any Apple device launched in or after 2012, making it perfect for your MacBook, iMac, Mac Mini, Mac Studio, iPhone, or any iPad you’ve got from the past decade. Chances are, it’ll probably work with the Apple Watch too!

Click Here to Buy Now

The post Satechi’s Apple Magic Keyboard Redesign Features Backlit Keys and USB-C Charging for Enhanced Performance first appeared on Yanko Design.