In this boundless sea of smartwatches, ZIIIRO still makes analog timepieces look incredibly appealing

ZIIIRO took the world by storm back in 2010 with its series of unconventional watches that had ‘zero’ hands on them. Designed around the philosophy of keeping time visual, the company developed a reputation for making watches that used art to tell the time. Moving gradients helped outline the hours and minutes, as each ZIIIRO watch aimed at being different from the kind of ‘boring’ timepieces that came out of Geneva. In fact, the watches found an incredibly passionate audience on YD, given the unique combination of form, function, and emotion. Today, ZIIIRO comes back with the XS, a smaller range of watches with a 31mm body (as opposed to the company’s 41mm watches). “The XS watch range is a small & refined version of our favorite designs,” says Derick Ip, Head of Business at ZIIIRO. “With a casing of only Ø 31 mm, it’s a better fit for small wrists and also an option if you just prefer an unobtrusive watch – no matter what gender you are.”

Designer: Robert Dabi (ZIIIRO)

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At a compact 31mm size, the XS watches are perfect for people who want to wear something understated and minimalist. ZIIIRO’s watches are known to have a visual impact, but their impact lies in their minimalism, which is what makes the XS such a perfect size for everyone, regardless of how big or small your wrist is. The small size doesn’t compromise on anything, from functionality to legibility. The watches are still eye-catching, easy to read, and are powered by a Japanese Miyota movement, known for their reliability.

Each watch sports a 316L stainless steel body, and pairs with a 16 mm Milanese mesh strap. Keeping in line with the watch’s minimal theme, the XS range also features a recessed crown that sits flush within its body, giving you one of the cleanest silhouettes ever.

The XS series come in two styles with minor variations between them. The Celeste style (above) features a broader hour swatch hovering below the gradient-lined minute hand, while the Horizon (below) has the same design, but with a narrower hour swatch. Both watches exploit the use of color by relying on a transparent rotating disc that serves as the minute hand. The transparent disc comes with a tinted gradient and a single line to denote the minutes. As the minutes pass, the watch face dramatically changes in its visual composition like one of Felipe Pantone’s artworks.

One could argue that the best thing about ZIIIRO’s watches is that it has absolutely ‘zero’ tech inside them. It sticks to analog but makes it interesting enough to be a statement piece. The watch doesn’t spy on you, doesn’t track your data, and doesn’t need charging every alternate day. It’s made with a reliable build, comes in as many as 9 different color options across the Celeste and Horizon styles, and boasts of 5 ATM water resistance.

Click Here to Buy Now

The post In this boundless sea of smartwatches, ZIIIRO still makes analog timepieces look incredibly appealing first appeared on Yanko Design.

Futuristic-looking helmets double up as innovative fluorescent floor lamps

Rick Owens presented a collection of super cool-looking helmets at his Autumn Winter 2022 menswear show called ‘Strobe’, which was shown at the Palais de Tokyo during Paris Fashion Week. The three helmets are unique and feature single and dual-prong strobe lights protruding from their shell and double up as interesting floor lamps!

Designer: Rick Owens

American designer Rick Owens designed two helmets for the show, and they both feature a different light bar fixture, that has been inserted into and protrudes from the crown of the outer shell. Built from aluminum and fiberglass, the helmets are equipped with a rounded head with a shell that can be extended, providing coverage to the upper parts of the wearer’s chest and back. The helmets have a crown shape, as Owens drew inspiration from the forms he saw in Egyptian temples and tombs while spending time in Egypt. “Helmets have Dan Flavin-esque fluorescent bulbs set into crown shapes that I kept seeing in the Egyptian temples and tombs I toured last October,” said Owens.

The helmet’s extended shell which covers the wearer’s chest and shoulders in three parts, allows it to double up as a freestanding floor lamp. The extended shell functions as the legs of the lamp. The first lamp is called Amun, and it is available in the color black. It features a two-pronged lighting fixture, that has been placed within a trapezoidal frame. The second helmet is called Hedjet and is available in both black and white. It has been equipped with a single light bar fixture that protrudes out of the shell.

Owens’ helmets are pretty intriguing – both visually and functionally, as they signify an interesting and innovative crossover between apparel and lighting. His design is not only a fashionable wearable, but also a super functional fixture that you could actually use to light up your living space. When used as a lighting fixture, the helmets have a sculptural feel to them, allowing them to function as artistic and well-designed pieces for your living space. And when used as helmets, they have the ability to make an impressive and loud fashion statement.

The post Futuristic-looking helmets double up as innovative fluorescent floor lamps first appeared on Yanko Design.

FMT Estudio connects two Mexican dwellings with swimming pool courtyard

Concrete courtyard with a small swimming pool, concrete perimeter walls and lush green trees

Local architecture practice FMT Estudio has completed two concrete houses on either end of a narrow plot in Mérida, Mexico, connected by a central courtyard.

FMT Estudio designed the El Tirón residential project to have a minimal footprint, aiming to reduce the amount of resources needed in construction while creating a tranquil home.

Concrete courtyard with a small swimming pool, concrete perimeter walls and lush green trees
FMT Estudio designed two concrete homes separated by a swimming pool courtyard

The studio preserved the existing trees on the site and designed the home’s indoor and outdoor spaces to blend in with the surroundings.

“The project has a minimal architectural footprint on the site, being built to harmoniously integrate into its natural environment and optimise the use of resources,” said FMT Estudio.

A concrete staircase overlooking a concrete house and trees
The practice built the project around existing trees

“We maintained a focus on environmental conservation and ensured that the architecture yields to the site, rather than the other way around,” the practice continued.

“As a result, the space exudes serenity with minimal expression and materials, providing ample opportunity to contemplate the surrounding exterior views and enjoy the interior space.”

The exterior of the El Tiron concrete house by FMT Estudio
Concrete walls with ribbed surfaces extend from the dwellings into the central courtyard

The project is situated on an irregularly-shaped 300-square-metre plot that varies in width from approximately 4.15 metres at its narrowest to five metres at its widest.

FMT Estudio designed a 50-square-metre footprint dwelling at the front of the plot, set back from the street front by a paved car parking space.

The El Tiron concrete house by FMT Estudio with swimming pool courtyard
A covered walkway leads from the entrance to the swimming pool courtyard

Beyond the front dwelling is a courtyard with a 17-square-metre swimming pool, which leads to a 90-square-metre footprint house towards the rear of the site, made up of three separate concrete structures.

FMT Estudio designed the project to have a “continuity and fluidity” that guides visitors through the rectilinear site, with patios built around the site’s existing trees.

Concrete courtyard with a small swimming pool, concrete perimeter walls and lush green trees
The swimming pool courtyard acts as a meeting point between the two houses

The swimming pool in the central courtyard provides a meeting space between the two dwellings.

“The project’s uniqueness lies in its ability to prioritise the needs of the existing context over the construction process, allowing a greater appreciation of the surrounding natural environment,” FMT Estudio told Dezeen.

“The building design has disaggregated the traditional spaces of a house and adapted them to fit seamlessly within the surroundings,” FMT Estudio continued.

“The pool, situated in the sunniest area of the property, acts as a meeting point between the two areas while maintaining them separately.”

Patio space at El Tiron house by FMT Estudio with concrete walls and wooden chair
Outdoor spaces were designed as extensions of the living areas

The smaller dwelling and the front of the property contains a kitchen and dining area, a double-height living room, and a mezzanine level accommodating a bedroom and bathroom.

A ribbed concrete wall extends from the house to surround an outdoor patio, which connects the house to the central courtyard and pool.

An outdoor staircase concrete staircase among lush green trees
An outdoor staircase leads to a bedroom in the rear dwelling

A covered walkway at the site’s entrance provides a route to the house at the rear without having to go through the studio.

The larger rear house has an outdoor patio leading to the kitchen on the ground floor. An outdoor staircase wraps around a tree and leads to a bedroom on the floor above, designed to be a contemplative space with views of the treetop.

Interior of a concrete kitchen with glass sliding doors leading to a courtyard with a tree
The rear home is made up of three structures connected by courtyards

Beyond this first rear structure, two additional one-storey structures are separated by courtyards and contain a second bedroom and lounge area.

The outdoor spaces were designed to extend the living areas, providing cross-ventilation and a connection to nature and planting outside.

A living spaces with lounge chairs and sliding glass doors leading to a courtyard with a tree
Openings leading to outdoor courtyards and patios provide natural ventilation

El Tirón’s foundations were anchored on hewn stone footings that were placed on top of the site’s rocky terrain. Inside, the floors were finished in polished concrete and marble flooring features in the bathrooms.

The interior walls have a polished cement finish, while the exterior walls were coated in a cement-based plaster and painted.

Aerial view of El Tiron house in Merida, Mexico by FMT Estudio
The project is located on an irregularly-shaped site

FMT Estudio is an architecture practice based in Mérida, Mexico, that specialises in designing houses in the Yucatán capital.

Other Mexican houses with concrete structures that have recently been published on Dezeen include a beach house with calming water features and a brutalist-style villa with a circular skylight revealing a swimming pool overhead.

The photography is by Zaickz Moz.

The post FMT Estudio connects two Mexican dwellings with swimming pool courtyard appeared first on Dezeen.

Leica Monochrom Edition watches honor fundamentals of black and white photography

Renowned German camera manufacturer, Leica is foraying into the horology world with the impressive Monochrom Edition watches that are testament to the timeless elegance and precision of German engineering. Drawing inspiration from the Leica M11 Monochrom camera, the timepieces pay tribute to the principles of black and white photography: light and contrast.

The Leica Monochrom Edition comprises two models: the ZM 1 and the ZM 2 that play with shades of black and grey. Both are handcrafted and developed in collaboration with Lehmann Präzision GmbH, from the initial vision through to the final implementation.

Designer: Leica

From the onset, Leica ZM Monochrom Edition’s minimalist design is devoid of any bright color, with the exception of a red dot from the Leica camera’s shutter button, which finds a place on the crown.

The watches tout satin-finished stainless steel case and PVD coated bezel that absorbs light to reveal depth. This breathtaking design ingenuity is complemented by the domed sapphire crystal beneath which lie the sandblasted aluminum dial topped with black rhodium-plated, diamond-cut, and sandblasted indices.

The Leica ZM1 and ZM 2 Monochrom watches have a lot in common, including hours, minutes and small second display, the transparent caseback, 60 hours of power reserve, and their water resistance of up to 50 meters. The watches are a symbol of Haute Horologie, which besides the casing, shows in the in-house, self-wound mechanical movement and the signature push-crown.

The crown stops the movement when it’s pushed down, resetting the seconds and making the time setting atypical to what the other watchmakers rely on. This places the Leica ZM monochrom edition in a league of its own. The Leica ZM 2 distinguishes itself from the ZM 1 a tad bit with the GMT hand for indicating a second-time zone. It is paired along with a day/night indicator that makes reading two time zones easier with a single set of hands.

The watches come with a handstitched strap made of black calf leather, matching the leather cover of the Leica M11 Monochrom camera in style and durability. The Leica ZM 1 and the ZM 2 are expected to ship in May, starting at €11,550 and €15,450 respectively.

The post Leica Monochrom Edition watches honor fundamentals of black and white photography first appeared on Yanko Design.

Woods Bagot looks to "future rather than nostalgia" for Brooklyn Tower lobby interiors

Brooklyn tower lobby

International architecture studio Woods Bagot has completed the lobby design of the Brooklyn Tower, a supertall skyscraper that is the tallest in the New York City borough.

Woods Bagot was commissioned for the interior spaces – including lobbies, amenities spaces and furniture – for the SHoP Architects-designed skyscraper, which is completing this year. So far, it has completed the two entrances that will usher residents into the lobby.

Brooklyn tower lobby interior
Woods Bagot designed the lobby for Brooklyn’s tallest tower

The tower itself rises from the historic Dimes Saving Bank in Downtown Brooklyn, so Woods Bagot needed to navigate the historic design as well as the “future landmark”.

“Together with the architect we looked to the future rather than focus on a nostalgia for the past,” Woods Bagot principal Krista Ninvaggi told Dezeen.

Oak panelling and concierge desk
It features oak panelling

“Ironically, [American architect] Hugh Ferriss’s work and dedication to retro-futurism influenced our designs,” she added.

“We very much wanted the interiors to be in dialogue with the ethos of the exterior of the building, so that it felt like a complete work and continued the vision of the exterior. The goal was for the inside and outside to be unified as a total work.”

Woods Bagot’s solution to create this unification was to focus on small details, such as the wood panelling in the main lobby, which was milled at one-half the scale of the exterior facade extrusions.

The design included both of the two residential entrances to the tower, one of which passes through the Dimes Savings Bank building on Fleet Street.

Both entrances have oak panelling and cream-coloured hexagonal flooring that was based on the original flooring for the bank.

Dime covered ceilings and lights and elevators
The elevator entrance room has a ceiling clad in dimes

The Flatbush Avenue entrance, through the extension built for the tower, acts as the primary lobby and has a concierge desk positioned in front of a recess.

Gold and bronze detailing and custom furniture designed by Ninvaggi – such as a built-in stone bench – were arranged around the desk and the wood panelling is backlit.

From here, a passageway with arches clad in stone connects the main lobby with the Fleet Street entrance. Also accessed from the main lobby is the elevator bank.

This area has a vaulted ceiling clad in liberty dimes, another reference to the bank, and the elevators are framed by gold detailing.

“We also used an abstracted mercury dime face as the signage for the ATM tucked away in the lobby,” said Ninvaggi.

“Though we wanted to reference the bank we intentionally incorporated wood, which was not found in the bank’s original material palette. This warmed the space and gives it a more residential feel and the lighter wood tone compliments the stone.”

“Overall, we made strides to abstract our references for a modern-day audience,” she added.

Passageway with stone arch
A passageway connects the two entrances

Woods Bagot was founded in Adelaide, Australia in 1869. Other recent projects by the studio include a convention centre in Christchurch with a curved, tile facade in collaboration with New Zealand studio Warren & Mahoney and an expansion to Seattle’s Sea-Tac airport.

The Brooklyn Tower is scheduled to be completed in the next few months, with most of its black facade already having been installed.

The photography is by Adrian Gaut.

The post Woods Bagot looks to “future rather than nostalgia” for Brooklyn Tower lobby interiors appeared first on Dezeen.

Eight furniture pieces, lights and accessories launched during Milan design week

Crystal Grid chandelier by Preciosa Lighting

Dezeen Showroom: a sound-dampening work booth and a flat-pack chair made from recycled plastic are among the designs on Dezeen Showroom that were on show during Milan design week.

Eight leading brands showcased their new products during Milan design week last week, which included a striking, angular pendant light made from modular pyramidal segments and a collection of outdoor furniture made from aluminium and teak wood.

Milan design week took place from 17 to 23 April 2023 and included shows, installations and events in hundreds of venues across the city’s design districts. For a list of events that took place, visit Dezeen’s dedicated guide.

Here’s a selection of the latest products on Dezeen Showroom that were presented during Milan design week.


Photo of BOB Solo

BOB Solo by Thomas Bernstrand and Stefan Borselius for Blå Station

Swedish furniture brand Blå Station has released a self-contained work booth created in collaboration with designers Stefan Borselius and Thomas Bernstrand.

BOB Solo is characterised by its two padded enclosing panels that have sound-dampening properties as well as additional functionality, including an in-built power bank and reading light.

Find out more about BOB Solo ›


OTO chair by Alessandro Stabile and Martinelli Venezia for One to One

OTO chair by Alessandro Stabile and Martinelli Venezia for One to One

Italian furniture brand One to One has released a chair created by Alessandro Stabile and Martinelli Venezia that is made from recycled plastic.

OTO is created from a single mould and is transported in a flatpack format. It comes in six vibrant colours including onyx, fog, mustard, eucalyptus, coral and forest.

Find out more about OTO ›


Photo of Tri Light

Tri Light by Tokio

Design brand Tokio has released a modular, segmented statement light that takes cues from the way light shines through Japanese shoji partitions.

Tri Light consists of segments made from milled and anodised aluminium that can be programmed to emit different temperatures of light to create subtle patterns.

Find out more about Tri Light ›


Photograph showing dining table and chairs on terrace with sea view

Tulum outdoor collection by Eugeni Quitllet for Vondom

Outdoor furniture company Vondom teamed up with Catalan designer Eugeni Quitllet on a range of pieces that are united by their use of teak wood and aluminium.

Tulum consists of seating and tables for lounge and dining areas, and are resistant to even the harshest of weather conditions, according to the brand.

Find out more about Tulum ›


Argyle pendant lights by Rakumba over a dark wood table in a dining room

Argyle lighting collection by Nichetto Studio for Rakumba

Australian lighting brand Rakumba has released a light designed by Nichetto Studio that refers to both the shape of diamonds and the geometric patterns visible in Argyle textiles.

Argyle comes in floor, pendant and table lamp formats, all available in both clear and coloured glass finishes, which include yellow, pink, grey and green.

Find out more about Argyle ›


Photo of a plaster wall surface behind a dining table and chairs

3D Wall Plaster by Atlas Concorde

London-based ceramics brand Atlas Concorde has released a collection of surface coverings that take cues from ancient decorative processes.

Five textural finishes make up the 3D Wall Plaster range – Origami, Bloom, Jasmine, Combed and Barcode – all sharing the same white shade that allows the 3D textures to stand out.

Find out more about 3D Wall Plaster ›


Crystal Grid chandelier by Preciosa Lighting

Crystal Grid pendant light by Preciosa Lighting

Czech design company Preciosa Lighting has created a striking statement pendant light that takes the form of a three-dimensional grid made up of tubes of light.

Crystal Grid consists of glass tubes with bubble-like inclusions that are joined together by multi-way connection blocks. Its modular nature allows it to be altered to suit spaces of varying sizes.

Find out more about Crystal Grid ›


Daydream by Dedon

Daydream daybed by Richard Frinier for Dedon

American designer Richard Frinier has released a daybed in collaboration German outdoor furniture brand Dedon that references folk tales of the Middle East.

Daydream is crowned with a fabric awning that is slung between sets of uprights, and is large enough to accommodate multiple people lounging at one time.

Find out more about Daydream ›

Dezeen Showroom

Dezeen Showroom offers an affordable space for brands to launch new products and showcase their designers and projects to Dezeen’s huge global audience. For more details email showroom@dezeen.com.

Dezeen Showroom is an example of partnership content on Dezeen. Find out more about partnership content here.

The post Eight furniture pieces, lights and accessories launched during Milan design week appeared first on Dezeen.

Core77 Weekly Roundup (4-24-23 to 4-28-23)

Here’s what we saw this week:

The technique of pre-fabricating gigantic ships, invented under pressure during World War II, is still the best way to do it. Here’s a time-lapse of a gigantic cruise ship being built using pre-fab techniques.

My guess is that objects like this CNC-milled tool organizer will become the next non-portable EDC object craze.

From startup Formify, a customized computer mouse designed from a photo of your hand. Does this say more about the state of modern manufacturing, or human psychology?

Swiss industrial designer Renaud Defrancesco designed this Spot lamp with dual user-adjustable rotating LEDs.

Spin the Lightning! Austrian audiophile equipment manufacturer Pro-Ject makes this limited edition Metallica turntable.

The designers of the new Polestar 4 have gotten rid of the rear window altogether. I am not sure why, something about “a new kind of immersive rear occupant experience,” the company says.

The Draft Top Pro, a countertop beer-can-beheading device for bars, can help eliminate plastic cups and reduce glassware.

Japanese cutting tool company Olfa makes this odd-looking BTC-1/DX, a combination scraper and leatherworking cutter with a rotating head.

This Light-Up Chess Set features wirelessly illuminated pieces that go dark when “taken.” Electromagnetic induction does the trick.

Airbus has designed a roomy space station called the LOOP. Larger, better-designed space stations will become a reality as SpaceX gets their heavy booster rockets to work.

Lancia’s stunning Pu+Ra HPE concept blends ’70s, ’80s and ’90s design cues with the 21st Century.

This MUECKE line of furniture made from carbon fiber tubes is by architect/designer Jonathan Muecke.

Google researchers are using DeepMind AI to teach robots how to play soccer.

Crocs and Bodega teamed up on this unusual All-Terrain “NICT-TECH” Clog, which features on-shoe storage and a deployable rain shield.

Lu Ban rulers are Feng-Shui-specific tape measures that mark auspicious dimensions in red.

Product designer Erik Stehmann upcycles cast-off furniture with egg crate foam sealed under a polyurethane coating.

As it turns out, there are rather a lot of designs for plates that let you hold both food and drink in one hand.

Engineer and sprocket scientist Sergii Gordieiev used bicycle parts to create this wrapping machine.

Hardware engineer Mohit Bhoite designs and builds these beautiful, functional, technological desktop sculptures.

Ten standout projects and installations at Milan design week

Milan design week installation

Following this year’s Milan design week, Dezeen has highlighted ten standout exhibitions, installations and shows at the Milanese festival, ranging from textiles made from brick to a denim-clad jet plane.

Milan design week is the biggest annual design event in the world and encompasses a number of exhibitions, shows and installations across the city of Milan, as well as hosting Salone del Mobile – the world’s largest and most important furniture fair.

Among the trends at this year’s Milan design week were installations by large fashion houses, industrial waste materials being used to reduce the environmental impact of new products and meetings between digital and physical designs.

Below, the Dezeen team has selected ten key shows and installations that it visited during the week-long event:


Brick Textiles by Natural Material Studio

Brick Textiles by Natural Material Studio

Presented at Alcova, a travelling exhibition showcase for independent design, Natural Material Studio and Polish designer and researcher Zuzanna Skurka created textiles from porous repurposed bricks that were sourced from demolition projects.

“We were very curious about this question of how can architecture be flexible, more simple and translucent even? It’s all the opposite aspects of a brick,” said Natural Material Studio founder Bonnie Hvillum.

“When we think of brick it’s like a solid, rigid, structural wall,” she continued. “But how can we make more flexible and fluid architecture today?”

Find out more about Brick Textiles ›


OMG-GMO by Robert Stadler

OMG-GMO by Robert Stadler

Designer Robert Stadler showcased a series of whimsical furniture and lighting pieces in the shape of fruit and vegetables at the Carwan Gallery.

Named OMG-GMO, the collection features straight carrots, square watermelon slices and spotless bananas intending to be a humorous comment on how the natural appearance of food has been altered.

Find out more about OMG-GMO ›


Poikilos by Objects of Common Interest

Poikilos by Objects of Common Interest

This show at Nilufar Depot featured 13 iridescent objects created by New York- and Athens-based studio Objects of Common Interest using a secret resin recipe.

Romanian-born craftsman Ovidiu Colea taught Objects of Common Interest founders Eleni Petaloti and Leonidas Trampoukis the formula so they could continue his legacy.

The exhibition showed the results of their first experiments, including the three-legged Klisis chair, the concave Afairesi console and the whale-like Stala coffee table.

Find out more about Poikilos ›


Photo of the denim jet

More or Less by Maarten Baas and G-Star RAW

Dutch designer Maarten Baas collaborated with denim brand G-Star RAW to create the exhibition More or Less, which was shown inside the Milanese church San Paolo Converso.

Baas constructed a life-size private plane that was wrapped in a skin constructed from panels of recycled denim. According to Baas, the installation was a comment on issues of sustainability.

A triptych of jean-shaped cabinetry, similarly constructed from denim, was presented alongside the jet.

Find out more about More or Less ›


Momentum by MAD

Momentum by MAD

A cube wrapped in ribbons of reflective ETFE – a plastic polymer – by architecture studio MAD was anchored at a 45-degree angle to the grassy lawn of the University of Milan as part of the Interni Design Re-Evolution exhibition.

Called Momentum, the installation was created in collaboration with lighting company L&L Luce&Light, which supplied a series of lights that were placed within the interior of the cube to create a glowing illumination at night.

Find out more about Momentum ›


Shaped by Water installation by Google and Lachlan Turczan at Milan Design Week

Shaped by Water by Lachlan Turczan and Google

Reflective stainless-steel basins filled with water act as giant speakers in this installation by American artist Lachlan Turczan, helping to visualise different sounds and even an entire 10-minute music piece through the ripples created in the water.

Sponsored by Google, the exhibition was designed to illustrate the hidden qualities of water and how they have influenced the tech giant’s hardware design.

Find out more about Shaped by Water ›


Clay Court Club installation at Milan design week by Cristina Celestino

Clay Court Club by Cristina Celestino

Italian architect and designer Cristina Celestino temporarily took over the headquarters of the Tennis Club Milano Bonacossa, a building designed by renowned Milanese architect Giovanni Muzio and constructed in 1930.

Her installation saw the building updated with furniture and fittings that featured playful references to tennis. These included chairs with interwoven details akin to traditional tennis rackets and a bench that took cues from courtside seating.

Find out more about Clay Court Club ›


The Harmony of Form and Function by Shigeru Ban

Harmony of Form and Function by Shigeru Ban

Japanese architect Shigeru Ban referenced his long-standing interest in biomaterials when designing the installation space for The Harmony of Form and Function exhibition, which showcased architect Frank Lloyd Wright‘s Taliesin lights.

The lamps were displayed in a tactile arched tunnel made from paper tubes, illuminated only by a window that featured one of Wright’s own leaded-glass designs.

Find out more about Harmony of Form and Function ›


Milan design week installation

Expériences Immobiles by DWA Design Studio and Les Eaux Primordiales

As part of the Alcova showcase, Italian interiors practice DWA Design Studio designed an olfactory installation for perfume brand Les Eaux Primordiales, including smellable ceramics dipped in its latest scent.

The installation itself takes the form of two octagonal towers, designed to resemble factory chimneys and constructed from a demountable timber-frame system.

Find out more about Expériences Immobiles ›


Ro Plastic Prize 2023 winner Isinnova prosthetic leg

3D-printed prosthetic limbs for Ukraine from Ro Plastic Prize by Isinnova

Named the winner in the category for Emerging High Technology at the 2023 Ro Plastic Prize, Italian company Isinnova designed an artificial leg that can be produced quickly and at a low cost for emergency situations.

The prosthetic leg was first developed in response to the war in Ukraine and is made mostly from recycled plastic, which was 3D-printed into custom designs.

Find out more about 3D-printed prosthetic limbs for Ukraine ›

Milan design week took place during 17-23 April. For more events, talks and installations in architecture and design visit Dezeen’s Events Guide.  

The post Ten standout projects and installations at Milan design week appeared first on Dezeen.

Beautiful, Functional, Technological Desktop Sculptures by Mohit Bhoite

Mohit Bhoite is a hardware engineer whose day job is designing and building IoT products. But on the side, he constructs wonderful desktop sculptures that incorporate circuits and convey information. He’s really got a knack for making tech look artistic and beautiful:

Tiny Temperature Monitor

“A tiny seven segment temperature monitor using ATtiny861A microcontroller and BME280 sensor. Powered by a CR2032 coin cell.”

GSC-X1

“GNSS Synchronized Clock based on the Particle Xenon.”

Chintoo FM

“This little FM buddy is based on the Philips TEA5767 FM radio chipset, Adafruit ItsyBitsy 32u4, PAM8302 audio amp, and a 4 digit seven segment display. The list of preprogrammed FM radio stations can be toggled by tapping on a tiny brass disc. I used Paul Stoffregen’s capacitive touch library here. The volume is controlled with a linear potentiometer in the back. Power comes over USB.”

LM3915 VU craft

“This is a VU meter based on the classic LM3915 display driver. I used a LED color bar graph for display and 20 awg copper for the frame and interconnects. Power comes from USB.”

Not a sculpture, but he also made this wild-looking Handle With Care Flashlight:

Check out the different settings:

See more here or on Bhoite’s Instagram.

TECNO PHANTOM V Fold Foldable Phone Review: When The Price is Right

PROS:

  • Eye-catching and distinctive design
  • More usable outer Cover Screen
  • Great value for its price
  • Large and fast-charging battery

CONS:

  • Hinge doesn’t support intermediate angles
  • Limited global availability
  • Missing features like HDR, IP rating, and wireless charging

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR’S QUOTE:

A beautiful phone with shockingly good performance, the TECNO PHANTOM V Fold’s aggressive pricing is enough to make you overlook its minor flaws.

You know that foldable phones have really hit mainstream when even relatively lesser-known brands start launching one. Although it has been serving markets like Africa for years now, TECNO has only recently started to spread its wings globally. This year, it made its most ambitious move yet, launching a phone in a market that is still considered niche and a luxury that few could afford. The TECNO PHANTOM V Fold, however, has a trump card that almost no other of its kind dares to use: a significantly lower price tag. But at what cost does that price cut come, and is it enough to give the PHANTOM V Fold the upper hand? We give the latest foldable phone a spin to find out.

Designer: TECNO

Aesthetics

The TECNO PHANTOM V Fold immediately stands out among its peers the moment you lay your eyes on it. Its large internal screen is nearly crease-free (we’ll get back to that later), and its external cover display is along normal aspect ratios in contrast to the Samsung Galaxy Z Fold 4’s uncomfortably tall and narrow version. What really catches the eye, however, is the rear design, including the camera bump, which is thankfully more than just a pretty face.

Like a breath of fresh air amid the sparkling or frosted glass of most of today’s smartphones, foldables included, the PHANTOM V Fold adopts a textured back panel similar to faux leather but with a more fibrous appearance reminiscent of craft paper or felt. It’s plastic, yes, but recycled plastic, at least, making you feel good about it in more ways than one.

Although circular camera bumps are no longer unique, TECNO puts a rather interesting spin on it by having the main 50MP camera raised a bit higher and off to the side of the enclosure, visually counterbalanced by the other two circular lenses on the opposite side. It’s an asymmetrical design that quickly calls your attention in a pleasing way, and it might remind you of the moon or, for some Star Wars fans, a certain planet-sized planet-killing machine.

Thanks to the use of that now famed “water drop” hinge, the PHANTOM V Fold can boast of a flatter internal display and a tighter fold. That said, it’s not as invisible as the OPPO Find N2, especially at certain angles, and the fold isn’t completely flat either. It’s still a lot better than the Galaxy Z Fold 4, though, which is quite impressive for a first attempt compared to Samsung’s four generations.

Ergonomics

While the TECNO PHANTOM V Fold might be a joy to look at, you might be taken aback a bit when you finally hold it in your hand. At 299g, it is easily one of the heaviest foldable phones on the market, even among the “horizontal” foldable kind. Thankfully, the textured plastic back helps give it a bit of a grip, but it’s something you should take into account when trying to use the phone for long periods of time.

Unlike most foldables, the PHANTOM V Fold’s outer Cover Display curves down on the right side, similar to the curved edge displays of past flagship phones. Unfortunately, it doesn’t add much to the experience except for a slight visual flair. Some might even find it to be a drawback because of accidental triggers when part of the palm or finger brushes that sloped side. Fortunately, its wider aspect ratio makes it a lot more usable than the narrow and tall oddity of the Galaxy Z Fold 4, but you would still prefer to use it with both hands anyway.

One of the neat tricks of foldable phones is to be able to use them in a half-folded state. It’s a novelty that only works if the apps support what some companies have branded as “Flex Mode,” and that’s sometimes the case with apps like YouTube or the camera. Unfortunately, none of that is possible with the PHANTOM V Fold because it can’t really stay still at any angle except completely opened or closed. It will stay open a bit at an angle but will eventually either open flat or close down. It’s not a deal-breaker considering the relatively small number of uses for Flex Mode, but it’s still a disappointing absence for a foldable.

Performance

Given its price tag, you might presume the PHANTOM V Fold to be the first mid-range foldable phone, and you’d be shocked that it isn’t the case. Granted, it’s not exactly the fastest or the best in class, but it’s far from being the last in the race. The phone is powered by a MediaTek Dimensity 9000+, which can definitely pull its weight and handle almost anything you throw at it, including games. In terms of benchmarks, it’s on par with the Qualcomm Snapdragon 8+ Gen 1, which was the flagship chipset last year. In practice, you’d be hard-pressed to find something that will make it choke, especially with the 12GB of RAM that can be expanded up to 21GB.

The displays are nothing to scoff at either, both using AMOLED LTPO technology, which gives it a range of 10Hz to 120Hz refresh rates. Images are sharp and colors are vibrant, especially with the internal foldable panel’s higher pixel density. Neither are the brightest in the market, and the larger screen also takes a larger hit in brightness, but they’re usable enough even under bright sunlight. The display isn’t rated for any HDR support, which is quite a bummer in this day and age. Some streaming services might still attempt to play HDR content, though most likely through software processing.

The PHANTOM V Fold rightly has stereo speakers, with grilles located on opposite halves of the phone. The output is loud and serviceable but totally unremarkable in any aspect. You’d be better served by connecting wireless earphones, but the speakers will still do well enough when you really want to blast music out loud.

The theme of “decent but unremarkable” continues with the triple camera setup, led by a 50MP main shooter. Under bright light, shots are actually good with a fair amount of detail, though the colors look a bit washed and dull. The camera falters a bit at night unless you enable the dedicated Night Mode, at which point it actually comes out with impressive output. The 50MP 2x “telephoto” camera does reasonably well, though its zoom level can be considered to be the bare minimum. Jumping from 2x optical to 3x digital zoom immediately reveals a dive in quality. The 13MP ultra-wide is what you’d expect, though it thankfully still comes out with OK shots. None of the cameras advertise OIS, but the ultra-wide camera does have autofocus, which is actually a rarity.

Ultra-wide

Wide

2x Zoom

The internal front-facing camera uses a 13MP sensor and is easily outclassed by the 32MP selfie shooter on the outer display. Just like with most smartphones coming from the region, the PHANTOM V Fold applies aggressive “beautification” post-processing to the point of becoming a tad unrealistic. That’s especially true for Portrait Mode, which may misidentify people and start embellishing facial features and tones.

For its first-ever foldable phone, TECNO modified its custom Android experience with plenty of multi-window and multitasking features. Unfortunately, the HiOS 13 Fold user experience also comes with plenty of bloatware, some of which might be completely unfamiliar to most people. There are also some areas that feel rough around the edges, unoptimized, or even downright buggy. This is, fortunately, also the easiest part of the experience to fix, presuming TECNO puts in the work to push out updates quickly and regularly.

This entire experience runs on a 5,000mAh battery, which is admittedly one of, if not the largest for a foldable phone. Given its specs and its two 120Hz displays, however, the uptime practically evens out at the end of the day. The PHANTOM V Fold’s 45W charging speed isn’t exactly the fastest, but it’s almost twice what Samsung has to offer. There’s no wireless charging, though, but that’s also something that only the Galaxy Z Fold has anyway.

Sustainability

Just like any other smartphone these days, the TECNO PHANTOM V Fold doesn’t really score that high in this category. It deserves props for using recycled plastics for its back cover, but that’s a comparatively small part of the whole. The phone, however, takes the biggest hit when it comes to its longevity because it almost feels as if this phone isn’t built to last.

For example, there is no IP rating, not even an assurance beyond something along the lines of using a “splash-proof” coating. The hinge type might be at fault here, but anything that would give consumers some confidence is definitely welcome. Official IP certification definitely costs a lot, but given how fragile these foldable phones already are, it could be something buyers will be willing to pay for.

TECNO also doesn’t have a track record of software updates, at least not yet, and it’s only offering the barest of bare minimum for the PHANTOM V Fold, just two years, in this case. That can and will hopefully change now that the company is trying to play in the big leagues, where Google’s three-year commitment was almost laughed out of the room.

Value

If it hasn’t been apparent yet, the TECNO PHANTOM V Fold seems to have many of these small nitpicks and paper cuts, minor flaws that keep it from getting a perfect score. Granted, no phone is really perfect, even those from much bigger brands than TECNO, but are these drawbacks enough to ruin the overall value of this foldable phone? Fortunately, no.

When looking at the bigger picture, the PHANTOM V Fold offers what market watchers and fans have been asking for for years, an affordable foldable phone that doesn’t come in a clamshell form factor. The $1,100 price tag alone, which is nearly half that of the Galaxy Z Fold 4, is enough to turn heads, but that figure doesn’t mean that the product isn’t up to snuff. It’s less about cutting corners and more about providing the best set of features for that cost. From that perspective, TECNO managed to pull off a miracle and might be the first one to really come out with a flagship foldable phone for the masses. Unfortunately, only those in India will be able to get their hands on this wonder device, at least for now.

Verdict

A lot of smartphone manufacturers are trying to make foldable phones more normal, but filling the market with such devices solves only one part of the problem. By now, many people are already aware of the benefits of such a device, and almost everyone definitely wants to have a larger screen to watch or play on. The only problem left is an affordable option that lowers the risk when buying a comparatively less durable phone.

The TECNO PHANTOM V Fold is the first to really take a step in that direction. In some ways, it is better than the standard that Samsung set, and in other ways, it is at least on par. It is far from being perfect, and there’s a laundry list of flaws to nitpick. In the grand scheme of things, however, the PHANTOM V Fold delivers a solid foldable phone experience that’s well worth the $1,100, presuming you can get your hands on one.

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